Namkha Sacred Form Of Yarn
Namkha is a form of yarn or thread cross composed traditionally of wool or silk and is a form of the Endless knot of the Eight Auspicious Symbols. Namkha, space, is the Tibetan term of an absurdly prehistoric structure made of colored threads encased around wooden sticks, derivatives of which can be found in other cultures of our planet’s civilizations.
Tibetans have imbued with a very precise, well defined, and meaningful function, as we shall see from the pure symbolic representation. Moreover, this article will fully elaborate on the sacred Namkha.
It is faithful to the sense of nature, both as the origin and the invaluable protection of the five material elements Wood, Fire , Air, Metal and Water, the Namkha as a whole reflects the planetary environment in which those elements interact. Yet though focused on astrological equations and definitely not being able to do without them, a Namkha is not at all the equivalent to a horoscope.
This is not limited to a pure reflection of the individual’s features but has a purpose, not only cognitive but functional. It is in fact a concrete, effective and extraordinary means to harmonize the energy of the individual, both internally and in relation to the total energy of the time and the universe as a whole.
For certain tantric ceremonies, the Namkha is a deity’s pure land abode while in other rites it may serve as a snare to demons. Tradition maintains that it was for this latter reason that Padmasambhava used a namkha after his Vajrakilaya Dance during the consecration of Samye monastery during the first importation of Buddhism to Tibe, in comparison, weaves of a related type in English folk art are called “God’s head.”
However, it was also used in the ancient rites of Bön — Tibet’s pre-Buddhist religion — this entity in fact reflects the fundamental aspects and facets of the individual’s nature, as described from gestation to the birth of the individual.
In the Buddhist practices of Bön and Vajrayana a namkha is built during ceremonial activity as the temporary residence for a deity. The namkha ‘s form is historically made of colored threads representative of the elements (blue , green, red , white, and yellow; space, air , fire , water, and earth respectively), the order, and the namkha ‘s shape varying with each deity or yidam in question.
The namkha is mounted on the altar or shrine of the practitioner and a image of the god may be mounted beneath. The namkha is often accompanied by the tantric and shamanic instrument, the phurba, in rituals and ceremonial workings.