Difference between revisions of "Fazang"
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| − | [[Fazang]] ({{Wiki|Chinese}}: [[法藏]]; pinyin: [[Fǎzàng]]; Wade–Giles: [[Fa-tsang]]) (643–712) was the third of the [[five patriarchs]] of the [[Huayan school]]. He is said to have authored over a hundred volumes of essays and commentaries. His essays "[[On the Golden Lion]]" and "[[On a Mote of Dust]]" are among the most celebrated ruminations from the [[Hua-yen]] school. The former essay is based on a lecture on [[Buddhism]] that [[Fazang]] gave to {{Wiki|Empress}} {{Wiki|Wu Zetian}}. The {{Wiki|Empress}} was having trouble understanding the subtle [[views]] of [[Huayan]], so [[Fazang]] drew an analogy, comparing the relationship between the shape of a [[lion]] statue and the gold of which it is composed to the relationship between the [[conditioned things]] that [[exist]] and the underlying [[reality]] of which all are a part. "[[On the Golden Lion]]" may be found in the [[Taishō Tripiṭaka]], where it is text 1881, and is accompanied by the {{Wiki|Song-dynasty}} commentary of [[Cheng Qian]]. | + | [[Fazang]] ({{Wiki|Chinese}}: [[法藏]]; pinyin: [[Fǎzàng]]; Wade–Giles: [[Fa-tsang]]) (643–712) was the third of the [[five patriarchs]] of the [[Huayan school]]. He is said to have authored over a hundred volumes of essays and commentaries. His essays "[[On the Golden Lion]]" and "[[On a Mote of Dust]]" are among the most celebrated ruminations from the [[Hua-yen]] school. The former essay is based on a lecture on [[Buddhism]] that [[Fazang]] gave to {{Wiki|Empress}} {{Wiki|Wu Zetian}}. The {{Wiki|Empress}} was having trouble [[understanding]] the {{Wiki|subtle}} [[views]] of [[Huayan]], so [[Fazang]] drew an {{Wiki|analogy}}, comparing the relationship between the [[shape]] of a [[lion]] statue and the {{Wiki|gold}} of which it is composed to the relationship between the [[conditioned things]] that [[exist]] and the underlying [[reality]] of which all are a part. "[[On the Golden Lion]]" may be found in the [[Taishō Tripiṭaka]], where it is text 1881, and is accompanied by the {{Wiki|Song-dynasty}} commentary of [[Cheng Qian]]. |
{{Wiki|Scholars}} have observed the [[influence]] of {{Wiki|Taoism}} on [[Chinese Buddhism]], and [[Fazang]] is believed to have drawn on a mode of [[thought]] derived from the [[I Ching]]. [[Fazang's]] works also show some [[influence]] from [[Wonhyo]]. | {{Wiki|Scholars}} have observed the [[influence]] of {{Wiki|Taoism}} on [[Chinese Buddhism]], and [[Fazang]] is believed to have drawn on a mode of [[thought]] derived from the [[I Ching]]. [[Fazang's]] works also show some [[influence]] from [[Wonhyo]]. | ||
Revision as of 13:45, 17 September 2013
Fazang (Chinese: 法藏; pinyin: Fǎzàng; Wade–Giles: Fa-tsang) (643–712) was the third of the five patriarchs of the Huayan school. He is said to have authored over a hundred volumes of essays and commentaries. His essays "On the Golden Lion" and "On a Mote of Dust" are among the most celebrated ruminations from the Hua-yen school. The former essay is based on a lecture on Buddhism that Fazang gave to Empress Wu Zetian. The Empress was having trouble understanding the subtle views of Huayan, so Fazang drew an analogy, comparing the relationship between the shape of a lion statue and the gold of which it is composed to the relationship between the conditioned things that exist and the underlying reality of which all are a part. "On the Golden Lion" may be found in the Taishō Tripiṭaka, where it is text 1881, and is accompanied by the Song-dynasty commentary of Cheng Qian.
Scholars have observed the influence of Taoism on Chinese Buddhism, and Fazang is believed to have drawn on a mode of thought derived from the I Ching. Fazang's works also show some influence from Wonhyo.
