Philosophical Literature: Tibet
Although Tibetan lacks an emic term that might
correspond to “philosophy”, there is certainly an
indigenous conceptual domain that can broadly
be characterized as philosophical. This territory is
to some extent demarcated by terms such as lta ba
(“view”; Skt. darśana), which has been understood
in contradistinction to spyod pa (“conduct”; Skt.
caryā). Some basic tenets of faith go unquestioned,
including belief in the efficacy of the three jewels
(the Buddha, his teachings, and his community), the
workings of karma, the existence of past and future
lives, and the need to act morally and observe ethical codes. These have generally not been subject to
challenge, even theoretically, and exhibit relatively
few signs of historical variation. Conversely, the correct “view”, or correct philosophical stance, has represented disputed ground, and served as the subject
of controversy and debate. The Tibetan commentarial and debate traditions – deemed principally to
be the province of the scholarly community – have
been preoccupied with these issues. Philosophical
views and interpretations have been questioned
and revised, and debate of philosophical issues has
been seen as permissible. Trenchant disagreements
between scholars and schools have occasionally
developed, but these have generally not been seen
as impinging upon the aforementioned basic issues
of faith and morality. The main exception concerned views that were deemed to be nihilistic, such
as those attributed to the Chinese monk Hwa shang
Mahāyāna (see below), which have been depicted
as undermining crucial Buddhist principles. Furthermore, from an early stage, Tibetan authors have
organized non-Tibetan (principally Indic) materials
doxographically, distinguishing different schools
and traditions in terms of competing or hierarchical
systems of philosophical tenets.
Historically, a number of topics dominated
Tibetan philosophical discussion. These included
most centrally the nature and relationship between
the two truths, the absolute and conventional (don
dam; Skt. paramārtha; and kun rdzob; Skt. saṃvṛti),
especially the ontological status, coherence, and
verifiability of conventional reality; understandings
of the buddha nature or the essence of buddhahood
(de bzhin gshegs pa’i snying po; Skt. tathāgatagarbha),
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the innate factor that serves as the basis for an individual’s eventual enlightenment; the relevance
to the path of conceptual thought and analytical
reasoning; and how freedom from conceptual constructs is to be understood. Despite the more universal themes – such as the exact relationship between
philosophy and contemplative practice – that
these might be said to address, the fascination with
these topics must be seen as the legacy of Tibetan
attempts to make sense of the extremely diverse
sets of teachings and traditions that entered their
lands from India and surrounding territories during
the first centuries of the introduction of Buddhism,
from the 7th century ce onwards.
The Madhyamaka (Dbu ma; “Middle Way”) philosophy of Mahāyāna Buddhism, championed by
Nāgārjuna (fl. c. 150–250 ce) and his major commentators, made a major impact at an early stage, and
subsequent generations of Tibetan religious authors
have almost exclusively claimed some form of allegiance to Nāgārjuna’s system. However, simultaneously, scriptures (such as the Tathāgatagarbhasūtra)
and treatises important to the other major branch
of Mahāyāna philosophy, the Yogācāra (Rnal ’byor
spyod pa), attributed to Maitreya, or composed
by Asaṅga and Vasubandhu (fl. 4th cent. ce and
c. 350–430, respectively), also became influential. Both these and the varieties of tantric teachings that flowed into Tibet seemed to call for a far
more affirmative stance on consciousness, buddha
nature, and various aspects of the path than was
immediately apparent in the anti-realist approach
of the Madhyamaka, with its heavy emphasis upon
negation. Ever since, there have been attempts to
reconcile the Madhyamaka and Yogācāra systems,
whether by presenting some form of syncretized
version of their teachings, or organizing them hierarchically, within a doxographical model. A third
important aspect of Buddhist philosophy to enter
Tibet from India was the Pramāṇa (Tshad ma) or
logico-epistemological tradition – as described by
Dignāga (fl. c. 500 ce) and Dharmakīrti (fl. c. 625 ce).
Discussions about the pertinence and viability of
the analytical approach that this topic encouraged
began during the formative period of Buddhism
in Tibet. Tantra also flourished in India and Nepal
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Philosophical Literature: Tibet
during this time, and huge numbers of materials and
teachings were imported into Tibet.
Meanwhile, from China, Chan Buddhist teachings also made an impression. Both these and the
tantric teachings dealt with the spiritual path in a
radically different fashion than that advanced by
supporters of the analytical approach. The roots of
the indigenous system of Rdzogs chen (Great Perfection), with its own notions regarding thought
and conceptualization, can similarly be traced back
to this time. The aforementioned favored topics of
Tibetan philosophical literature grew largely from
attempts to organize and resolve apparent conflicts between these different systems, and they
furthermore grapple with issues of authenticity and
emphasis.
Some broad categories of periodization have
been proposed for the development of the thought
and writings of some of the traditions. D. Seyfort
Ruegg divides the Tibetan development of Madhyamaka philosophy into four periods: (1) preliminary
assimilation during the 8th and 9th centuries ce;
(2) complete assimilation during the 10th to the
14th centuries; (3) the classical period – roughly the
14th–16th centuries; and (4) the scholastic period
(16th cent. onward; Seyfort Ruegg, 1981, 207–29).
Four phases have also been distinguished for the
Pramāṇa tradition: (1) the ancient period (8th and
9th cents. ce); (2) the preclassical period (mainly
the 10th and 11th cents.); (3) the classical period (12th
to 15th cents.); and (4) the post-classical period
(15th cent. onward; van der Kuijp, 1989; 1983 for a
broader review of Pramāṇa literature in the 11th to
the 13th cents.).
This periodization is partly acknowledged in
indigenous literature by the use of the terms snga
rabs pa (“former generation[s]”) and phyi rabs pa
(“later generation[s]”), by means of which Tibetan
authors would seek to categorize earlier writers
according to historical period and intellectual affinities. These categories would then be contrasted and
criticized.
Periodization is judged mainly in terms of the
perceived innovations introduced by authors, or
the critical responses that certain writings provoked. Some works mentioned below seem to have
made an almost immediate impact, and interest in
them has remained almost constant, while others
fell into obscurity for long periods of time, only to
reemerge more recently. Yet others perhaps only
ever enjoyed limited popularity (either locally or
among the religious elites). Tibetan authors often
wrote in response to earlier philosophical writings,
but frequently remained vague about the identity of
the works they had in mind. The historical record
also undoubtedly has numerous distortions, due to
bipartisan religious reporting, including questionable assertions of continuity. Much work remains
to be done to build up a more balanced historical
picture of the impact and significance of individual
texts and authors.
Philosophy within Limits
As is the case in Indian Buddhist literature, Tibetan
authors have commonly projected the philosophical enterprise as a means of uniting “text” (lung;
Skt. āgama) with “intellectual enquiry” or “reasoning” (rigs pa; Skt. yukti). However, perhaps the most
important underlying concept and organizing principle in the philosophical literature of Tibet is that
of “upholding the tradition.” Authors have neither
identified nor advertised the exercise they have
been engaged in as one of philosophizing. Instead,
they have seen themselves as heirs to a tradition,
which could be traced back to the teachings of the
Buddha. A general decline in standards and the
specificities of circumstance and audience to which
the original teachings were delivered have been
cited as reasons why the original message became
increasingly obscure, and also justified the necessity for a commentarial tradition. Disputes – often
focusing upon relatively minor points of philosophy
and doctrine – have essentially concerned the question of who held the correct interpretation of the
point under debate. Discussions centered less upon
canonical than commentarial evidence, with a focus
on determining which of the successive generations
of Indic (and later Tibetan) writers maintained
and transmitted the “correct” position – advertised
as the Buddha’s true “intent” (dgongs pa, dgongs
don, etc.).
In many respects Tibetan philosophical writings
remained remarkably faithful to their predecessors,
particularly to later Indian traditions. Some Western scholars speak of an Indo-Tibetan tradition. This
seems to imply that Tibetan philosophers simply
continued where their Indic counterparts stopped,
while in reality, there was a considerable amount of
philosophical creativity and innovation. However,
due to the emphasis upon maintaining the tradition,
to propose that someone had produced an “inventive” work (rang bzo) was a serious charge. It was
Philosophical Literature: Tibet
therefore invariably necessary for Tibetan scholars
to disguise innovation as rediscovery.
Related to the above principle is the Tibetan
urge to present an integrated vision. Partly in an
attempt to bring order to the thousands of works
from diverse sources absorbed by the Tibetan Buddhist tradition over the centuries, Tibetan thinkers
attempted to create an integrated system, in which
apparently diverse or even contradictory teachings
and traditions, as presented in Indian canonical
works, were not only projected as compatible, but
as elements of a single, harmonious whole. This has
most commonly been presented by the Tibetan tradition as the integrated understanding of sūtra and
tantra. It has also been expressed in the creation of
canons, most centrally the Kanjur and Tanjur, which
involved editorial decisions that occasionally led
to works being excluded on the grounds that they
were judged corrupt or inauthentic. The pursuit of
the integrated vision, in particular, led to a doxographical organization in which Indian Buddhist
philosophical schools – despite their sometimes
opposing positions – have all been recognized as
being based on the Buddha’s teachings. They have,
however, often been projected as representing a
hierarchical progression, leading to the final philosophical position – the true understanding of reality. The perceived necessity to organize according
to the doxographical model and thereby present a
unified vision greatly influenced Tibetan scholarly
interpretations of scriptural and historical sources.
Tibetan philosophical literature can be divided
into a number of distinct, but related, areas (exegetical, pedagogical, and polemical) and genres.
Commentarial literature, a category that encompasses subgenres such as ’grel ba (Skt. vṛtti) and
’grel bshad (Skt. ṭīkā), is the clearest example of
the Tibetan continuity with regard to Indian writings, and includes titles (or subgenres) bearing the
Sanskrit or hybrid Sanskrit-Tibetan names of ṭīka
and ṭīk chen (“great commentary”). Many of these
works, such as the tshig ’grel (lit. word commentary),
provide a line-by-line or word-by-word commentary
to a text, whereas the don ’grel (lit. meaning commentary), for instance, focuses more upon a text’s
import. Others vary from this format, concentrating
only upon particular sections, or especially abstruse
elements – for example, the dka’ ’grel (“explanation
of difficult points”). Still others, bearing titles such as
brjed byang (“memorandum”) or zin bris (“notes”),
are presented more as personal study aids, but
have been treated as commentarial literature by
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later generations of Tibetan scholars. The extent
to which these subgenres represent a continuity
or a departure from genres of Indic commentarial
literature, and the degree to which the categories
represent substantially different – rather than nominally distinct – formats and genres require further
investigation.
The gradual rise of scholasticism and the debate
tradition led to the production of textbook materials with philosophical content, including the large
variety of “manuals” (yig cha) used in the monastic
colleges (Newland, 1996) and the “summary” format
(bsdus pa), which sometimes facilitated memorization. Scholarly discussion and dispute also resulted
in a philosophical subgenre called dgag lan: polemical rejoinders, often exchanged between those
belonging to different schools (Lopez, 1996). Interest in doxographical organization also spurred the
popularity of the grub mtha’ (Skt. siddhānta) genre
(Hopkins, 1996).
Background: Philosophy and
Philosophical Literature
The enterprise of translating Buddhist texts, primarily from Indic languages, was first undertaken in the
Tibetan imperial era (7th to 9th cents. ce). Translation continued even beyond the demise of Buddhism
in India in the 12th century, although it, along with
various Buddhist institutions and traditions, was
interrupted by the break-up of the Tibetan empire
in the mid-9th century. The arrival and spread of
Buddhism in Tibet are traditionally referred to in
terms of two periods, the so-called “earlier dissemination” (snga dar) and “later dissemination” (phyi
dar). In these periods, different schools of Tibetan
Buddhism developed. The Rnying ma school (“Old”
tradition) traces its roots primarily to the translations and religious figures from the imperial period.
Other schools are referred to collectively as Gsar ma
(“New” traditions), and associate themselves more
directly with translations and founder figures from
the post-imperial period. The philosophically significant Gsar ma schools are the Bka’ brgyud, Bka’
gdams, Sa skya, Jo nang, and Dge lugs. The old-new
dichotomy, however, is of limited use in understanding divisions between these schools. While there is
also a philosophical dimension to these divisions,
regional history, political events and alignments,
loyalties and resistance histories are often more
relevant to understanding their differences.
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Philosophical Literature: Tibet
The Imperial Period, the 8th
and the 9th centuries ce
The initial introduction of Buddhism into Tibet
is usually projected as a state-sponsored exercise.
Bsam yas, the first monastery in Tibet, was founded
during the reign of the Tibetan ruler Khri srong
Lde’u btsan (742– 794? ce). It is celebrated as the site
of what is now commonly referred to as the “Samye
Debate,” between the Chinese master Moheyan
(Hwa shang Mahāyāna) and the Indian master
Kamalaśīla (for an early study see Demiéville, 1952).
Khri srong Lde’u btsan is reported to have adjudicated, and ruled that Buddhism in Tibet should
follow the Indian, rather than the Chinese, model.
Some of the earliest known descriptions of Bsam
yas’ foundation and the debate are contained in the
Dba’ bzhed or Sba bzhed (Testament of Dba’/Sba;
Wangdu & Diemberger, 2000). Numerous Tibetan
scholars demonize the Chinese protagonist in the
debate and attribute to him nihilistic views on philosophy and morality. However, imperial-era writings, such as those discovered in Dunhuang, suggest
that the monk’s view was closer to a form of Chan
Buddhism (for evidence related to the debate based
on Chinese language materials, see Demiéville, 1952;
Pachow, 1979; Gómez, 1983). Early debates, although
apparently touching upon issues of the respective
traditions’ claims to authenticity, seem also to have
pitted those who favored a more analytical method
against those who were inclined toward a more quiescent approach. The tussle introduced one of the
first serious philosophical discussions, with those
supporting the Indian “gradualist” (rim gyis; Skt.
krameṇa) approach to enlightenment opposing the
notion of “sudden” or “simultaneous” (cig c[h]ar ba)
enlightenment. This informed later debates, particularly regarding buddha nature and the relationship
between the unenlightened and enlightened mind
(Seyfort Ruegg, 1989). The gradualist approach generally prevailed, but the influences of the sudden
approach remained, particularly in Tibetan Rdzogs
chen philosophy (Karmay, 1988).
The arrival, during the first dissemination period,
of the Indian scholar Śāntarakṣita (c. 725–788 ce),
and his disciple Kamalaśīla (c. 740–795 ce), who is
reported to have been Hwa shang Mahāyāna’s opponent during the Samye debate, left a significant mark
upon Tibetan intellectual thought. Śāntarakṣita,
in his seminal work, Madhyamakālaṃkāra (Dbu
ma rgyan; Ornament of the Middle Way; D 3884/
P 5284; trans. Blumenthal, 2004), propounds a
Yogācāra-Madhyamaka synthesis. This became the
standard way of understanding the relationship between the two traditions during the early
period, and the text’s presentation of the two truths
served as the principal interpretation for the later
Rnying ma school. Śāntarakṣita’s position was
elaborated upon by Kamalaśīla, in works such as
his Madhyamakālaṃkārapañjikā (Dbu ma’i rgyan
gyi dka’ ’grel; Commentary on Difficult Points of the
Madhyamakālaṃkāra; D 3886/ P 5286).
Early Buddhist narrative (such as that contained in
the Dba’ bzhed) concentrated on the heroic exploits
of foreign Buddhist masters who arrived in Tibet, and
the activities of Tibetan translators. The state was
heavily involved in the project of translating mainly
Indic Buddhist texts, with Bsam yas as an early
center. Attempts were made to standardize translation terminology, through production of official
dictionaries, such as the late 8th-early 9th-century
Sanskrit-Tibetan lexicon Mahāvyutpatti (Bye brag
rtogs byed chen mo; Great Volume of Precise Understanding; D 4346/P 5832; ed. Ishihama & Fukuda,
1989). This includes substantial lists of philosophical
terminology, not only related, for instance, to Buddhist Pramāṇa, but also of non-Buddhist schools,
such as the Sāṃkhya and Vaiśeṣika. Similarly, as outlined in a related text, the Sgra sbyor bam po gnyis
pa (Word Combination in Two Parts; D 4347/P 5833;
ed. Ishikawa, 1990), rules were established for the
creation of translation teams, comprised of Tibetans working in conjunction with Indian scholars. In
addition to historical trends in India, availability of
Indian masters and texts was obviously a significant
factor determining which philosophical works were
translated during this early stage.
Long before the finalization of the Kanjur and
Tanjur compendia in the 13th-14th century, catalogues that listed text collections at imperial courts,
such as the ’Phang thang ma (Halkias, 2004), divided
translations of Indian commentaries (śāstra) taxonomically, according to philosophical content,
differentiating between the two great branches of
Mahāyāna thought, the Yogācāra (also known as
Cittamātra, sems tsam) and Madhyamaka. Tibetan
translators from the early period are traditionally
celebrated (and venerated) primarily for producing
faithful renderings of a pre-existing tradition, but
clearly they also had a major role in editorship and
literary organization, shaping Tibetan understandings of that tradition.
The beginnings of what developed into an independent Tibetan tradition of philosophical literature are apparent in the Lta ba’i khyad par (Varieties
Philosophical Literature: Tibet
of Views), composed by Sna nam Ye shes sde (late
8th–early 9th cent. ce), translator of the aforementioned treatises by Śāntarakṣita and Kamalaśīla.
A version of this work was recovered among the
cache of Dunhuang manuscripts (Pelliot 5847), and
despite its Tibetan authorship, it was also incorporated into the Tanjur (D 4360/P 5847). The work
does not provide exegesis of any specific scripture
or treatise, but represents an early foray into commentarial writing. As with later writings, it combines explanation of selected scriptural passages,
and engages in cross-textual analyses, establishing
principles and hierarchical (doxographical) organization (Snellgrove, 2002 [1987], 439; Seyfort Ruegg,
1981). The work advertises itself as a brjed byang
(“memorandum”), rather than a commentary, as
though it constituted collected notes from a specific
teaching. However, it is obvious that Ye shes sde
made a very considered attempt to present a unified
vision of the Mahāyāna Buddhist doctrine, path, and
philosophy. The Lta ba’i khyad par acknowledges the
separate emergence of Madhyamaka and Yogācāra
philosophies in India, and the hermeneutical discussions of scripture related to the two. Anticipating a
later doxographical division (between the Sautrantrika-svātantrika-madhyamaka and the Yogācārasvātantrika-madhyamaka), Ye shes sde identifies
two distinct forms of Madhyamaka, and seems to feel
that the latter, the syncretic model of Śāntarakṣita
and Kamalaśīla, has settled the issue of the relation
between the Madhyamaka and Yogācāra systems.
The 10th to the 12th centuries
Traditionally portrayed as the period during which
Buddhism was reestablished in Central Tibet, the
so-called later dissemination of Buddhism took
place in the centuries immediately following the
collapse of the Tibetan empire, a period of flux and
innovation. A new generation of translators, most
notably Lo tsa ba Rin chen bzang po (958–1055),
who travelled to India, and Indian teachers, such as
Atiśa (980–1054), who arrived in Tibet, gave rise to a
new set of translations and teaching lineages, which
formed the basis of the various Gsar ma schools, all
of which arose during this time, with the exception
of the Jo nang and Dge lugs, which developed later.
Growing literary confidence saw the development
of new literary genres, and translator-authors, such
as Rngog Blo ldan shes rab (1059–1109), produced the
first wave of indigenous commentarial literature.
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The roots of Rdzogs chen seem to lie in a system
of meditative practice which developed during the
imperial era, and drew inspiration and terminology
from tantric yoga, as found in the Guhyagarbha
tantra (Rgyud gsang ba snying po; TBRC W12652;
van Schaik, 2004). Already during this time, the
features that would later be seen as characterizing
Rdzogs chen doctrine were apparent, including the
stress upon nonconceptuality and nonduality, and
the encouragement of practitioners to recognize the
natural state of their own minds, rather than to strive
for any “external” enlightenment. As the Rnying ma
school was forging a separate identity from the Gsar
ma schools, Rong zom Chos kyi bzang po (11th cent.)
attempted to place the Rdzogs chen system in some
form of philosophical framework. Several of this
Rnying ma author’s compositions are overtly doxographical in nature. These include a commentary
to the Man ngag lta ba’i phreng ba, a treatise attributed to Padmasambhava (TBRC W24519) – apparently one of the earliest works in Tibet with a truly
doxographical character – and his Lta ba dang grub
mtha’ sna tshogs pa brjed byang du bgyis pa (Notes
on Various Views and Philosophical Systems Set
Down as a Memorandum; TBRC W21617). In these,
and several other writings, Rong zom referred to
what appears to already have become a standard
framework, in which Indian Buddhist schools were
divided according to their respective philosophies:
into the realist Bye brag smra ba (Vaibhāṣika) and
Mdo sde pa (Sautrāntika) schools, associated with
non-Mahāyāna thought, and the Mahāyāna philosophies of Yogācāra and Madhyamaka. In his
Snang ba lhar bsgrub (Establishing Appearances as
Divine; trans. Köppl, 2008), Rong zom criticized the
Madhyamaka system for what he saw as its failure to
appreciate the inseparability of the two truths, and
expressed some disdain for what he considered to
be the intellectualization of the spiritual path. Frequent references to the primordial (ye nas) understanding indicate that he was sympathetic to the
simultaneous approach to enlightenment, one of
the two tendencies debated at Bsam yas. Rong zom’s
notion of the unified system resulted in his arguing
that the vehicle of tantra (mantrayāna) was superior to that of sūtra (sūtrayāna), and that while a correct understanding begins with the tantric system
of thought, it could only be fully gained through the
embrace of Rdzogs chen. In the Snang ba lhar bsgrub
he argued against what he saw as the Madhyamaka
tendency for the reification of the relative, proposing that the relative had to be appreciated as a
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Philosophical Literature: Tibet
manifestation of the deity. This blend of sūtra and
tantra elements is one that was largely rejected
in the scholastic traditions of the Gsar ma, which
increasingly sought to understand the philosophical
distinctions and commentarial traditions of sūtrarelated systems in their own right (without necessarily endorsing their contents as representing the
final view).
Developments connected to the monastery of
Gsang phu (Gsang phu sne’u thog) of the Bka’
gdams tradition, established in 1073 (the same
year as Sa skya monastery) by Rngog Legs pa’i shes
rab (fl. early to late 11th cent.) turned out to have a
large impact on the state of Tibetan Buddhist philosophy. His nephew and successor as abbot was
Rngog Blo ldan shes rab (1059–1109), who has been
referred to as the “father of Tibetan scholasticism”
(Jackson, 1994, 372; for an account of Rngog Blo ldan
shes rab’s life see Kramer, 2007). In addition to his
major contributions as a translator, Rngog Blo ldan
shes rab promoted the Yogācāra-Madhyamaka
synthesis position of Śāntarakṣita, Kamalaśīla, and
Jñānagarbha. His translations of texts from the cycle
“The Five Dharmas” of Maitreya (Byams chos sde
lnga; TBRC W2CZ8058), attributed to Maitreya (and
Asaṅga) and other associated works helped establish the topic of Phar phyin (the exposition of aspects
of Prajñāpāramitā sūtras) as a distinct scholastic
field in Tibet. In relation to the Abhisamayālaṃkāra
(TBRC W3JT13413), one of the aforementioned five
dharmas, in particular, his work confirmed the
primacy of the commentarial tradition emanating
from Haribhadra (Seng ge bzang po, fl. 8th cent.).
In Rngog’s Rgyud bla ma don bsdus pa, a “Summary” (commentary) to another of the five dharmas
(TBRC W1PD104832), the Mahāyānottaratantra
(Theg pa chen po’i rgyud bla ma’i bstan bcos, D 4024/
P 5525; also known as the Uttaratantra or
Ratnagotravibhāga), he argued that the buddha
nature should be identified with emptiness, rather
than equated with some variety of consciousness,
or a certain quality therein. Crucially, through both
his translations and commentaries, Rngog Blo ldan
shes rab founded the Tshad ma gsar ma (“New
Pramāṇa”) tradition, a fresh approach to epistemology. The earlier tradition attributed to Śāntarakṣita
and Kamalaśīla was favorable to the epistemological approach, but Rngog Blo ldan shes rab was far
more systematized and more successful in establishing the importance of the topic. His explanations of Dharmakīrti’s Pramāṇaviniścaya (entitled
Tshad ma rnam nges kyi dka’ gnad rnam bshad, in
the Rgyud bla ma don bsdus pa, vol. I, 83–389) was
one of the first indigenously composed commentaries, and – as with Kamalaśīla’s earlier treatment of
Śāntarakṣita’s Madhyamakālaṃkāra – dealt with
the work not by line-by-line exposition, but by focusing upon the treatise’s “difficult points” (dka’ gnad).
Rngog’s Tshad ma rnam nges kyi bsdus don, however,
provided a “topical summary” (don bsdus or bsdus
don) of the same text (Kramer, 2007, 109 n. 161). He
employed the summary format for dealing with
three of the five dharmas of Maitreya: the Uttara
tantra (Jackson, 1993), the Abhisamayālaṃkāra (see
Mngon par rtogs pa’i rgyan gyi ’grel pa’i bsdus don,
D 3795/P 5193), and the Madhyāntavibhāga (Dbus
mtha’ don bsdus).
Despite the disappearance of many of his
compositions (a number of which have recently
resurfaced in the Bka’ gdams gsung ’bum; TBRC
W1PD89051), the reputation of the sixth abbot of
Gsang phu (c. 1152–1169), Ph(w)ya pa Chos kyi seng
ge (1109–1169), remains considerable. He is credited
with creating the first general summary (bsdus pa)
of Dharmakīrti’s thought in Tibet, in the form of
his Tshad ma yid kyi mun sel (Clarifying Ignorance
regarding the Pramāṇa Treatises; TBRC W1PD89051,
434–630). He is reported to have composed more
than one version of a text bearing this name, and
thereby “initiated a literary genre of Summaries that
has proven immensely successful” (Dreyfus, 1997,
22). It is uncertain whether Phya pa based himself
on an earlier Tibetan text of the same format, but
there appear to be no Indian precedents for this
sort of work in which topics within Pramāṇa are
addressed systematically (van der Kuijp, 2002, 384–
389). Phya pa is also seen as instrumental in transforming debate into a pedagogical tool. Not only are
his summaries considered the predecessor of the
later Dge lugs bsdus grwa textbooks (see below), but
popular tradition says that he was the first to propose that debate should be presented in the form of
consequences (thal ’gyur; Skt. prasaṅga) instead of
formal syllogisms (Dreyfus, 1997, 22), thereby ensuring that debate was used more for education than
public disputation between those holding competing views.
Outside the Gsang phu tradition, Pa tshab Nyi
ma grags (1055–1145), who took up residence in
Rgyal lha khang monastery in Central Tibet, is
remembered for his contribution to the understanding of Madhyamaka. He was the first to translate the two major works of Candrakīrti (fl. c. 625),
the Prasannapadā (Dbu ma tshig gsal; D 3860/P
5260) and Madhyamakāvatāra (Dbu ma la ’jug
pa; D 3861/P 5262), commentaries to Nāgārjuna’s
Philosophical Literature: Tibet
Mūlamadhyamakakārikā (Dbu ma rtsa ba’i shes
rab; D 3824/P 5224; Dunne, 2011, 216), and thereby
brought Candrakīrti’s interpretations to the attention of Tibetan scholars. Pa tshab was also an
author, but only recently a set of texts attributed to
him has resurfaced. These are exegetical glosses to
Nāgārjuna’s root text and Candrakīrti commentaries (Dreyfus & Drongbu Tsering, 2010) and not expositions of Pa tshab’s own system. They are, however,
consistent with the traditional narrative, according
to which Pa tshab played a pivotal role in promoting the notion of a dichotomy in Madhyamaka
philosophy.
There are various opinions regarding the division
between the “Syllogistic” school (Rang rgyud pa; Skt.
Svātantrika), and “Consequentialist” (Thal ’gyur pa;
Skt. Prāsaṅgika) schools (Dreyfus & McClintock,
2003), and questions remain about the exact origins
of the distinction. (Some Western scholars treat the
names *Svātantrika and *Prāsaṅgika as reconstructions, since they are not actually attested in Indian
sources.) Pa tshab clearly endorsed Candrakīrti’s
interpretation of Nāgārjuna’s work. This helped
popularize the doxographical division, in which the
Indian authors Buddhapālita and Śāntideva (fl. 8th
cent.) were, like Candrakīrti, classified as adhering
to Prāsaṅgika views, whereas Bhāviveka, and more
significantly Śāntarakṣita and Kamalaśīla, were
consigned to the inferior Svātantrika subschool of
Madhyamaka.
Śāntarakṣita and Kamalaśīla had argued for the
use of inferential reasoning, and a gradual move
from a conception to a perception of emptiness.
In line with the epistemological approach, they
emphasized the reliability and correctness of perception, especially as pertaining to knowledge in
the domain of conventional reality. Conversely,
Candrakīrti, in Pa tshab’s tradition of interpretation, was skeptical of any certainty of knowledge in
this domain, apparently undermining the epistemological approach. There are some resonances with
Rong zom’s criticism of Madhyamaka thought, and
disagreements about the status of objects and the
reliability of knowledge in the conventional realm
have proved among the most abiding themes in
Tibetan philosophical literature. Phya pa’s attempt
to defend Śāntarakṣita and Kamalaśīla largely failed,
in the sense that it was not picked up by later philosophers. Thenceforth Candrakīrti was established
as the most popular interpreter and commentator of
Nāgārjuna for centuries in Tibet.
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The 13th and the early 14th Century
The Bka’ gdams interpretation of logic seems to
have represented the standard until the appearance
of the Tshad ma rigs pa’i gter (Treasury of Logic
on Valid Cognition; TBRC W11391; partial trans.
Fukuda, 1989–1993) by Sa skya Paṇḍita Kun dga’
rgyal mtshan (1182–1251). Sa skya Paṇḍita was a towering figure, who was not just an important author
but also instrumental in forging a political alliance
with the Mongols and the subsequent Yuan dynasty
(1271–1368), in the wake of the initial Mongol incursion into Tibet (1240). These events eventually saw
the Sa skya tradition, centered at Sa skya monastery, being handed political stewardship over Tibet
(Kapstein, 2006, 110–116).
The Tshad ma rigs pa’i gter and its autocommentary are each divided into 11 chapters (rab byed):
1. Objects;
2. Cognition;
3. Generalities and Particulars;
4. Affirmative and Negative (Understanding);
5. Object and Language;
6. Relationship;
7. Incompatibility;
8. Defining Characteristics;
9. Perception;
10. Inference for Oneself; and
11. Inference for Others.
Sa skya Paṇḍita also translated the Pramāṇa
vārttika (Tshad ma rnam ’grel; D4210/P 5709),
Dharmakīrti’s major commentary on Dignāga’s
“Compendium of Valid Cognition” (Pramāṇa
samuccaya; Tshad ma kun btus; D 4203/P 5700).
While the Tshad ma rigs pa’i gter is not a commentary to any specific Indian treatise, it marks
a lasting shift in focus away from Dharmakīrti’s
Pramāṇaviniścaya (Tshad ma rnam nges; D 4211/P
5710) toward his Pramāṇavārttika. It built upon the
topical format of the bsdus pa works, but rather than
simply summarizing and clarifying Indian Pramāṇa
thinking, it criticized earlier Tibetan interpretations, most notably those of the Gsang phu scholars.
This marked a significant step in the development
of indigenous scholarly discourse, opening up the
way to centuries of disputation and controversy
over rival interpretations, conducted through the
medium of literature. The Tshad ma rigs pa’i gter
also became the center of a commentarial tradition,
resulting in the apparently unprecedented situation
that a Tibetan work, in contrast to an Indian text,
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was seen as a root and a source of authority. This
treatise is furthermore credited with providing a
“fully-fledged theory of concept formation” (van
der Kuijp, 1979, 408). The work specifically attacked
Phya pa’s approach to objects of perception. Rejecting idealist interpretations of Dharmakīrti, Phya pa
favored a realist model similar to that of the Indian
Buddhist Vaibhāṣika school, according to which
objects exist simultaneously with their perceptions.
Sa skya Paṇḍita instead argued for a causal model, in
which objects exist prior to their perceptions. This
is closer to the Sautrāntika view (Hugon, 2015). Sa
skya Paṇḍita also put forth the point that on a higher
scale of analysis, an idealist interpretation was valid.
This solidified the notion that the Indian traditions
could be organized on a doxographical ascending
scale, a view that was enthusiastically developed by
later Dge lugs authors.
Much important Sa skya literature in subsequent
decades relates to Sa skya Paṇḍita’s interpretation of
the Pramāṇavārttika. The Sa skya scholar ’U yug pa
Rigs pa’i seng ge (c. 1195–c. 1267) produced the first
Tibetan commentary on the Pramāṇavārttika, and
also possibly the first commentary – other than the
autocommentary – to Sa skya Paṇḍita’s Tshad ma
rigs pa’i gter (van der Kuijp, 2014, 114). The former
was criticized by another Sa skya scholar, Btsun pa
Ston gzhon, in his exegesis of the same text (van der
Kuijp, 2014). The title of the text, Rnam ’grel gyi rnam
bshad gangs can gyi rgyan (Ornament of the Land
of Snow: A Commentary to the Pramāṇavārttika;
TBRC W20481) is perhaps also significant in terms of
a literary awareness, as it is clearly acknowledged, in
its use of the epithet for Tibet (“Land of Snow”), that
the work is part of an indigenous literary tradition.
Meanwhile, the Bka’ gdams monastery of Snar
thang had become a major center of learning and
literary activity. An author connected to this monastery, Lcom ldan Rigs pa’i ral gri (1227–1305), composed commentaries on the Pramāṇaviniścaya
(Tshad ma rnam par nges pa ’i ’grel bshad chen po
rgyan gyi me tog; TBRC W11848) and the collection of
seven Pramāṇa treatises composed by Dharmakīrti
(Tshad ma ’i bstan bcos sde bdun rgyan gyi me tog;
TBRC W11847). A successor, Dbus pa blo gsal (also
known as Sangs rgyas ’bum; 13th cent.) composed
an important text on Indian Buddhist philosophical traditions (Grub pa’i mtha’ rnam par bshad pa’i
mdzod; W27218; also known as Blo gsal grub mtha’;
Mimaki, 1979, 1980, 1982, 1983, 1992, 1994). Lcom ldan
rigs pa’i ral gri and Dbus pa blo gsal are also known
for their work codifying and cataloguing a collection
of texts at Snar thang which eventually gave rise to
the earliest known Tibetan canon. Thereby a lasting
separation between the Kanjur and the Tanjur was
established (van der Kuijp & Schaeffer, 2009).
Bu ston rin chen grub (1290–1364), the 11th abbot
of the Sa skya monastery of Zhwa lu, is also mainly
remembered for his important work on the formation of the canon, as well as his voluminous writings. His famous treatise on buddha nature written
in 1359, entitled De bzhin gshegs pa’i snying po gsal
zhing mdzes par byed pa’i rgyan (Ornament Clarifying and Beautifying Buddha Nature; TBRC W22106;
trans. Seyfort Ruegg, 1973) is philosophically significant. As did Rngog Blo ldan shes rab, he sought to
interpret buddha nature in terms of Madhyamaka
philosophy and to identify this essence, shared
between buddhas and ordinary beings, as emptiness.
The Phyag rgya chen po tradition (“The Great
Seal”; Skt. Mahāmudrā) in Tibet was transmitted
through the Bka’ brgyud tradition, and popularized
by figures such as Sgam po pa Bsod nams rin chen
(1079–1153). Like Rdzogs chen, the Phyag rgya chen
po system is more phenomenologically and meditatively inclined, and shares with it an emphasis upon
nonstriving, nonduality, and upon discovering the
natural state of the mind. As with Rdzogs chen,
opinions may vary as to when it might be judged
philosophical, rather than a purely meditative system. However, Sa skya Paṇḍita’s criticisms of Phyag
rgya chen po doctrines such as the Dkar po chig thub
(“Self-sufficient White Means”) in his “Clear Differentiation of the Three Codes” (Sdom gsum rab dbye,
TBRC W1KG1686; trans. Rhoton, 2002) certainly
drew its proponents into a philosophical discussion.
Protagonists of Phyag rgya chen po, such as Sgam
po pa, made a clear contrast between analytical and
meditative approaches. Without dismissing the former, they stressed the importance of experience and
meditation from the start, as opposed to philosophical study and reasoning. Unsurprisingly, the system
has harboured strains of anti-intellectualism. Sa
skya Paṇḍita’s judgement of the Phyag rgya chen po,
while perhaps partly responding to these strains,
also accused the system of drawing inspiration from
Chinese (Chan) influences (Jackson, 1994; Kapstein,
2000, 77). Responses to these criticisms followed in
later centuries from authors such as Pad ma dkar
po (1527–1592). Rang byung rdo rje (1284–1339), the
third Karmapa, composed a text on the theme of
buddha nature, De bzhin gshegs pa’i snying po bstan
pa (Exposition of Buddha Nature; TRBC W1CZ1094;
trans. Brunnhölzl, 2009), in which he equated buddha nature with the key Phyag rgya chen po term
“natural mind” (tha mal gyi shes pa; Mathes, 2008, 1).
Philosophical Literature: Tibet
This work is often posited as a precursor to the theories of Dol po pa Shes rab rgyal mtshan (1292–1361),
who visited Rang byung rdo rje in his Mtshur phu
monastery in 1321.
Dol po pa, who belonged to the Jo nang tradition,
is perhaps the most controversial author of philosophical literature in Tibet (on his life and works,
see Stearns, 1999). He completely rejected Haribhadra and his otherwise standard interpretation of
the Prajñāpāramitā, championed by Rngog Blo ldan
shes rab. In particular, reversing the hermeneutical
understanding of Mahāyāna sūtras, he proposed
that those texts belonging to the final (third) turning of the wheel of dharma, rather than teaching a
provisional (and inferior) Yogācāra position, often
surpassed those of the “Middle Turning” or “Second Wheel” (primarily the Prajñāpāramitā sūtras)
in their clarity and definitiveness regarding the
Buddha’s final intention. In line with mainstream
Madhyamaka thought, Dol po pa held that on the
relative or conventional level, objects are “empty
of intrinsic nature” (rang stong). His innovatory
stance, however, was to assert that in the absolute or
ultimate sense, objects are “empty of extrinsic existence” (gzhan stong), this is to say, that realization of
the ultimate lay in realizing it as being devoid of the
relative. In this way, Dol po pa seemed to construct
a far more affirmative understanding of the ultimate than had hitherto prevailed. Without endorsing it as the final view, it was more sympathetic to
aspects of Indian Yogācāra interpretations of the
Prajñāpāramitā sūtras, such as the three natures
espoused by Vasubandhu. It also presented a more
unifying picture, which combined the more positive
aspects of buddha nature, tantra, the “Great Middle
Way” (Dbu ma chen po), and the “Great Seal.” Dol po
pa set out his primary positions in his Ri chos nges
don rgya mtsho (TBRC W1KG1869; trans. Hopkins,
2006). However, the more positive perspective on
the ultimate was severely criticized by subsequent
authors, and particularly in the Dge lugs tradition it
was essentially judged as heretical (on Dol po pa’s
positions, see Kapstein, 2001, 301–316; Sparham,
2001, 193–214).
Klong chen Rab ’byams pa dri med ’od zer (1308–
1364), believed by many to be the greatest Rnying ma
author on doctrine, is credited with systematizing
the Rdzogs chen teachings. Reflecting his preeminence in the field, most of his translated works relate
to Rdzogs chen, particularly the Ngal gso skor gsum
(Trilogy of Rest; TBRC W1GS60877; trans. Guenther,
1975–1976). Klong chen rab ’byams pa’s writings are
set against the historical backdrop of the political
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redefinition of Tibet which took place at the end of
the Yuan dynasty, and his works were partly a counter to the continued rise of the Gsar ma traditions,
and the formation of the canon, from which various Rnying ma tantras were excluded. Despite the
existence of a work on epistemology (Tshad ma de
kho na nyid bsdus pa; TBRC W1KG4003) attributed
to Klong chen rab ’byams pa – the authorship of
which has been called into question (van der Kuijp,
2003, 381–431) – his principal philosophical work is
the collection posthumously designated the Mdzod
bdun (Seven Treasures; TBRC W10MS11430). These
seven works are called:
1. Wish-fulfilling One (Yid bzhin);
2. Personal Instruction (Man ngag);
3. Expanse of Reality (Chos dbyings);
4. Words and Meanings (Tshig don);
5. Supreme Vehicle (Theg mchog);
6. Tenets (Grub mtha’); and
7. Way of Being (Gnas lugs).
In some of these volumes, Klong chen rab ’byams
pa systematized the earlier Rnying ma teachings,
and in others the focus is placed upon the meditational and empirical aspects of Rdzogs chen and
tantra. However, the 6th work, “Tenets”, offers a pioneering doxographical presentation (Butters, 2006;
Barron, 2007). The work not only deals with the Buddhist and non-Buddhist schools of India – during
the course of which the author appears to reject Dol
po pa’s view of extrinsic emptiness, in favor of a position closer to that of the Prāsaṅgika-Madhyamaka
(Butters, 2006, 5) – it also presents two different
ways of organizing tantric materials hierarchically,
namely the nine-vehicle Rnying ma model alongside the fourfold classification of tantras of the Gsar
ma traditions (for the latter see Hopkins, 1977). The
integration of the Rdzogs chen into the hierarchical doxographical vision promoted by the Gsar ma
schools was a way of arguing for its supremacy.
Despite the apparently limited immediate impact
of these writings, they have greatly influenced subsequent generations of Rnying ma thinkers.
The 14th Century: The Rise of the
Dge lugs
What subsequently became known as the Dge lugs
school was originally organized around Dga’ ldan
monastery in Central Tibet, for which reason its
early adherents were known as the Dga’ ldan pa.
Members of the Dge lugs school have on occasion
projected themselves as the inheritors of the Bka’
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gdams tradition, which effectively ceased to exist as
a separate school by the 16th century (Jinpa, 2002).
Tsong kha pa Blo bzang grags pa (1357–1419) is credited with the school’s foundation. His writings, supported by those of his chief disciples, particularly
Rgyal tshab Dar ma rin chen (also known as Rgyal
tshab rje, 1364–1462) and Mkhas grub Dge legs dpal
bzang (also known as Mkhas grub rje, 1385–1438),
have served as the philosophical base of the Dge lugs
tradition. The school eventually had a massive effect
upon monastic education and organization, and the
formation of what amounted to the state religion of
Tibet. Its philosophical and doctrinal influence has
been equally significant (for Tsong kha pa’s contribution to philosophical thought, see Tillemans,
1998; Jinpa, 2002; Sparham, 2014).
Tsong kha pa’s writings can be divided between
those of his early and mature periods (Sparham,
2014). His distinctive philosophical views only truly
emerge in the latter period. Rejecting predominant
attempts to syncretize the Yogācāra and Madhyamaka positions, Tsong kha pa depicted these as
two distinct schools of thought, with the Madhyamaka as the superior. This hierarchical division
pervaded all of his interpretations, including those
of tantra and buddha nature, which ultimately
had to be understood from the Madhyamaka perspective as presented by Nāgārjuna. Tsong kha pa
vehemently opposed Dol po pa’s notion of extrinsic
emptiness and his impugning of Haribhadra’s commentary to the Abhisamayālaṃkara. In his Drang
nges legs bshad snying po (Essence of Eloquence
with respect to Provisional and Definitive Meaning;
TBRC W1CZ1011; trans. Thurman, 1984), Tsong kha
pa set out his hermeneutical position with regard
to the interpretation of the sūtras, paying particular
attention to a section of the Saṃdhinirmocanasūtra
(Mdo sde dgongs ’grel; D 0106/ P 0774), in which the
Buddha resolves apparent inconsistencies between
statements he gave during the three turnings of
the wheel of dharma. Tsong kha pa argued that the
Buddha explained that it was the Madhyamaka
view – rather than the Yogācāra one – that represented his final position. While Tsong kha pa
emphasized the centrality of the three nature theory
(ngo bo nyid gsum, Skt. trisvabhāva) to the Yogācāra,
he refuted Dol po pa’s understanding of that theory.
In various works, Tsong kha pa greatly elaborated on
other aspects of Yogācāra thought, such as emptiness
(Hopkins, 1999; 2002) and doctrines of mind (Sparham, 1993). Expansion upon the distinctiveness of
the Yogācāra system supported one of his primary
philosophical endeavors, namely, establishing a
stratified doxographical vision of Buddhist schools.
As in earlier doxographies, going back to at least the
12th century, Tsong kha pa organized the Buddhist
schools in ascending order, starting with the realist
Vaibhāṣika and Sautrāntika (posited on the basis
of earlier Buddhist sources), followed by Yogācāra,
and finally Madhyamaka. Each of the four Buddhist
schools was conceived of as having various subdivisions. Tsong kha pa stressed the heuristic value of
views ascribed to the lower schools, but dismissed
their relevance to the final view. This included
the ālayavijñāna (kun gzhi’i rnam shes, “foundation consciousness”) – of which many Tibetan
philosophers, presenting a syncretic version of
Yogācāra-Madhyamaka, had hitherto accepted the
literal existence – and the Yogācāra version of the
three natures.
One of Tsong kha pa’s most important steps related
to the internal division within the Madhyamaka.
He reoriented discussion regarding the distinction
between the Prāsaṅgika and Svātantrika from one
of method – whether they rejected or advocated
the use of syllogistic formulas – to a fundamental
disagreement regarding ontology, arguing that the
Svātantrika view failed to penetrate ultimate reality. Tsong kha pa heightened the sense that various
historical authors were representatives of distinct
philosophical schools, and that the Prāsaṅgika
view was not only supreme, but the sole route to
higher spiritual goals. As this declared that only
the Prāsaṅgika Madhyamaka school pioneered by
Candrakīrti captured the Buddha’s final intention,
it countered the assertion that different interpretations could be combined within the so-called “Great
Middle Way” (Dbu ma chen po; Mahāmadhyamaka;
Sparham, 2001, 193). This position devalued
not only the Yogācāra/Cittamātra, but also the
philosophical view that had once dominated in
Tibet, based on the teaching of Śāntarakṣita and
Kamalaśīla, who, according to the taxonomy developed by Tsong kha pa and his followers, belonged
to the Rnal ’byor spyod pa dbu ma rang rgyud pa
(Yogācāra-svātantrika-madhyamaka) subcategory.
Developing his characteristic position on the two
truths, Tsong kha pa proposed that what was refuted
by Nāgārjuna was any form of essential or intrinsic
existence. This opposed what Tsong kha pa perceived as Dol po pa’s reification of the enlightened
state, involving the assertion of a pure and privileged transcendent state of consciousness. Here, the
enlightened mind had the same ontological status
as other conventional phenomena. While denying
instrinsic existence, Tsong kha pa’s unique – and
Philosophical Literature: Tibet
contentious – understanding of the two truths left
the ordinary (conventional) world intact, granting
it a degree of coherence and verifiable efficacy that
many other commentators of Nāgārjuna believed he
had striven to undermine (Tauscher, 1995). Tsong
kha pa’s interpretation of Indian texts requires the
addition of numerous modal qualifiers, such as
“truly” (bden par) and “conventionally” (tha snyad
du) (Tillemans, 1998), which seemingly moderate,
for instance, statements of negation, such as the
denial that adherents of the Madhyamaka school of
thought hold specific theses or propositions.
Tsong kha pa’s arguments that the Prāsaṅgika
was the highest view in the ascending doxographical model, and his assertion that the Prāsaṅgika was
a distinct philosophical tradition with its own set of
tenets, are set out in four key works:
1. Dka’ gnad brgyad kyi zin bris (Notes on the
Eight Difficult Points [of Prāsaṅgika-Mādhyamika];
TBRC W22272; trans. Seyfort Ruegg, 2002);
2. Dbu ma dgongs pa rab gsal, a commentary to Candrakīrti’s Madhyamakāvatāra (TBRC
W1KG15604);
3. Lhag mthong chen mo (the last section of
the Lam rim chen mo; TBRC W466; trans. Lamrim
Chenmo Translation Committee, 2004); and
4. Dbu ma rtsa ba’i tshig le’ur byas pa shes rab ces
bya ba’i rnam bshad rigs pa’i rgya mtsho (also known
as Rtsa she’i ṭīk chen), a commentary on Nāgārjuna’s
Mūlamadhyamakakārikā (TBRC W22272; trans.
Samten & Garfield, 2006).
While ostensibly aligning himself with Pa
tshab Nyi ma grags in recommending Candrakīrti
as Nāgārjuna’s principal Indian commentator,
Tsong kha pa effectively discards the notion that
Candrakīrti was skeptical with regard to the certainty of knowledge in the conventional domain,
thus distancing himself from what has sometimes
been called “Madhyamaka free from extremes”
(mtha’ bral dbu ma), or “the view of neither
being nor nonbeing” (yod min med min gyi lta ba;
Tillemans, 1998). Instead, he supported the position of Śāntarakṣita and Kamalaśīla on the necessity
of inferential reasoning, and further emphasized
the importance of the epistemological approach,
suggesting that Dharmakīrti’s philosophy was not
incompatible with that of Candrakīrti. His writings
on Pramāṇa are relatively few in number, but his
position is said to be outlined in the writings of his
chief disciples, especially the Tshad ma rnam ’grel
thar lam gsal byed, Rgyal tshab Dar ma rin chen’s
commentary to the Pramāṇavārttika (TBRC W665;
the second chapter is translated by Jackson, 1993).
631
As with his Dka’ gnad brgyad kyi zin bris, this work is
reported to be a reworking of the notes Rgyal tshab
Dar ma rin chen took during Tsong kha pa’s teaching. The former is included in Rgyal tshab Dar ma
rin chen’s “Collected Works” (Gsung ’bum, these are
collections of important authors’ writings), while
the latter is in those of Tsong kha pa. Aspects of
Tsong kha pa’s views on Pramāṇa are also reflected
in Mkhas grub Dge legs dpal bzang’s commentary to
the Pramāṇavārttika (Tshad ma rnam ’grel ṭīk chen
rigs pa’i rgya mtsho; TBRC W321) as well as in his
Tshad ma sde bdun gyi rgyan yid kyi mun sel (TBRC
W1KG16155; trans. Samuels, forthcoming), and in
the Tshad ma rigs rgyan (TBRC W1KG16157), written
by another direct disciple of Tsong kha pa, Dge ’dun
grub (1391–1474), who was retrospectively designated the first Dalai Lama. Rather than specific commentaries, the latter two works deal with Pramāṇa
topically, in much the same way as the Tshad ma rigs
pa’i gter and the bsdus pa literature.
Tsong kha pa’s views on Madhyamaka are also
reflected in, for example, Mkhas grub Dge legs
dpal bzang’s Dbu ma stong thun chen mo (TBRC
W00EGS1016265; trans. Cabezón, 1992). As with
the major work on Pramāṇa, it is the Rnam bshad
snying po’i rgyan (The Ornament of the Essence;
TBRC W3CN1449), Rgyal tshab Dar ma rin chen’s
commentary to Sphuṭārthā, ’Grel ba don gsal
(Haribhadra’s Clear Meaning Commentary; D 3793/
P 5191) to the Abhisamayālaṃkāra that later Dge
lugs tradition regards as presenting Tsong kha pa’s
final thought on the Prajñāpāramitā (Perfection of
Wisdom), rather than his own early commentary on
the topic, Legs bshad gser phreng (Golden Garland
of Eloquence; TBRC W1KG16138; trans. Sparham,
2007–2009). The same later tradition has sought to
project a greater degree of philosophical homogeneity between the writings of Tsong kha pa and his
chief disciples – and indeed between his early and
mature periods – than seems warranted by their
content.
With regard to Tibet’s earlier intellectual tradition, Tsong kha pa’s “Collected Works” include a brief
exposition on Śāntarakṣita’s Madhyamakālaṃkāra,
entitled Dbu ma rgyan gyi brjed byang (TBRC
W22272). This is also considered to be Rgyal tshab
Dar ma rin chen’s notes from teachings by Tsong kha
pa on Śāntarakṣita’s text (trans. Blumenthal, 2004,
249–287). More recently, a commentary of Sa skya
Paṇḍita’s Tshad ma rigs pa’i gter attributed to Rgyal
tshab Dar ma rin chen was discovered (Rgyal tshab
rje’i tshad ma rigs gter ’grel pa; TBRC W1KG11902),
although some doubts over the attribution have
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been raised (Dreyfus, 1993). Issues regarding the
authorship, attribution, and inclusion (or exclusion) from volumes of “Collected Works” appear
to exhibit some parallels with those related to the
formation of the canon. The intellectual development of the works by Tsong kha pa’s disciples and
the exact relation between their thought and that of
Tsong kha pa require further investigation.
The 15th to the 16th Centuries: Critics
of Tsong kha pa
Tsong kha pa’s theories sparked controversy and
stimulated much philosophical discussion among
Tibetan authors. Before the Dge lugs was considered to be a distinct school, and perhaps fueled
by the sense that Tsong kha pa – whose principal
teacher was the Sa skya master Red mda’ ba Gzhon
nu blo gros (1349–1412) – had misrepresented their
tradition, Sa skya scholars formed the vanguard of
the critics disputing Tsong kha pa’s representation
of Madhyamaka and the two truths. Prominent
detractors included the Sa skya authors Gser mdog
Paṇ chen Shā kya Mchog ldan (1428–1507), Go rams
pa Bsod nams seng ge (1429–1489), and Stag tshang
Lo tsa ba Shes rab rin chen (b. 1405). The eighth Karmapa, Mi bskyod rdo rje (1507–1554?) also composed
a refutation of Tsong kha pa’s views on Madhyamaka (Williams, 1983; trans. Goldfield et al., 2006).
Although united in their opposition to Tsong kha pa,
there are significant differences in their respective
positions.
Perhaps the most effective critic of Tsong kha pa
was Go rams pa. In his major Madhyamaka texts,
Lta ba’i shan ’byed (Distinguishing the View; TBRC
W1PD1725; trans. Cabezón & Dargyay, 2007; Arguillère, 2008), Lta ba ngan sel (Eliminating Bad Views;
TBRC W1PD1725), a commentary on Candrakīrti’s
Madhyamakāvatāra, and Dbu ma’i spyi don (A General Synopsis of Madhyamaka; TBRC W1PD1725)
he adopts an overtly polemical stance, especially
in criticism of Tsong kha pa, while in the first mentioned work he also disputes Dol po pa’s interpretation of Madhyamaka philosophy. Go rams pa’s
critique of Tsong kha pa was perhaps the main
factor resulting in the subsequent censoring of his
works, which only emerged from relative obscurity
in the 20th century.
Tsong kha pa had proposed that the distinction
between the two truths was to be understood on the
basis of the apprehended object (yul). This meant
that something might be said to have two natures:
one conventional, the other ultimate. Go rams pa
argued against this, maintaining that the distinction must be made on the basis of the apprehending
subject (yul can). Seeking to reverse Tsong kha pa’s
version of the Madhyamaka subdivision, Go rams pa
reasserted that the division between Prāsaṅgika and
Svātantrika lay in their preferred method, and indicated nothing about their understanding of reality.
Like Tsong kha pa, Go rams pa espoused that logical reasoning was essential to the path. However,
he supported neither Tsong kha pa’s application
of logical rules – such as that a double negation
implies an affirmation – nor his use of qualification (ultimate or conventional) when interpreting
Indian treatises. For Go rams pa, negation, such as
that in Nāgārjuna’s famous tetralemma found in the
Mūlamadhyamakakārika – in which a thing is said
to arise neither from itself, another, both, or neither – was to be taken literally, and such statements
represented analytical devices that undermine and
dismantle conception, rather than lead to “correct”
forms of conception, as might be said to be the case
in Tsong kha pa’s view. Although Go rams pa argued
that a conceptual method had to be used in order to
eventually arrive at a state of nonconceptuality, in
his Lta ba’i shan ’byed, he defended himself against
accusations that his approach was simply one of
nonthinking (for a general description of Go rams
pa’s views, see Kassor, 2011; for a comparison of Go
rams pa’s differences with Tsong kha pa, see Thakchoe, 2007)
Shā kya Mchog ldan’s writings on Madhyamaka
include its history in India and Tibet (Dbu ma’i
byung tshul rnam par bshad pa’i gtam yid bzhin lhun
po; TBRC W00EGS1016899; Tillemans & Tomabechi,
1995; Komarovski, 2000). In his Theg pa chen po dbu
ma rnam par nges pa’i chos kyi bang mdzod lung
dang rigs pa’i rgya mtsho (Ocean of Scriptural Statements and Reasoning: Treasury of Ascertainment
of the Mahāyāna Middle Way; TBRC W23200) he
launched a systematic critique of Tsong kha pa. In
later writings, Shā kya Mchog ldan moved markedly
toward the extrinsic emptiness position expounded
earlier by Dol po pa. He challenged the doxographical categories and produced a unique reading of
the Yogācāra and Madhyamaka systems, aimed at
demonstrating how they could be understood as
compatible (Komarovski, 2011). The impact of these
works on Tibetan intellectual thought is difficult to
judge. Aspects of Shā kya Mchog ldan’s works did
not meet with the approval of mainstream Sa skya
thinkers, and only reappeared from obscurity in
the 1970s.
Philosophical Literature: Tibet
Stag tshang Lo tsa ba (b. 1405) voiced his critique of Tsong kha pa in a work on doxography
(Grub mtha’ kun shes nas mtha’ bral grub pa; TBRC
W29895), in which he calls into question the latter’s proposition regarding the role of valid cognition in establishing conventional objects. Probably
inspired by G.yag ston Sangs rgyas dpal (1348 –1414)
and his commentary on “Treasury of Logic on Valid
Cognition” (Sde bdun gyi dgongs ’grel tshad ma rigs
pa’i gter gyi de kho na nyid gsal bar byed pa rigs pa’i
’od stong ’phro ba; TBRC W1KG3509), there was a
renewed interest in Sa skya Paṇḍita’s work, with
Go rams pa and Shā kya Mchog ldan, among others, composing their respective commentaries (Sde
bdun mdo dang bcas pa’i dgongs pa phyin ci ma
log par ’grel ba tshad ma rigs pa’i gter gyi don gsal
bar byed pa and Tshad ma rigs pa’i gter gyi dgongs
rgyan rigs pa’i ’khor los lugs ngan pham byed; both
texts can be found in TBRC W20402). These works
were chiefly aimed at reaffirming Sa skya Paṇḍita’s
anti-realist stance. G.yag ston Sangs rgyas dpal especially attacked Phya pa, and his perceived realist
position on universals and commonsense objects,
as outlined in the “Summaries” (bsdus pa) (Dreyfus, 1997, 24). Current understanding of Phya pa’s
works relies partly upon what can be gleaned from
Shā kya Mchog ldan’s critical analysis. In these Sa
skya works, disapproval of Tsong kha pa’s position
is more muted than in texts dealing with the subject
of Madhyamaka. However, differing understandings of the roles of language, thought, and logic, and
interpretations of Dharmakīrti’s views were still in
many respects at variance with those of the Dge lugs
school. For an elaboration on these rival interpretations of Pramāṇa, see G.B.J. Dreyfus, 1997.
The 16th to the 19th Centuries:
The Rise of Scholasticism
The aforementioned attacks upon Tsong kha pa’s
writings provoked responses by Dge lugs authors.
These are regularly cited as examples of what is now
generally viewed as a distinct genre, most often designated (often retrospectively) as dgag lan. This term
is frequently translated as “polemical literature” (for
further discussion, see Lopez, 1996; Viehbeck, 2014),
but refers more specifically to a work that sets out
to answer or rebut an attempted refutation. In the
Dge lugs context these are invariably defences of
Tsong khapa’s positions. The tradition of composing
rejoinders precedes the Dge lugs era, and writings
bearing titles such as rtsod lan (“counter argument”)
633
are by no means limited to philosophical subject
matter. However, the systematic and rehearsed
approach and the vitriolic language of the Dge lugs
defences – such as Rje btsun chos kyi rgyal mtshan’s
(1469–1546) Go lan (Response to Gorampa; TBRC
W19227; Lopez, 1996, 217) – seem to distinguish
them from what came before, and certainly aid in
cementing the notion of a distinct genre.
Students of Tsong kha pa were inspired to found
the monasteries of ’Bras spungs and Se ra in 1416
and 1419, respectively. These, together with Dga’
ldan monastery, formed the “Three Seats” (Gdan sa
gsum), the most powerful Dge lugs monasteries. The
three eventually became the world’s largest monastic institutions, and their ascendency launched an
era of Dge lugs monastic dominance. The monasteries increasingly defined themselves in terms of scholastic activity, specifically laying far greater stress
upon group sessions of dialectical contestation
and formalized debate than discourse and tutoring (on the concept of scholasticism in relation to
the Dge lugs tradition see, Cabezón, 1994). For their
part, the non-Dge lugs schools developed commentarial schools (bshad grwa), in which exegesis was
stressed (Dreyfus, 2005, 276–292).
As Tsong kha pa’s successors systematized his
philosophical teachings, and the monasteries steadily
grew more organized and successful, there were
gradual moves toward tailoring these teachings for
pedagogical purposes, within an increasingly standardized curriculum (various aspects of traditional
Dge lugs education are explored by Onoda, 1992;
Dreyfus, 2003). This brought about innovations in
genre, such as the introduction of manuals known as
bsdus grwa (“collected topics”), the oldest available
instance of which is the Rwa stod bsdus grwa (TBRC
W2CZ8044), composed by ʼJam dbyangs mchog lha
ʼod zer (1429–1500). The tradition of outlining one’s
position within the format of debate was already
well established in Tibetan philosophical literature.
The bsdus grwa works (Perdue, 1992; Onoda, 1992),
which were designed to serve as primers for young
monks, take this to another level, dispensing almost
entirely with exegesis. The texts consist primarily of
a series of debates. The “correct” position on various
points is represented by the responses of “our system” (rang lugs) to the arguments of different (usually unidentified) opponents. It might generally be
observed, however, that the responses and the positions of the various interlocutors in bsdus grwa and
other scholastic literature range from the obvious to
the oblique, and the manner of their presentation is
certainly intended to fuel debate and exploration.
634
Philosophical Literature: Tibet
The “Three Seats” were comprised of various colleges (grwa tshang). The educational evolution of
the college system was intimately linked with the
growth of scholastic literature. Each college eventually adopted a different author as their main spokesman and interpreter of the legacy of Tsong kha pa
and his main disciples. Works by these authors are
known as yig cha – textbooks of the respective colleges, serving as the primary materials for the study
of philosophical writings. The core yig cha are texts
entitled spyi don and mtha’ dpyod. Tending more
toward synopsis, the spyi don (lit. general meaning)
deal with their respective areas (principally phar
phyin [Prajñāpāramitā], dbu ma [Madhyamaka],
and tshad ma [Pramāṇa]) more systematically and
include numerous divisions and classifications, and
sections of exegesis. The mtha’ dpyod (lit. examination of boundaries) consider specific issues, entirely
through the aforementioned medium of debate,
where the “correct” system has to be deciphered
from the author’s responses to the arguments of various opponents. The spyi don and the mtha’ dpyod
were sometimes supported by various supplementary works or appendices by later writers, bearing
names such as mchan and zur bkol. Spyi don and
mtha’ dpyod had already been in use as titles prior
to this era, but it is within the Dge lugs scholastic literature that they solidify into clearly distinguished
genres. The relatively late beginnings of the Dge
lugs tradition and its concentration upon the literary endowment of Tsong kha pa and his main disciples means that, historically speaking, the Dge lugs
school maintains the highest degree of philosophical homogeneity. Despite major rivalries between
the Dge lugs colleges, and fierce loyalties to their
respective yig cha authors, philosophical differences between these authors are minimal.
The Dge lugs ascendancy was facilitated by the
foundation of the Ganden Podrang (Dga’ ldan pho
brang) government, under the fifth Dalai Lama
(Ngag dbang blo bzang rgya mtsho, 1617–1682), with
the support of the Dzungar Mongol leader Gushri
Khan (1582–1655). This initially led to an unprecedented period of literary censorship, primarily targeting works of philosophical content. The works of
the Jo nang tradition, as well as those of vehement
critics of Tsong kha pa, such as Go rams pa and Shā
kya Mchog ldan, were banned in Central Tibet, only
to be retrieved from Eastern Tibet during the 20th
century. Subsequently, under the patronage of the
Manchu dynasty, the Dge lugs tradition enjoyed a
position verging on that of a state religion. During
this era several important treatises on doxography
were produced by Dge lugs scholars, beginning
with the Grub mtha’ chen mo (Great Exposition of
Philosophical Systems; TBRC W21503; partial trans.
Hopkins, 2004) by ’Jam dbyangs bzhad pa’i rdo rje
(1648–1721), followed by Lcang skya Rol pa’i rdo rje’s
(1717–1786) Grub mtha’ lhun po mdzes rgyan (Exposition of the Philosophical Systems Beautifying the
Axis Mundi; TBRC W28833; partial trans. Klein, 1987;
Lopez, 1987; Hopkins, 1995), and the Grub mtha’ shel
gyi me long (Crystal Mirror of the Philosophical Systems; TBRC W2124; trans. Sopa & Jackson, 2009)
by Thu’u bkwan Chos kyi nyi ma (1737–1802). The
last named work is notable for its inclusion of the
Bon tradition. More generally speaking, these texts
further advanced the Dge lugs version of the hierarchical doxographical model, while moving toward a
more inclusive understanding of the philosophical
landscape.
Dge lugs scholasticism exerted a major influence
on the other Tibetan traditions: various non-Dge
lugs monasteries adopted an education system
modelled upon it, and produced their own versions
of monastic educational materials such as bsdus
grwa works. Later Dge lugs writings move further
toward formulaic representation and rehearsed
argumentation, which are characteristic of the
scholastic tradition. The strength of the Dge lugs
and the perceived absence of serious philosophical challengers – although the writings of non-Dge
lugs authors during the 17th and 18th centuries in
particular require further study – led to a process of
scholastic stultification. Authors turned repeatedly
to attacking long-dead scholars, particularly Rong
ston Shākya rgyal tshan (1367–1449), Dol po pa, and
Stag tshang Lo tsa ba, while increasingly there was
a narrowing of philosophical scope, which focused
upon the yig cha.
Tibetan Philosophy in the
19th Century
The Dge lugs supremacy, occasionally manifesting
in religious exclusivism, marginalized the other traditions, particularly in Central Tibet, and overshadowed much of the pre-Dge lugs intellectual history.
The fortunes of the non-Dge lugs schools were to
some extent revived by the advent of what has commonly been referred to as the Ris med (lit. nonpartisan) movement in Kham, Eastern Tibet. Although
some questions have been raised about whether
it is correct to regard this as a distinct movement
(for further discussion, see Gardner, 2006, 112 ff.;
Philosophical Literature: Tibet
Viehbeck, 2014, 68–74), the Ris med trend is often
thought to have arisen to counteract the perceived
growing hostilities between the various schools.
Ris med was not overtly philosophical, although
its most important figure, the prolific author ’Jam
mgon Kong sprul blo gros mtha’ yas (1813–1899), did
compose some philosophical works, commenting,
for instance, on the writings of the third Karmapa,
Rang byung rdo rje (Brunnhölzl, 2007). He is, however, generally viewed as an encyclopedist, whose
major treatise, the Shes bya kun khyab mdzod (Treasury of Knowledge; TBRC W5488), recorded much
that was relevant to Tibet’s intellectual past. Most
chapters of this large work have been translated
into English (Kalu Rinpoche Translation Group
et al., 2003–2010). This process of recording helped
to preserve and, in some cases, rescue earlier teachings that were threatened with extinction. The
appearance of this work, and the Ris med movement
in general, helped foster affinities and encouraged
sharing, mainly among the non-Dge lugs schools.
Furthermore, ’Jam mgon Kong sprul’s editing, codification, and systemization of the sprawling mass of
knowledge eventually provided an impetus to later
figures who, with newfound intellectual confidence,
developed analytical systems that were hitherto
lacking in the Rnying ma and Bka’ brgyud traditions.
The most important of these later figures was the
Rnying ma scholar, Mi pham Rnam rgyal rgya mtsho
(1846–1912), possibly the most original thinker of
his time, who was active in the Eastern Tibetan
kingdom of Derge (Sde dge), the heart of Ris med
activity. Mi pham sought to harmonize the Rnying
ma’s Rdzogs chen teachings with aspects of Indian
philosophical traditions. This project was aided by
his engagement with authors commonly associated
with the Ris med movement, and his drawing from
the writings of figures such as Go rams pa. Mi pham
is particularly known for his works on Madhayamka
(described in Phuntsho, 2005). Mi pham’s commentary to Śāntarakṣita’s Madhyamakālaṃkāra (Dbu
ma rgyan gyi rnam bshad ’jam dbyangs bla ma dgyes
pa’i zhal lung; TBRC W30366; trans. Doctor, 2004;
Padmakara Translation Committee, 2005) aimed to
reestablish the centrality of this Indian text. He also
described and contextualized the view of extrinsic
emptiness, in works such as Gzhan stong khas len
seng ge’i nga ro (TBRC W1PD76231; trans. Pettit,
1999; Kapstein, 2009). In his Nor bu ke ta ka (TBRC
W2DB16631; trans. Arguillère, 2004), a commentary
to the ninth chapter of Śāntideva’s Bodhicaryāvatāra
(D 3871/ P 5272), he was especially critical of Tsong
kha pa’s position on Madhyamaka. This provoked
635
responses from Dge lugs scholars, and drew him
into a protracted exchange with Dpa’ ris Rab gsal
(1840–1912), which took the form of writings of the
dgag lan genre (Viehbeck, 2014). Mi pham’s compositions and his willingness to draw from authors
of other traditions left a lasting legacy. A number of
his works were studied in monastic colleges of the
Rnying ma, Bka’ brgyud, and Sa skya schools. As part
of the process of exchange, the writings by Go rams
pa, from which Mi pham drew particular inspiration, have also been studied within Rnying ma
centers of learning.
Tibetan Philosophy in Recent Times
Following the revitalization of the non-Dge lugs
traditions, including the increased systematization
and embracing of scholastic learning, the first half
of the 20th century saw little in the way of development in philosophical literature. The Klu grub
dgongs rgyan (Ornament of Nāgārjuna’s Intent;
TBRC W17210; trans. Lopez, 2006) by Dge ’dun chos
’phel (1903–1951) is perhaps the best known work
from the period. Philosophically, it renewed some
of the criticisms of Tsong kha pa’s Madhyamaka
interpretation, making reference to arguments of Mi
pham and other critics. However, the current image
of the work bears little relation to its initial impact
or its philosophical contribution. It was seized upon
by those outside the Dge lugs, who were keen to
emphasize that it was composed by someone originally trained within that tradition. Its current high
profile derives much from the contemporary fascination (particularly among Western academics)
with the author, who was also a figure of controversy
for more reasons than his philosophical writings.
The decades immediately following the Chinese
Communist annexation in the 1950s were the most
challenging period for Tibetan literature in general.
An effective ban on serious literary activity in the
Tibetan language, beginning in the 1960s, was only
relaxed during the late 1970s. Writings that emerged
prior to this point – and many that appeared
subsequently – adopt what purports to be a
Marxist-Leninist perspective on Tibetan culture and
religion. There is little to suggest serious philosophical reflection: the vast majority of such writings represent ideological (and uninformed) propaganda,
intent upon vilifying the ways of thinking associated with “old” Tibet. In the Tibetan regions, genuine attempts to understand Western philosophy
perhaps only began in the 1990s, with writings by
636
Philosophical Literature: Tibet
young scholars such as the Nub phyogs sher rtogs rig
pa’i tshig ’bum by ’Brong bu tshe ring rdo rje (Compendium of Western Philosophy; 1995). In the exile
community, at a similar time, the 14th Dalai Lama
participated in lively dialogues with non-Tibetan
scientists and philosophers. In Tibet, the efforts of
Tibetan authors to understand Western philosophers have been hampered by their exclusive reliance upon questionable Chinese translations and
sometimes by an imperfect grasp of Tibetan philosophy. Both communities lack any form of standardized vocabulary for dealing with non-Tibetan
philosophy, or for bridging the gulf between Tibetan
and Western systems. For example, translations for
“philosophy” range from sher rtogs rig pa in Tibet, to
lta grub, or even simply lta ba (“views”) among members of the diaspora. Tibetan interest – both on an
individual and institutional level – in non-Tibetan
philosophical systems and comparisons with indigenous philosophy has been limited. This is at least
partly attributable to the fact that so much energy
of Tibetan scholars is devoted to the rediscovery,
conservation, and propagation of the indigenous literary heritage. Their efforts have proved successful
in bringing traditional philosophical material to a
wider audience. However, this concentration upon
the historical material makes it difficult to identify
contemporary Tibetan language works that might
qualify as significant contributions to indigenous
philosophical literature.
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Jonathan Samuels
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