Sacredscapes
and Pilgrimage Systems
PLANET EARTH & CULTURAL UNDERSTANDING SERIES
Celebrating ‘learning to live together sustainably’ under the aegis of United
Nations Decade of Education for Sustainable Development (2005–2014), and
understanding the interdependency and fragility of planetary life support systems,
and making better global citizenship that promote more humane and peaceful life,
and develop mass awakening for universal brotherhood, this Series will publish the
innovative and interdisciplinary works that enhance better understanding and
reverentially preserving those values of the past that help the humanity in
achieving the basic goals of the UNDESD, and also mark the celebration of United
Nations International Year of Planet Earth, 2009-2010, and United Nations
International Year of Astronomy, 2009, IYA-2009. This is in corroboration with the
IGU Kyoto Regional Congress in 2013 that focuses on ‘Traditional Wisdom and
Modern Knowledge for the Earth’s Future.’ Think universally, see globally,
behave regionally, and act locally but insightfully. This is an appeal for cosmic
vision, global humanism, and Self-realization. ……
The Series is sponsored by the ‘Society of Heritage Planning & Environmental Health’.
Series editor:
Rana P.B. Singh (Professor of Cultural Geography, Banaras Hindu University,
Varanasi, India). Email: ranapbs@gmail.com
1. Uprooting Geographic Thoughts in India: Toward Ecology and
Culture in 21st Century.
Rana P.B. Singh.
Foreword: Prof. David Simon (Royal Holloway, London, U.K.)
This book is the first of its kind highlighting the roots of ancient geographical
thought that gives a new vision and perspective for scientific vision and
global understanding, together with examining the issues of India, Indianness
and ecological cosmology. With its interdisciplinary nature and contents, this
book will serve as lead reference and also textbook in the courses on
geographical thought, Gandhian ideology, ecological history and philosophy,
nature theology, environmental history, and cultural studies.
1 June 2009, 22 x 15cm, xvi + 325pp., 7 tables, 15 figures.
ISBN: 978-1-4438-0580-3. ISBN: 978-1-4438-0579-7.
Cambridge Scholars Publishing, Newcastle upon Tyne U.K.
2. Geographical Thoughts in India: Snapshots and Vision for the
21st Century.
Rana P.B. Singh.
Foreword: Prof. Martin J. Haigh (Oxford Brooke University, U.K.)
This book deals with the contributions of emerging geographical thought from
India that has historical and cultural roots emphasising man-nature
interrelationships and interactions, which helped to form a distinct culture
enriched with metaphysics, literature, lifeworld, village life, landscape,
heritage, belief systems, and even the contemporary worldviews. This is a
pioneering works from insider’s perspective.
1 August 2009, 22 x 15cm, xvi + 429 pp., 16 tables, 58 figures.
ISBN: 978-1-4438-1119-X. ISBN: 978-1-4438-1119-4.
Cambridge Scholars Publishing, Newcastle upon Tyne U.K.
3. Banaras: Making of India’s Heritage City.
Rana P.B. Singh.
Foreword: Prof. Dr Neils Gutschow (Heidelberg University, Germany)
Narrating the making of the Hindus’ most sacred and heritage city of India
(Banaras) this book will serve as lead reference and insightful reading for
understanding the cultural complexities, archetypal connotations, ritualscapes
and vivid heritagescapes that maintain India’s pride of history and culture.
1 October 2009, 29 x 21cm, xvi + 409pp., 60 tables, 123 figures.
ISBN (10): 1-4438-1321-4, ISBN (13): 978-1-4438-1321-1.
Cambridge Scholars Publishing, Newcastle upon Tyne U.K.
4. Cosmic Order and Cultural Astronomy: Sacred Cities of India.
Rana P.B. Singh.
Foreword: Prof. John McKim Malville (University of Colorado, U.S.A.)
This book deals with the critical appraisal of studying cultural astronomy and
cosmic order and its implications in India, illustrated with studies of
heritagescape of Khajuraho; manescape of Gaya; Deviscape of Vindhyachal
goddess; Shivascape of Kashi, where Shiva dances; Shaktiscape of Kashi; and
Naturescape of Chitrakut, where mother earth blesses.
1 November 2009, 22 x 15cm, xiv + 250pp., 15 tables, 72 figures.
ISBN (10): 1-4438-1417-2, ISBN (13): 978-1-4438-1417-1.
Cambridge Scholars Publishing, Newcastle upon Tyne U.K.
5. Sacred Geography of Goddesses in South Asia.
Essays in Memory of David Kinsley.
Rana P.B. Singh (editor).
This anthology deals with the sacred geography of goddesses in South Asia
that manifested and maintained tradition of goddess worship, and possesses
the spatial and archetypal symbolism ― the continuity of the scenarios,
lifeways and performances that evolved in the past and continued today in
spite of superimposition and layering upon layers of various cultures and
traditions.
1 April 2010, 22 x 15cm, xviii + 396pp., 34 tables, 69 figures.
ISBN (10): 1-4438-1865-8, ISBN (13): 978-1-4438-1865-0
Cambridge Scholars Publishing, Newcastle upon Tyne U.K.
6. Heritagescapes and Cultural Landscapes.
Rana P.B. Singh (editor).
Foreword: Prof. William Logan
(UNESCO Chair of Heritage, Deakin University, Australia)
This anthology deals with the current debate in heritage studies and planning
that implied theoretical constructs, and cites case studies from different parts
of the world, like Cambodia, India, Japan, Jordon, México, and USA. On the
lines of the perspectives of UNESCO World Heritage Committee the
prospective features and in-depth local structures are portrayed with field
experiences, thus the dimension of heritage studies is broadened. This
anthology paves the path of multidisciplinary approaches to the newly
emerging discipline of heritage ecology.
2 October 2010, 22 x 15cm, xvi + 344pp, 16 tables, 50 figures
ISBN (10): 81-8290-226-6, ISBN (13): 978-81-8290-226-6.
Shubhi Publications, Gurgaon & New Delhi
7. Sacredscapes and Pilgrimage Systems.
Rana P.B. Singh (editor).
Foreword: Prof. Dallen J. Timothy (Arizona State University, U.S.A.)
These essays deal with current debate in pilgrimage studies and spirit of place
that helps to understand the deeper relationship between human psyche and
sacred environment, citing illustrations from different parts of the world, like
Canada, China, India, Israel, Nepal, Pakistan, Romania, Spain, Tibet, and the
Buddhist places, representing many religions. On the lines of thought linking
locality with universality the prospective features and in-depth local structures
are portrayed with field experiences. These studies will pave the path of to the
newly emerging discipline, pilgrimage studies.
26 January 2011, 22 x 15cm, xiv + 344pp., 18 tables, 51 figures.
ISBN (10): 81-8290-227-4, ISBN (13): 978-81-8290-227-4.
Shubhi Publications, Gurgaon & New Delhi
8. Holy Places and Pilgrimages: Essays on India
Rana P.B. Singh (editor).
Foreword: Prof. Robert H. Stoddard (University of Nebraska, U.S.A.)
This anthology deals with the issues of sacred places and pilgrimages in India,
illustrated with case studies representing different regional traditions and
emphasising themes like Hindu textual traditions, Varakari tradition of
pilgrimages, sacred space and planning, city of ancestral worship, religious
tourism and place of sainthood, pilgrimage-tourism, Buddhist practices, and
archetypal symbolism. This will open new directions of understanding in
pilgrimage studies, and will be used as major text in this field.
26 January 2011, 22x 15cm, ca. xvi + 344pp. ; 30 tables, 46 figs.
ISBN (10): 81-8290-228-2, ISBN (13): 978-81-8290-228-2.
Shubhi Publications, Gurgaon & New Delhi
Sacredscapes
and
Pilgrimage Systems
_______________________________
Editor
Rana P.B. Singh
Banaras Hindu University, India
Foreword
Prof. Dallen J. Timothy
Arizona State University, USA
Shubhi Publications
New Delhi
Planet Earth & Cultural Understanding Series, Pub. 7.
Cataloguing Data:
(Editor) Singh, Rana P.B. (b. 1950)
Sacredscapes and Pilgrimage Systems
Shubhi Publications, Gurgaon & New Delhi (India).
A5 : 22 x 15cm, xiv + 344pp., 18 tables, 51 figures.
1. Pilgrimage studies, 2. Religious tourism, 3. Cultural studies,
4. Landscape studies, 5. Cultural anthropology.
Proceedings of the Panel 20 on ‘Heritagescapes and Sacredscapes’, of the
16th World Congress of the International Union of Anthropological and
Ethnological Studies (IUAES) held at Kunming, China: 27-31 July 2009.
Sponsored by the ‘Society of Heritage Planning & Environmental Health’
ISBN (10): 81-8290-227-4, ISBN (13): 978-81-8290-227-4.
Copyright © 2011 by Rana P.B. Singh, and the contributors
All rights for this book reserved. No part of this book may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, electronic,
mechanical, photocopying, recording or otherwise, without the prior written
permission of the copyright owner.
The Publisher does not necessarily endorse the ideas held, or views expressed by
the Editors or Authors of the material contained in its publications.
This book first published in 26 January 2011
by
Shubhi Publications
HQ: 211 Dayacha 39, Haus Khas Village, New Delhi 110016, India.
Branch Office: 240, II Floor, City Centre, Gurgaon, HR 122002, India.
Phone: +91-124-4088499, Mob: +91-0-9811 065451.
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Cover image: Overview of Santiago de Compostela
Photograph © Martin Grey
Printed in India by Aegean Offset Printers, Noida, UP.
VIEWS ON THE BOOK
“This book is an exciting new contribution to the social science of
pilgrimage and sacredscapes. It is essential reading for anyone interested
in understanding the dynamics of global pilgrimage and the depth of
personal meaning associated with travel for spiritual or religious purposes.
I applaud the editor and contributors for raising the bar in this area of the
social sciences and for their valuable insight into one of the world’s largest
and most pervasive forms of human mobility.”
― Prof. Dallen J. Timothy,
Program Director, Tourism Development and Management
Arizona State University, Phoenix, AZ. USA
“I was impressed by the wide range of topics and sites discussed by
authors from many different countries and backgrounds. The essays are of
high quality, innovative and interesting. This is a valuable addition to the
growing literature on pilgrimage, and will be of interest to academics,
students and general readers.”
― Prof. Erik Cohen,
Emeritus Professor of Social Anthropology,
The Hebrew University of Jerusalem, Israel
“This collection of essays is a welcome addition to the literature of
pilgrimage studies. The essays collected here explore the multi-dimensional character of pilgrimage in several traditions. Together they underscore how fundamental pilgrimage is to the spiritual life of humanity.”
― Prof. M. Darrol Bryant,
Emeritus, Director of the Centre for Dialogue
and Spirituality in the World Religions,
University of Waterloo, Canada
“This is a volume that touches upon many of the under-studied pilgrimage
regions of the world. With a good mix of theoretical and descriptive
discussion of pilgrimage and sacred landscapes, this book is an excellent
addition to the growing literature on pilgrimage systems.”
― Prof. Daniel H. Olsen,
Department of Geography, Brandon University,
Brandon, Manitoba, Canada
viii
Views on the Book
“This anthology continues the exploration of pilgrimage and social/
spiritual/cultural geography dealt with in previous volumes in the series
edited by Rana Singh. The authors offer diverse views into the
intertwining relationships between the act of pilgrimage and the
emergence and preservation of specific pilgrimage sites around the world
with other social phenomena including tourism, religion, economy,
literature, experience of the divine, prayer for fulfilment of mundane
needs, cultural geography, and individual and social identities. Case
studies from different countries and religious traditions enrich the
discussion. This volume offers a valuable contribution to the study of the
myriad meanings and impacts pilgrimage and religious tourism have for
visitors to sacred sites and the communities living near such sites.”
― Prof. Erik H. Cohen,
School of Education, Faculty of Social Sciences,
Bar-Ilan University, Ramat-Gan, Israel
“This volume of essays on aspects of pilgrimage sheds new light on the
phenomenon in a broad but especially Asian context. The authors combine
theory with fieldwork studies to examine a variety of prominent
pilgrimage centres, from Bodh Gaya, Mecca, Santiago and Kailash to
Wutai in China, Nara in Japan, and to explore issues such as the role of
legends, literature, memory and identity in depictions, representations and
constructions of pilgrimage. They also extend existing studies on
pilgrimage and tourism by looking at how, in a modern globalising world,
these themes increasingly intermingle, often, as they do, enhancing the
international dimensions of prominent sites. As such this volume is a
welcome addition to the growing ethnographic study of pilgrimage.”
― Prof. Ian Reader,
Professor of Japanese Studies, University of Manchester, U.K.
“This collection is a significant contribution to pilgrimage studies. It is to
be lauded for its breadth both in time and space. There is great value of
having multiple traditions represented in a single anthology. This makes
the book more useful as a teaching text. It is also laudatory for its multidisciplinary make up; this is a fine book”.
― Prof. Ronald Lukens-Bull,
Department Sociology and Anthropology,
University of North Florida, Jacksonville, USA
~~~
TABLE OF CONTENTS
VIEWS ON THE BOOK ...................................................................... vii
List of Tables ................................................................................... xi
List of Figures ................................................................................. xi
Preface & Acknowledgements ..................................................... xiii
FOREWORD ....................................................................................... 1
─ DALLEN J. TIMOTHY (Arizona State University, Phoenix, U.S.A.)
Chapter 1 .......................................................................................... 5
Sacredscapes and Sense of Geography: Some reflections
─ Rana P.B. Singh (Banaras Hindu University, India)
Chapter 2 ........................................................................................ 47
Pilgrimage and Literature
─ Jamie S. Scott (York University, Canada)
Chapter 3 ........................................................................................ 95
Sufi views on Pilgrimage in Islam
─ Muhammad Khalid Masud (Council of Islamic Academy, Pakistan)
Chapter 4 ...................................................................................... 111
The ‘Architecture of Light’: Between Sacred Geometry to
Biophotonic Technology
─ Aritia Poenaru and Traian D. Stãnciulescu
(National Institute of Inventics, Romania)
Chapter 5 ...................................................................................... 131
Kailash – the Centre of the World
─ Tomo Vinšćak and Danijela Smiljanić
(University of Zagreb, Croatia)
Chapter 6 ...................................................................................... 153
Rolwaling: A Sacred Buddhist Valley in Nepal
─ Janice Sacherer (University of Maryland, Okinawa, Japan)
x
Views, Contents, Preface
Chapter 7 ...................................................................................... 175
Landscape, Memory and Identity: A case of Southwest China
─ Zhou Dandan (Tsinghua University, China)
Chapter 8 ...................................................................................... 195
The Miracles of Mt. Wutai, China:
the Spirit of Sacred place in Buddhism
─ Jeffrey F. Meyer (Emeritus, University of NC Charlotte, USA)
Chapter 9 ...................................................................................... 211
Sacred Spaces, Pilgrimage & Tourism at Muktinath, Nepal
─ Rana P.B. Singh (Banaras Hindu University, India) &
Padma C. Poudel (Tribhuwan University, Nepal)
Chapter 10 .................................................................................... 247
The Mythic Landscape of Buddhist Places of Pilgrimages in
India
─ Rana P.B. Singh & Pravin S. Rana
(Banaras Hindu University, India)
Chapter 11 .................................................................................... 285
Current Jewish Pilgrimage-Tourism
─ Noga Collins-Kreiner (University of Haifa, Israel)
Chapter 12 .................................................................................... 301
The Road to St. James, El Camino de Santiago: the spirit of
place and environmental ethics
─ Kingsley K. Wu (Emeritus, Purdue University, IN, USA)
Chapter 13 .................................................................................... 321
Sacred Places of Japan: Sacred Geography in the vicinity
of the cities of Sendai and Nara
─ James A. Swan (Snow Goose Production, USA)
The CONTRIBUTORS ..................................................................... 335
INDEX ........................................................................................... 337
The EDITOR ................................................................................. 344
LIST OF TABLES
1.1. Categories of Sacred Space (after Stump 2008: 302) ........................ 23
1.2. “The Art of Pilgrimage” (after Dawkins 1995) ................................. 34
3.1. Parallels between Juristic and the Sufi views of Hajj ...................... 103
4.1. Archetypal cosmogonic symbols: Romania and India .................... 115
9.1a. Muktināth: Pilgrims by countries .................................................. 232
9.1b. Muktināth: Tourists by countries .................................................. 232
9.2. Age Structure of Pilgrims ................................................................. 233
9.3. Pilgrims’ Groups............................................................................... 234
9.4. Pilgrims by times of Visits ............................................................. 234
9.5. Pilgrims’ motive of Visit ................................................................. 235
9.6. Pilgrims’ accompanying Persons ..................................................... 235
9.7. Pilgrims by Duration ....................................................................... 236
9.8. Amount spent by Pilgrims during Pilgrimage, NRs ........................ 237
9.9. Means of Transportation used by Pilgrims to visit Muktināth.......... 237
9.10. Pilgrims already visited other Sacred Places of India ................... 238
9.11. Pilgrims’ Response to the three most Sacred Places of Nepal ....... 238
9.12. Muktināth: Accommodation capacity in hotels ............................. 239
9.13. Muktināth: Types of shops ........................................................... 239
Appendix 1
Major Historical Events related to the Buddhism .................................. 282
LIST OF FIGURES
1.1. The Tree of Living Earth (after Devereux 1991: 40-41) .................. 25
3.1. Principal Hajj routes, Arabia (after Petersen 1994: 48) ..................... 96
3.2. Stages of the Hajj: spatial view (courtesy: Stump 2008: 352) ........... 97
4.1. The modelling of the universe: archaic to scientific ration .............
4.2. Representations of the ‘Sacred Geometry’ ......................................
4.3. Architectural representations of the archetypal forms .....................
4.4. The Spiritual Center of «ICHTUS»: an archetypal cosmogony ......
114
121
122
126
5.1. Kailās: The route and main stations .................................................
5.2. Kailās: notional map of the pilgrimage path ...................................
5.3. Kailās: Snow covered peak and the environs .................................
5.4. Kailās: A Buddhist Thanka .............................................................
5.5. Kailās: A Buddhist pilgrimage procession, near Drölma Pass .......
5.6. Kailās: the ritual flags nearby ..........................................................
5.7. Kailās: Mani stone: ‘Om mani padme hum’ ....................................
133
134
135
139
140
141
142
6.1. The Rolwaling village of Beding ....................................................
6.2. Sacred Omi Tsho lake .....................................................................
6.3. Orgyen Shuti, the throne of Padmasambhava ..................................
6.4. The Rolwaling approach to Tashi Labtsa Pass ...............................
162
163
166
168
7.1. The village, Pucun (photograph by the author) .............................. 180
7.2. The mountain, Tashan (photograph by the author)........................... 185
7.3. The Stone layout (photograph by the author) ................................... 186
7.4. Cangshuxia (photograph by the author) .......................................... 189
7.5. The stone with the inscription “Tashan” ......................................... 190
7.6. The stone with the inscription “Qian Kaishao fanggechu ............... 191
8.1. The Holy territory of Wutai Shan ................................................... 200
8.2. Xiantong Temple, Mt. Wutai in north ............................................. 207
9.1. India and Nepal Star-frame Five holy places .................................. 213
9.2. Mustang district and Muktināth ........................................................ 214
9.3. The Path to Muktināth (after Messerschmidt 1989a: 92) ................ 215
Sacredscapes and Pilgrimages
9.4. Muktināth Kshetra (modified after Messerschmidt 1989a: 95) ......
9.5. Sketch view of Muktināth Sacred Territory ....................................
9.6. Muktināth environs and Temple’s Spatial Plan ..............................
9.7. Muktināth Image (murti) ................................................................
9.8. Jvālāji Gompā: Spatial Plan .............................................................
9.9. Muktināth: Spatial flow of Pilgrims ................................................
xiii
218
220
221
222
225
231
10.1. North India and Nepal: The Buddhist sites ................................... 249
10.2. Lumbini, Location and the nearby area .......................................... 252
10.3. Bodh Gaya: the contemporary Map ............................................... 255
10.4. Sarnath: Religious Landscape........................................................ 260
10.5. Rajgir: Spatial view of the Central Part ........................................ 263
10.6. Nalanda: excavated remains (after A. Cunningham 1871) ............ 266
10.7. Shravasti (Saheth Maheth) ............................................................ 270
10.8. Vaishali and environs .................................................................... 273
10.9. Kushinagar: the excavated site (after A. Cunningham 1871) ....... 277
10.10. Sankisa and Agahat Sarai (after A. Cunningham 1872) .............. 278
11.1. Israel: The researched holy sites .................................................... 291
11.2. The distribution of visitors to the Holy graves ............................. 293
12.1. The Road to Saint James, El Camino de Santiago .........................
12.2. Santiago de Compostela: Mental map and notional sketches ........
12.3. Santiago de Compostela: Mental map and notional sketches ........
12.4. Santiago de Compostela: Close sketch and ground plan ...............
12.5. Santiago de Compostela: close sketch ..........................................
302
304
305
306
307
PREFACE & ACKNOWLEDGEMENTS
Since the ancient past man recognised the integral power of the nature
in a place, and responded to it with their expression of environmental
sensitivity, either in the form of love (attachment), fear (detachment), awe
(mystery), and/or visual (beauty). The comprehensiveness and inherent
spirit manifested behind such sensitivity is conceived in the form of
sacrality – the force of nature that makes a place ‘divine’ or ‘sacred’.
According to the integrity of such inherent spirit and degree of human
sensitivity together with the superimpositions of the continuity the
importance of place is recognised, mytholised and accepted by the
succeeding masses of people in the passage of time. Here comes the idea
what Mircea Eliade calls hierophany (1959) – the act of manifestation that
shows itself to us – manifestation of sacred realities. Its comprehensiveness and universality of such manifestation can be reflected upon the
sacrality attached as force that makes it what it can, like sacred space,
sacred time, sacred objects, sacred rituals, sacred functions, sacred
functionaries,…, and so on.
The force of sacrality that communicates as link between humanity and
divinity led to the tradition of pilgrimage, a quest to understand,
experience and get revealed and healed that makes the life different – holy
that makes the vision wholeness. Pilgrimage is a way – to be and become
in motion in terms of belief systems supported with myths and traditions
that have roots in the human civilizations. Diversity is also a form of
natural beauty, which every culture and each of the traditions adhere and
follow. Perhaps rather than choosing, the pilgrim is chosen by his/her own
way of being from belongingness. In this perspective the ten essays
represent those diversities.
The original idea of this volume was originated in one of the sessions
of Panel 20 on ‘Heritagescapes and Sacredscapes’, organised under the
ages of the 16th World Congress of the International Union of
Anthropological and Ethnological Studies (IUAES) held in Kunming,
China: 27-31 July 2009. It was decided to invite some of the lead papers
from established scholars as additional representatives of the theme. The
result is in the form of three volumes of anthologies, all published in the
“Planet Earth and Cultural Understanding Series” from Shubhi
Publications, Gurgaon & New Delhi (India). The present, publication vol.
7 in the series, consisting of thirteen essays from scholars belonging to
different countries, representing their studies from China, India, Japan,
Pakistan, Romania, Tibet, Nepal, Spain and Israel.
xvi
Views, Contents, Preface
Prof. Dallen J. Timothy (Arizona State University, U.S.A.), a leader in
cultural and heritage tourism studies, has been kind enough to go through
major parts of this book and gracefully wrote the ‘foreword’. A heartfelt
sense of obligation is offered to you Dallen. With all due appreciation I
acknowledge the kindness of all the contributors who shown their trust in
this project and supported me by following editorial instructions and
making changes in their essays as suggested at different stages.
Many of the distinguished and established scholars and professors
working in the field of heritage studies from different countries have
spared time to go through substantive parts of this anthology and have
encouraged and supported this project by sending their views. I thank them
and personally acknowledge their kindness, viz. Erik Cohen (Emeritus,
Hebrew University of Jerusalem, Israel), M. Darrol Bryant (University of
Waterloo, Canada), Ronald Lukens-Bull (University of North Florida,
USA), Ian Reader (University of Manchester, U.K.), Erik H. Cohen (BarIlan University, Israel), and Daniel H. Olsen (Brandon University,
Canada).
As always, I keep on records name of my wife Manju (Usha), who
suffered and tolerated consistently negligence and carelessness from my
end, however always encouraged me to see this project the final light of
release. The working environment was made pleasant by all sorts of
innocent and childish disturbances created by my two grandsons: 10¾years old Abhisth and 2¾ -years old ‘Vishnu’. I thankfully acknowledge
my friend Martin Grey (U.S.A.) who has provided photograph for the
cover. Two of my doctoral students Ram Kumar Chaturvedi and Pankaj
Prakash Singh have been helpful in re-drawing some of the figures.
At the Shubhi Publications, New Delhi (India) Mr. Sanjay Arya has
been of immense help at different stages, while the other member
associates there also helped me to get the volumes printed in a very short
period, while taking care of the quality. I am thankful to all of them, but
especially to my friend Rakesh Singh (Harmony Bookshop, Varanasi) for
all sorts of help and support, and also to other friends for promoting this
Series.
― RANA P. B. SINGH
# New F- 7 Jodhpur Colony, B.H.U., Vārānasi: 23 September 2010.
Bhādrapada Shukla 15th Purnimā, Mahālayā starts, Vikrama Samvata 2067.
FOREWORD
Sacredscapes and Pilgrimage Systems
Dallen J. Timothy
For thousands of years, pilgrimage has been one of the most visible
manifestations of spiritual and religious devotion, and one of the most
salient motivators of human mobility throughout the world. Archaeological evidence even testifies that temples and alters were built in
prehistoric times for worshipping nature gods and various other deities, or
for protecting the dead. Göbekli Tepe, in Turkey, is commonly regarded
by archaeologists as the oldest human-built place of worship so far
discovered. It was erected more than 10,000 years ago. Hagar Qim, in
Malta, is another example built approximately 5,600 years ago, and Stonehenge is perhaps the best known example, believed to have been built
about 2,600 BCE.
Other evidence supports the notion that ancient peoples travelled to
sacred natural areas or human-made sites such as those listed above.
Göbekli Tepe was apparently built by hunters and gatherers, who may
have returned to the site periodically at various times of the year. During
the Vedic Age in South Asia, some 5,000 years ago, river-based rituals
and festivals began as forerunners to Hindu pilgrimage, although the
official pilgrimages of Hinduism (tirtha-yātrā) began much later. Christian
pilgrimage began soon after the crucifixion of Jesus; some records show
devotees arriving in the Holy Land within 100-200 years of Jesus’ death.
By CE 600, Christian pilgrimage was, aside from trade, one of the most
widespread movements of long-distance travel in the entire Mediterranean
region.
Today, worshippers from nearly every religion on earth travel in
search of ‘the sacred’. They visit holy places that are venerated for their
connections with gods, holy people, ability to heal, or role in miraculous
events. Pilgrims travel to increase their faith, to witness miracles, to pray
more effectually, to be healed, to seek forgiveness for sins, to fulfil
religious obligations, or simply to visit historic sites connected to their
own faiths. Although some religions require pilgrimages of various sorts
for salvation and eternal life, many others encourage it for increased faith
and healing, while on the other end of the spectrum, some faiths actively
2
Dallen J. Timothy
discourage religious travel as a waste of time, effort, and money that could
be better used seeking God at home and within the inner self.
In the contemporary world, though, while following tradition still in
many regards, pilgrimage is undergoing a significant evolution in form,
function and style. Many people claim to be ‘less religious’ than their
forebears but simultaneously more ‘spiritual’, reflecting the truism that
spirituality and religiosity are not synonymous; a person can be spiritual
without being religious and vice versa. Atheists and agnostics in fact have
reported having ‘spiritual’ experiences, but not religious encounters, as
they commune with nature or come to understand something new about
themselves. Even as adherence to traditional religions is declining in some
parts of the developed world, it is growing in other parts and among
certain population cohorts in the countries where ‘organized religion’ is in
decline. New forms of spirituality have come to the fore in recent decades
as disciples of spirituality eschew the materialism, consumerism,
traditionalism, paternalism, and other isms associated with Christianity,
Islam, and Judaism, just to name a few. Instead, these new age spiritualists
seek places where they can develop their own individual beliefs of deity
and their role in the universe. Their pilgrimages are motivated by learning,
cathartic healing, praising nature gods, and essentially becoming gods and
goddesses to their own divine selves.
Another perspective of this evolutionary process in religious travel is
the growing popularity of luxury and virtual pilgrimages. In most
religions, pilgrimage has been treated as a hardship ritual that challenges
the faith and physical endurance of even the staunchest disciples. The
challenges associated with difficult travel, physical exertion, and mental
anguish are viewed as purifying elements that humble the proud and soften
the hard-hearted. In Roman Catholicism, walking the route was
customarily more important in cleansing the pilgrim than was visiting the
final destination. In Islam, the route is important, but the destination and
its associated rituals are preeminent. Today, cars and motor coaches
transport hundreds of thousands of Roman Catholics to holy sites each
year ‒ the same sites their forebears would have walked or crawled to on
their knees. Catholicism is not the only faith to see such changes. Affluent
Muslims on the Hajj can also ride in air-conditioned coaches or private
cars, sleep in four- and five-star hotels, and hire a multilingual guide to
escort them through the rituals. Wealthy Hindus have also begun to have
similar opportunities during the tirtha-yātrā. In addition, virtual pilgrimages can be ‘undertaken’ via the Internet or television in the Islamic world.
While this does not replace the requirement of physically undertaking the
Foreword: Sacredscapes & Pilgrimages Systems
3
Hajj, it does provide a temporary substitute for Muslims who are unable to
travel to Mecca.
Pilgrimage is one of the most complex, multidimensional human
phenomena in the world today. Every year tens of millions of people travel
from their homes to destinations, often along routes and trails meant to test
and try the pilgrim’s willpower and devotion, to destinations of spiritual
and religious significance. This spatial and social movement of people
through time and space involves elements of motivation, belief, illness,
nutrition, poverty and wealth, transportation, ecology, economics, family
relations, social networks, crime, and so much more. It has a significant
imprint on the heritage of nations, social mores and religious practices,
and cultural landscapes of nearly every region of the globe. As a result,
scholars from many disciplines and backgrounds have a justifiable interest
in studying the global phenomenon of pilgrimage. Geographers, sociologists, economists, tourism specialists, health and medical researchers,
religious studies scholars, historians, anthropologists, and political
scientists all have a legitimate claim to the study of pilgrimage.
As the foregoing information indicates, ‘pilgrimage studies’ is an
exciting and ever-evolving scholarly pursuit. This volume, edited by
Professor Rana P.B. Singh, one of the world’s foremost pilgrimage
scholars, is a welcome addition to the substantial and growing literature on
pilgrimage. It is a collection of erudite chapters that delve into the
meanings of pilgrimage and the experiences of pilgrims. It provides
excellent insight into the most relevant subjects today among pilgrimage
specialists. One such issue is the crossover between the natural environment and religion. The concept of environmental ethics is not well
grounded in the pilgrimage literature, but this volume addresses this vital
issue. Likewise, the notion of sacred space from an ecological perspective
dominates several chapters in this volume. The salience of the spiritual
meanings associated with rivers, mountains, caves, and sacred groves and
forests cannot be understated; this importance is well established
throughout the book.
Pilgrimage places as spaces of identity and desire is another evident
theme throughout the volume. The sanctification of secular space and the
sustained veneration of places of religious importance for centuries, and
even millennia in some cases, illustrate how pilgrimage, unlike other
forms of travel, stands the test of time and is less volatile than other
manifestations of human mobility. Pilgrimage is inherently spatial, social,
economic, and political, and this volume accounts for all of these.
I am particularly impressed by the comprehensiveness of the book as it
considers issues of religious obligation, salvation, secular pilgrimage,
4
Dallen J. Timothy
sacred architecture, religious festivals, routes and circuits, ritualization,
sanctification processes, spatial development, cultural landscapes,
UNESCO World Heritage designation, tourism, and so much more.
Perhaps most appealing about this book, however, is the diverse range of
empirical material from around the world, representing many of the major
world religions: Christianity, Islam, Judaism, Buddhism, Hinduism,
Chinese spiritual philosophies, Shintoism, and even secularism. Another
excellent highlight of the book is the diversity of scholars from the four
corners of the earth. Such an eclectic panel of distinguished authors lends
considerable validity, intellect, and indigenousness to views of sacredscapes and pilgrimage. This widespread coverage is a welcome relief from
so many other tomes that focus almost entirely on one or two religions
without providing an understanding of how they fit together, and they are
often authored by outsiders who possess inherent biases and who have
spent only limited time in the research field.
This book is an exciting new contribution to the social science of
pilgrimage and sacredscapes. It is essential reading for anyone interested
in understanding the dynamics of global pilgrimage and the depth of
personal meaning associated with travel for spiritual or religious purposes.
I applaud the editor and contributors for raising the bar in this area of the
social sciences and for their valuable insight into one of the world’s largest
and most pervasive forms of human mobility.
― Prof. DALLEN J. TIMOTHY
School of Community Resources and Development
Arizona State University, 411 N. Central Avenue,
Suite 550, Phoenix, Arizona 85004. USA
Editor, Journal of Heritage Tourism
Email: dtimothy@asu.edu
------------------------------------------§ Dallen Timothy is a pioneer in the geography of tourism. He holds a B.Sc.
degree in geography from Brigham Young University, an M.A. in geography from
the University of Western Ontario, and a Ph.D. in geography from the University
of Waterloo. He is Visiting Professor of Heritage Tourism at the University of
Sunderland, UK, and Adjunct Professor of Geography at Indiana University. His
research interests in tourism include heritage, religiously-motivated travel,
community-based planning, political boundaries and supranationalism, peripheral
and rural regions, and travel dynamics in less-developed countries.
1
Sacredscapes and Sense of Geography:
Some Reflections
Rana P.B. Singh
Banaras Hindu University, India
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Since the consideration of ‘sacred space’ as one of the major
components in religious system, as propounded by Otto, Eliade, Tuan, and
others, the search for imbued meanings, role in religious festivities and
similar such notions emerged in the literatures. Sacrality and human
environment have been developed as the reciprocal theme in the past and
continued even today, e.g. in pilgrimages and rituals. According to various
uses, mythologies involved, eulogies narrated and similarly other affiliated
local traditions, sacredscapes may be classified into different groups. For
reading sacredscapes some generalised axioms (self-evident rules) are
proposed, which further help to understand its function. The interactions
among sacrality, space and regulating function altogether result into
ritualscapes and their geometries. Understanding and experiencing
sacredscape would lead to know the culture much better.
Keywords: space, place, axis mundi, pilgrimage, sacrality, spiritual
magnetism, spatiality.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Geography, often considered a trivial subject compared to the more splendid
history (the feats of the forefathers), may well be the subject of the twentyfirst century. Where is the best land and who controls it? How much good
space is left and who is caring for it? Justice for those on the underside,
whether these be human beings or other vulnerable species, has everything to
do with space. In a theology of embodiment, space is the central category, for
if justice is to be done to the many different kinds of bodies that comprise the
planet, they must each have the space, the habitat, they need”.
― McFague (1993: 101-102)
1. Introduction
Geography considered to be more relevant in the 21st century when its
comprehensibility came across the disciplinary cage when the reference to
spatiality of time, temporality of space, and sacrality of space-time
6
1. Rana P.B. Singh
function have been accepted as an integral and external exploration where
human consciousness meet to the divine cosmos. The traditional and
narrow meaning of mapping now changed and extended to explain the
possessed images, signs, codes and the network of all of these that make
the result complex. Gaia theory is one of such postulates that explain the
organism and aliveness of the motherly Earth. One of the representations
of the lived Earth is ‘sacredscape/s’, a prominent feature reflecting the
embodied human and his/her cultural wholes (e.g. cultural landscapes):
being-in-between-environment-and-space as an indissoluble process and
resultant scene too (cf. Bergman 2009: 15).
Sacred places can be constituted through reiterate cultural practices and
performances, including the practice of daily visitation and invisible
communication with inherent spirit and human quest. Such performances
constantly make sacredscape alive, maintaining friendship with human
being. The ongoing process of communication makes sacredscape a
rhythmscapes where pluralistic, divine, relative, repetitive – cyclic, lineal
and hierarchical repetitiveness – performances making them inextricably
linked to auspiciousness of time, sacrality of space, piousness of function
and goodness of thought. These altogether help in maintaining the
appropriation of spatiality in placemaking. Every religion has its own way
of existence and acceptance of sacred foci to which the adherents
periodically converge. Notes Bhardwaj (1973: 1) that “from the most
ancient civilizations to the present times sacred centres have exerted a
powerful pull on the believers.” This is well exemplified in an anthology
dealing with ‘pilgrims and travellers in search of the holy’ (Gothóni 2010).
We form a sense of our-selves and the sense of our-place at varying
range of scales (spatiality), times (sequentiality), function (activity),
mobility (pilgrimages), quest (sacrality), and our mental estates (belief
systems). We begin from the local scale, and here we first experience the
sacred message (spirit of place, genus loci) and power of place. According
to theology, sacred places are consecrated or ‘illuminated by faith’, ‘which
because of their religious content, become the inevitable subject of
auspicious visits. Such places are considered sublime (deva sthana in
Hindu traditions) and holy, and their holiness is a result of an event that
took place there or because they comprise a place of worship for hosting
sacred events or for guarding sacred relics or to receive blissful healing
(cf. Vuconić 2006: 242). Very rarely is a place held sacred by one religion
considered sacred by other religions as well. One such rare place, which
accounts for its fame, is Jerusalem, which is sacred to Judaism,
Christianity and Islam, of course that records the history of contestation
(cf. Singh 2008: 128-130).
Sacredscapes and Sense of Geography
7
It is argued that a landscape is sacred because human perceive it as
sacred in the ancient past and continued that by transferring that
understanding to the successive generations, of course the degree varies.
But ‘one way of knowing does not negate the validity of another’, of
course there are different ways of knowing about the Earth, about sacred
places, and about sacral environs (Carmichael et al 1994: 7). In the
scientific era of rationality, direct uses and productive value generally
considered as the only validity, but at the other end there exist different
worldviews of spirituality, indigenous people, beliefs, taboos and
traditions which are directly can’t be explained. Thanks to realisation and
recognition of intangible resources and heritage by the UNESCO
Intangible Cultural Heritage programme that support the preservation of
sacredscapes and associated performances and rituals (cf. Singh 2010a).
Among the European languages the word ‘sacredness’ (commonly as
in English) is derived from Latin, and is “defined as restriction through
pertaining to the gods. The concept of sacred implies restrictions and
prohibitions on human behaviour – if something is sacred then certain
rules must be observed in relation to it, and this generally means that
something that is said to be sacred, whether it be an object or site (or
person), must be placed apart from everyday things or places, so that its
special significance can be recognized, and rules regarding it obeyed”
(Hubert 1994: 11). Although the connotation of words associated with and
concepts expressing sacrality in different cultures may be inexact, the
concomitant concepts of separateness, respect and rules of behaviour seem
to be common to sacred sites in different cultures – broadly moving
around the quest and performance to interact with the sublime spirit
possessed there in.
2. Sacrality and Human Environment
At the dawn of scientific and technological supremacy, people on earth
are threatened by two kinds of environmental degradation: one is
environmental pollution and ecological disorder ― a menace that we all
concern in different ways and trying to come up with better solutions; the
other is loss of meaning, especially a kind of cosmic loneliness that we
could not have foreseen as children of a cosmic order. Presently many
people came to the realisation that all environmental problems arise in the
human mind. If it is at all the fact ― in fact, it is a reality ― the solution
of such problems also be searched from human sensory. For the first time
we realise that we have created our systematically built web of structure,
however they are now proved as meaningless places (Walter 1988: 2). We
8
1. Rana P.B. Singh
learn from history that archaic people sought, meaningful ways to link the
reality and psychic feeling “to combine empirical facts with imaginative
fancies and to think in rhythm with their feeling and feel in rhythm with
their thinking” (Herberger 1972: 16). Going back to history in a search for
holistic theory we find the idea of theoria ― an ancient way of grasping
experience that involves all the senses and feelings. With reference to
place theoria manifested into Greek idea of genius loci ― the spirit of
place. The frame of mind that makes holistic theoria possible is a form of
inquiry, called “topistics”, or the study of placeways by Walter (1988: 5).
The above view is comparable to Swan’s (1990: 19) idea of
“environmental sensitivity”, i.e. a search and understanding of meaning
with reference to man’s identity in the cosmos. One of the most visible and
experiential forms of such ground is sacred place. The idea of sacred place
is linked to man’s quest for an identity and role within the cosmic mystery.
In fact, sacred place is the representation of cosmic manifestation ― a
process of condensing the cosmos into a smaller sphere. And “by
condensing the cosmos into smaller sphere, its laws can be observed and
experienced more clearly, and human lives can be placed more accurately
in accord with them” (Swan 1990: 35). Humans have used all their senses
to search for places where divine beings manifest their power. Several
such stories are mentioned in ancient mythologies. In traditional societies
or per se the culture which continued and maintain its traditions in spite of
transformation, any act performed by humans with respect to nature or
being biological specie is a part of sacred act, but its narration depends
upon the context, perception, mutuality and exposition (cf. Swan 2010).
A sacred space possesses existential value for religious man; says
Eliade (1959: 22) that, “for nothing can begin, nothing can be done,
without a previous orientation – and any orientation implies acquiring a
fixed point”, i.e. sacred space, which inherently possesses manifestive
power like spirituo-magnetism that always get re-awakened by rituals.
Profusely drawing on the work of Otto (1923), Eliade’s (1958: 367-385)
propositions and constructs attracted cultural geographers like Sopher
(1981) and Tuan (1978) accepting sacred as being that which is marked by
three characteristics (cf. Sitwell 1994: 103, 108):
1. It is absolutely pure and spotless (for it is never our, infantile, fault
when things go wrong);
2. Perhaps because of that very purity, it is peculiarly vulnerable to
being polluted, i.e. constantly at risk (as we are at risk of parental
wrath for reasons that we cannot understand); and
Sacredscapes and Sense of Geography
9
3. Despite that vulnerability, it is dangerous; specifically, it is
dangerous to us mortals, in other worlds, to those whose mere
approach threatens it with pollution; those who come too close risk
the blast of divine wrath ― the sacred is dangerous (for would we
not blast with thunderbolts those who cross us, were we able to do
so)?
The Vedic sacrificial altar is connected to the transformation of energy
from heaven to the earth ― “I am Heaven, thou art Earth” (Brihadaranya
Upanishad, 4.4.3). A place thus is transformed into a sacred place,
showing how a macrocosm can be transferred into a mesocosm, and
further reflected into the human body (microcosm). This process of
transformation may be called sacralisation. Eliade (1959: 11) writes, “Man
becomes aware of the sacred because it manifests itself, shows itself, as
something wholly different from the profane”. He designates this act as the
act of manifestation of the sacred, i.e. hierophany. It makes a space to
become something else, while continuing to remain itself too and also
continuing to participate in its surrounding cosmic milieu. A sacred
place’s spatial structure is visible in its archetypal layout, where
metaphysical prototypes and heavenly patterns of material things meet
(Singh 1993a: 161). Walter (1988: 75) writes:
“Any sacred place is a specific environment of phenomena that are
expected to support the imagination, nourish religious experience, and
conveys religious truth. It organises sight and sound, introduces light to
present clarity and order, or makes things dark to suggest unseen presence
and hidden power”.
That is how a sacred place is both an environment of sensory
phenomena and a moral environment for mankind. In the spirit of Eliade
(1959: 20-21) Stump (2008: 301) narrates that “the meaning of sacred
space include abstract notions of cosmology, but they also reflect belief in
the existence of spiritual discontinuities in the material world,
extraordinary places where the sacred is linked to physical reality”. Of
course in academic discourses exists distinction between space and place,
at least heuristically, space refers to an undifferentiated expanse having so
many meanings together or for someone no meaning at all! (cf. Bremer
2006: 25). On the other hand, place exposes particular and distinctive
locale and environs which carries meaningfulness in all its attributes
performances. This was sacred landscape combines the absoluteness of
space, relativeness of places and comprehensiveness of landscape; thus
altogether result to a ‘wholeness’ carrying the inherent and imposed spirit
of ‘holiness’, which is to be called ‘sacredscapes’. In Hindu tradition this
10
1. Rana P.B. Singh
is called ‘divya kshetra’ (a pious/ divine territory). According to Tuan
(1977: 6), “‘Space’ is more abstract than ‘place’. What begins as
undifferentiated space becomes place as we get to know it better and
endow it with value.” Sacredscapes have long exercised a special
fascination. They are the result of cultural developments and have varied
multidimensional levels of significance. They are also places where time
is, as it were, suspended, and they are points where holy times and holy
places meet; sacredscapes are places apart (cf. Heynickx, et al. 2010).
The attachment to place has been an issue of concern in different
branches of knowledge, including cultural geography – giving meaning
and usability to sacred space. In late 1920s John K. Wright spoke of the
emotional bonds between humans and their terrestrial home in terms of
“Geopiety”. This idea is further elaborated by Yi-Fu Tuan (1974, 1993)
while searching the deeply rooted interdependency of ecology and
territoriality through the byway of sensory mode, value and belief system
subsumable under the religious concept of geopiety. The sacral bondage
between person and place is a reciprocal process what Rudolf Otto (1923)
describes as mysterium tremendum associated with special power. It is
remarked that “Otto has done his best to delimit the “holy” and make it a
distinct mental state. But despite this effort it appears to be closely aligned
with theories of the sublime” (Smith 2008: 23).
Otto’s perspective was aligned to psychological counterpart illustrated
with intensity, state and level of emotionality attached, superimposed and
maintained in the passage of transformation of cultural traditions. The
variation in the state of sacred depends upon the involved conditions and
the responsive contexts. One may not feel easy to accept it; however his
idea of ‘transmutation’ and ‘attached emotionality’ is well suited in Indian
condition. Of course terror and fear are also the attributes of sacredness or
sources of maintenance of ‘sublimeness’, what Burke (1990: 36) narrated
that ‘sublime’ is productive of the strongest emotion which the mind is
capable of feeling’. And, the “idea of the holy or sublime points us
towards a different way of understanding sacred places. This approach
would not be marked by the connection of a site to a culturally important
narrative, but rather to the kind of commotion elicited” (Smith 2008: 2324).
Martin Heidegger (1958: 19) declared that “place places man in such a
way that it reveals the external bonds of his existence and at the same time
the depths of his freedom and security”. The human relation with nature is
received primarily while expressing the place, understanding the place and
becoming part of the spirit of place. The concept of place consists of
components like location, integration of nature and habitat, framework of
Sacredscapes and Sense of Geography
11
circulation, a system of land ethic, and dynamic nature of changing its
value characterised by the belief system. Place is the central focus Where
we experience the harmonic relationship between man and nature. That is
how this is one of the basic concerns inter-linking human environments
and sacrality. A sacred place is an environment of sensory phenomena and
also of moral environment.
Somehow still the experiential aspect has not received its attention
seriously. Two basic challenges are sought while studying landscape and
religious experiences: (i) the notion of reciprocity assuming passive
consensus among pilgrims which are not supported by any direct analysis
of the assumption, and (ii) the notion of reciprocity among place,
landscape and personal religious experience while analysing the pilgrims
and pilgrimage centres through the metaphor of text. The latter analysis
interprets the set composed of complex, dynamic and multiple layers of
personally relevant or shared meaning. The religio-geographical
reciprocity and counter interactions among the three boxes of ‘text and
content’ are: (i) The broader context of an individual’s or group’s personal
experience and social relations, (ii) Interpretation of the place and/or
landscape embodying multiple layers of social, cultural and personal
meanings, and (iii) Personal attitudes towards religious experience and/ or
commitment (Cooper 1994: 81). Cooper (ibid. 82) concludes that “through
the reciprocal interaction of place, landscape and religious experience, and
through their contextual interaction with other aspects of personal
experience and social material relations, which may similarly be
considered through the metaphor of text, religio-geographical experience
may be conceived of as being formed, developed, maintained and revised
through an almost continuous inter-textual dialogue with an eclectic range
of phenomena, which are both directly as well as indirectly pertinent to
geographical and religious experience.”
Accepting cultural landscapes, in the present context the sacredscapes,
as texts led to examine a number of issues like how the sacredscapes
encode information. This lies around the question of the concept of intertextuality which implies that the context of any text is other texts. In case
of sacredscapes and landscapes in general, the context in which they are
produced and read may be texts written in other media (Duncan 1990: 4).
The mythological literatures are the basic source in this context as one
mythology is interconnected to the other. The other issue related to this
interpretation moves around that as to how cultural and religious life in
general, and power relations in particular, are constituted, reproduced and
contested (Duncan 1990: 5).
12
1. Rana P.B. Singh
While attempting to answer these questions one must go beyond a
consideration of the formal properties of landscape as a. system of
communication, rather better to see the sacredscape in relation to both
structural symbolic meanings and individual intentions and the
experiences and faith involved by a pilgrim (compare Duncan 1990: 5).
However, such interpretation of experience of place and of pilgrimage is
neither simple nor static; rather it can be complex, ambiguous and
dynamic (Cooper 1994: 91). Symbolically ambiguous and encoded within
it are multifarious aspects of knowledge, power, purity and identity.
Mediating between the divine realm and the human realm, the landscape is
an index of sacred as well as secular events (cf. Faulstich 1994: 3). Above
all there is a need for understanding and explaining “the inner workings of
culture.”
Walter (1988: 117) suggests that “the quality of a place depends on a
human context shaped by memories and expectations, by stories of real
and imagined events ― that is, by the historical experience located there”.
The idea of mysterium tremendum also refers to special rule of action, or
customary form of making a place felt, experienced and being like an
organic reality. There exist energies of place that shape the place ― genius
loci, the spirit of place. Relph (1976: 6) observes that
“any exploration of place as a phenomena of direct experience cannot be
undertaken in the terms of formal geography nor can it solely constitute
part of such geography. It must, instead, be concerned with the entire
range of experiences through which we all know and make places”.
Relph (ibid.: 30) further states that ‘the spirit of place lies in its
landscape’. Yet at the same time in spite of changes in space and time, the
subtle power of a place is retained and can be experienced too. This
constitutes the very uniqueness and distinctiveness of place character.
Lawrence (1964: 6) wrote:
“Different places on the face of the earth have different vital effluence,
different vibration, different chemical exhalation, different polarity with
different stars; call it what you like. But the spirit of place is a great
reality”.
The uniqueness and distinctiveness of a place are special character of
sacred place where genius loci and values of human environment are
deeply rooted and maintained by performances and rituals there. A sacred
place is a place that symbolically represents the world; ultimately it
reflects order and wholeness and. is like a music web of the cosmos: its
very own layout encloses a world and to man, it becomes, at a deeply
sensual level, the cosmos. What I mean to suggest is that the quality of a
sacred place depends upon the human context that has been shaped by it,
Sacredscapes and Sense of Geography
13
with respect to memories, experiences, miracles and expectations. All
these aspects are governed by rules of action that maintain continuity over
a long span of time. A sacred place is a central place of hierophany, where
a divine or transcendent dimension breaks through into everyday life. In
the Hindu tradition, sacred places are called tirthas (literally “crossing”),
i.e. they are places where one crosses over to far shores or crosses up to
the realm of heaven.
Probably the most popular of all forms of tourism is the pilgrimage to a
sacred place; however, it is little understood. One of the functions of
pilgrimage is that it allows us to understand our cultural heritage while
searching for a harmonious relationship between man and the sacrality of a
given place. Pilgrimage landscape is one of the most distinct representations of sacredscape, possessing multilayered richness of human religious
activity (cf. Coleman and Elsner 1995).
3. Sacred Geography vs. Sacred Places: Order and Vision
Among the attributes of sacred geography ‘space’ serves as the
contextual envelop in which all other processes taken turn. Consideration
of ‘space’ together with ‘landscape’ in social and cultural theory, and
geography has taken a serious concern by the spatial turn and postmodernistic thoughts since 1980s. Also, spatial sense has opened a fresh
insight to understand sacrality and religious notions too. Sacred cartography and sacred geometry together provided spatial vision to sacred
geography (cf. Knott 2005: 11-20). The ‘spatial’ is a social construct as
many theorists thought, nevertheless it is also a spiritual, visual, contextual
and emotional notion that human beings possess inherently. It may be
projected metaphorically, metaphysically and mystically, and also alltogether what in Greek thought called cosmos.
In the frame of sacred geography in Māyā culture such notions are
linked to geographic features and associated gods and beliefs (cf. BassieSweet 2008). However in a recent study sacred complex of holy city of
Puri is studied on the line of sacred geography, emphasising structure,
organisation and its cultural role in the formation of a sacred centre
(Patnaik 2006). While another study projects the cosmic geometry and
spatial ordering of sacred cities in India (cf. Singh 2009c). Such studies
indicate the increasing quest and fascination to understand and experience
sacred geography.
In the prime conception of sacred geography it is believed that
divinities are also “born of the earth, of space, of the sea, and of the starry
sky, they are still here among us, still alive. Among the inspiring ruins of
14
1. Rana P.B. Singh
the great temples, the sleeping gods are always ready to be revived” (cf.
Richer 1995: xxi). Three broad areas of research emphasised in the study
of sacred geography, especially projecting sacred places are: (a) the ritualspatial context of sacred place at various levels of social organisations ―
individual, family, society and, cultural group ― and in different contexts
and ways; (b) the growth of meanings and feelings attached to sacred
places, taking history as a means to elucidate the sequences of their
existence, continuity and’ maintenance; and (c) a typology of sacred
places in terms of contrasts, similarities and degrees of manifest powers
(cf. Singh 2009b: 236-237).
Lane (2001: 15) suggests four axioms associated with the character and
layout of sacred places; they are particularly useful in understanding the
relationship between human beings and environment ― the frame of
sacred geography. These four phenomenological axioms are:
1. Sacred place is not chosen, it chooses. It is a construction of the
imagination that affirms the independence of holy. God chooses to
reveal himself only where he wills. It is perceived as a place quietly
seeking a person out, whispering beyond all the previous efforts to
locate and fix the place of power.
2. Sacred place is ordinary place, ritually made extraordinary. The
locum sacrum is frequently found to be surprisingly unremarkable,
esteemed a strong background for ‘place because of neither its sublime
setting nor its consciousness’, as reported by Swan (1991: 9-10) in the
context of functional importance in the life of the community. It
becomes recognised as sacred because of certain ritual acts that are
performed there, setting it apart as unique.
3. Sacred place can be trodden upon without being entered. Its
recognition is existentially, not ontologically discerned identification of
sacred place is thus intimately related to states of consciousness.
4. The impulse of sacred place is both centripetal and centrifugal,
local and universal. One is recurrently driven to a quest for
centredness ― a focus on the particular place of divine encounter ―
and then at other times driven out from that centre with awareness that
God is never confined to a single locate.
Since the first step of human evolution the idea of particularity of
place, mysterium tremendum, has been part of human environment. Joseph
Campbell (1974: 184) asserts that “the idea of a sacred place where the
walls and laws of the temporary world may dissolve to reveal a wonder is
Sacredscapes and Sense of Geography
15
apparently as old as the human race”. The identification of a place as
sacred place is never essentially one of individual recognition; “in actual
fact, the place is never ‘chosen’ by man, it is merely discovered by him”
(Eliade 1958: 369). In some way or another the ‘spirit of a place’ attracts
and reveals to man, and that is how he merely ‘find’ them but cannot make
or select their positions.
In spite of the growing field of environmental psychology and sacred
ecology, the issue of understanding sacred places has not yet caught proper
attention. In fact, grasping effectively the basic question of understanding
the deeply rooted meaning and message is the most difficult task. James
Swan’s leadership in running the ‘Spirit of Place Symposium Program’ is
a real march of awareness in this respect since 1987. During this short
period of seven years of annual programmes,
“Exploring how modem people might ― become more aware of the subtle
significance of place, several scientists shared our growing understanding
of how electromagnetic fields and unusual air, water and soil chemistry at
certain places could help explain their uniqueness. A common finding
among cultures all around the world, we found, was that at sacred places
there is more life force energy which has both secular and sacred qualifies.
Our understanding of subtle fields and their influence on our fives is just
beginning to be understood”.
The human response to environment and understanding the intrinsic
meaning is portrayed by the concept of “topophilia”, a neologism which
includes all the human being’s effective ties with the material
environment. In geography this idea was introduced by Yi-Fu Tuan
(1974). However the issue of psychic and archetypal environment is not
given due consideration in this context. The’ prefix ‘topo’ itself refers to
topography primarily. Chora stands out as the oldest Greek word for place
where beingness of humankind is preserved. Accepting historical antiquity
and insight, Walter (1988: 120) suggests the idea of Chorophilia, the
emotional attachment to a place in contrast to chorophobia in place of
topophobia. Thales (ca. 624 - 548 BCE), a great scholar of geometry and a
philosopher, is supposed to have said: “Of all things that are, the most
ancient is God, for he is uncreated. The most beautiful is the cosmos, for it
is God’s workmanship. The greatest is place, for it holds the things” (cf.
Walter 1988: 121). Walter (ibid.: 5) argues that “our places will not
improve until we change our form of topistic (a holistic mode of inquiry
for deeply insightful experience of place), experience, and that it is
humanly possible to change it”.
In a recent study of spatial dimensions of religion, with special
reference to ‘sacred places’ and ‘profane spaces’, the term geographics is
16
1. Rana P.B. Singh
proposed and three distinct yet interrelated broad areas of inquiry
concerning the development of religious self-understanding are proposed
(Scott and Simpson-Housley 1991: xii-xiv): (a) literal role, (b) symbolic
role, and (c) eschatological (cognitive) role with prophetic and apocalyptic
vision. These roles are associated with particular place, regions, or
geographical phenomena and lead to religious self-understanding.
Based on the ‘Spirit of Place Symposium Program’ Swan (1992: 225)
concludes that “The spirit of a place is the result of the interplay between
the spiritual world and nature, and the collective product of the
interactions of the people of that area too. When they all come into
harmony, the spirit of place can really work its magic best”. Swan (1992:
200-201) further observes that ‘the sacred places are the “earth heritage”
where one can experience the vibration of the earth energy. They require
special care for preservation and protection’. Describing the psychic
connection between people and place for enhancing mental health Vine
Deloria, Jr. (cf. Swan 1992: 237) states that “unless the sacred places are
discovered and protected and used as religious places, there is no
possibility of a nation ever coming to grip with the land itself and national
psychic stability is impossible”.
Powerful places in history became cities and were responsible for
generating entire civilisations and seem to condense the culture and values
of those civilisations in one place. For example, Varanasi in India is
known as the cultural capital of India, and microcosmic India. This
character of place is referred as “orthogenetic” ― creating and sustaining
the ethos and moral order of the whole culture. Of course, primarily such
places, or cities, have developed self-image as they reproduce the cosmological order and make it accessible on the human plane (Eck 1987: 2).
Places differ simply from their contextual difference, it may be their
physical environments, or the human responses due to varieties of reasons
different cultures have their own vision, interpretation, symbolism related
to environment and their utility in the process of survival and
reproduction. Study of place, its milieu and human context will be set
within the physical and entire human-created landscape. In geography, as
discipline, most of our concerns have been only engineering, not about
understanding. We claim that geography is real and unified, but we don’t
know where it is and what it is! If we accept that geography is the study of
earth as home of mankind, study of places is to be initiated by their
understanding, experiencing and receiving the messages inherently
communicated by them. For this change we have to come out of our own
geographic cage, and this change is to be taken as a mission. Johnston
(1991: 253) feels that
Sacredscapes and Sense of Geography
17
“Only in that way will we ensure understanding of wholes ― places ―
which are much greater than sum of parts, and then With full
understanding we can move much more confidently towards the
fashioning of better places: to rephrase one of Bunge’s (1973) important
epigrams ― ‘May the world be full of happy places”.
At present the unified way to approaching social and cognitive
environment is encouraging geography to accept salience of place as a
great potentiality. One such example to experience and expose the
messages of multi-religious shrines or a single shrine that attracts
adherents from various religion, whose as separate identities record
contestation and conflicts. Above all such shrines are the healing foci of
the most fundamental human pilgrimages, the quest for well-being (cf.
Bhardwaj 1987: 114).
4. Dimensions of Sacred Geography
The notion of sacred geography refers to an all-encompassing reality
that maintain the prāna (ethereal breathe/ life-force) by interactional web
of the five gross elements (mahābhutas), viz. earth, air, water, fire, and
ether/space. The interactional web of network may further be reflected
into at least five dimensions (cf. Pogačnik 2007: 5-6):
(i) Dimension of eternity ― representation of primeval vibration, the
divine all-presence, the light of light, e.g. sacred territory like Vindhyāchal
Kshetra.
(ii) Archetypal dimension of reality ― the inherent quality of spatial
manifestation that preserves the sense of planetary creation or archetypal
patterns behind reality, e.g. representation of other sacred places of India
in the sacredscapes of Banaras.
(iii) Dimension of consciousness ― the operational system of cosmic
ideas and archetypes that makes the mindset and covers the range from
mental to emotional, and from intuitive to rational ― ultimately making
the ‘belief systems’, e.g. various myths, folk believes and rituals that make
the consciousness always alive, active and expanding.
(iv) Etheric dimension ― possessing vital-energy or bio-energetic
dimensions, symbolised with ether that invisible hold and manifests the
rest four elements, e.g. Vital-energy fields, Earth chakras, and channel/or
site of vital power or places of healing.
(v) Material dimension ― the dimension in which embodiment of
minerals, plants, animals, human beings, landscape features, stars and the
Earth’s crust takes place ― the visual world of physical perceptibility.
18
1. Rana P.B. Singh
The knowledge and experience of sacred geography (geomancy) ‘can
provide travellers with the tools to deepen their contact and interaction
with the land and its sacred energy of the culture they visit, and to create
an exchange of energy between the visitor and the visited place’ (cf.
Pogačnik 2007: 239). At present the unified way to approaching social and
cognitive environment is encouraging geography to accept salience of
place as a great potentiality – this is the concern of sacred geography.
5. Axioms for Reading the Sacredscape
The following basic and self-evident rules (axioms) are posited by
Lewis (1979: 15-26) for reading the landscape which in modified (in
Indian context) form are useful in reading the sacredscape (cf. Singh, Rana
1995: 102-103):
1. The Sacredscape is clue to culture. The human impingement trusted
upon and cognized by the devotees provide strong evidence of the
kind of human culture we possess in the past, preserving in the
present, and would continue in the future. In other words, they refer to
our processes of becomingness. How in the historical past for their
own sake and imitation human being searched the sacred power of
place while mytholising them and making them alive through
ritualisation process. These activities later converge into a religious
tradition.
2. The Sacredscape refers to cultural unity and place equality. All the
items and aspects in the sacredscape are no more and no less
important than other items in terms of their role as clues to cultural
tradition. Sacred journey and circumambulation are as equally
important a cultural symbol as the territorial extension, and changes in
people’s attitudes and behaviours show the process of “existencemaintenance-transformation-and-adaptation.” This finally converges
to make a whole ― a unity ― that is how sacredscapes become holy.
3. The common features of Sacredscapes possess the intrinsic meaning.
Whatever we see by a common eye is only the outside appearance;
however there also lies invisible intrinsic meaning which would be
understood only through the faith and deeper feelings in the cultural
context. At super-shrine like the Hindu centre of Varanasi, Stirrat
(1984: 208) claims that religious activity embraces both worlds, with
no distinction drawn between the pragmatic and the transcendent:
“religious activities at such shrines are both matters for making merit
for the eternal life and means of gaining benefits in this world.”
Sacredscapes and Sense of Geography
19
4. For the Sacredscape history matters. Says Lewis (1979: 22): “That is,
we do what we do, and make what we make because our doings and
our makings are inherited from the past.” The sacredscapes are the
cultural heritage resource where history matters. The symbolism,
mythology, ritualisation process and the ultimate faithscape evolved
― all are the subject to the historical process of transformation and
human adaptation, therefore they need special care (cf. Verschuuren,
et al. 2010).
5. The Sacredscapes make little sense if out from sacred ecology. Human
psyche and manifestive power in the sacredscape are the basic
elements for making it existent and continue. They have specific
location interpreted in a broader context of symbolism and where
divine power is perceived by human being in transcendental form of
consciousness. They replicate the macrocosm on the earth as
mesocosm which is further revealed at the level of microcosm (human
mind and faith, or an individual shrine or temple).
6. The messages conveyed by Sacredscapes are obscure. As the human
psyche varies from one to another, local to regional, and the
“messages” conveyed are so varied that making broad generalization
is not possible. For understanding and analysis several set of questions
be put before into the habit of asking them simply by doing so: What
does it look like? How does it work? Who designed it? Why? When?
What does it tell us about the way our society and culture work? To
understand the message, one has to be a part of the pilgrimage itself as
a pilgrim, avoiding completely looking like a pilgrim. This requires a
deep sense for the cultural tradition and also a feeling of faith in the
frame the followers follow (cf. Gothóni 2010). The landscape,
especially sacredscape, communicates, but only to those who can read
its messages (Faulstich 1994: 12).
6. Expressing Sacredscapes as Function
Sacredscapes function as a system of communication, power and
embody; this multiplicity of character needs to be recognised in various
contexts and concepts. Meinig’s (1979) has proposed the ‘ten versions of
the same scene’ which may be taken as important notions expressing
sacredscapes (cf. Singh, Rana 1995: 103-104):
1) as Nature. The sky above, the ground beneath, and the horizon binding
the two provide the basic frame as theologically expressed: sky the
father, earth the mother, thus we all are brothers and sisters. The sacral
20
1. Rana P.B. Singh
power perceived by human being in history was in fact a realisation of
nature-spirit.
2) as Habitat. Every landscape is a piece of the Earth as Home of
Mankind. Man constantly works as a viable agent of transformation
and change and creator of resources (like heritage). In short, man is
domesticating and cosmicising the earth.
3) as Artefact. Man in the process of transformation and change sets his
mark on the landscape. The monuments, shrines, temples and related
structure ― all are the testimony of human’s imprint on the sacred
territory ― visible as artefact in the sacredscape.
4) as System. Man and his interaction with the sacredscape form an
intricate system of systems ― some visible, but many invisible. This
system in itself is a part of belief that implies a faith in man as
essentially omniscient ― after all he is also a part of the cosmos and
God. In cosmos one is related to other, and everything is related to die
other like a ‘Self-regulating system’ what is narrated in the Gaia
hypothesis.
5) as Problem. To know more in order to understand better is a notion to
achieve the religious merit more perfectly and also to make rituals
better for deeper experiences. As human being the performer may
incorporate something from all these other views: it evokes a
reverence for nature, a deeply felt concern for the earth as habitat, and
a conviction that as a child of the divinity we can search our identity
in the cosmos.
6) as Wealth. In a broader view, for everything has or affects value within
a market economy. As heritage resource sacredscapes and their
associated monuments and functions to be appraised as property for
monetary transaction like development of pilgrimage-tourism. This
view of sacredscape is future-oriented, for market values are always
undergoing change and one must assess their trends and demands in
future. Of course, this notion is completely a western idea, rooted in
American ideology. However for maintenance and preservation of
sacredscapes, market-oriented value system to be promoted, of course
with care and cautions, as a viable strategy.
7) as Ideology. Seeing and visualising the sacredscape vary from person to
person in accordance to the ideology used ― it may be in the context
of only abstract structure or objectivity, or in the context of relative
underpinnings or subjectivity. Similarly there also lie disciplinary
ideologies, sacred vs. secular and several such dichotomies. Meinig’s
Sacredscapes and Sense of Geography
21
remark is notable in this context: “To see landscape as ideology is to
think about how it was created but there is another way of doing that
which, while at its best is reflective and philosophic, is also much
more detailed and concrete (Meinig 1979: 43).
8) as History. All the underpinnings before our eyes are a complex
cumulative record of the work of nature and man in a particular place.
The visible feature at a sacred place, or in the sacredscape yields to
diligence and inference a great deal of historical past. The
physiognomy and chorology both record several layers and facets of
change and transformation. In itself a sacredscape is the process and
the product in space-place and in time, thus it is an accumulation.
However, it is not easy to interpret it in concrete historical context.
9) as Special Place. Sacredscape is a special place, as an individual piece
in the infinitely varied mosaic of the Earth where the ‘spirit of place’
(genius loci) plays an important role in making it distinct ― a mosaic
of variety of patterns, relationships, interactions, meanings ― between
human being and divine realm. The specific communicating character
of sacredscape is particularity of place, mysterium tremendum.
10) as Aesthetic. The aesthetic view requires a special conscious
detachment by the observer. Sacredscape as art form conveys the
message for better understating of harmonic relationship between
mankind and nature-spirit. In fact, “it seeks a meaning which is not
explicit in the ordinary forms. It rests upon the belief that there is
something close to the essence, to beauty and truth in the landscape”
(Meinig 1979: 46). It also holds meaning which link us as individual
souls and psyches to an ineffable and infinite world (ibid.: 47).
7. Sacredscapes: Taxonomy
Among the attributes identifying the intimate relationship between
human faith and landscape the sacramental attitudes to particular sites lead
to form sacred place/sacredscapes ― as highly manifested and
sacral-symbolic form (cf. Singh 1995a: 96-104). Although the degree of
sacredness and values attached are highly variable, sacred space implies
particular attachment to place (Norton 1989: 127). Obviously, “the more
important a sacred place, paradoxically, the more flexible and numerous
are likely to be the meanings it encompasses” (Coleman and Elsner 1995:
208). Religion is a major factor and has the capacity to endow space with
sacred meaning, broadly categorised into three groups (Jackson and Henrie
1983: 95):
22
1. Rana P.B. Singh
(a) Mystic-religious spaces ― associated with religious or other
experiences inexplicable through conventional means.
(b) Homelands or Temples as sacred spaces ― representing the roots
of each individuals, family, people or believers.
(c) Historical sacred spaces ― representing sites which have been
assigned activity as a result of an event occurring there.
All the sacred spaces vary according to the special sense attached to
them depending on how “sacred” the space is ― persons, cultures or
faiths, and the intensity of attraction at a sacred place as centre of
pilgrimage. In India, the holy centres, sacred sites and centres of
pilgrimages are almost identical and together in a complex way represent
the archetype-mysticism built structure, historicity and faithscape ― to be
understood and explained through the framework of heritage ecology.
Among the ancient epics, the Mahabharata, dated ca 5th century BCE, is
the first source of Hindu pilgrimages (tirtha-yatra). The mythologies of
medieval period eulogised the sacred places and their sacred spots,
especially as to how the pilgrimage symbolises spiritual progress and how
it would be beneficial in getting relief from sins and worldly affairs; that is
how pilgrimage is prescribed as a duty for spiritual merit. In general, a
four-tier hierarchy of pilgrimage places is popularly accepted in Hindu
traditions, viz. Pan-India, Regional, Sub-Regional, and Local. According
to ancient mythology and the Hindu mind-set still the most popular sacred
place is Kashi (Banaras), eulogised as one of the three ladders to the
heaven; the others are Allahabad and Gaya; these three together form
‘bridge to the heaven’ (cf. Singh 2009a, and 2010b).
According to varying belief systems in different religions and regions,
using different connotations of their traditions and experiences, interpretations that befit to their believes and worldviews, and use of varying degree
of physicality and sacrality to the landscape, taboos and behaviours, the
sacred spaces may be categorised into seven groups (Stump 2008: 303, cf.
Table 1.1). These categories are not within well-defined boundaries;
instead there always exist transitions and overlapping in different forms at
different degrees and in different ways of expressions, i.e. similarities and
distinctiveness, both go together, but the uniqueness and mosaicness coexisting there are subject to change in time, space and functions.
Sacred places may be broadly categorised into three groups (Swan
1991: 64-66): (a) human crafted buildings, temples, associated with the
uniqueness of a specific locality that has become a specified place for
religious reasons; (b) archetypal-symbolic space (cosmologically ordered
space) where a larger whole has become condensed into a limited space,
maintaining a sense of order and displaying a harmonious relationship
Sacredscapes and Sense of Geography
23
between human life and the cosmos, and by condensing the cosmos into a
smaller sphere, its laws can be observed and experienced more clearly and
human lives can be placed more accurately in accord with them; and (c) a
place in nature that bears no special making, except for a well-worn
footpath, and that is far more commonly found among tribal people, and
without special making, known for mystic beauty of sacred architecture
drawn in terms of some mythic forces.
Table 1.1. Categories of Sacred Space (after Stump 2008: 302).
Category
Cosmological
Theocentric
Source of Religious
Significance
Crucial location, either
real or imagined,
within the cosmos
Continual presence at
a location of the divine
or superhuman
Hierophanic
Setting for a specific
religious apparition,
revelation, or miracle
Historical
Association with the
initiating events or
historical development
of a religion
Access to manifesttations of superhuman
power and influence
Center of authority as
expressed by major
religious leaders or
elites
Repeated ritual usage
in relation to an
atmosphere of sanctity
Hierenergetic
Authoritative
Ritual
Examples
Amitabha’s Pure Land; Hell;
Mount Kailas as the axis mundi
Hindu temple as a god’s dwelling
place; Mt. Olympus as home of the
Greek gods; Western Wall in
Jerusalem
Ascension of Jesus from Mount of
Olives; Enlightenment of Buddha at
Bodh Gaya; Marian apparition at
Lourdes
Bethlehem as the birthplace of
Jesus; Karbala as the site of
Husayn’s martyrdom; Temple
Mount in Jerusalem
Hindu sacred rivers as a source of
healing; Icons in Eastern
Orthodoxy; Tombs of Sufi shaykhs
The oracular shrine to Apollo at
Delphi; Potala Palace as the seat of
the Dalai Lama; The Vatican within
Roman Catholicism
The Buddhist pilgrimage route on
Shikoku; Camp meeting sites in
Christianity; Mosques as sites of
communal prayer
Churches, shrines and temples are examples of the first category, while
mandalic cities like Banaras, Madurai, Beijing and Kyoto belong to the
second category, and Mount Fuji, Mount Sinai, the Ganga river, Mount
Kailash, Mount Kilmanjaro, etc. belong to the third. These three types of
sacred places exist in the consciousness of early earth worship and search
24
1. Rana P.B. Singh
for man’s harmonious relationship with the nature’s cosmic mysteries. The
special sense of heritage conservation be for the human peace and search
for cosmic integrity: “Care for the place and it will care for you” (Swan
1990: 219).
Sacred places in transpersonal context and human’s deep faith are seen
as “touchstones of cultura1 integrity, serving as inspirational points for
health, creativity and religious worship”, (Swan 1991: 8-9); however all
around the world sacred places are in trouble. There exists a relationship
between the noumenal world of invisible spiritual beings and the
phenomenal, physical world of perception. Since sacred schemata and
meanings are deeply involved in any, culture, the environmental ethics and
spirit of place there, can be understood only in such contexts.
8. Heritage Ecology: Sacredscapes to the Earth Mysteries
Heritage ecology as ‘a way of knowing’ follows a system resulting to
holistic view – holism – where all the parts have their own distinct
characteristics in spite of being part of the three, however together by the
unifying principle they form a whole at the end. This is meticulously
explained by an analogy of ‘Earth Mysteries Tree’ comprehended by
Devereux (1991). He has explained that as to how the seven groups of
subjective branches flourish on the top, and at the next level emerges into
three main branches, resulting to give a final shape of three whose roots lie
in ‘the Living Earth’ (Fig. 1.1); Devereux’s taxonomy and a systems
approach would be a guideline for the comprehension and practise of
heritage ecology (cf. Singh 1995b):
1) Archaeology. This branch refers the perception and cultural image of
time as projected onto the remnants of antiquity – a product and
possessor of our ancestral worldview, which has several dimensions
to see and to understand.
2) Being and Seeing. To get experience of genius loci, the spirit of place,
one has to understand the inherent meaning possessed at a place and
the messages conveyed in this respect. To perceive and envision such
messages, one needs “clear seeing” – clairvoyance, without any
preconceived concepts, “that means being open to feelings as well as
to observations …… (ibid.: 88).
3) Ancient Astronomy/ Cultural Astronomy. The association of
astronomy and sacredscape is a traditional one in most of the old
cultures. The archaeoastronomical explanations synthesises the
ancient scientific truth and their perceived images used in the society.
In case of India, the solar shrines and their associated myths in
Sacredscapes and Sense of Geography
25
Varanasi are compared with the values of Global Positioning System
of satellites (GPS; Garmin GPS 75 Receivers) which shows a very
strong correspondence (cf. Singh and Malville 1995). In fact,
astronomy was an element of the spiritual worldview of the archaic
societies involved (Devereux 1992: 126).
Fig. 1.1. The Tree of Living Earth (after Devereux 1991: 40-41).
26
1. Rana P.B. Singh
4) Sacred Geometry. The perception of cosmic transformation and
integration from the heaven (macrocosm) to the earth (mesocosm) and
further to individual shrine or site (microcosm) shows the hierarchical
form of wholeness. When it takes the form of ground plan geometry,
called as sacred geometry. The ancient plan and design of sacred
places and sites denote such outline.
5) Folklore & Mythology. “Myth is the high form of the art, and tells us
much about the workings of the human psyche. Myth, like sacred
geometry and measures, is perennial, and relates to our inner lives
now just as much it ever did; it is only that we have lost touch as a
culture with the patterns of consciousness that mythological motifs
represent (Devereux 1992: 155).
6) Seeing and Monitoring at Sites. There Ms been tradition of watching
and understanding mysterious forces manifested at sacred sites of
antiquity (ibid.: 169). Certainly there exists some extrasensory
perception element in human sensitivities. Many examples and details
of sporadic physical monitoring of prehistoric sites are described in
Devereux (1990, and 1993).
7) Geomancy. Descending at the second level of the Earth Mysteries Tree,
the issue of integrated aspects of ancient sites is taken into account.
Geomancy is a kind of yoga for entire cultures ‒ a way to keep
human activity in harmony with nature; in a geomagnetic paradigm
the seat of divinity, Mother Earth, is perceived as comprising both
matter and spirit” (Anderson 1986: 27).
8) Correspondence and Symbolism. If geometry and number represent the
ultimate systems’ language, then correspondence and its close
companion symbolism represent the oldest and most profound form of
systems thinking (Devereux 1990: 227). They are, in fact, deduced
from nature itself, for example the numerical symbolism and its
correspondence to the astronomical cognition.
9) Energies. The above last three together ultimately distil down to a
question of energies of some kind universal force. This ‘force’ is
really a deeper dimension of geomancy and also human psychic and
spiritual relationship with it (Devereux 1990: 294).
10) Use of Sites. From shamanism and ritual acts to the pilgrimages and
recently tourism – all define the special use of all the sacredscapes
and sites (cf. Verschuuren, et al. 2010). Pilgrimage is a shared story of
understanding through the gates of dharma; similarly other uses too.
Sacredscapes and Sense of Geography
27
11) The Living Sacred Earth. After all let us guess at how deep and how
far its roots are in making the Earth as living organism. The
transpersonal experience is one of the ways to get experience of
inherent earth spirit. In the vein of Naess’s philosophical sense of
deep ecology (transpersonal ecology) is suggested as a distinctive
approach to ecophilosophy and be worthwhile to apply in this context
(cf. Fox 1990: 204). About the sacred living nature of earth Mitchell
(1989: 4) rightly suggests:
“The earth was sacred, not because pious people chose so to regard it, but
because it was in fact ruled by spirit, by the creative powers of the universe,
manifest in all the phenomena of nature, shaping the features of the landscape,
regulating the seasons, the cycles of fertility, the lives of animals and men”.
Says Devereux (1990: 308): “Our culture has to develop what will be
for it new understandings about both mind and planet. That synthesis is
essential if the Global Tribe is to survive”; and finally (ibid.): “These
‘new’ sets of connections have to be made, if we are to reorient our
worldview. The ancient, sacred places can help us make them”.
9. Sacredscape and Faithscape
The notion of holy place is essentially an archetypal connotation of
“wholeness”, as Eliade (1958: 371-380) refers that every pilgrimage shrine
is an archetype of a sacred centre, marked off from the profane space
surrounding it, where heaven and earth intersect and where time stands
still, where there exists the possibility of breaking through to the realm of
the transcendent. This symbolic purview may not equally be explained in
all the religions. “If a sacred centre offers the opportunity for direct
contact with divine, then relocating that centre in a human body makes the
divine even more accessible and responsive to human needs and
aspirations” (Eade and Sallnow 1991: 7). In spatial perspective, the
original pilgrimage sites can be moved and re-established in varying forms
with no loss of sacred or pedagogical significance, for the same text is
merely mapped and described on to the new locations. ‘Ibis process of
spatial manifestation and replication is a common phenomenon in Hindu
mythology. These texts vividly mytholise and eulogize the manifestive
power of the place “to exert a devotional magnetism over pilgrims from
far and wide, and to exude of itself potent meanings and significances for
its worshippers. The shrine is seen, so to speak, as sui generis: its power is
internally generated and its meanings are largely predetermined” (Eade
and Sallnow 1991: 9), of course in different texts it varies, however,
essentially there does not exist discrepancy or contrast. The puranic epics
28
1. Rana P.B. Singh
and treatises eulogise the sacred sites and sacredscapes as textual
topography tracing the mythological narrative through the landscape, and
projecting various images through the values and, visions.
In the cosmos infused with spiritual forces, delineating special places
as particularly important and sacred was as natural as it was inevitable.
These special places were also “the places of ritual and ceremony, the ones
in which the sacred was enacted in daily life; and in the act, the essential
mystery and divinity of the universe reaffirmed” (Skolimowski 1992:
260). Pilgrimage as one of the highest forms of ritualisation gives
“meaning ― be it collective or generic, psychic or biological, or mental
and spiritual ― to such a crisis by revealing it as a necessary phase of
transition between two levels (or sublevels) of an impersonal, more, or less
universal process which inevitably obeys evolutionary rhythms and “laws”
(Rudhyar 1983: 241). A phenomenal particularization in this context is
proposed by Heidegger (1962 : 78-79) that sacred sites are having “Beingin-place”; to put it other way that spirit of place is reflected in its
manifested spirituality and narrated vividly in mythology. Casey (1993:
314) explains it: “The in of intimacy resides in place before it resides in
the more determine modes of in-hood that inhere in being-in-world, a term
which we have every right by now to replace with being-in-place.”
An ideal guide to the understanding of geography would be the
experiences and expressions sought by us as human being to the
manifestation of the divine spirit of the Earth as place (cf. Singh 1992).
With the process of sacralisation the inhabited place transcends cosmicgeometrical space too. In span of time the power possessed there increases
horizontally attracting people from distant spaces, and vertically
conveying messages of deep thoughts, symbols and meanings-of course
these are also the subject of growth, transformation and expansion of the
culture and its deeper traditions (cf. Mugerauer 1994: 155).
Landscape is a perceived vision of experiencing environment from
human sensory field generated with our own internal environment which
man expresses it while encountering the worlds surrounding us. It is not so
such value what we perceive but how we feel about what we perceive that
is crucial to understanding of human belief systems. A landscape is sacred
because humans perceive it as sacred is a notion of deterministic idea. The
idea of sacredscape is linked to man’s quest for an identity and role within
the cosmic mystery (cf. Singh 1993: 161).
Sacredscape is a double directed vision ― special character of
spatiality back to the wisdom of the past, and deeper sense of meaning and
attachment forward to posterity. Cultural and historical processes
intertwined with human psyche strongly reflect the background to
Sacredscapes and Sense of Geography
29
sacredscape. Unfortunately, at present the growing ‘materialistic cultural
running after economics and loss of human sensitivity, man-nature
harmonic relationship is badly threatened by, resulting to loss of valuesystem and life-force. Many things are not seen in their full reality until
they are seen and experience, not necessarily as sacredscape, but as
existing within the context of sacrality’. This is a way of double-vision of
spiritual and physical worlds integrated by the human faith and belief
system ― what theosophically called as ‘Clairvoyance’, i.e., Clear Seeing.
The place becomes sacred by the manifestive power of sacrosanct
process and it possesses ‘power’. Power is a spiritual energy of life-force
that enables an individual or a place to interact with the forces of the
natural and supernatural world (cf. Radimilahy 1994: 91). Sacredscapes
are the powerful places where power is needed for transcendental energy
or for protection of spiritual danger. Mythological description of these
sacredscapes helps to develop variety of images and imaginations too.
Sacredscape is more than an imagery product of mind, it is also the
landscape of faith, belief system and a state of transcendental consciousness ― always becoming new and transformed by the ‘process of
sacralisation and ritualisation. The sacredscape as pilgrimage centre is a
particular type of ceremonial centre too (cf. Silverman 1994: 2). The
pilgrimage centre distinctly draws “a transient mass of worshippers from
across a social, political ‘economic, cultural and spatial spectrum and, in
so doing, to synthesize critical social and cultural elements from wider
patterns of belief and practice in a region or regions” (ibid.: 3). Our soul is
an abode. And by experiencing “sacrality” and ‘sacredscape’ we learn to
“abide” within divine interconnectedness. If the process of sacralisation,
ritualisation and deeper interconnectedness together make the place as
distinct “sacred place,” better call it sacredscape ― the integrative entity
of eternal bond between human psyche and the nature-spirit.
Through pilgrimage and deep feelings/faith man can transform the
materialistic identity into a cosmic integrity at a place. Such place
becomes holy where ‘wholeness’ is preserved’. Ultimately the overall
wholeness of landscape creates a faithscape that encompasses sacred
place, sacred time, sacred meanings, sacred rituals and embodies both
symbolic and tangible psyche elements in an attempt to realize man’s
identity in the cosmos (Singh 1987a: 522). The mythological stories
converge the divinity’s acts and life into a divine environment making a
spiritual sphere of faithscape more meaningful. The meaning possessed in
the faithscape is more the subject of understanding than narration. ‘The
moment human being individual and as member of groups confers
meaning at a place, the place becomes specific’ (cf. Entrikin 1991: 16).
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1. Rana P.B. Singh
And, when more specifically the meaning comes from sacredness, the
place converges to sacredscape. And at certain level of manifestation
sacredscape converges into faithscape.
In common Hindu belief concerning cosmology, the physical and
spiritual worlds are identified as the two parallel dimensions of existence,
and only by faith and revelation one can perceive their interconnectedness.
The spiritual dimension ultimately emerges into a theosphere where
humane and belief-view may be referred as faithscape. Contemporary
studies about pilgrimage have shown that patterns of human movement in
pilgrimage may take on cosmological significance, as journey to shrine are
identified with macrocosmic cycles or movement among astral bodies (cf.
Crumrine and Morinis 1991: 5).
The Hindu pilgrimage is a dialogue of “imagining, memorizing and
understanding” between outer realm of vision and records, and the inner
realm of self. This dialogue results to archetypal expression. These two
characteristics are the feature of movement forming two phases: Up from
Body to Soul, and Up from Soul to Spirit. By active participation pilgrims
employ active imagination ― Up from Body to Soul. And, by active
involvement pilgrims proceed to active feeling resulting to understanding
― Up from Soul to Spirit (cf. Casey 1991: xv-xvi). At the completion of
the main pilgrimage the pilgrims return successively following the reverse
steps, i.e., Down from Spirit to Soul, and Down from Soul to Body. That
is how emerges a mandala making a round where starting and coming
back meet at the same point. This conception of archetypal as formal a
priori structure is a necessity and universal. No sacred place is without
archetypal connotation. Says Casey (1991: 290), “They are a common
place ― a place of places, a place for places ― and in this abstracted role
threaten to become common places, taken for granted in their very
universality”; as recently exemplified vividly (cf. Gothóni 2010).
Pilgrimage as a ritualized process preserves and deepens the cultures
and rediscovers the genius and coded power of their great myths for both
personal and social transformation. However, this achievement is the
subject to firm determination, awareness, deep involvement in the setting
and a kind of internal commitment to take the responsibility of oneself,
and at the same time, be respectful to the needs of fellow pilgrims as a
whole. Like a Dromenon, pilgrimage is also “a rhythm of awakening, a
root pulse that carries with it the coding of all our becoming. It is a
yeasting in the searching soul. .. one becomes part of even larger ecosystem, a larger ecology of Being” (Houston 1993: 1, 3). It is evident that
special place like sacredscape indeed exerts an active influence on
Sacredscapes and Sense of Geography
31
pilgrims and they “have begun to understand just how it can do via its
memorability and its tie to the human heart” (Casey 1991: 295).
The sacredscapes are known as tirthas in Sanskrit literature and Hindu
mythologies. Etymologically a tirtha refers to “crossing the ford”, thus
serving as bridge to link the three cosmic spheres: macrocosmos (heavenly
abode and gods), mesocosmos (the earthly representation), and
microcosmos (the human psyche and emotional bond). Of course in literal
sense the word tirtha is translated as sacred or holy place, however it fails
to fully comprehend its true sense, for the deep spiritual value of devout
Hindus it transcends mere sacredness. It is rather difficult for those outside
the culture to recognize, except by real involvement in the practices and
the rules of behaviour that pertain to them.
In ancient Hindu mythology the sacredscapes are identified into two
forms: (i) those related to spatial aspect of nature and the earth either in
terms of majestic beauty, specific quality or manifestive power entrusted
by a sage in historical past known as the Bhauma Tirthas, and (ii) those
related to inner environment of human consciousness / transcendence in
which by penance and religious practices one purifies his “mind”, i.e.,
eternal cleansing where soul and body reach to a state of integration and
revelation ― Manasa Tirtha. Says the Brahma Purana (70. 16-19) that
‘without the purified and sanctified mind one cannot receive the message
of a sacredscape’. There appears a mass of literature on the first category
of sacredscapes and their perception, while the second category of thought
has yet to be accepted as strategy of re-search and understanding which
needs not a line of specific approach but “openness” where everything is
open in all the possible ways parallel to the analogy of Hindu belief that
the holy dip in the Ganga river is a ritual of purification and renewal ― a
divine grace of transformation (see Bryant 1994: 38). The Ganga river
considered as the liquid divine energy, motherly river, in its ongoingness
as spirit of sustainability is the total symbol of Hinduism and ritualisation
― a sacredscape par excellence (see Singh 1994, and 1996; Singh and
Malville 1995).
Pilgrimage is a process and performance that links inherent,
manifested, mytholised and perceived meanings, commonly referring
cyclic nature, worship and satisfaction to human quest through interaction
and reciprocal non-verbal communication with the nature divine. Hindu
pilgrimage connotes one of the five cultural-coded moral duties (panchakriyas) with a noble aim to live virtually (dharma), celebrate holy days
(utsava), honouring the rite of passage (samskara), and ultimately to
receive merit/fruit of peace (shanti) making life gratifying (dhanya) with a
sublime pleasure (ananda) (cf. Davidson and Gitlitz 2002: 237-238). In
32
1. Rana P.B. Singh
ancient period when animistic religions predominated India, the
prehistoric geographic features like rock, tress, and especially caves (the
womb of the world), rivers (the life-giving fluid of the world), mountains
(the boundary between earth and sky, and the source of weather) housed
spirits who exerted significant influence over human behaviour (ibid.). Of
course due to transformation of landscapes and cultures after passage of
time many other traditions superseded, but they all made their imprints and
also maintained the insight and spirit that existed in the past ― this is what
called also as continuity of unity among cultural diversities, which is the
essence of Indian culture. The Hindu paradigm of pilgrimage has served as
spirit of awakening and a binding force for ‘communion of minds’, in
stead in strict sense of sanctified monologue. Religious colouring
(mosaicness) is imparted to the geographical integrity of Indian nation.
The political party like BJP glories the sacred geography of India through
yatras (pilgrimages in procession). The unity of Hindu India is signified
through all the rivers of India, which are symbolically (manifested as
archetype) connected with the holy river, the Ganga. Following this way
of perception and believes, pilgrimage was effectively transformed into a
ritual of national integration, but unfortunately sometimes used by
politicians for their vested interests (cf. Deol 2000: 48).
The Hindu identity and central importance of India in Mauritius is a
manifestation of the holy river Ganga there in a form of lake that attract
huge mass of adherents on the annual pilgrimage celebration on an sacred
day of Shivaratri (Shiva’s marriage day) ― this creates a sacred
geography closely resembling an archetype of Hindu pilgrimage sites and
also reflects the process of Gangaisation (cf. Gal 2010: 44, also see Singh
1996). A celebrated Hindu pilgrimage site, Haridvar (Hardwar) that lies on
the river Ganga at the edge of the Himalayas, where the river enters into
the pains, is inextricably tied to the mythology and reality of the Ganga,
and also get imposed upon the changes that have usually reflected worldly
forces such as shifting trade routes, improved transportation, or political
instability. Nevertheless the intensity of pilgrims and its holiness in the
mindset of devout Hindus are maintained and mundane influences have
been ignored in the city’s sacred narrative, which presents a fixed,
unchanging identity. The recent master study finds that many modern
Hindus, like many modern Christians, feel some dissonance between
traditional religious symbols and their 21st-century world, and that they
are reinterpreting their traditional symbols to make them meaningful for
their time according to suitability, feasibility and helping maintenance of
their identity (Lochtefeld 2010).
Sacredscapes and Sense of Geography
33
In the arena of faithscape, the rituals serve as means to transform the
power of sacredscape from its invisible form to the level of experience and
revelation. Faithscape and sacredscape also provide an ideal medium for
symbolism, manipulation and transformation of the past. The permanent
landmark in the sacredscape can be represented “by monument building;
by this process the human institutions that created the monument are
taking on the permanence of nature: architecture and nature united as one”
(Cooney 1994: 35).
10. Pilgrimage: Revealing the Sacredscapes
There appears constant tension between personal needs and social
responsibilities. For methodological , orientation, the frame of behavioural
cultural ecology may be applied which incorporates : (a) the dialectic of
the individual and the community, (b) the interplay of individual and
collective decision in management, or change, and (c) encoding of past
experience in cultural institutions and values as transmitted through
several levels and several phases of the past (Butzer 1994 : 412).
On the line of experiencing more deeper feelings as generally
described in the sacred ecology, the modem way of tourism – only
exploiting the richness of insight and beauty – should be replaced by
pilgrimage. This does not mean to return back to naive tradition or any sort
of fundamentalism. One has to remember that “pilgrimage is a rhythm of
awakening, a root pulse that carries with it the codings of all our
becomings. It is a yeasting in the searching soul” (Houston 1993: 1).
Pilgrimage is a journey into larger reality, an initiation that leads to a
union, or continuity with powers and principalities beyond one’s little
local self. As a pilgrim, one becomes part of an extended larger eco
system, a larger ecology of Being – experiencing a unified reality of nature
spirit and human psyche. The programmes and plan promoting pilgrimage
tourism should be in the light of experiencing Living Sacred Earth – reestablishment and re-search of the values involved and revival of such
traditions and festivities with the support of local and private stewardship
(cf. Nelson and Woodley 1990).
Peter Dawkins (1995) in “The Art Pilgrimage” expresses the overall
spectrum of its rootedness, meanings and messages (cf. Table 1.2).
While explaining the basic idea behind founding the Gatekeepers
Trust, Martino (1995 : 5) expresses that “by exploring and renewing our
spiritual relationship with the Earth through Pilgrimage, we may
experience the transformative affect that is known between individuals and
the living Earth” …. “The Ancient Tree, the historic Cathedral, Ley lines
34
1. Rana P.B. Singh
and Stone Circles stand as a silent visual testimony of a Living Sacred
Earth receiving and providing a rich and conscious energy of care and
celebration that is Light.... That is LIFE.”
Table 1.2. “The Art of Pilgrimage” (after Dawkins 1995)
§ Pilgrimage is an art which brings peace to the soul.
§ Pilgrims are bearers of love, which they carry to special places of the earth.
§ By holding a joyful consciousness of this love and of the beauty of these
places, pilgrims encourage the natural energies of the earth to flow
harmoniously.
§ Pilgrims are guided by a wisdom based on both intuition and an
understanding of the energy routes and sacred places of power in the
world.
§ The gifts of love, hope and joy are inestimable.... They have the power to
heal and transform all things.
§ To be a pilgrim is to be a friend with the earth, with the Divine and with all
levels of life....
― Peter Dawkins
Sir Walter Raleigh (1552-1618) in his poem “The Passionate Man’s
Pilgrimage” presented a sense of silence and human psyche and a
pilgrim’s wish for sacred journey:
Give me my scallop shell of quiet,
My staff of faith to walk upon,
My scrip of joy, immortal diet,
My bottle of salvation,
My gown of glory, hope’s true gage,
And thus I’ll take my pilgrimage.
11. Contemporary concerns: New Dimensions
From Mecca to Graceland, Canterbury to Vatican City, special places
that affect the human spirit have been luring multitudes of visitors
throughout human history. Where are the world’s most important
pilgrimage sites? Who are the pilgrims? Why are they going? How do they
behave once they reach their destinations? Pilgrimage is a comprehensive
compendium of the basic facts on Pilgrimage from ancient times to the
21st century. The recent most about classic the two-volume encyclopaedia
presents 500 alphabetically arranged articles on pilgrimage, both religious
and secular, in all religions and time periods and in popular culture,
arranged into five categories: the abstract-theoretical such as apparitions,
veneration of relics, and pilgrims in music and art; incidentals such as
Sacredscapes and Sense of Geography
35
dress, offerings, mementos, and prayer; people important to the
development of pilgrimage; pilgrimage infrastructure such as hospices,
transportation systems, laws, and guidebooks; and specific sites (Davidson
and Gitlitz 2002). This work has established the path of pilgrimage
studies, especially exposing importance of sacred places and their
associated traditions; of course it has limitation of selection of sites and
their coverage. This work helps explain the attraction and importance that
pilgrimage has for millions of people, regardless of nationality, or religion.
Says the Bible: “Blessed are those whose strength is in You. They have
set their hearts on pilgrimage” (Psalm 84: 5). The Israelites knew it; David
knew it; the writer of Hebrews knew it; also John Bunyan knew it. In this
mystical world, we are strangers and pilgrims always moving with a noble
quest! We’re passing through this place, on a sacred journey to somewhere
else ― from this world to the realm of terrestrial. The stories of
experiential feelings and understanding explore the approaching of each
day as a pilgrimage ― a chance to move one step closer to our ultimate
goal and to experience tastes of that goal, even now, through prayerful
awareness, study and meditation at once both internal and external (Foster
2010).
It is believed, especially from insiders’ views, that travel broadens
one’s horizons. But a pilgrimage, on the other hand, expands one’s
consciousness and conscience to mystic nature. Thus, the end result of a
pilgrimage is the capacity to see the sacredness in the places that are
visited and a link to be established. One such sacred place is the vast
territory of the Maya world, where thousands of pyramid-temples form a
network or web of interconnected sacred sites. These sites, like Tikal in
Guatemala and Copan in Honduras, are remnants of a complex and highlyadvanced civilization that existed on the continent of the Americas,
forming what was known as the Land of the Plumed Serpent where
pilgrimage was taken as the most common and strong force of realising
belongingness and unity between divine and human realm (Wigowsky
2010).
From the Christian viewpoint, the pain of the world demands our
activism, but the urgency and pervasiveness of need distracts us from our
own need to find ourselves in Christ, and makes us increasingly vulnerable
to burnout ― both personally and communally. A recent study tells one
such story of a fragmented life, showing how God awakens us to the truth
about us, and the truth about him, as we embark on the journey to sacred
places he lays out for each of us (Heuertz 2010). Though the concept of
the Christian pilgrimage has its origins in the Exodus of the Jews from
ancient Egypt, but it has changed and adapted with the passing centuries.
36
1. Rana P.B. Singh
In medieval times millions of pilgrims spent months travelling across
Europe to visit holy cities and shrines, and today a modern revival has
blurred the lines between pilgrimage and tourism and made places such as
Iona, Taize and Santiago de Compostella contemporary Meccas. This can
be explain through historical-cultural approaches (Bradley 2010).
An anthropological study of life at a Bolivian pilgrimage site,
emphasising power and pilgrimage, focuses on the experiences of pilgrims
and how, in their Marian devotion, they express and learn to live with the
various inequalities they experience in everyday life as part of their
lifeways and lifeworlds. Issues of poverty and class inequality, of course,
lead them to approach the Virgin of Urkupina to support them in their
quest for economic betterment and good social life, where predominance
of female is obvious (Derks 2010).
Sacred places may be seen to harbour particular forces associated with
‘prehistoric cultures’ that sustained and maintained even today, mostly as
a kind modern pilgrimage-tourism (cf. Knudsen and Waade 2010: 231).
The Buddhist stupas along the trade routes developed into pilgrimage
sites, attracting both devotees and traders ― the two reciprocal and
complimentary function counter serving to each other. The brave traders
such as the Sogdians, whose faith was Buddhism, travelled to India all the
way from distant China. This network of exchange emerged along the
borders between agricultural China and the steppe nomads during the Han
Dynasty (206 BCE – CE 220), in consequence of the inter-dependence and
the conflicts of these two distinctive societies that developed the
pilgrimage path, known as Silk Road (Liu 2010: 85). The ASI India has
submitted proposal for this route and notable sacred sites associated to this
route to be inscribed as heritage in UNESCO WHL (20 January 2010).
12. An Epilogue: Something for Re-conceptualisation
Following Jungian quest we have to describe and to explain a
sacredscape, the present pilgrimage of which was introduced in the
historical past; the basic ground plan dates from the ancient past, and a
careful examination of the routes and structures disclose the fact that it
was reconstructed on the basis of the realization of nature-spirit possessed
by the territory in the past. Through mythology we discover its divine
association with the pilgrimage route and sites thereby, and under which
are found the roots of man’s deeper understanding of transcendental power
of consciousness and his quest to know human’s identity in the cosmicised
nature (compare Jung 1928: 118-119). The very fact behind this cognition
Sacredscapes and Sense of Geography
37
is to take over pilgrimage as tool for analysis of the human soul and
human revelation.
The perceptions, reflections and glorifying mythologies produced in
the discourses of the sacred places also articulate their particular identities.
Certainly there exists a close relationship between place and identity.
Bremer (2003: 73-74, quote in Bremer 2006: 33) have strongly argued:
The making of place, sacred or otherwise, always involves the making of
identities; conversely, the construction of identity always involves the
construction of places. On the one hand, the meaningful content of a
particular place relies on the production of both subjects who inhabit the place
and subjects who observe, comment on, and interpret the place, including
both insiders and outsiders. On the other hand, all subjects are situated; to
attain subjective agency means at the most fundamental level to occupy a
particular place, both in the physical and social senses. Thus, place and
identity emerge together in a relationship of simultaneity.
This simultaneous relationship between place and identity relies on a
reciprocal meaningfulness and exchanges that binds people and places
together and maintain the continuity of this tradition by passing from one
generation to other.
Eliade (1959: 23) argues that “Revelation of sacred space makes it
possible to obtain a fixed point and hence to acquire orientation in the
chaos of homogeneity, to ‘found of world’ and to live in a real sense.” He
consistently emphasizes the role of sacred places in orienting religious
communities, as when he describes “techniques of orientation” as
“techniques for the construction of sacred space” (ibid.: 29). To Eliade, a
sacred space represents the centre of the world; it is, in his famous term, an
axis mundi. Even moveable objects can operate in this locative, orienting
manner. Sacred space, in Eliade’s estimation, “organizes around particular
sites, or even particular objects, that become orientational centres in the
religious community’s world. These axes mundi decree a locative stability
that allows the community to endure in a changing world” (Bremer 2006:
31).
Jim Swan (1992: 200-201) observes that ‘the sacredscapes are the
“earth heritage” where one can experience the vibration of the earth
energy. They require special care for preservation and protection’.
Describing the psychic connection between people and place for
enhancing mental health Vine Deloria, Jr. (cf. Swan, ibid.: 237) states that
“unless the sacred places are discovered and protected and used as
religious places, there is no possibility of a nation ever coining to grip with
the land itself and national psychic stability is impossible.”
38
1. Rana P.B. Singh
Powerful places in history became cities and were responsible for
generating entire civilizations and seem to condense the culture and values
of that civilization in one place. For example, Varanasi in India is known
as the cultural capital of India, and microcosmic India. This character of
place is referred as “orthogenetic” that creates and sustains the ethos and
moral order of the whole culture. Of course, primarily such places, or
cities, have developed self-image as they reproduce the cosmological order
and make it accessible on the human plane (Eck 1987: 2).
Says Eck (1998: 149) that “in the Hindu tradition, any place can
become the sacred abode of the gods, if the proper rites are performed.
When a temple is consecrated and its image installed, the great rites of
pratishthā serve to call the presence of the divine to that place. With any
image fashioned of wood or stone or rudely crafted of clay, rites of
invitation (āvāhana) are observed at the beginning of worship, inviting the
deity to be present, and rites of dismissal (visarjana) are observed at
worship’s end, giving the deity leave to go.” However, there is an
exception in case of sacred river the Ganga; Eck further adds “With the
worship of the Ganga no such rites are ever observed. This river is no
ordinary image in which the divine has come to dwell. She is celestialunmediated and immediate. Whatever is holy, whatever is merciful,
whatever is utterly auspicious is already there” (ibid.).
At the “end” of the worldly appearance (samsāra) the realm of the
“sacred” begins and further extends to infinity (ananta). That is how those
who delves into the infinite depth of sacred becomes part of sacred. Here
‘ends’ the human intentionality and converges into the terrestrial realm of
divinity. Sacredscapes are the visible space and representation of those
terrestrial reflections, and be experienced and revealed within the territory
of faithscape. della Dora (2009) suggests a re-conceptualization of sacred
space in relational terms, as the product of human and non-human
interactions and networked flows, and of ‘sacred places’ as ‘reassuring
anchors’ (both territorial and imaginative) within a world of fluid global
networks. This preposition further opens fresh ground to re-enact and reconsider varying dimensions and projections of ‘sacredscape’.
We are more threatened by the erosion of culture. Should we not rethink to survive at least those festivities related to the earth spirit, power of
place and preserving our heritage ecology by celebrating the religious
festivities and rituals which symbolise the communionship of human being
with the cosmic spirit (sacredscapes)? So now let us rejoice, for we are
alive, and life is good; let us participate in the celebration of renewal, in
making more harmonious friendship with nature and earth spirit. This is a
call of heritage ecology at this crucial time (Singh 1995b: 214).
Sacredscapes and Sense of Geography
39
The visit to heritage sites and heritagescapes, the effort to understand,
the work to keep the mind and heart open to the sacred manifestation, all
this charges one’s being with vision, with insight and the purpose (c.f.
Jarow 1986: 12). This is the real pilgrimage – ‘an enacting of an internal
process in the external world’. Heritage ecology is also a way to
pilgrimage ‒ a way of relating to the land (Earth spirit) and the people
(Human psyche). It is possible, “by working in certain ways at the
ceremonial arrangement and juxtapositions of monuments and natural
contours to at least start to share the worldview of the ancient (Devereux
1992: 119).
“Let us hope we will have the sense to seek, the wisdom to listen, and
the patience to learn” (Devereux 1990: 216). Paraphrased Carl Jung’s (cf.
1970 as quoted in Swan 1991: 304) provoking should be taken as a moral
and ethical concern for the sacred environment:
People of our earth would never find true peace until they could come into a
harmonious relationship with the land they live. Learning to encourage,
harmonise with and perhaps even converse with the spirit of each place be an
essential survival skill to create a future world of peace where people live an
ecologically sustainable lifestyle.
13. References
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Bergmann, Sigurd 2009. Nature, Space, and the Sacred: Introductory
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Bhardwaj, Surinder M. 1973. Hindu Places of Pilgrimage in India – A
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Bradley, Ian 2010. Pilgrimage: A Spiritual and Cultural Journey. Lion
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Bremer, Thomas S. 2006. Sacred spaces and tourist places; in, Timothy,
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Campbell, Joseph 1974. The Mythic Image. Princeton University Press,
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Carmichael, David L.; Hubert, Jane and Reeves, Brian 1994. Introduction;
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Casey, Edward S. 1993. Getting Back into Place. Toward a Renewed
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Coleman, Simon and Elsner, John 1995. Pilgrimage – Past and Present:
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Museum Press, London.
Cooney, Gabriel 1994. Sacred and secular Neolithic landscape in Ireland;
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----------------------------Prof. Rana P.B. Singh
Professor of Cultural Geography & Heritage Studies,
Banaras Hindu University, New F - 7 Jodhpur Colony,
Varanasi, UP 221005. INDIA.
Email: ranapbs@gmail.com
§ Rana is researching in the fields of heritage planning, pilgrimages and settlement
systems in Varanasi region since over last three decades as promoter, collaborator
and organiser. On these topics he lectured at centres in all parts of the world. His
publications include over 190 papers and 38 books on these subjects, including
Banaras, the Heritage City of India: Geography, History, and Bibliography (IB
2009), and the eight books under ‘Planet Earth & Cultural Understanding Series’:
- five from Cambridge Scholars Publishing UK: Uprooting Geographic Thoughts
in India (2009), Geographical Thoughts in India: Snapshots and Vision for the 21st
Century (2009), Cosmic Order & Cultural Astronomy (2009), Banaras, Making of
India’s Heritage City (2009), Sacred Geography of Goddesses in South Asia
(2010), and - three from Shubhi Publications (New Delhi, India): Heritagescapes
and Cultural Landscapes (2011), Sacredscapes and Pilgrimage Systems (2011),
and Holy Places and Pilgrimages: Essays on India (2011).
2
Pilgrimage and Literature
Jamie S. Scott
York University, Canada
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Journeys to sacred sites and writings about them reveal different
travel motives and different understandings of the sacred. Religious
insiders undertake pilgrimages for devotional reasons, though such
devotions may entail religious or secular motives. Outsiders usually travel
as tourists, not as devotees, either religious or secular. This essay first
discusses the portrayal of sacred sites in western pilgrimage narratives. It
then examines portrayals of pilgrimage in western imaginative works. A
third section considers the phenomenon of literary pilgrimage in selected
British literature. Altogether, these writings blend and blur the testimonial
and the touristic, the factual and the fictional, the classic and the
conventional, reflecting material and spiritual ambiguities associated with
the sacred status of specific sites. The essay closes with some remarks on
pilgrimage and literature in religious traditions other than the Christian.
Keywords: pilgrimage, sacred sites, representation, pilgrimage literature,
literary pilgrimage, religious tourism.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“… because there ain’t anything that is so interesting to look at as a
place that a book has talked about” (Twain 1894: 41).
1. Introduction
Conventionally, pilgrimage is associated with travel to sacred sites,
whether these sites are of nature’s or of human making. As far as religion
goes, though, such journeying has different meanings for ‘insiders’ and
‘outsiders.’ Richard Barber implies this sort of distinction when he
describes pilgrimage as “a journey resulting from religious causes,
externally to a holy site, and internally for spiritual purposes and internal
understanding” (Barber 1993: 1). If believers undertake pilgrimages for
devotional reasons, however, such devotions may entail spiritual or secular
motives. Pilgrimage to a holy mountain or martyr’s shrine, for example,
differs from a visit to, say, the American civil war battlefield at Gettysburg
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2. Jamie S. Scott
or the Canadian World War I monument at Vimy Ridge, and still more so,
some might argue, from a visit to White Hart Lane, the stadium of
England’s Premier League football team, Tottenham Hotspur, or to Père
Lachaise cemetery in Paris, to attend the grave of Jim Morrison, lead
singer of the 1970s rock band, the Doors. These latter cases seem to entail
the apparently self-contradictory notion of secular sacrality.
At the same time, outsiders may also go to great lengths to travel to
sacred sites, but as tourists, not as devotees, either spiritual or secular. 1
Alison Booth has noted that “Dean MacCannell was among the first
theorists, following Erving Goffman, to link tourism to sacred ritual and
pilgrimage” (Booth 2007), but critics generally urge some sort of
distinction between the two kinds of journeying. Doris Donnelly, for
instance, argues that tourists are more concerned with the superficies of
travel, while inward commitment drives pilgrims on their journeys
(Donnelly 1992: 20). “When the outward molds the inward,” Donnelly
writes, “we become pilgrims, women and men in via, persons en route to
some destination, toward some end,” while tourists tend to be consumers
of commodified travel (Donnelly 1992: 20). In addition, the digital age
raises new questions about the medium of pilgrimage; as Lutz Kaelber has
noted, paradigms of religious travel now include the virtual tour (Kaelber
2006).
Similarly, literature has ‘hard’ and ‘soft’ meanings. On the one hand,
we have the canons of literature variously identified by scholars in
linguistic terms, or national, or ethnic, or cultural or broadly geographical.
The phrase ‘English Literature,’ for example, may refer to English literary
classics, or to British literature more generally, or even to Western
literature, and may or may not include the ethnic literatures in English of
the Scottish, Welsh and Irish, say, or from another critical standpoint, socalled New Literatures in English from Nova Scotia to New Zealand, from
Singapore to South Africa. On the other hand, we have the looser sense of
literature, which embraces any text purposely written or otherwise made
available for public consumption, including but not limited to linguistic,
national, ethnic, cultural or broadly geographical literary canons. And as
with religious travel, so also has the digital age introduced further
1
James Buzard further complicates the picture, pointing out that from the late
eighteenth century forwards, English commentators liked to distinguish between
tourists and travellers. “The tourist is the dupe of fashion,” he concludes,
“following blindly where authentic travellers have gone with open eyes and free
spirits” (Buzard 1993: 1). In this sense, pilgrims seem to be special kinds of
travellers.
Sacred space and Pilgrimage literature
49
complexities to our understanding of literature; we are all familiar, for
example, with the phenomena of the graphic novel and the e-book.
Third, the connecting ‘and’ in my title, “Pilgrimage and Literature,”
may also ‘mean’ several things. Some years ago, Dan Vogel suggested “a
lexicon of six terms, each descriptive of a type of movement in a narrative:
journey, wandering, quest, pilgrimage, odyssey, and going-forth” (Vogel
1974: 185). But the “interpretive confusion” Vogel wished to avoid with
this typology takes another form when we consider that the phrase
“pilgrimage and literature” may refer not just only to different kinds of
movement in a narrative, but to differing kinds of relationship between
movement and narrative. To put it succinctly, we have the literature of
pilgrimage, i.e. literature generated by and for pilgrims; pilgrimage in
literature, i.e. literary representations of pilgrims and pilgrimages; and
literary pilgrimage, i.e. pilgrimages made to sites associated with certain
writers and their writings.
Dominated by the Roman Catholic church, the European Middle Ages
were the great era of pilgrimage in western Christianity. Paradigms and
problems about the nature, role and status of pilgrimage come to the fore
in this period. In the first part of this essay, I discuss some classic
examples of the literature of religious pilgrimage, focusing on medieval
English texts; in the second part, I examine representative portrayals of
religious pilgrimage in fictional works, again limiting myself for the most
part to medieval English writing; and in the third part, I turn to the
phenomenon of literary pilgrimage, selecting examples from the English
literatures of the British Isles. As we shall see, distinctions among these
kinds of writing blend and blur the testimonial and the touristic, the factual
and the fictional, the classic and the conventional, reflecting material and
spiritual ambiguities associated with the interpretive status of sacred sites.
Nor are such matters peculiar to writings in English or to the religious
traditions of Christianity, as a few closing examples from scholarship on
other literary and religious cultures will show, though here as elsewhere,
given the enormous range of potential candidates, I do not mean to imply
either the exceptional status of these examples or any sense of
exhaustiveness in my coverage.
2. Literature of Pilgrimage
A good deal of early Christian literature debates the spiritual meaning
and theological status of pilgrimage. As several scholars have shown, the
first Christians rarely understood ‘pilgrimage’ to mean travel to a sacred
site. Rather, it had to do with the sense of life as spiritual journey. Key
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2. Jamie S. Scott
New Testament texts, the Epistle to the Hebrews 11.13-14 and I Peter 2.11
blend the literal and the metaphorical aspects of inherited Jewish realities
of physical and spiritual displacement and transfer them to the early
Christian community. “[A]s spiritual apartness finds itself in the metaphor
of physical exile,” writes Philip Edwards, “so the passage of the soul of
the spiritual exile to its ultimate solace was voiced as a journey” (Edwards
2005: 9, 10). Pilgrimage might mean quite literally ‘wandering,’ a
withdrawal from the world into a life of “poverty, asceticism, solitude,
contemplation” (Chadwick 1963: 37). Early Irish monastics like Saint
Columba urged Christians to exile themselves voluntarily from “their
country and land, their wealth and their worldly delight for the sake of the
Lord of the Elements, and go in perfect pilgrimage in imitation of Him”
(Old Irish Life of St. Columba quoted in Chadwick 1963: 83). Similarly,
even when extolling pilgrimage, theologians as various as Augustine,
Gregory of Nyssa, Anselm and Thomas à Kempis warn against the
dangers of identifying the ubiquitous divine too closely with particular
places. Thomas writes: “Many run to divers places to visit the memorials
of Saints departed … but behold, Thou art Thyself here present with me on
Thine altar, my God, Saint of Saints” (à Kempis 1997: 190). At worst, the
argument went, occasional travel to religious sites might all too easily
become a substitute for committing more fully to the spiritual demands of
a long life of faith.
At the same time, though, the identification of Christianity with the
Roman imperium and its consequent institutionalization came to include
the legalizing of pilgrimage and the sacralising of Palestine as ‘Holy Land’
and Jerusalem as sacred city, and before long Rome, too. From the fourth
century, travel to these destinations grew in popularity, leading to the great
age of medieval Christian pilgrimage. Some theologians suggested that
journeying to sacred sites captured in miniature the sense of life as
pilgrimage, even arguing that tackling the difficulties and deprivations of
such journeys helped to steel the Christian against the seductions of the
material world. Eusebius of Caesaria (260-339), for example, praises
Helena, the British mother of Roman Emperor Constantine, for
establishing pilgrimage routes from Rome to Palestine and for instigating
church-building programmes in Bethlehem, Jerusalem and Sinai. Later,
Bede’s Ecclesiastical History of the English People (731) and the
anonymous Anglo-Saxon Chronicle (9th – 12th centuries) glowingly record
the humility and devotion of princes and princesses visiting the shrines of
apostles and martyrs. In 1095, Christian knights wrested Jerusalem from
the Muslims in the First Crusade, itself sometimes interpreted as armed
pilgrimage. Pope Urban granted forgiveness of sins to crusaders, and the
Sacred space and Pilgrimage literature
51
lure of indulgences increased pilgrimage in general. 2 As Dee Dyas has
noted, “[t]he use of indulgences to formalize the remission of penance
grew from the twelfth century onwards and played a vital part in
establishing and maintaining the attraction of shrines” (Dyas 2001: 134).
Travelers for Palestine usually made their way to Venice to undertake the
expensive, uncomfortable and often perilous five-week journey by galley
across the Mediterranean to Jaffa. From the mid-fifteenth century,
Franciscan friars served as guides for the overland trek to Jerusalem.
Wealthier pilgrims took in Sinai, Cairo and Alexandria, as well. Venetian,
Genoan and other merchants based in Mediterranean ports fuelled a
burgeoning cult of relics, so that by the late Middle Ages, as Mary Lee and
Sydney Nolan have meticulously documented, the ecclesiastical
custodians of thousands of Western European sites were competing for
devotees, chief among them, of course, Spain’s Santiago de Compostela
(Dyas 2001: 4; Nolan and Nolan 1989; Wu 2010).
Alongside debates about the spiritual meaning and theological status of
pilgrimage, a small library of pilgrimage texts developed from the early
medieval into the early modern period. Writing in the late 1970s, Donald
R. Howard identified well over 500 surviving accounts of pilgrimage to
Jerusalem alone (Howard 1980: 17). 3 In the centuries before the First
Crusade, hundreds of pilgrims travelled from Europe to the Holy Land, but
only eighteen eye-witness accounts survive. As John Wilkinson has
demonstrated, these texts provide invaluable topographical and
archaeological information, as well as being key sources for our
understanding of Christian life in the Holy Land under Byzantine and
early Muslim rule (Wilkinson 2002). Significantly, the “first vivid account
of pilgrimage” comes to us from a woman (Wilkinson 1981: 10). 4 Based
2
According to the Roman Catholic doctrine of thesaurus ecclesiae [‘treasure of the
church’] Jesus Christ and the martyrs of the church accumulated more merit than
required for their own salvation. This surplus of merit constitutes the treasure of
the church, from which popes may grant devotees indulgences, that is, remission of
punishments for temporal sins in this life or in purgatory. Numerous activities
qualify for such indulgences, from prayers to pilgrimages, from rosaries and
reading scripture to reciting the angelus in commemoration of Christ’s incarnation.
3
Howard divides these materials into logs, guides and narrations. A log is little
more than itemized list “of places and expenses”; a guide serves as “an omniumgatherum of pilgrimage information”; and a narration approaches the status of a
fully imagined literary work (Howard 1980: 18-52). J.G. Davies echoes and
amplifies Howard’s typology, identifying seven sometimes overlapping genres of
pilgrimage literature: itineraries, pilgrim diaries, lists of indulgences, maps and
plans, aids to devotion, guide books, and travel accounts (Davies 1988: 19).
4
For examples of other early pilgrimage narratives, see Wilkinson (2002).
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2. Jamie S. Scott
in Jerusalem for three years, likely 381-84, the Iberian nun Egeria visited
numerous sites across the Middle East. Lost for seven hundred years,
significant parts of her travel diary, Peregrinatio ad loca sancta
[Pilgrimage to Holy Places] (ca. 382), were rediscovered in the late
nineteenth century. 5 Also known as Peregrinatio Silviae, Peregrinatio
Aetheriae, or simply Itinerarium Egeriae [Travels of Egeria], this text
describes sacred sites, geographical features, the daily lives of monks, and
the liturgical practices of the Christian community in late fourth-century
Jerusalem. Frequently, the text reveals the opulence and grandeur of the
holy places; for example, she praises the Martyrium, that is, “the Great
Church on Golgotha” now the site of the Church of the Holy Sepulchre:
“It was built by Constantine, and under the supervision of his mother it
was decorated with gold, mosaic, and precious marble, as much as his
empire could provide, and this not only at the Great Church, but at the
Anastasis, and the Cross, and the other Jerusalem holy places as well”
(Wilkinson 1981: 127). Scholars especially value Egeria’s writings for the
detailed descriptions of early Christian rites. She tells, for instance, of
Easter pilgrims literally following in the footsteps of Jesus, as they return
to Jerusalem on Good Friday morning from Maundy Thursday’s night
vigil in Gethsemane on the Mount of Olives: “Next they go with singing to
the city … And from there every single one of them, old and young, rich
and poor, goes on through the centre of the city to be present at the next
service — for this above all others is the day when no one leaves the vigil
till morning comes” (Wilkinson 1981: 136). Sometimes, the text jumps
alive; deacons are on guard, for example, as the faithful kiss the cross, for
“on one occasion … one of them bit off a piece of the holy Wood and stole
it away” (137).
Other early pilgrimage memoirs include De locis sanctis [Concerning
the Sacred Places] (688), which describes the trip to the Holy Land of
Arculf, an otherwise obscure Gallic cleric. Devoted to “the holy places of
the city of Jerusalem, and Mount Sion, and the Mount of Olivet, and the
Valley of Josaphat,” the first book details numerous churches and chapels
in and around the city, as well as other monuments, like a stone column
marking the place at which the passing touch of the cross on which Jesus
died restored a young man to life. Mostly matter-of-fact in tone, the
narrative sometimes conveys a sense of the awe in which the holy places
5
Other early women pilgrims include Paula (347-404) and her daughter
Eustochium (368-419), Roman aristocrats who co-authored a joyful letter to a
friend, Marcella, describing their pilgrimage in 385 to the Holy Land, where they
settled in Bethlehem, pledging themselves and their wealth to the great Christian
scholar, Jerome.
Sacred space and Pilgrimage literature
53
held Arculf; for example, “[t]he effect of this brilliant and admirable
coruscation of the eight great lamps shining by night from the holy
mountain and from the site of the Lord’s ascension … is to pour into the
hearts of the believing onlookers a greater eagerness of the Divine love,
and to strike the mind with a certain fear along with vast inward
compunction” (Adamnan 1971: I.23). A second book tells of sites in the
region, including Bethany, Bethlehem, Hebron, Jericho, the River Jordan
and the Sea of Galilee, as well as trips to Damascus and Alexandria. A
short third book relates Arculf’s perilous journey home, culminating in a
‘fortunate’ storm which shipwrecks him on the Isle of Iona, Scotland.
Here, he meets Abbot Adamnan (624-704), who records his story.
The early medieval period produced very few guidebooks, and these
are anonymous and amount to little more than lists of biblical sites,
martyrs’ graves and the like, with occasional brief descriptions. Instead,
travellers relied on what Diana Webb has called the “unwritten Michelin”
of word of mouth (Webb 2002: 117). The later Middle Ages, however,
saw increased numbers of pilgrims, especially to the Holy Land, Rome
and Compostela, creating a reliable market for more sophisticated texts.
The Franciscans controlled this market, preparing books and distributing
them across Europe through the order’s monasteries. Based in large part
on the work of Philippus Brusserius Savonensis, for example, a midfourteenth-century guidebook to Palestine gives detailed descriptions of
Jerusalem’s Church of the Holy Sepulchre, Mount Zion, the Mount of
Olives, Bethlehem, Hebron, Bethany, the River Jordan, Tiberias and
Damascus, taking care to note the value of plenary and temporal
indulgences attached to each holy place (Bernard 1894). Of the Church of
the Holy Sepulchre, the anonymous author writes:
Thence you shall come to the glorious sepulchre of the Lord, which up to the
time of the Emperor Aelius Hadrian was without the gate. This emperor
enlarged the city so much that he enclosed the place of the Lord’s sepulchre
within the circuit of the walls, in which place afterwards the Christians, for the
reverence they had to the Lord’s sepulchre, built the glorious church of the
Lord’s Resurrection within the city, with elaborate workmanship, of suitable
shape, and round in form, with one window opened in the roof. This not
undeservedly holds the chief place among the holy and memorable sites. In this
place the precious body of the Lord was honourably buried with spices, and
here He rested until the third day; but on the third day He rose again as He had
said, “On the third day I shall rise again.” And there is absolution from pain
and guilt (Bernard 1894: 6).
As Howard and other scholars have noted, “[t]he pilgrims’ experience of
Jerusalem took the form of a drama or an allegory of the life of Christ, an
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idea that survives in the liturgical practice of the Catholic church, the
Stations (or ‘Way’) of the cross” (Howard 1980: 48). But notice here, too,
how the description of the site blends details from imperial Roman urban
planning, Christian ecclesiastical architecture, scripture, and Catholic
theological and ritual tradition.
The later medieval market offered other items, too. Pilgrims to Rome
might purchase the Indulgentiae ecclesiarum urbis Romae, with basic
information about important churches, or the larger Historia et descriptio
urbis Romae (Miedema 1996: 24-95). Opening with a history of Rome and
a prayer to Saint Veronica, this expansive guidebook details more
churches and relics, as well as how to find sites, why they were important,
and of course, the value of associated indulgences. Stories of healing
miracles provided an added attraction. Some guidebooks contained prayers
for holy places, as well as practical tips for travel on money-changing, inns
and hospitals, safe roads and natural hazards. The British Library’s
unpublished early fourteenth-century Pilgrim’s Guide to Compostela,
Galicia, Spain, gives advice about safe drinking-water and boarding
ferries (Pilgrim’s Guide). The invention of printing multiplied the
production of guidebooks, the first copies being published in the 1470s,
while expanding education meant increasing numbers of writers and
readers (Miedema 2001: 116-18). Later printed editions included scenic
views and pictures of key figures from history, myth and legend (Miedema
1996: 11-12). By the sixteenth century, many guidebooks were appearing
in the vernacular, too, including German, Italian, English, French, Spanish
and Dutch.
In these various ways, guidebooks tried to satisfy every pilgrim’s
longing to forge living connections with Jesus and the saints and martyrs
of the Christian tradition, though competition for business was often
fierce. In Timo Saastamoinen’s words, “as guides describe the importance
of different churches they show many means by which the past is put to
use” (Saastamoinen 2006: 5). The Historia et descriptio urbis Romae, for
example, questions the need to travel to Jerusalem or Santiago de
Compostela when pilgrimage to the Basilica of St John Lateran earns
indulgences of equal value. Still, competition did not always create a level
playing field. On occasion, ecclesiastical custodians of sacred sites seemed
to discriminate against women, though Jonathan Sumption has argued that
unruly crowds might have made safety an issue, a view to which the
fifteenth-century English chronicler John Capgrave attests (Sumption
1975: 263). “[P]erhaps some woman was in the press,” writes Capgrave,
“and either because of sickness or because of pregnancy was in great peril
there; and for this cause they were forbidden to enter these houses, as I
Sacred space and Pilgrimage literature
55
suppose” (Capgrave 1911: 77). Also, alternative devotional accommodations might be arranged in such cases; women were barred from the
chapel of St. John the Baptist at Rome’s Basilica of St John Lateran, for
example, but if they “go on pilgrimage and touch the door” they enjoyed
the same indulgences as men who entered the chapel (Capgrave 1911: 7172).
Three later texts from England offer interesting contrasts with which to
close this section of my essay: The Book of Margery Kempe (1438), The
Itineraries of William Wey (1456-62) and Ye Oldest Diarie of Englysshe
Travell: Being the Hitherto Unpublished Narrative of the Pilgrimage of
Sir Richard Torkington to Jerusalem in 1517. 6 Far from constituting a
guidebook, Kempe’s accounts of pilgrimages to the Holy Land, Rome,
Assisi, Santiago de Compostela, Canterbury and several other English
sites embody and express the spiritual interiority of such undertakings.
Repeatedly referring to herself in the third person as “this creature,” she
claims direct instruction from God to visit the holy places. Just as the
Middle Ages placed Jerusalem at the centre of the world, Margaret places
her pilgrimage to Jerusalem at the centre of her book. The site of Christ’s
crucifixion particularly moves her. Led by Franciscans to “the Mount of
Calvary,” Margaret “wept and sobbed as plenteously as though she had
seen our Lord with her bodily eyes suffering his Passion at that time”
(Kempe 1985: 104). The narrative continues:
And sometimes, when she saw a crucifix, or if she saw a man had a wound, or
a beast, whichever it were, or if a man beat a child before her or hit a horse or
other beast with a whip, if she saw or heard it, she thought she saw our Lord
being beaten or wounded, just as she saw it in the man or in the beast, either in
the fields or in the town, and alone by herself as well as among people (Kempe
1985: 104).
Pained empathy and grateful joy for the sacrifices of Christ transform
“this creature” Margaret in her everyday relations with all of God’s
6
Later medieval women pilgrims include Birgitta (1303-73) from Sweden and
Margaret of Beverley (1180s) from England. For an ongoing analysis of this
literature, see Bolton (1997-). Other notable late medieval and Renaissance texts in
English include Henry Timberlake’s A True and Strange Discourse of the
Traveiles of Two English Pilgrimes: What Admirable Accidents Befell Them in
Their Journey to Jerusalem, Gaza, Grand Cayro, Alexandria, and Other Places
(1603), George Sandys’s A Relation of a Journey (1615), ‘T.B.’s A Journey to
Jerusalem: or, a Relation of the Travels of Fourteen Englishmen, in the Year,
1669, and Henry Maundrell’s Journey from Aleppo to Jerusalem at Easter, AD
1697. For other resources, see Colorado State University’s website, “Traveling to
Jerusalem” (http://chass.colostate-pueblo.edu/history/seminar/seminar97.html).
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2. Jamie S. Scott
creatures. Like other medieval pilgrims, she reconstructs “her own life as
the drama of spiritual development,” symbolically associating “going
eastward to Jerusalem … with … the journey to their heavenly homeland”
(Yoshikawa 2005: 193).
By contrast, Wey’s practicality also makes him an eminently worldly
traveller. For example, the Itineraries advise the pilgrim from Venice, “if
ye go in a galley, make your covenant with the patron betimes and choose
you a place in the said galley in the overset stage [top deck], for in the
lowest under it is right smouldering hot and stinking,” and then once in the
Holy Land, “when ye shall ride to flume [river] Jordan, take with you out
of Jerusalem bread, wine, water, hard cheese, and hard eggs, and such
victuals as you may have for two days, for there neither by the way is none
to sell” (Wey 1857: 225, 227). Equally, though, Wey is a man of profound
devotion. Of Jerusalem, he writes: “Then kneel we down upon our knee, /
When we that holy city see; / For to all that thither come / Is given and
granted full remission” (Wey 1857: 9). Thirdly, unlike Kempe and like
Wey, Torkington gives a practical account of the route to Jerusalem; the
diary even includes a mileage chart (Loftie 1884: 68). But unlike Kempe
or Wey, he and his fellow travellers are far from consumed by devotion.
Instead, Torkington’s diary foregrounds the merriment of journeying to
holy places. The relics on view in Venice impress, for example, but less so
than the sumptuous foods, excellent wines and opulent setting of a dinner
hosted by local nobility, with music, dancers and acrobats. “The form and
manner thereof exceeded all other that ever I saw,” writes Torkington, “so
much that I cannot write it” (Loftie 1884: 14). Even on a visit to the site of
Christ’s crucifixion, the pilgrims decide to stop and eat. He writes: “[W]e
refreshed us with wine and bread and other caseles [?] as we could get for
our money” (Loftie 184: 45). Similarly, Torkington trumpets the magnificent entertainment at a dinner hosted by Jewish merchants in “Corfu,”
especially the superbly costumed dancers (62-64).
The contrasts in tone and attitude between Kempe, Wey and
Torkington I have highlighted capture in miniature a transition from the
golden age of pilgrimage literature to modern travel writing. 7 Citing John
7
Useful modern English texts in include Travels of Lady Hester Stanhope (1846),
Alexander William Kinglake’s Eothen, or Traces of Travel Brought Back from the
East (1844), Matilda Plumley’s Days and Nights in the East; from the Original
Notes of a Recent Traveler through Egypt, Arabia-Petra, Syria, Turkey and Greece
(1845), James D. Finn’s View from Jerusalem 1849-1858: The Consular Diary of
James and Elizabeth Anne Finn (1980), and Gertrude Bell’s Syria: The Desert &
the Sown (1907). Among recent publications, see especially Ronald Brownrigg’s
Come, See the Place: Pilgrim Guide to the Holy Land (1985) and Kevin A. Codd’s
Sacred space and Pilgrimage literature
57
G. Demaray’s work, Ira Clark writes of narrative shifts “from faith-based
to empirical, from biblical to experiential, from iconographic to natural,
from ancient to modern, from ideological to pragmatic, from spiritual to
humanistic” (Demaray 2006; Clark 2007: 197). That is not to say that the
faithful no longer offer their experiences in writing; pilgrimage literature
has not become extinct, particularly in the form of diaries and other kinds
of life-writing. Here, for example, Geoffrey Francis Bishop (1887-1972),
Archbishop of Canterbury (1945-61), recalls in a diary entry his visit to
the Church of the Holy Sepulchre, 25 November, 1960:
From the moment I entered the church, I was engulfed in a great crowd of
Orthodox monks and Franciscans and others, who surrounded me and, almost
literally, carried me from place to place … At a place I would kneel and feel
Our Lord looking at us in this strange mixture of past and present; then be
borne on again, this way and that, and feeling lovingly at their mercy. And I
felt that somehow like this Our Lord was pulled and hustled and felt at the
mercy of his unloving guides. More than that I cannot recall. At intervals the
bells would clang again. The whole thing was an astonishing outpouring of
every kind of excited emotion, all flowing round and over me, not me as a
person, but as a kind of centre point of that triumphal showing forth of
Christian fellowship (quoted in Purcell 1969: 277).
Dominated by the trope of a transport of body and soul at once historical
and geographical, the tone of Fisher’s words echoes Kempe, while the
paradoxical ethos of heightened self-consciousness dissolving in the
euphoria of selfless Christian community typifies a good deal of the
literature of pilgrimage we have seen.
At the same time, though, modernity has ushered in all sorts of other
travel writing, including narratives of colonial discovery and scientific
exploration, eighteenth-century memoirs of the ‘European Grand Tour,’
and most recently, libraries of tourist guidebooks from Karl Baedeker
(1801-59) and Thomas Cook (1808-92) to the likes of Eugene Fodor
(1905-91), Arthur Frommer (1931-) and the teams of writers working for
Lonely Planet and Rough Guides. The extent to which such texts count as
pilgrimage literature is a matter of debate, but a sense of sacred or secular
devotion certainly permeates many of these texts. Thirdly, advances in the
technologies of travel, from steamships to jet airplanes, have allowed more
people to visit more places more easily and more frequently, till our digital
age permits almost boundless virtual travel anywhere at any time.
To the Field of Stars: A Pilgrim’s Journey to Santiago de Compostela (2008). For
other resources, see Colorado State University’s website, “Traveling to Jerusalem”
(http://chass.colostate-pueblo.edu/history/seminar/seminar97.html).
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2. Jamie S. Scott
Digitization enables religious travellers to distribute accounts of their
journeys to a potentially limitless electronic readership. Based in England,
for example, and associated with an international network of comparable
associations, “The Confraternity of Saint James” hosts a huge website
offering, among other things, constantly updated accounts of two dozen
pilgrimage routes to Compostela (http://www.csj.org.uk/). Whether
religious devotees or secular consumers of commodified travel,
contemporary visitors are able to experience holy sites vicariously online,
thus multiplying visitorship almost limitlessly.
3. Pilgrimage in Literature
Literary representations of pilgrims and pilgrimage vary enormously,
with Dante Alighieri’s Divina comedia and Purgatorio perhaps the most
celebrated elaborations. Citing Demaray’s views, for example, Mary Baine
Campbell notes that pilgrim accounts of the ascent of Mount Sinai
provided models for Dante’s ascent of Mount Purgatory; “Dante’s
intensely ritualized and liturgical stations on the way up the mountain,”
she writes, “mimic precisely the ritual punctuation of pilgrim travel”
(Campbell 1997: 17). As with the literature of pilgrimage, though, I wish
here to focus principally on works in English, beginning with some
medieval writers. Take journeying to Jerusalem, for example. Four
fourteenth-century texts—William Langland’s Piers Plowman, Geoffrey
Chaucer’s Canterbury Tales, The Travels of Sir John Mandeville, and the
anonymous Pearl—ring variations on the trope.
The mystical vision of Pearl lies at one end of the literary spectrum,
while The Travels of Sir John Mandeville lies at the other. 8 Entertaining
throughout with accounts of myth and legend, especially fantastical
descriptions of China, India and Persia, The Travels begin with fifteen
chapters describing a more or less realistic journey to Jerusalem and the
Holy Land, taking in along the way Constantinople, Greece, Egypt and
Damascus. 9 Titled “Of the pilgrimages in Jerusalem, and of the holy
8
The Travels is included here as a work of literary imagining rather than in the
previous section, since we know nothing of Mandeville beyond The Travels, and
therefore, not only may he “be creating to a greater or lesser degree a fictional
persona,” as C.W.R.D. Moseley has noted, but also “[h]ow far he travelled (if at
all) is a similar question” (Moseley 1983: 10, 11).
9
As Howard has observed, “Mandeville was trying to write a new kind of work, a
summa of travel lore which combined the authority of learned books and
guidebooks with the eyewitness manner of pilgrim and travel writers” (Howard
1980: 58).
Sacred space and Pilgrimage literature
59
places thereabout,” for example, the tenth chapter interweaves miracle
stories and popular folklore with a biblically faithful account of the
physical, historical and cultural geography of the city and region. Details
abound. Of “the Sepulchre of Our lord,” Mandeville writes:
There is a very fine church, circular in plan, well-roofed with lead. On it right
side is a fine strong tower for the bells. In the middle of that church is a
tabernacle, like a little house, built in a semicircle, decorated very handsomely
and richly with gold and silver and azure and other colours. On the right side
of it is the Sepulchre of Our Lord. This tabernacle is eight feet long, five wide,
and eleven high. Not long ago the Sepulchre was quite open, so that men could
kiss it and touch it. But because some men who went there used to try to break
bits of ther stone off to take away with them, the Sultan had a wall built around
the tomb so that nobody could touch it except on the left side (Moseley 1983:
77).
Note how physical description slips comfortably into keen observations
about ritual practice, the latter somewhat sardonically testifying to the way
in which Muslim control of this Christian sacred site saves Christians from
the more avaricious aspects of their own devotional fervour.
Information and literary irony aside, however, moral and spiritual
concerns permeate The Travels from start to finish. Openly celebrating
“the Land of Promise which men call the Holy Land” as “blessed and
hallowed and consecrated by the precious blood of Our Lord Jesus Christ,”
the “Prologue” bemoans the way in which “pride, envy and covetousness”
have distracted Europe’s Christian aristocrats from assuming responsibility for “the land that is promised to us as heritage, while The Travels end
with a prayer “to God of whom all grace comes, that He fill with His grace
all those who hear or read this book, and save them and keep them in body
and soul, and after this life bring them to the country where there is joy
and endless rest and peace without end” (Moseley 1983: 43, 44). By
contrast, Pearl dramatically allegorizes Mandeville’s implied association
of pilgrimage to Jerusalem with life’s journey to the heavenly city. The
narrator of this complex alliterative poem dreams he meets his dead child.
The father asks to join his daughter in the heavenly Jerusalem, but when
he tries to enter the city of God, he awakes with a start. In this stanza, she
explains Jerusalem as allegory:
There are two spots. To speak of these
They both the name “Jerusalem” share;
“The City of God” or “Sight of Peace,”
These meanings only doth that bear.
In the first it once the Lamb did please
Our peace by His suffering to repair;
In the other naught is found but peace
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That shall last for ever without impair.
To that high city we swiftly fare
As soon as our flesh is laid to rot;
Ever grow that the bliss and glory there
For the host within that hath no spot. ― (Tolkien 1975: 115).
Inspired, the father pledges to live the good Christian life, so that
eventually he may join his daughter in paradise. Contextualized
eschatologically and apocalyptically “[a]s John the apostle it did view,”
the trope of earthly pilgrimage to Jerusalem, “that city of great renown,”
represents the soul’s lifelong journey to the heavenly Jerusalem (Tolkien
1975: 116). In sum, as Dyas concludes, “[i]nner pilgrimage becomes in
Pearl the supreme motivation for the pursuit of the pilgrimage of life”
(Dyas 2001: 231).
Between these extremes of Christian travelogue and mystical vision lie
Langland’s Piers Plowman and Chaucer’s Canterbury Tales. An allegory
of the search for the true Christian life, Langland’s poem begins with the
narrator, Will, wandering England’s Malvern Hills. He stops to rest and
falls asleep. In a vision, he sees a tower on a hill and a fortress in a valley.
In between these symbols of heaven and hell, folk from all walks of life
are busy trying to find the way to truth. For such a quest, however, travel
to holy places is of no use; asked the way to truth, a pilgrim sporting
souvenirs from Jerusalem and other holy places blurts out: “Heaven’s no!
… I’ve never seen any pilgrim go looking for him [truth] with staff and
scrip: never, I can tell you, and nowhere” (quoted in Edwards 2005: 14).
Piers the ploughman then appears and offers to lead Will and others in
their quest. But taking the first step on the journey towards truth, Piers
says, means becoming “… his pilgrim at the plough for poor men’s sakes”
(Langland 1886: VI. 102). Ploughing the half-acre captures the penitential
nature of a life of humanitarian service in a fallen world. As the poem
proceeds, however, the character of Piers gradually develops from guide
and teacher to moral exemplar and finally saviour, as Will’s spiritual
awareness blossoms through doing well [“Dowel”] to doing better
[“Dobet”] to doing best [“Dobest”] (Dyas 2001: 169). As Langland decries
the spiritual debasement of contemporary travel to holy places, so he
advocates the cultivation of an interior Jerusalem in and through dutiful
service to fellow travellers on life’s earthly journey. As Dyas puts it,
“Langland … regards seeking holy places as a substitute for living as a
Sacred space and Pilgrimage literature
61
Christian at home and seeking saints as a substitute for seeking God
himself” (Dyas 2001: 170). 10
Chaucer’s attitude towards pilgrims and pilgrimage echoes Langland’s
in many ways, though the naturalistic ethos of the Canterbury Tales is
likely more familiar to modern readers than his contemporary’s allegorical
work. The tales feature a group of pilgrims in a storytelling contest on
their way to the shrine of English martyr Thomas à Beckett at Canterbury.
As John M. Theilmann has noted, the pilgrims probably travel together “to
enjoy the fellowship of the group and to obtain protection as they took part
in the pilgrimage” (Theilmann 1987: 99). But despite the apparently
serious subject-matter, as Julia Bolton Holloway has observed, “Chaucer
… was writing satire” (Holloway 1980: 145). How do we know? To begin
with, because the pilgrims travel to Canterbury for the wrong reasons; they
do not to seek communion with the divine, but cures for their various
physical ills. The tales abound with numerous other clues, too: for
example, the pilgrims ride on horseback, which “invalidated the medieval
pilgrimage”; they wear bright colors, not quiet shades of penance and
humility; and they include in their number both “lecherous pilgrims,” like
the Wife of Bath, as well as a monk and a prioress who have violated
religious vows of seclusion (Holloway 1980: 145).
Chaucer’s stories are full of humour and wit, even outright bawdiness,
and the ironic way in which the poet portrays the selfishness, greed,
boastfulness and drunkenness of the travelers certainly entertains the
reader (Dyas 2001: 177). But just as surely, the banter of the pilgrims
reveals not only the dubiousness of their motivations and intentions, but
also, like Langland’s poem, the moral and spiritual bankruptcy permeating
all levels of medieval English society. Also, the prominence of death in the
opening “Knight’s Tale” casts an admonitory shadow over all that follows,
while accounts of violence, sickness and other forms of suffering
elsewhere in the tales serve as constant reminders of the darker side of life
in a fallen world (Irving 1995: 48). In the end, however, the “Parson’s
Tale” provides the countervailing touchstone of a “siker [safer] way” (93).
Like Langland’s ploughman, this amiable cleric offers “[t]o schewe yow
the wey, in this viage / Of thilke parfit glorious pilgrimage / That highte
Jerusalem celestial” (“Parson’s Prologue, 49-51). Warning of the seven
deadly sins, he calls his fellow pilgrims to genuine penitence. But the
Parson does not outright reject trips to holy places, as Langland seems to
do, since he himself is also traveling as a pilgrim to Canterbury (Dyas
2001 198). Rather, he locates this sort of pilgrimage within “the larger
10
Compare Walter Hilton’s Scala perfectionis [Ladder of Perfection], which
figures the mystical life in terms of the pilgrimage to Jerusalem.
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context of earthly life, marred by transient relationships, trials and
uncertainties, yet also holding out the prospect of the eternal security of
heaven” (Dyas 2001: 199). In this sense, Chaucer’s poem serves, in
Edmund Reiss’s words, as “a microcosmic equivalent of the pilgrimage of
life spoken of so often in medieval theology” (Reiss 1970: 296).
Though the practice of pilgrimage faded fast with the coming to
England of the Protestant Reformation, the images of pilgrimage evident
in these four fourteenth-century texts have persisted in various kinds of
literature through to the present day. 11 A few examples will have to
suffice. In “The Pilgrimage,” the seventeenth-century devotional poet
Henry Vaughan offers an interesting variation on Hebrews 11.13: “And
they confessed, that they were strangers, and pilgrims on the earth.”
Contrasting those earthly travellers who “dream homes of their own” with
the Christian who feels exiled from God’s “home,” Vaughan seeks
physical and spiritual sustenance for “more days, more nights”: “So
strengthen me, Lord, all the way / That I may travel to thy Mount” (Martin
1914: 464-65). As Vaughan indicates in “Regeneration,” though, the
journey of life is a pilgrimage, yes, but pilgrimage is “a monstrous
mountain’d thing / Rough-cast with rocks, and snow” (Martin 1914: 399).
Earthly conditions mark our alienation from God, and redemption comes
through the “rushing wind” of divine grace, which itself a mystery:
“whence it stirred,” Vaughan writes, “No, where I could not find” (Martin
1914: 399). Thus inspired, the exiled Christian catches glimpses of the
heavenly Jerusalem in devotional meditation, which he imagines as a
return to the innocence of childhood, “From whence the’Inlightened spirit
sees / That shady City of Palme trees” (Edwards 2005: 419).
As Edwards has observed, if “[m]ovement is the essence of the
pilgrimage metaphor … [a]ntagonism to the metaphor, say in Langland or
Vaughan, is chiefly to the idea of progression, of moving stage by stage to
an ultimate union, which seems implicit in it” (Edwards 2005: 144). By
contrast, John Bunyan’s seventeenth-century allegory, Pilgrim’s Progress
from this World to that which Is to Come, as well as other spiritual guides
and autobiographies of the period, portrays the individual Christian’s
interior struggle in the world as a pilgrimage of gradual progress towards
redemption. Framed as a dream, Part I of Bunyan’s allegory opens with
the character Evangelist advising the protagonist Christian to abandon the
City of Destruction in search of the Celestial City, Mount Zion. Christian
11
Grace Tiffany has examined the ways in the imaginative significance of Roman
Catholic medieval pilgrimage persists in the writings of English Protestant figures
like Edmund Spenser, William Shakespeare, John Donne, John Milton and John
Bunyan (Tiffany 2006).
Sacred space and Pilgrimage literature
63
leaves behind wife, family and home with the Bible in his hand and the
burden of original sin on his back. He confronts and overcomes numerous
obstacles: the Slough of Despond; the temptations of Mr. Worldly
Wiseman; the monster Apollyon in the Valley of Humiliation, and then the
Valley of the Shadow of Death; the false pilgrims Talkative and Mr. Byends; the sinful town of Vanity; Giant Despair of Doubting Castle; the
sinners Ignorance, Mr. Flatterer and Atheist; and the Enchanted Ground,
where the air sends pilgrims into an everlasting coma. He also receives
various sorts of assistance: shelter from Good-will, who guards the Wicket
Gate by which pilgrims are required to enter “the straight and narrow way”
to the Celestial City; lessons on faith from The Interpreter; guidance from
the true pilgrims Faithful and Hopeful; and warnings from wise shepherds
in the Delectable Mountains about the treacherous peaks of Error and
Caution. Early on, Christian lays eyes Christ’s cross and sepulcher from
atop the wall of Salvation and the burden of original sin falls from his
back.
Part I of Pilgrim’s Progress closes with the residents of the Celestial
City joyfully welcoming Christian and Hopeful. Part II describes the
journey of Christian’s wife and children, who also reach the Celestial City
after overcoming various challenges with the help of such characters as
Mercy, Mr. Great-heart, Old Honest, Mr. Valiant-for-truth and Mr. Standfast. Here, it turns out that Good-will is Jesus himself. Colourful, candid,
humorous and homely, Pilgrim’s Progress “evinces no doubt about the
fundamentals of the Christian religion as Bunyan perceived them”
(Edwards 2005: 194). Perhaps for these same reasons, this allegory of the
soul’s pilgrimage through life to eternal salvation remains second only to
the Bible as the most widely read book in English. Capable of constant
reworking, its influence sometimes startles with irony. As Isabel Hofmeyr
has shown, for example, Bunyan’s tale of the liberation of the individual
soul became a staple of nineteenth- and twentieth-century Protestant
missionary school curricula, where it continues to inspire colonized
subjects to dream their own long walks to freedom from imperial
oppression (Hofmeyr 2004). 12
These variations on the meaning and status of pilgrimage continue in
modern English literature. Puritan spiritual guides and autobiographies
dramatizing the idea of life as pilgrimage provided a thematic model for
Daniel Defoe’s pioneering early eighteenth-century work Robinson
Crusoe (Hunter 1966; Starr 1965). Some commentators have argued that
12
The phrase “long walk to freedom” repeats the title of Nelson Mandela’s
autobiography (Mandela 1995). In this sense, the South African hero’s story joins
the literature of pilgrimage.
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the sense of life as a journey pervading eighteenth-century novels like
Samuel Richardson’s Clarissa; or, the History of a Young Lady (1748),
Henry Fielding’s Tom Jones, a Foundling (1749), Tobias Smollet’s The
Adventures of Peregrine Pickle (1751), Samuel Johnson’s The History of
Rasselas, Prince of Abissinia (1759) or Thomas Sterne’s The Life and
Opinions of Tristram Shandy, Gentleman (1759-69) makes pilgrims of
their protagonists (Howard 1980: 115). As an exile from innocence,
Ronald Paulson argues, the protagonist of such stories needs to “become a
moral agent, prove and educate himself, and win for himself a ‘heaven’
that would have been out of the question if he had remained in Eden”
(Paulson 1971: 67). Others, though, claim that the lack of a specified goal
belies this indebtedness.
Similar debates about what does and what does not constitute
pilgrimage surround interpretations of a good deal of late-eighteenth- and
nineteenth-century literature, too. Some commentators read pilgrimage
into William Wordsworth’s confessional revelations about “the growth of
a poet’s mind,” to quote the epigraph to The Prelude (1805). Certainly,
particular geographical sites conjure key “spots of time” in Wordsworth’s
iteration of his poetic development. Take, for example, his recollection of
Mount Snowdon, in Wales:
… and from the shore
At distance not the third part of a mile
Was a blue chasm; a fracture in the vapour,
A deep and gloomy breathing-place, through which
Mounted the roar of waters, torrents, streams
Innumerable, roaring with one voice.
The universal spectacle throughout
Was shaped for admiration and delight,
Grand in itself alone, but in that breach
Through which the homeless voice of waters rose,
That dark deep thoroughfare, had Nature lodged
The Soul, the Imagination of the whole
(Wordsworth 1805: XIII.54-65).
Moving towards these climactic lines, The Prelude concludes with
poet and place imaginatively interpenetrating in a vision “of the whole”
akin to the sense of transcendent perfection we have heard pilgrims
expressing in accounts of their experiences at sacred sites. By contrast, we
may ask of Lord Byron’s Childe Harold’s Pilgrimage (1812) in what
sense, exactly, is “the wandering outlaw of his own dark mind,” whom we
meet early in this autobiographical travelogue, the “pilgrim of my song”
with whom we are left at the end of the poem (Byron 1970). Of this work
Sacred space and Pilgrimage literature
65
and Byron’s later portraits of “majestic outlaws” in Manfred (1817) and
Cain (1821), Edwards has written: “The idea that, rather than promoting
received religion, a pilgrim might actually be questioning it, in search of
an alternative fulfillment, runs the risk of stretching the definition of
pilgrimage to breaking point” (Edwards 2005: 22-23).
Elsewhere, Barry V. Qualls hears echoes of Bunyan’s questing Puritan
pilgrim in the lives and writings of Charlotte Brontë, Thomas Carlyle,
Charles Dickens and George Eliot (Qualls 1982). For Qualls, the novels of
these writers work like “secular scriptures” or “books of life,” dramatizing
the efforts of the main characters to rediscover or reaffirm some sense of
the transcendent amidst the increasingly alienating industrialism of
Victorian England. But since the interiorized Romantic quests of
Wordsworth and Byron and the Victorian fiction of Brontë, Carlyle,
Dickens and Eliot frequently beg the question of pilgrimage, I would like
to end this section of the essay by tending to extremes. On the one hand,
nineteenth-century literature does indeed offer more readily accessible
instances of the representation of pilgrimage to specific sacred sites for
expressly devotional purposes. Take, for example, Benjamin Disraeli’s
novel Tancred or, The New Crusade (1847). Disavowing trips to Paris and
Rome, the novel’s titular protagonist announces his wishes to his
disbelieving father, and in so doing renders a working definition of
pilgrimage:
“Nor, my dear father,” continued Lord Montacute, “though I did not like to
interrupt you when you were speaking with so much solicitude and
consideration for me, is it exactly travel, in the common acceptation of the
term, that I feel the need of. I wish, indeed, to leave England; I wish to make
an expedition; a progress to a particular point; without wandering, without any
intervening residence. In a word, it is the Holy Land that occupies my thought,
and I propose to make a pilgrimage to the sepulchre of my Saviour” (Disraeli
1847: Chapter VII; http://www.mobilebooks.org/?etext=PG020004).
Tancred makes his pilgrimage, and in a chapter titled “Jerusalem by
Moonlight” the omniscient narrator ventriloquizes the mesmerizing effect
of the holy city and its environs upon the novel’s hero, culminating in a
description of the Church of the Holy Sepulchre by night:
The last light is extinguished in the village of Bethany. The wailing breeze has
become a moaning wind; a white film spreads over the purple sky; the stars are
veiled, the stars are hid; all becomes as dark as the waters of Kedron and the
valley of Jehosha-phat. The tower of David merges into obscurity; no longer
glitter the minarets of the mosque of Omar; Bethesda’s angelic waters, the gate
of Stephen, the street of sacred sorrow, the hill of Salem, and the heights of
Scopas can no longer be discerned. Alone in the increasing darkness, while the
very line of the walls gradually eludes the eye, the Church of the Holy
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Sepulchre is a beacon light (Disraeli
http://www.mobilebooks.org/?etext=PG020004).
1847:
Chapter
XXIII;
Reminiscent of the imagery of light so often associated with Jerusalem
in early pilgrimage narratives, this passage testifies to the persistent
influence of the sacred sites of Jerusalem over the European Christian
imagination, an influence all the more remarkable in an age in which, as
Disraeli notes elsewhere in Tancred, “[h]alf a century ago, Europe made a
violent and apparently successful effort to disembarrass itself of its Asian
faith.” Far from condoning such revolutionary French hubris, however,
Tancred represents the resurgence of that English Christian faith which
“more than six hundred years before … had sent its king, and the flower of
its peers and people, to rescue Jerusalem from those whom they
considered infidels!” Summoning the crusader spirit of yore, Disraeli’s
novel unabashedly advocates muscular Christian expansionism for midnineteenth-century imperial Britain, ironically using the trope of the
pilgrimage to Jerusalem to symbolize a redeployment of “superfluous
energies [expended] in the construction of railroads” (Disraeli 1847:
Chapter XXIII; http://www.mobilebooks.org/?etext=PG020004).
On the other hand, what are we to make, decades later, of the fact that
in Joseph Conrad’s Heart of Darkness (1902) Charles Marlow describes
the harrowing journey up the River Congo as “a weary pilgrimage
amongst hints for nightmares,” or of the invocation of the collective title
Pilgrimage (1979) for Dorothy Richardson’s thirteen ‘stream of
consciousness’ novels (Howard 1980: 116)? Edwards has examined at
length Conrad’s novella, arguing that “[i]t is the desire for explanation that
makes Marlow’s voyage to Kurtz the great pilgrimage never described as
such by Conrad, a pilgrimage which disgraces the journey to expected
riches undertaken by those whom his story name as pilgrims” (Edwards
2005: 103). If, as we have seen, pilgrimage makes an extraordinarily
elastic literary trope, here at least the teleological seems to return as an
interpretive criterion, if only in the abstract sense of a “desire for
explanation.” That said, though, pace Conrad and Edwards, might we also
expect to hear today about adventure tours up tropical rivers advertized as
pilgrimages into the heart of darkness? Or conversely, echoing Dorothy
Richardson, has the loose identification of pilgrimage with literary
reflection upon almost any sort of existential journey stretched the term to
the point of meaninglessness? Elsewhere, for example, Edwards explores
other aspects of the imagery of pilgrimage in contemporary writers as
different as Emily Dickinson, T.S. Eliot, W.B Yeats, Patrick Kavanaugh,
Seamus Heaney and David Lodge. The vein is rich; doubtless, other
Sacred space and Pilgrimage literature
67
studies will follow, especially where special associations exist between a
writer’s work and particular geographical locations.
4. Literary Pilgrimage
Associations between individual writers, their writings and particular
sites brings me to my third area of interest: the phenomenon of literary
pilgrimage. As Alison Booth has noted of nineteenth-century
developments of this phenomenon in England, “[l]ike other forms of
pilgrimage, tours of literary shrines answered to spectators’ demands for a
mixture of entertainment and self-improvement at the thresholds of
mortality” (Booth 2007). Mike Robinson and Hans Christian Andersen
have suggested that there are two kinds of literary pilgrims: those who
visit sites associated with an author; and those who visit sites associated
with a text or set of texts (Robinson and Andersen 2003). David Herbert
has noted that some literary pilgrims “are genuine ‘students’ of an author
or a text and gain a great deal of pleasure from sight of a writing table or a
lock of hair; for such people the visit is experiential and they look at, and
feel in awe of, the setting in which they find themselves and the
‘meanings’ which that place possesses” (Herbert 1995: 13). 13 The
authenticity of the site becomes important here, for it must faithfully
“convey the ‘atmosphere’ in which the writer lived” (Herbert 1995: 13).
Embodied in the domestic objects a given writer might well have used, the
sheer physicality of the site connects the devotee to the time and place in
which the writer lived and worked, establishing a transcendent relationship
between reader and writer.
Beyond these domestic sites, literary pilgrims map the lives of writers
through time across the local, regional, national and even international
geographies of their lives. At the same time, these geographies of a
writer’s life claim special attention because they are assumed to have
exercised “a central influence on the generation of the writer’s creative
works” (Robinson and Andersen 2003: 16). Such associations in turn
prompt literary pilgrims to explore “the world as depicted in literature,
discovering real locations used in fiction and seeking to correlate fictional
locations with some markers of reality” (Robinson and Andersen
2003:40). Often blurring distinctions between fictional invention and
geographical fact, whether of nature’s or of human making, these
explorations lead to the construction of formal itineraries, linking sites into
13
Compare Christina Hardyment, who writes: “The place in which a famous writer
wrote and the tools of his or her craft are potent magic” (Hardyment 2000: 15).
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the sort of sequential narratives that have become the mainstay of the
modern guidebook business to which I have already alluded.
Needless to say, mixed motives impel most literary pilgrims in their
devotion to a particular author and his or her work. In many respects,
literary pilgrimage has its roots in conventional pilgrimage; after all, as we
have seen, this phenomenon originated in the way various biblical writers
portray the holy places associated with Jesus and early Christian figures
like the disciples, martyrs and saints. In England, literary pilgrimage
succeeds the great age of medieval Christian pilgrimage. Take, for
example, the eighteenth-century ‘European Grand Tour’ of the leisured
English classes. Though constructed for the most part around sites
associated with the visual arts of antiquity and the Renaissance, such tours
often included visits to the haunts of celebrated literati. In turn, travelers
published accounts of their experiences, with titles like Notes on a Tour
through France and Italy Undertaken in the Years 1739 to 1741, by
Thomas Gray, and The Grand Tour of William Beckford. In the nineteenth
and early twentieth centuries, sites associated with a number of modern
British writers and their writings attracted the attentions of secular
devotees, too, notably the Lake District of Romantic poets William
Wordsworth and Samuel Taylor Coleridge; Charlotte and Emily Brontë’s
family home at Haworth, Yorkshire; and the London of Charles Dickens.
We might multiply the list, but here I would like to focus on two authors
in particular and the geographies portrayed in their work: the Wessex of
Thomas Hardy’s novels and the Dublin of James Joyce’s Ulysses.
Whatever the motivation driving individual readers, the phenomenon
of literary pilgrimage may have a direct effect on an author’s ongoing
relationship with his or her work. Christina Hardyment has noted that
“[a]lthough Hardy could take liberties with distance and details in his
‘dream-country,’ the fictional Wessex parallels reality so closely that,
from the very beginning of his fame, literary pilgrims were hotfooting it
down to drink up the atmosphere of the places for themselves”
(Hardyment 2000: 169). These readers were so intent on reading the land
and landscape of England’s southwest as the Wessex of Hardy’s novels,
however, that they came to exert an extraordinary influence upon writer
and writings alike. As W.J. Keith has shown, this influence is evident in
the prefaces to the Wessex novels, which Hardy wrote “in or after the
1890s” (Keith 1969: 80). In addition, Keith writes, “the accompanying
maps of Wessex, which we accept without question in nearly all modern
editions, are a direct result of their topographical interests” (Keith 1969:
80). For the celebrated ‘Wessex Novels’ edition of Hardy’s works,
published by Osgood, McIlvaine and Co. in 1895, Hardy actually changes
Sacred space and Pilgrimage literature
69
family names and relocates events in the texts, seemingly in an effort to
deepen “the regional setting of the novels to emphasize what D.H.
Lawrence was later to call ‘the spirit of place” (Keith 1969: 81).
Alterations to The Hand of Ethelberta, for example, clearly illustrate the
influence of literary pilgrims, numerous changes indicating that “Hardy
consciously made it easier for his readers to identify his fictional places
with their existing counterparts” (Keith 1969: 86).
The continuing expression of this interplay between reader and read,
hundreds of Hardy’s devotees undertook what Keith calls “a Wessex
pilgrimage” (Keith 1969: 88). He quotes the early twentieth-century Hardy
afficionado, Hermann Lea: “From far and near and particularly from
America, an ever-increasing influx of visitors comes each successive
season, drawn hither solely by a desire to behold the actual models from
which the scenes of the Wessex novels took shape” (Keith 1969: 88; citing
Lea 1904: 3). As Carl J. Weber has recounted, the New Yorker Rebekah
Owen typifies this sort of devotion, intoxicated by both the writer and his
writings, till her attentions so wore out Hardy that he had personally to
break the bonds. As Keith puts it, “[w]hile confusing the dream with the
reality, the literary pilgrims recognized the essential bond between Hardy
and his native countryside” (Keith 1969: 92). At the same time, though,
literary pilgrimage may skew what we might call the ‘hermeneutical
history’ of a text or set of texts. Between 1895 and World War I, for
example, more articles and books appeared detailing the topography and
geography of Hardy’s writings than scholarly essays and monographs
explicating their poetic or philosophical aspects. On the other hand, more
recent tributes to Hardy and his work take advantage of both sets of
resources. Echoing titles associated with the literature of pilgrimage, for
example, Margaret Marande’s The Hardy Way: A 19th-Century Pilgrimage
traces a 213-mile circular pilgrimage from the writer’s birthplace in
Higher Bockhampton, near Dorchester, to the churchyard at Stinsford
where his heart is buried, a good deal of the route following the south
coast through picturesque communities like Lulworth, Kimmeridge,
Wareham and Weymouth. The book draws on a range of materials, from
the Ordnance Survey maps of 1811 and 1850 to contemporary photographs, the whole informed by excerpts from Hardy’s poetry and fiction.
Let me turn now to Dublin and James Joyce’s Ulysses. Donald R.
Howard has noted that in Ulysses, odyssey replaces pilgrimage as a
governing trope of literary organization (Howard 1980: 117). On the other
hand, several critics have argued that the influence of Dante Alighieri’s
Divina comedia is everywhere evident in Joyce’s novel, suffusing Ulysses
with a pervasive sense of spiritual pilgrimage. Either way, Joyce’s
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masterpiece has inspired large numbers of literary pilgrims to Dublin,
especially for 16 June, known as ‘Bloomsday.’ The Irish capital’s urban
landscape assumes sacred significance in this annual celebration of the
writer and his writings, as pilgrims trace the interwoven wanderings of
Stephen Dedalus and Leopold Bloom, the novel’s central characters. A
minor industry of guidebooks and travelogues has developed around this
phenomenon. In James Joyce’s Dublin: A Topographical Guide to the
Dublin of Ulysses, for example, Ian Gunn and colleagues have concentrated on “the realist aspects of Ulysses,” working on the assumption that
Joyce’s novels generally “are more recreations, rearrangements of the
known world, than creative explorations of the unknown” (Gunn et al.:
2004: 9, 15). The guide is designed “to provide some aids, both visual and
in the form of catalogues raisonnés, towards a better understanding of
how Ulysses works, and how it looks and feels when one has related it in
detail to those documentary, factual sources which Joyce knew so well”
(Gunn et al.: 2004: 11). In effect, though, James Joyce’s Dublin
encourages in Joyce’s readers the conviction that in following its
meticulously detailed itineraries they are walking in the steps of Stephen
Dedalus and Leopold Bloom; in the words of the authors, the itineraries
“allow the reader, if he wishes, to follow more closely, either in Dublin
itself or on the maps, the imaginary course of the Dubliners” (Gunn et al.:
2004: 26).
Admittedly, it is increasingly difficult to distinguish literary pilgrimage
from literary tourism in the case of Joyce and Dublin. Even the sanctifying
James Joyce Centre commodifies the writer with an annual programme of
Bloomsday events, including a walking tour titled “In the Footsteps of
Leopold Bloom.” As several commentators have observed, Joyce is central
to cultural tourism in Ireland, which ranks as one of the “most important
growth areas in the Irish economy” (Dodd 1996: 99). On the other hand,
for what Michael Malouf calls “progressive groups” like the Irish Women
Writers, Bloomsday offers a chance to hold events that present Joyce as “a
figure of inspiration rather than memorialization,” thus presumably
perpetuating Dublin’s role and status as a sacred site of Joycean
pilgrimage (Malouf 1999: 29). As well as guides like James Joyce’s
Dublin, we have the testimonies of numerous devotees to Joyce and the
Dublin he portrays, among them not surprisingly perhaps, Irish writers like
Seamus Heaney and Patrick Kavanaugh.
The phenomenon of literary pilgrimage in evidence in the examples of
Thomas Hardy’s Wessex and James Joyce’s Dublin leaves us with one
final irony. Readers of Joyce recognize the intimate connection between
the writer of Ulysses and the city of Dublin and readers of the Wessex
Sacred space and Pilgrimage literature
71
novels recognize the intimate connection between Hardy and the rural
landscape of southwest England. In the first case, we have a bond between
a writer and a natural environment, in the second between a writer and a
built environment, but in both cases we have the creation of instances of
literary pilgrimage. In both cases, too, we have clear indications that in
and through the phenomenon of literary pilgrimage texts become, and
maintain their status as, literary classics, and in so doing, constitute and
perpetuate literary canons. More to present purposes, though, literary
pilgrimage leaves us with an odd turns of events. Robinson and Andersen
have argued that “the subjective act of reading” involves the reader in a
process of “self-making,” and that this “‘self-making’ is echoed in the
tourist’s search for the sites, symbols, places and experiences encountered
in literature” (Robinson and Andersen 2003: 52). We began with medieval
pilgrims struggling to convey in words the transformative effect of travel
to holy places, and we moved through examples of writings which make
use of the imagery of pilgrimage to convey a sense of life as sacred
journey. Strangely, we end with examples of the way in which self-making
readers so profoundly immerse themselves in imagined worlds that they
insist on associating fictional places with actual locations, and in so doing,
invest those locations with an invented sacrality. Or, we must ask, is the
inventive character of literary pilgrimage also in some sense part and
parcel of relations between the religious and the literary in pilgrimage
literature and in portrayals of pilgrimage in literature?
5. Afterword
So far, I have not ventured very far into theories of pilgrimage. We are
all likely familiar with the work of Edith and Victor Turner, who discuss
pilgrimage in terms of rites of passage, liminality and communitas, as well
as with more recent scholarship calling into question the way in which
such categories risk homogenizing the complex realities of pilgrimage
across histories and geographies (Turner and Turner 1978). John Eade and
Michel Sallnow, for example, advocate “the investigation of how the
practice of pilgrimage and the sacred powers of a shrine are constructed as
varied and possibly conflicting representations by the different sectors of
the cultic constituency, and indeed by those outside it as well” (Eade and
Sallnow 1991: 5). In turn, Simon Coleman and John Elsner agree that
Eade and Sallnow are right to point out the extent to which “pilgrims, even
those visiting the same place, engage in a multiplicity of frequently
incompatible interpretations,” but argue that nonetheless their emphasis
upon “the notion of contesting the sacred” overlooks the extent to which
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“sites also help to constitute the sacred in the eyes of some believers,
precisely by absorbing (even casting a discreet veil over) discrepant
religious discourses” (Coleman and Elsner 1995: 202, 208).
I have no intention of pursuing these complexities here, far less trying
to relate such debates to the still more complex issues that arise when we
talk about pilgrimage in relation to different kinds of literature. Rather, I
would like to complicate the picture yet further with some brief remarks
about analogous avenues of research into religious and literary traditions
other than the Christian and the European. As Noga Collins-Kreiner has
recently reiterated, following the work of scholars like Robert H. Stoddard
and Alan Morinis, “[p]ilgrimage is a well-known phenomenon and exists
in all religions worldwide, but is especially prominent in Islam, Buddhism,
Christianity, Hinduism, Jainism, Sikhism, and Judaism” (Collins-Kreiner
2006: 67; see also Stoddard and Morinis 1997; Sopher 1967). Equally,
instances of pilgrimage literature, the portrayal of pilgrimage in literature
and literary pilgrimage abound in these traditions, past and present, though
scholarly studies of this material do not. A few more or less random
examples must suffice.
Avrum Ehrlich has examined Jewish aliyah leregel, that is, the
triennial pilgrimage to the Temple in Jerusalem, as well as other travel to
other sites, including King David’s tomb, the Temple Mount and Hebron’s
Cave of the Patriarchs. Other sites assume importance through association
with miracles, like the graves of Rabbi Meir Baal HaNess [Master of the
Miracle] and Moses Maimonides in Tiberias, or with the lives and writings
of charismatic leaders, like the Hasidim of eighteenth- and nineteenthcentury Eastern Europe (Ehrlich 2000). In an unusual development,
Margalit Shilo has discussed the stories of nineteenth-century Jewish
widows who migrated as pilgrims from the Balkans, Eastern and Western
Europe and from North Africa to settle around holy places, notably
Rachel’s Tomb, near Bethlehem in Palestine (Shilo 2000).
F.E. Peters has written extensively on the importance of the Hajj in
Islamic culture, while Barbara D. Metcalf has analyzed the role and status
of this obligatory pilgrimage to Mecca and Medina in a wide range of
South Asian “travelogues, letters, journals and guides,” a phenomenon
which blossomed, it seems, under the influence of British travel writing
upon Indian Muslims (Peters 1994a, 1994b; Metcalf 1990: 85). By
contrast, Surinder M. Bhardwaj has noted the importance of other kinds of
pilgrimage in Islam, notably the non-obligatory circulatory pilgrimages
known as ziarat, especially among non-Arab Muslims (Bhardwaj 1998).
“Numerous khankahs, shrines, mosques, tombs and mausoleums of the
Muslim saints, martyrs, Sufis, and other holy places attest to the popularity
Sacred space and Pilgrimage literature
73
of ziarat in most of the Muslim countries,” Bhardwaj writes (Bhardwaj
1998: 70). Motivated either by “a purely emotive or sentimental reason,”
like taking part in a festival, or by “reasons related to the problems of
mundane existence,” like seeking healing, these Muslim pilgrims revere
several kinds of sacred sites, including holy places associated with
Muhammad, and the tombs of Shi’a imams and Sufi saints throughout the
Muslim world (Bhardwaj 1998: 71). Scholarship on ziarat is sparse, still
rarer on representations of the phenomenon in literature. “[T]he Hajj
represents the universal aspect of Islam,” Bhardwaj concludes, “whereas
the non-Hajj ziarat is the emblem of the regional cultural variety of Islam”
(Bhardwaj 1998: 85).
Interestingly, Bhardwaj is more widely recognized for his extensive
work on Hindu pilgrimage, beginning with Hindu Places of Pilgrimage in
India: A Study in Cultural Geography (1973). The literature associated
with Hindu pilgrimage is vast, from classic sacred texts like the Ramayana
and the Mahabharata through the high culture of the Hindu Middle Ages
to contemporary reworkings under the influence of Hindutva, the resurgent
nationalism that has swept the sub-continent in the last half-century or so.
As Bhardwaj and M. Rao have observed, this movement has also helped to
strengthen Hindu identity in diaspora, so that in the United States, for
example, the Sri Venkateswara temple in Pittsburgh has become a centre
of pilgrimage for North American Hindus (Bhardwaj and M. Rao 1988).
London’s Shri Swaminarayan temple and Toronto’s Richmond Hill Hindu
Temple are beginning to develop similar status. Studies of the representation of Hindu sacred sites in literature are uncommon, though, an
exception being Rana P.B. Singh’s analysis of the role and status of
Varanasi in the Hindi novels of Shivprasad Singh (Singh 1994). Though
the essay focuses upon Singh’s Street Turns Yonder (1991), it cites the
“Preface” to The Blue Moons:
Only those can understand the novel in full who have lived in Varanasi like the
dwellers of the city. One can’t perceive the eternity of this city by showering a
few drops of the Ganga water on his body, or only watching the scene while
sitting on the ghats. It is essential to have experience of the holy dip in the
Ganga, lived experiences of the street-culture and participation in the
festivities and sacred journeys as pilgrim not as a tourist (Singh 226, citing
Singh 1988: ii).
Singh has further extended his studies in historical context, especially
taking into account the ancient literature in Sanskrit that deal with
narrating and eulogising pilgrimage as rituals and the merit involved
therein (cf. Singh 2005, 2006, 2009, and 2011). Linking historical context,
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based on experiences and perceptions the goals and messages of Hindu
pilgrimages are discussed in detail by Sopher (1997, 2011).
This distinction between the interior experience of the pilgrim and the
tourist’s superficial consumption of commodified sacrality, of course,
takes us back to the start of my paper. Recently, Singh has expanded this
study to produce Cultural Landscapes and the Lifeworld: Literary Images
of Banaras (2004), which includes readings of the work of Kabir, Tulasi
Das, Mirza Ghalib, Bhartendu Harishchandra, Rudra Kashikeya, Bishma
Sahni, Raja Rao, Shivprasad Singh, Abdul Bismillah, Kashinath Singh and
Pankhaj Mishra.
Studies of Buddhist pilgrimage abound, too. Designed to engage the
western convert, Elizabeth Cook’s Holy Places of the Buddha (1993) and
Molly Emma Aitken’s Meeting the Buddha: On Pilgrimage in Buddhist
India (1995) take us to important sites in India, including the birthplace of
Siddhartha Gautama, the place of enlightenment under the Bodhi tree, and
the site of his first sermon. Unlike Cook’s book, Aitken’s study makes
extensive use of sacred Buddhist texts and the writings of Buddhist
pilgrims over the centuries. Katia Buffetrille’s Pelerins, lamas et
visionnaires: Sources orales et écrites sur les pelerinages tibetains (2000)
give us comprehensive coverage of sacred sites in Tibetan Vajrayana
Buddhism. As for the portrayal of Buddhist pilgrimage in fiction, Anthony
C. Yu’s four-volume translation of Journey to the West stands preeminent, with Yu’s scholarly introduction providing us with a helpful
account not only of the historical context of this Chinese Buddhist classic,
but also its religious significance and literary characteristics, as well as its
subsequent influence upon East Asian culture. As David L. Gladstone has
shown, however, in developing countries indigenous pilgrims from all
walks of life still far outnumber international visitors to religious shrines
from the developed world, so we may expect increases in the literature of
pilgrimage, the representation of pilgrimage in literature and even literary
pilgrimage in proportion to increases in rates of literacy, the growth of a
middle class and the expansion of technologies of travel and communication (Gladstone 2005).
Finally, it is worth noting that Collins-Kreiner omits mention of
Japanese spirituality, so I shall close with an example from this ancient
tradition: the life, work and legacy of Matsuo Basho (1644-94), in
particular The Narrow Road to the Deep North and Other Travel Sketches
(Basho 1965 [1694]). Born into middle-class Samurai culture, Basho
trained in Zen Buddhism. In 1684, he undertook a pilgrimage to Japan’s
most sacred site, Mount Fuji. Five year later, once again growing
dissatisfied with the sedentary life of a sage, he embarked upon an
Sacred space and Pilgrimage literature
75
extended journey through the rustic wilds of northern Honshu. Covering
1500 miles or so, Basho’s travels took in important Shinto and Buddhist
shrines at places like Kashima, Ise, Mount Haguro and Mount Kurokami.
Finished in 1694, Narrow Road to the Deep North recounts these
wanderings. At the heart of the book lies the notion of sabi, that is, the
idea that gradual immersion in natural cycles of growth, decay and death
quietens the noisy ego and helps to cultivate an inward tranquility. For
Basho, this inward tranquility permits poetic creativity. As Coleman and
Elsner have noted, the goal of Basho’s travels thus becomes less important
than the wandering itself, which offers occasions for achieving an interior
state of “balance and composure” (Coleman and Elsner 1995: 187, citing
Basho). Places Basho writes about, like the waterfall “See-from-behind,”
the “Murder Stone,” the “Shadow Pond,” and especially the “Deep North,”
“can all be read metaphorically as states of mind” (Coleman and Elsner
1995: 188). Mixing verse and prose, Narrow Road to the Deep North
reads as both a naturalistic travel narrative and “an extended concrete
reflection of an inner spiritual journey” (Coleman and Elsner 1995: 189).
In short, “Basho shows pilgrimage bared to its Zen essentials as existential
journey without goal, as metaphor for a spiritually lived life” (Coleman
and Elsner 1995: 190). In the succeeding centuries, thousands have taken
up and read Narrow Road to the Deep North and followed in the footsteps
of the master. Sites associated with Basho’s life have become popular
destinations, too. In turn, these pilgrims have bequeathed a small library of
pilgrimage narratives, so that in the life, writings and legacy of this
Japanese poet and wanderer we see the intertwining of the literature of
pilgrimage, the portrayal of pilgrimage in literature, and several varieties
of literary pilgrimage.
As these brief forays into avenues of research into religious and
literary traditions other than the Christian and the European indicate,
variations on the phenomenon of pilgrimage, the role and status of various
kinds of sacred sites, and relations among pilgrimage and literature are
seemingly limitless. It is perhaps unwise, even cowardly or traitorous, to
end with a truism, but let me do so anyway. For Boris Vukoni’c
pilgrimage means any journey undertaken in search of truth and holiness,
even the journey of life itself (Vukoni’c 1996), and I am not at all sure
how we might escape this platitude, which seems at once comforting and
disturbing. That said, though, not only in Europe but also worldwide, as
even these few examples of the literature of pilgrimage, the portrayal of
pilgrimage in literature, and the phenomenon of literary pilgrimage clearly
indicate, sacred sites of various kinds continue to constitute an essential
ingredient in individual and collective social and cultural life. Definitions
76
2. Jamie S. Scott
of pilgrimage and tourism, spirituality and secularity, and our
understanding of relations between these concepts and associated practices
may change, but if we are to preserve and perpetuate the vitality of our
social and cultural traditions, we must preserve and protect the places that
have inspired such a wealth of literary and religious creativity.
------Note: This essay is mostly based on an earlier publication; see Scott 2010 (op.cit).
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Prof. Jamie S. Scott
Director, Graduate Programme in Interdisciplinary Studies, & Professor,
Division of Humanities & Graduate Programmes in English, Geography,
Humanities & Interdisciplinary Studies; York University, 262 Vanier
College, 4700 Keele St., Toronto, Ont. M3J 1P3. CANADA.
Email: jscott@yorku.ca
§ Prof. Scott teaches various courses in Religion and Culture, notably “Christianity
and Film” and “Religion and Contemporary Cinema.” His latest works include The
Religions of Canadians (edited, Oxford University Press, 2010) and “Religions and
Postcolonial Literatures,” in the Cambridge History of Postcolonial Literature
(Cambridge University Press, 2011). Scott serves as Director of the Graduate
Programme in Interdisciplinary Studies, and in the graduate programmes in
Geography, English and Humanities.
3
Sufi views of Pilgrimage in Islam
Muhammad Khalid Masud
Council of Islamic Ideology, Pakistan
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Among the five pillars of undisputedly sacred rites in Islam,
pilgrimage is also counted as essential. For every follower of Islam
pilgrimage to Mecca, Hajj, is described as the most truthful duty; similarly
for Sufis it is additionally an act of revelation and illumination as narrated
in Sufi literatures. Sufis looked and interpret rites of Hajj as the way of
awakening inner-self, following of the law of Alla’h and the Holy Qur’ān,
and a means of having communication with God, etc. Such interpretations
and practices sometimes expressed in the form of constituting parallelism
that clearly visible between juristic views and Sufi views of Hajj and so
also allegorical interpretations. In all such pilgrimages Kā’bāh serves as
point of direction for everyone, and circumambulation around it, tawāf, is
believed as a symbol of love and passion. The Holy Qur’ān prescribes
pilgrimage to Hajj not only to the followers of Islam but to mankind at
large.
Keywords. Hajj, Hallāj, Haram, ihrām, Islamic law, juristic view, Kab’ah,
Mecca, Minā, Qur’ān, Shari’ah, Sufi, tawāf.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction
Pilgrimage (a way, a path) in Islam is one of the five pillars of faith.
The Holy Qur’ān (the pilgrimage: Verses 67-68) explains its spiritual
significance as a value found in all religions:
Unto each nation have we given sacred rites which they are to perform so let
them not dispute with thee of the matter, but summon them unto thy Lord. Lo!
thou indeed follows right guidance. And if they wrangle with thee, say Allah is
best aware of what ye do.
The Qur’ānic verses signify that pilgrimage is not exclusive to any one
people. The significance of the sacred rites need not be disputed, because
God is aware of the actions and intentions of the people. Waliullāh (d.
96
3. Muhammad Khalid Masud
1177 AH/CE 1763 [pub. 1964]: 156), a scholar-saint of Delhi, elaborates
this point further, stressing that the institution of pilgrimage is common to
all religious communities:
The principle of pilgrimage exists in every religious community. Every
religion must specify a place where one may receive God’s blessings by
experiencing the manifestations of God’s signs, by offering sacrifice and by
performing certain rituals in the manner of one’s ancestors. There is no place
more worthy of pilgrimage than the House of God in Mecca because it has
manifest signs of God. It was built by the Prophet Abraham.
Explaining the spiritual dimension of pilgrimage to Mecca, Waliullāh
(1964: 135) regards it as a means of communion with God:
The pilgrimage is in fact the name of the gathering of a large number of pious
spirits at a certain point of time. They gather to remember God’s blessings
upon the Prophets, the Truthfuls, the Martyrs and the Pious ones. Secondly, it
is the name of a place where the clear signs are to be witnessed. In every age,
groups of religious leaders have been coming to visit the place to witness these
signs and glorify the Divine rites... ... Thus, when the spiritual powers of the
pious people of the past as well as of the present come to assemble in one place
in such a manner, Divine mercy and forgiveness cannot fail to descend there?
Fig. 3.1. Principal Hajj routes, Arabia (after Petersen 1994: 48).
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Fig. 3.2. Stages of the Hajj: spatial view (courtesy: Stump 2008: 352)
The term Hajj derives from ancient Semitic custom and was used to
describe a journey to a sacred place (Wensinck 2007: 31). According to
Islamic tradition the Hajj predates Muhammad and recalls the journey of
Ibrahim. Historically the Hajj seems to be linked to festivals which took
place in Meccā during which time there would be a period of peace
between the various tribes. The journey to the sacred mountain/hill of
Arafat, 25km from Mecca, plays a central role in the Islamic Hajj,
although the circumambulation of the Kā’bāh is regarded as the first duty
of a pilgrim (Petersen 1994: 47). The rites of the Muslim Hajj were
proclaimed by Muhammad in a sermon he gave, known as the ‘Farewell
Pilgrimage’, in the tenth year of the Hijra; after Muhammad’s death other
customs were added ‒ such as a visit to his grave at Medina, although this
is in no sense forms part of the Hajj (for a full description of these, see
Shahabuddin 1986: 55-72). The Hajj begins on the 7th day of the twelfth
month (Zul-Hijja) of the Islamic calendar (Timothy & Iverson 2006: 191).
Pilgrimage has a special meaning in Muslim mysticism. Analyzing the
historical development of Muslim mysticism, Schimmel (1975: 106)
observes that “pilgrimage remained a central point in the Sufi life. Mecca
was not only a place where the Sufis would meet and exchange ideas but it
was a place where many of them were blessed with revelation and
illuminations”. The inner religious impact of Hajj that the mystics
experienced had a deep influence on Muslim mysticism and produced a
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3. Muhammad Khalid Masud
special genre of Sufi literature. Tirmidhi (d. 285/898), a Sufi of the early
Islam known for his doctrine of finality in sainthood, wrote ‘Secrets of
Hajj’ (1969), Ibn al-’Arabi (638/1240, pub. 1972), famous for his doctrine
of ‘Pantheism’ in Islam, wrote ‘Meccan Openings’ (1972) and Waliullāh
wrote ‘Gains from the Two Sacred Places’ (n.d.). These compositions are
outstanding examples of this genre (cf. Figs. 3.1 and 3.2). Presently around
three millions Muslims travelled from all over the world each year to
partake Hajj rituals (cf. (Timothy & Iverson 2006: 191).
Waliullāh (1964: 156) explains his religious experience of pilgrimage
in very simple terms. He says that sometimes a man yearns anxiously to
see his Lord. Some sort of place or thing is therefore required where this
desire may be fulfilled. Pilgrimage is the only form which serves this
purpose. Other Sufis describe this experience in a highly mystical and
allegorical language. In fact, the symbolism of pilgrimage has greatly
enriched Sufi literature with its numerous metaphors and moving imagery.
In order to appreciate the Sufi views of Hajj, it must be remembered that it
grew in close association with the formal legal doctrines about Hajj,
mostly in contrastive parallelism. To understand Sufi allusions, it is
necessary first to briefly describe the rites of Hajj which is performed on
the ninth and tenth of Dhu’l Hijjah (Zul-Hijja), the last month of the
Muslim Calendar.
2. The Path or Pilgrimage
Sufism is seen as a spiritual path of self knowledge that leads to the
knowledge of God. God is seen by the “eye of the heart”, not by
intellectual knowledge or legalistic customs. The outward form of religion
is a mere shell which hides the kernel inside it. The kernel is the real
Truth, the Sufi’s goal on his spiritual path.
The Sufi path contains many stages (Maqamāt) and states (Ahwāl). It
begins with repentance when the seeker joins the order and prepares him
for initiation. The guide (Sheikh, Pir) accepts the seeker as his disciple by
the ritual of initiation when he imparts his grace, gives him strict ascetic
rules to follow and a certain secret word for meditation. The disciple’s
path is one of continuous struggle against his lower soul. He passes
through a number of spiritual stations and states clearly defined by Sufi
teaching.
There are five Sufi stations, passing from this world towards the divine
world of sublime pleasure: (i) detachment from the world (zuhd), (ii)
patience (sabr), (iii) gratitude (shukr), for whatever God gives, (iv) love
(hubb), and (v) sublime pleasure (rida) with whatever God desires. Linked
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99
to these stations are specific moods or emotions (ahwāl) such as fear and
hope, sadness and joy, yearning and intimacy, granted to the pilgrim by
God’s grace for a while with the goal of leading him to on to Ma’rifāh
(esoteric knowledge, Gnosis), Mahabbāh (Love) and to the ultimate goal
which is annihilation of personality and unity with God.
Beyond this stage the Sufi then enters the state of Baqā’, or
perseverance in God. He returns from his state of intoxication (Sukr) back
into the world completely transformed ‒ reborn. The Sufi path has three
ways: Makhafāh, the way of fear of God leading to purification.
Mahabbāh, the way of love leading to sacrifice. Ma’rifāh, the way of
intuitive knowledge leading to illumination.
3. Rites of Hajj
All the rites of Hajj are closely associated with Abraham and his
family. Abraham was ordered by God to take his wife Hājirah and the
infant son Ismā’il and to ‘leave them in the desert between Safā and
Marwah hills. This was a barren land without water and cultivation.
Hājirah ran between the two hills several times in search of water, which
soon appeared where Ismā’il lay crying. The fountain of water was called
Zamzam. When Ismā’il grew up, Abraham came again to comply with
Divine orders conveyed to him in his dreams, to sacrifice Ismā’il to God.
When Abraham was taking Ismā’il for sacrifice, Satan tried to tempt him
three times not to sacrifice Ismā’il. Abraham threw stones at him. God was
pleased with them. They both built a House of God in a cube shape that
came to be known as Kā’bah. All the rites of Hajj are performed around
this place to commemorate Abraham’s exemplary obedience to God.
Islamic law prescribes the following conditions and rites for Hajj:
1. First requirement is istitā’at, i.e. the intending pilgrim must be financially
and physically capable to undertake this journey and that the journey be
safe and secure.
2. When the pilgrims arrive at miqāt, appointed places around Mecca, they take
ritual bath and wear ihrām, two white un-sewn pieces of cloth which male
pilgrims wrap around their bodies.
3. On their way to Mecca, the pilgrims continue reciting talbiyah, i.e. affirming
that they responded the Divine call to Hajj.
4. Reaching Kā’bah, they perform tawāf circumambulations around it, seven
times.
5. They perform sa’y, walking briskly between the two hills of Safā and
Marwah, seven times.
6. On the ninth of Dhu’l Hijjah, the pilgrims travel to ‘Arafāt, an open space
near Mecca, and stay there until night-fall.
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7. At night they return to Muzdalfah, another open space, from where they
travel back, in the morning, to Minā, where they perform the rite of ramiy
jimār, throwing stones at the appointed three places where Satan had tried
to tempt Abraham.
8. At Minā, they offer sacrifice of animals to complete the rites of Hajj.
9. The pilgrims then go back to Kā’bah to perform the last circumambulation
around it.
It is in this context that Sufis developed their own views on Hajj. In the
following pages we shall first offer a brief analysis of how early Sufis
looked at Hajj as a religious obligation, then we shall discuss some
examples of the contrastive parallelism that Sufis developed between Hajj
and analogous travels, and lastly we shall comment on some allegorical
interpretation of Hajj that the Sufi thought developed in finer details.
4. Early Sufis
In the early period, i.e. before Qushayri (d. 465/1072), most Sufis did
not differ much from the views of Muslim theologians and jurists, and saw
the pilgrimage in the same formal religio-legal terms as others did. One
finds among them, nevertheless, three varying attitudes to pilgrimage as a
religious obligation. One trend recognized that like other duties,
performance of pilgrimage was binding. This trend apparently was not
concerned with the inner meanings and mysteries of this ritual any further,
and therefore abided by its performance as far as Islamic law required, i.e.
once in a life time.
al-Sarrāj (378/987, pub. 1914: 167) explains that after performing the
pilgrimage, Sufis would generally dedicate themselves to achieving Sufi
states and moments. They would not go for the pilgrimage again. Thus,
Sahl b.’Abdullah (283/896), Bāyazid Bistāmi (261/874), and Junayd (297/
909) performed the pilgrimage only once in their lives. The Sufi element
in their performance of pilgrimage was that they would opt for hardship in
journey and would travel even without proper provisions. It is notable that
Islamic law requires acquiring necessary provisions for the pilgrimage
journey; and Hajj is not obligatory on those who cannot afford (cf. Masud
1975). They called it ‘pilgrimage of Islam’, to distinguish it from the Sufi
perception of obligation.
Some Sufis stressed the spiritual and gnositc dimension of the
pilgrimage over and above its legal and formal aspects. For these Sufis, the
pilgrimage was a means to achieve gnosis of God, a journey towards God.
When they departed, they would sever all other connections in this world.
They would not only opt for hardships in this journey, but would repeat it
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again and again. Some of them would even settle in Mecca to keep
repeating the pilgrimage. Hassan Qazzāz Dinawari performed Hajj twelve
times, walking all the way bare footed. When Abu Turāb al-Nakhshabi
(245/859) performed the ritual he did take food only twice or thrice
throughout the journey (al-Sarrāj 1914: 167).
A third Sufi trend maintained that the pilgrimage itself was not the
purpose, the real goal was to have communion with God. Formalities of
the pilgrimage were not sufficient by themselves to achieve communion,
rather, indulgence in them would lead one away from God. To get closer
to God, one must give up formalities. This attitude was strongly
condemned by the jurists and the orthodox Sufis. This trend appeared quite
early, in Sufi history with full vigour, but it weakened when the adherents
to this attitude were branded as heretics and disbelievers and were
punished severely. It did not however, disappear completely. It found its
place in poetry, especially in folk literature. One finds it still surviving in
popular songs and Sufi poetry. Extreme examples of this attitude were Ibn
‘Abdak al-Sufi (dr. 210/825) and ‘Abdullah b. Yazid, who rejected the
obligation of the pilgrimage (Massignon 1929: 11).
Another dimension of this attitude was found among the Malāmatiyyah
Sufis like ‘Abu, ‘Abdullāh al-Maghribi (279/892) who would reach Mecca
for the pilgrimage fully clad in regular clothes with a white sheet on the
shoulders as if they were visiting a market. After completing the rites of
pilgrimage they would wear the ritual pilgrim garments (ihrām). They
would return home and would stay in these garments until their next visit
to Mecca (al-Sarrāj 1914: 167). It appears that this attitude developed as a
movement within the Hallājiart School. Mansur Hallāj (309/921) explains
his view of the Hajj saying:
Some people are not capable of seeking God directly. They therefore seek
possible means such as do not constitute a direct contact with God. They go to
Him through such tangible means as Kā’bāh. Although the journey towards
God must begin with a journey towards Kā’bāh, yet one cannot reach God
unless one leaves Kā’bāh, behind him. As long as you remain attached to
Kā’bāh, you stay away from God. But if you really go farther than Kā’bāh,
only then you may have communion with the Creator of Kā’bāh (Jallandhari
1971: 72).
Dahyah (633/1236) claims that these radical views about Hajj cost
Hallāj his life. According to him, Hallāj’s opponents submitted certain
letters to the Chief Qadi. In one of these letters addressed to Shākir b.
Ahmad, Hallāj had said:
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Demolish the Kā’bāh. In its place rebuild another one on the foundation of
wisdom and reason so that it prostrates with those who prostrate and bends
with those who bend before God (Dahyah 1946: 123).
In another letter he wrote:
If you intend to perform the pilgrimage, proceed to a clean corner in your
house. Stop at the door as one stop at the gates of the Kā’bāh. Enter this corner
clad in ritual pilgrim garments. When you go from this corner to any other
part, walk briskly from that place to the intended corner as if you were walking
between Safā and Marwah (Dahyah 1946: 103).
When the Chief Qadi was perusing this letter he committed a few
mistakes in reading. Hallāj corrected him. The Qadi claimed that by
pointing out the errors Hallāj had admitted writing those letters as he even
remembered their contents. Hallāj said, “Yes, this is my letter. This is my
knowledge”. The judge said, “O enemy of God! You are telling lies. O
disbeliever! O sinner! Shedding whose blood is lawful and I do not say
this for a Muslim”. Saying this, the judge announced death sentence for
Hallāj (Dahyah 1946: 103).
Massignon (1954: 62-63) argues that Hallāj’s views on Hajj, which he
considers characteristic of the Hallājian school of mysticism, were in fact
culmination of similar views of early Sufis like Ibn al-Munkadir, Abu
Hazim al-Madani, Bishr al-Hāfi (227/841), Dhu’l Nun Misri (245/859)
and Ibn ‘Atā (409/1309).
We may conclude this section observing that although quite limited,
yet a trend to view Hajj differently from theologians and the jurists had
begun to develop in the third century of Islam. This view was sometimes
expressed in the form of contrastive parallelism which we study in the next
section.
5. Contrastive Parallelism
Sufis developed a contrastive parallelism between the exoteric views of
jurists and theologians who look only at the external aspects and the
esoteric views that seek also inner meanings in the rites of the Hajj. This
parallelism is best illustrated by Shaykh Junayd of Baghdad in a dialogue
with his disciple as recorded in Shaykh Hujwiri’s Kashf al-Mahjub.
Junayd asked his disciple several questions on his return from the Hajj.
For instance, he asked, “When you donned ihrām at Miqāt, did you give
up human characteristics the same way as you took off your clothes?
When you departed for the Hajj, did you also depart from your sins?” A
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long list of such questions is given by Hujwiri. The disciple could not
answer any question in the affirmative. Junayd advised him to go back and
perform the Hajj again with these questions in mind (Massignon 1954: 6364). Analyzing this dialogue we may develop the following table (3.1)
showing parallels in the juristic and the Sufi views of Hajj.
Table 3.1. Parallels between Juristic and the Sufi views of Hajj.
Juristic Views on Hajj
1. Departure from home
2. Taking of one’s clothes to
done ihrām
3. Stay at ‘Arafāt
4. Stay at Muzdalfa
5. Tawāf
(circumambulation)
6. Running between Safā
and Marwah
7. Stay at Minā
8. Ramy Jimār (throwing of
stones)
9. Qurbāni (sacrifice of
animals)
Sufi Views on Hajj
1. Departure from sins
2. Freedom from human characteristics
3. Kashf and Mushāhadāt (to experience
revelation of the unseen and its witnessing)
4. Renouncing of desires and hopes
5. Witnessing the beauty of God in His Secret
House
6. Seeking the state of cleanliness and state of
manliness
7. Renouncing of pleasures
8. Expulsion of selfish thoughts from one’s
heart
9. Sacrifice of the pleasures of soul
One notices in this parallelism that the Sufis sometimes allude to
alternate meanings of words that are proper names. For instance, Safā is a
name of a hill, which literally means cleanliness. The Sufis refer to its
literal meaning. They also take advantage of the orthography of words that
could be read differently with different meaning. For instance, Marwah is
a name of a hill in Mecca. The word could also be read as muru’ah,
meaning manliness. Similarly, Minā, the name of a place, read as munā
would mean desires.
Hujwiri develops this parallelism as a contrast between two types of
Hajj: Pilgrimage to the body of Abraham, and Pilgrimage to the heart of
Abraham. The place of Abraham’s body is Mecca and the place of
Abraham’s heart is friendship with God. The latter is an allusion to
Abraham’s epithet: friend of God. He explains that those who intend
pilgrimage to Abraham’s body wear ihrām and abandon lust and desires
[called hijra, cf. Masud 1990], attend ‘Arafāt and Muzdalfa, offer sacrifice
and become Hajjis. On the other hand, one who intends pilgrimage to the
heart of Abraham is required to give up everything he loves, and abandon
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desire and comfort in ‘Arafāt. He wears ihrām to disavow remembrance of
all things other than God, stays at ‘Arafāt in the state of gnosis, makes
journey to Muzdalfa of love, sends his inner secret self to the Kā’bāh of
the pure Truth, throws the stones of greed and desire in the security of
Minā, and sacrifices his life at the altar of inner struggle so that he may
attain the state of Friendship (Hujwiri 1336 Sh: 424). This comment shows
that Hujwiri also finds inner meanings in the rites of Hajj and relates them
to the themes of love and union with God.
Qushayri (465/1072) develops parallels at several levels. Literally, Hajj
means ‘to intend’. Spiritually, it means journey to some one that you
glorify. Hajj is therefore classified according to the intention of the
pilgrims. Qushayri (n.d.: 275) illustrates one parallelism saying that there
are two types of pilgrims: (i) those who travel with their selves to visit the
House, and (ii) those who travel with their hearts to witness the Owner of
the House. The first type of pilgrims takes off their ihrām after performing
the rites of Hajj. The others keep on ihrām until they witness God. The
ihrām actually consists of avoiding witnessing others than God.
According to al-Maybudi (520/1126), common people seek the street
of the beloved but the special people seek the face of the beloved. The
former go to visit Friend’s house, the latter go to visit the Friend himself.
The common people go with their souls and visit looking at the doors and
walls of the house. The special people go with their spirits and attain
happiness of seeing and speaking with their Friend. Those who go with
their souls suffer hardship and pain before they arrive at Kā’bāh, those
who go with their spirits travel in comfort and Kā’bāh itself comes to them
(al-Maybudi 1331 Sh.: 537).
al-Maybudi compares pilgrimage with the journey to the hereafter, a
parallelism based on the simile of death which is the journey to the
hereafter. The fear of death, rush and hurry seen at the time of one’s
departure for the hereafter also occur at the time of departure for the Hajj,
Hence, the wise people prepare for the Hajj journey by constantly
remembering the hereafter, its stations and destinations in all their actions
and states during the Hajj. They keep preparing for the journey which is
greater and more difficult than Hajj. He therefore, advises a pilgrim as
follows:
Firstly when you bid farewell to your family and friends you should recall as if
it were the last movements of death when the relatives and friends gather
around a dying person and say him farewell.
When you ride your mount you should remember that in your journey towards
hereafter your body will be your mount. When you say Talbiyah, you should
remember that you are responding to the call of God in eternity which will
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resound in your ears on the Day of Judgement, never knowing whether this
call will consist of good tidings or misfortune (al-Maybudi 1331 Sh: 552).
Like other Sufis, Shirāzi (606/1209) also regards pilgrims of spirits
higher than others. He develops a triple parallelism to distinguish them
from others. He mentions that besides those who intend for Hajj seeking
reward by sacrificing wealth and comforts, there are others who seek only
pleasure of God. Yet there are those who intend to visit the house of God
with their yearning spirits seeking the realities of His place which is the
locus of the manifestation of knowledge, purity and communion. The
esoteric people avoid prohibited matters and take off their ihrām after the
performance of the rites. The esoteric put on ihrām, prohibiting for
themselves dependence on the universe and creatures. They do not take off
their ihrām as long as they live and until they attain the vision of the
essence of God and the revelation of Divine attributes (Shirāzi n.d.: 103).
Kubrā (654/1256), the founder of Kubrāwiyah Sufi order, regards Hajj
as a journey towards God and its rites as its conditions and etiquettes. He
distinguishes Hajj from other forms of worship, because other forms aim
at one’s salvation, closeness or affinity with God, or miracle, but the goal
of Hajj is God himself (Kubrā 1330: 69).
Kubrā constructs an interesting parallel between Abraham’s Hajj and
Prophet Muhammad’s Hajj (peace be upon him). He elaborates that in its
form and spirit Hajj is a name of Abraham’s station, but while it is station
for Abraham, it is a state for Prophet Muhammad in the same meaning.
State is, of course, more perfect than a station, because stations are places
of rest in a journey and states are experiences sent as blessed gifts from
God. One cannot travel from one station to the other without Divine
blessings, and a state cannot be attained without station. Abraham
belonged to the people of station that is why he said, “I am going towards
God. He will soon guide me” (Qur’ān, al-Sāffāt: 19, 99). On the other
hand, Prophet Muhammad belongs to the people of Blessing, that is why
God said, “Pure is the entity who took His servant one night” (Qur’ān,
bani Isrā’il: 1). Abraham could not go beyond the seventh heaven because
he was going on real Hajj on his own. That is why he was detained. “It you
are detained, you should sacrifice what is available” (Qur’ān, al-Baqarah:
196). Since Abraham was detained, he was required to sacrifice Ismā’il.
On the other hand, Prophet Muhammad was taken on this journey by God
himself. That is why he was not detained. Rather he was told “to complete
his Hajj and ‘Umrah for the sake of God” (Qur’ān, al-Baqarah: 196). He
completed his Hajj “in such a manner that he came closer and closer until
he was only at a distance of two bows or rather less” (Qur’ān, al-Najm: 9).
He completed his ‘Umrah in such a manner that the intended moons
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appeared before him with the revelation and witnessing of Greatness. The
clouds of love shined by the suns of intimacy, and thing happened between
the two lovers. He revealed to His servant what He liked. Then call came
from the tents of Glory to complete his Hajj. Later, when the Prophet was
staying at ‘Arafāt during his last pilgrimage, he was asked to perform the
Great Hajj. That was his last Hajj (Kubrā 1330 Sh: 69).
6. Allegorical Interpretations
We have seen that Sufis view Hajj as an allegory for a journey towards
God. To some, it is analogous with death, which is again a human journey
towards God. The parallelisms that we mentioned above illustrate their
view. The contrast is essentially with the theological or juristic view that,
according to Sufis, is exoteric perception of Hajj. As we have already
mentioned, Islamic law prescribes certain conditions and rites for Hajj.
The Sufis add esoteric meaning to them. We shall now review a few
important terms.
Kā’bāh, the house of God built by Abraham, is the focal point in Hajj.
For Sufis, it is a locus of Divine manifestation, yet in their allegorical
interpretation it is a symbol of direction, a pointer, a mile-stone on the path
of God. The semiotic significance explained by Sufis varies depending on
their individual experiences.
Narrating his Hajj experience, Bāyazid Bistāmi (261/874) says, “First
time during my Hajj I only saw a simple house. Second time I saw both
the house and its Owner, but the third time I saw only the Owner and no
house was in sight” (Hujwiri 1336: 424). Hujwiri explains:
In short, Haram (sacred place) is the place where one witnesses the Greatness
of God. When truths are revealed to a person, the whole world becomes Haram
for hits. When they are not, even the Haram remains the darkest place on earth.
No doubt, the darkest place in the world is the house of the Beloved when He
is not in it (ibid.).
The famous Sufi Muhammad bin Fazl (319/931) wonders at the people
who wander in search of His house all over the world. “Why do they not
witness Him in their own hearts? When you are searching for His house, it
is possible that you may not find Him in it. But you must witness Him
during your experience. If it is obligatory to visit a stone at which you can
look, once a year, it is better to visit your heart which you experience 360
times during a day” (ibid.). The mystic Rābi’ah Basriyah used to say:
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I do not seek Kā’bāh, I seek its Owner. I have no use of Kā’bāh (Qushayri n.d.:
275).
Qushayri explains that Kā’bāh is a house made from stone but it is
connected with eternity. When one looks at it through the eye of the
creature he stands separated, when one looks at it through the eye of
affinity, he receives the communion (ibid.). House of God is stone and
man is a fistful of dust. Both are related to each other (ibid.: 272).
He explains Hajj in an allegory of visiting a friend’s house. The house
itself is not the objective; it is the friend one seeks. Similarly, it is not the
physical body whose arrival at friend’s house is an event, it is the spirit
and yearning for communion that is significant. If not, it is (human body)
meeting a stone (house of God). He, therefore, says:
Do not place this House in your heart that was made for you, but rather make
your inner heart (sirr) empty to receive the Friend who chose you first (ibid.:
273).
Shirāzi (n.d.: 40) explains that Kā’bāh is the point of direction for
everyone, for common as well as for special people. It directs those who
perform tawāf around it, to various other paths of God. It is through
Kā’bāh that God has prevented His Beauty to be witnessed by others. He
constructed this house before Adam was created so that it became a place
of Test and Trial. By its means Adam and his progeny stay away from the
Owner of this house. A person who intends for God by separating his
inner-self from the sense of direction, God himself becomes a point of
direction for him and he becomes a point of direction for Him. He
becomes a point of direction for others, similarly as Adam became the
point of direction for the angels.
Tawāf, circumambulation around Kā’bāh, symbolises love and passion.
According to the Sufi semiotics, it is a movement that symbolizes
belonging to the point of circumambulation and finally settling at that
point.
Qushayri (n.d.: 136) explains that the knowledge about tawāf, that the
pilgrims perform around the house of God, was revealed to us by Shari’ah
but the knowledge of the tawāf of meanings is known only to the people of
Truth. The meanings circumambulate around the hearts of Gnostics
(Arifin), but they seek recluse (I’tikāf) in the hearts of the monists
(Muwahhidin). The former are called the people whose mystic states are
ever changing, and the latter are the people of established states.
Safā and Marwah are two hills whose story has been mentioned above.
The Sufis allegorise this story and provide allegorical meanings to Safā
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and Marwah. We have discussed above how Shaykh Junayd allegorised
Safā and Marwah using the literal meanings of the names of these hills.
Rashiduddin al-Maybudi (1336 Sh.: 430) also followed Junayd explaining
that “Safā points to the cleanliness and purity of the hearts of friends and
Marwah refers to the manliness of the Sufis on the path to service.
Presence of this purity and manliness in the nature of human being is one
of the signs of God’s divinity, wisdom and power in the ocean of
darkness”.
Shirāzi’s (n.d.: 40) allegorism develops this similitude in further
details. Safā and Marwah symbolise the tents and palaces of the realm of
Malakut and Jabarut, because in fact Safā and Marwah are veils of Mecca,
Mecca is a veil of Haram, and Haram is a veil of the house of God. It is in
this meaning that the house of God is the tent for the Lord and his private
apartments. On the mount of Safā the Sufi climbs with the support of the
light of knowledge seeking purity of spirit and the vision of God. The
mount of Marwah is a staircase for the ascetics who climb on it with tears
of repentance in their eyes aiming for the purification of their souls. Safā is
the spirit and Marwah is the heart. That is why those who climb the mount
of Safā but do not clean their inner-self for God, they do not gain anything
from the signs of Hajj. Similarly, whoever climbs Marwah without
witnessing the Truth of the unseen he does not gain anything from the
signs of Truth.
7. Conclusion
Among various forms of worship, pilgrimage is probably the most
common among all religions. One may perhaps find some of its features
shared even by travels to places that are not sacred apparently. Personal
experiences of visitors to these places do help improve one’s mind. These
experiences and their interpretations as described in various travel
accounts illustrate the point we have made. Sufis tried to highlight and
theorise their personal experience in several ways. One may ask: why did
they use semiotic terms to explain it? There may be several reasons. May
be, they wanted to express their views in such a symbolic language to
avoid criticism by orthodox authorities. May be, they wanted to interiorise
the obligations of pilgrimage. Or may be, they wanted to stress the moral
aspects of religio-legal prescription. May be, they wanted to conceal their
views from common people to establish their religious authority. All of
these reasons may be true, but in our opinion Sufis’ contribution lies in
their attempt to universalize the meaning and significance of pilgrimage as
a journey of man towards God. Thus, they could transcend all religious
Sufi views on Pilgrimage in Islam
109
diversifies in order to signify pilgrimage as a universal institution. In the
Holy Qur’ān, while other obligations are generally addressed to Muslims
only, the commandment of Hajj refers to mankind at large:
“And pilgrimage to the House is a duty unto Allah for mankind, for him who
can find a way thither” (Qur’ān, āl-Imrān: 97).
“And proclaim unto mankind the pilgrimage. They will come unto thee on foot
and on every lean camel; they will come from every deep ravine” (Qur’ān, the
pilgrimage: 27).
---------------------Note: This essay is primarily derived from an earlier paper by the author (Masud
2000); and published here in expanded and updated form.
8. References
al-’Arabi, Ibn 1972. Al-Futahāt al-Makkiyyah. al-Hay’at al-Misriyyah al‘Āmma I’il Kitāb, Cairo.
al-Maybudi, Rashiduddin 1331 Sh/ CE 1919. Kashf al-Asrār wa ‘Uddat
al-Abrār. Tehran.
al-Sarrāj, Abu’l Nasr 1914. Kitāb al-Luma. Leiden.
Dahyah, ‘Abu Ali ‘Umar b. Hasan Ibn 1964. Kitāb al-Nabrās. Matb Ma
‘ārif, Baghdad.
Hujwiri, Shaykh Abu Ali 1336 Sh/ CE 1922. Kashf al-Mahjub. Tehran.
Jallandhari, Rashid Ahmad 1971. ‘Ilm Tafsir awr Mufassirin. Maktaba
Islamiyya, Lahore.
Kubrā, Najmuddin 1330 Sh/CE 1918. ‘al-Ta’wilāt Najmiyyah; in,
Bassawi, Ismā’i1 Haqqi (com.) Ruh al-Bayān. Matba ‘Usmaniyya,
Istanbul. Vol. 2.
Massignon 1929. Recuil des Textes inédites concernant l’ histoire de la
mystique en pays d’Islam. Paris.
―. 1954. Essai stir les origins de lexique technique de la mystique
musulmane. Paris.
Masud, Muhammad Khalid 1975. The Question of Capacity for Hajj.
Fikr-o-Nazar, September.
―. 1990. The obligation to migrate: the doctrine of hijra in Islamic law;
in, Eickelman, Dale F. and Piscatori, James (eds.) Muslim Travellers:
Pilgrimage, Migration, and the Religious Imagination. Routledge,
London & New York: 29-49.
2000, Sufi Views on Pilgrimage in Islam; in, Dubey, D.P. (ed.) Pilgrimage
Studies: The Power of Sacred Places. The Society of Pilgrimage
Studies, Pub. No. 5, Allahabad: 272-287.
110
3. Muhammad Khalid Masud
Petersen, Andrew 1994. The archaeology of the Syrian and Iraqi Hajj
routes. World Archaeology, 26 (1), June: 47-56.
Pickthall, Mohammad Marmaduke (translated) 1996. The Holy Qur’ān
[with Arabic text, transliteration in Roman script by M. Abdul Haleem
Eliyasee]. Eliyasii Family Book Service, Hyderabad.
Qushayri (n.d.). Lata’ if al-Isharat. Cairo.
Schimmel, Annemarie 1975. Mystical Dimensions of Islam. University of
North Carolina Press, Chapel Hill.
Shahabuddin, K.S. 1986. An experience of Hajj (1401 Hj/1981); in, Khan,
Z.I. and Zaki, Y. (eds.) Hajj in Focus. Open Press, London: 55-72.
Shirāzi, Ruzbahān Baqli (n.d.). ‘Alrāis al-Bayān. Navalkishore, Lucknow.
Stump, Roger W. 2008. The Geography of Religion: Faith, Place, and
Space. Rowman & Littlefield Publishers Inc., Lanham.
Timothy, D.J. and Iverson, T. 2006. Tourism and Islam: Considerations of
culture and duty; in, Timothy, D.J. and Olsen, D. H. (eds.) Tourism,
Religion and Spiritual Journeys. Routledge, London: 186-205.
Tirmidhi, Hakim 1969. Kitāb al-Hajj wa Asrāruhu. Matba’a Sa’ādah,
Cairo.
Waliullāh, Shāh 1378/ CE 1964. Hujjat Allāh al-Bālighah. Karkhana
Tijarati-Kutub, Karachi; vol. 1.
―. (n.d.). Fuyud al-Haramayn. Delhi.
Wensinck, A.J. 2007. The pre-Islamic Hadjdj; in, Krämer, Gudrun, et al.
(eds.) Encyclopaedia of Islam. 3rd Ed. E.J. Brill, Leiden: 31-33.
-------------------------------Prof. Muhammad Khalid Masud
Chairman, Council of Islamic Ideology,
Plot # 46, Ataturk Avenue, Sector G-5/2, Islamabad. PAKISTAN.
Email: contact@cii.gov.pk
§ Dr. Masud has obtained his PhD in Islamic Studies at McGill University,
Montreal, Canada. Until 1999, he was a professor at the Islamic Research Institute
in Islamabad (Pakistan). His publications include Shatibi’s Philosophy of Law (rev.
ed. 1995), Iqbal’s Reconstruction of Ijtihad (1995), Islamic Legal Interpretation:
The Muftis and their Fatwas (with B. Messick and D. Powers, 1996), and the
edited volume Travellers in Faith: Studies of the Tablîghî Jamâ’at as a
Transnational Islamic Movement for Faith Renewal (2000). He has been an editor
of the Islamic Studies, a quarterly journal.
4
The ‘Architecture of Light’: Between
Sacred Geometry and Biophotonic
Technology
Aritia Poenaru and Traian D. Stănciulescu
National Inventics Institute &
“Al. I. Cuza” University of Iassy, Romania
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Into the frame of human life, a novel architecture will be able to
mediate the natural harmony between humanity and its cosmic roots,
between nature and culture, respectively. By following the archetypal and
modern learning too, the light could be considered as the physical,
biological, and psycho-social archetype able to unify – not only
symbolically, but ecologically and healthily too – the human life and its
constructed framework. Also, the hypotheses of a science of the ‘living
light’, namely ‘biophotonics’ (biology + theory / technology of lasers),
will be able to rationally explain and scientifically recuperate for the
benefits of the modern architecture the harmonizing features of the old
‘Sacred geometry & architecture’. The macro-cosmic world – inside
whom the human ‘being of light’ is pulsating as an integrative microcosmos – represents the archetypal matrix of a modern ‘Architecture of
Light’ – synergically connecting Nature (cosmic space → structural
materials → biological body) and Culture (cosmic symbolism →
functional planning → psychological human state). In this way, the old
heritage of wisdom and the actual knowledge will be no longer artificially
separated, due to a new vision of human competence and performance to
rebuild the mind’s and body’s architectural space.
Keywords: cosmic architecture, cosmogram, human architecture,
biophotonic resonance, harmonization.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
‘The world as a cathedral…’ (Alice Bailey): in this statement we see
the intuitive synthesis of the following assertions:
— the essential forms of the world, naturally created or appeared through the
cosmic geneses, define the content of so-called ‘Sacred Geometry’;
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4. Aritia Poenaru and Traian D. Stănciulescu
— during human history, some essential (architectural) forms reproduced the
principles of the cosmic archetypes, to generate the objects of a ‘Sacred
Architecture’;
— light represents the unifying factor of the natural world (macro- and microforms) and the human technical-architectural forms, also.
The above-mentioned principles recall the Rig-Veda sentence: “So did
(created) Gods (the cosmic world), so are the human beings doing
(creating / projecting the buildings of the world).
1. The Genesis of the Cosmic Forms: Turning Back to
Archetypes
According to all the cosmogonic scenarios of the world, starting with
those mythical-initial and religious ones and including those current
philosophical and scientific ones, the birth of the world has assumed the
emergence of the Light (space-order) out of the Darkness (chaos-disorder).
From the integrative perspective of a model of the Essential Unity (cf.
Stănciulescu 1990), having the light as a unifying element, it can be said
that:
(1) Structurally, light can be associated with the four archetypal
cosmogonic principles: fire and air, water and earth, or in a scientific
language with field and information, energy and substance. Light is a dualcomplementary reality manifesting itself – in the same way as the photonic
theory of energy-information (Constantinescu and Stănciulescu 1993), as:
— wave-vibration, defining the attributes of an integrating generic field;
— magnetic wave, predominantly characterized by an information (frequency,
amplitude, spin) capable of ‘giving shape’ to things;
— electric wave, defined by energy (intensity, substance, and vibration) in
order to ‘put things in shape’;
— corpuscle-photon that gives consistency to the shape of the things,
materializing itself through substance (mass, weight).
In the same direction as those above, we can entirely support Albert
Einstein’s statement according to which “Everything is light, in different
degrees of concentration”; or, in other words, light represents the first
creative sign that the human being has symbolically identified with ‘Fiat
Lux!’, the primordial uttered word, with the vibration of the creative sound
aum or bhuvah, with Nada-Brahma music or with Shiva’s dance, etc.,
respectively with the Big-Bang of modern cosmogony.
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(2) Funcionally, for the cosmic world that has just exited chaos, the
release of such a vibration-signal, implicitly, has also meant the activation
of two dialectical laws of the ‘universal becoming’, namely (Stănciulescu
1998):
• The law of the entropic cycle that describes the evolution of every world system
through the birth-maturation-death cycle. The Hegelian “unity of the strife
between opposites” manifests its action in this becoming, in which the growth
and the diminution, the evolution and the involution of the shape and of the
content determine the appearance and the disappearance of the system itself.
• The law of informational continuity that asserts that no system dies entirely as it
transfers an essentialized information within a derived system, more or less the
same as the first one.
It is enough to regard, from a three-dimensional perspective, the
manifestation of the two laws, in order to detach from world architecture
the omnipresence of four ‘essential forms’, namely (Stănciulescu 2003):
the ovoid, the hourglass, the column, the cluster (Fig. 4.1A).
Analogically, if we put the representations of some mythical models
of Romanian and Oriental (Indian) cosmogony face to face, through their
intuitive archetypes, on the one hand, and through their scientific
representations, on the other hand, we will notice that, practically, there is
not a difference in meaning between them (Stănciulescu 1995; Poenaru
2006). Historically speaking, the ‘essential forms’ have been valued in
countless types of cosmograms through which the genesis of the world has
been symbolized (Table 4.1). Therefore:
The motif of the ovoid can be found in the Oriental (Indian) spirituality in
archetypes such as: ‘the golden twins’, Hiranyia-Garbha, whose total plasma
has given birth to the structure of space, the world as a ‘kalakhara chakra’, a
wheel of the space-temporality that a section through the cosmic ovoid makes
perfectly visible and intelligible, ‘the cosmic snake’ (the sacred cobra, among
Indians, whose original cross would have unfolded the whole universe
structure) or which, thrown by the centrifugal force of the creative divinity,
would have wrapped up like a ‘protective river’ around the Earth (a planet
modelled by hand by divinity like an ovoid, ‘little cake of clay’) and of the
universe itself (the motif of the protective ‘Saturday water’ among
Romanians).
The motif of the hourglass is implicitly suggested in cosmogonic models
focusing on: the word as a ‘turtle’, among the Chinese and the Indians, whose
superposed calotte could generate the image of a cosmic ‘hourglass’; the
world as a ‘sacred mountain’, emerged from the original waters under the
shape of two inverse pyramids, generating the ‘hourglass-model’, included in
the infinite column of Constantin Brâncusi.
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The motif of the column is suggested in representations such as the world as a
‘fire column’ or ‘water column’, like a ‘sacred tree’ – the mythical ‘column of
the sky’, described by the Indian and the Romanian traditions – emerged from
the deep primordial waters, incorporating archetypal shapes such as: the ovoid
of the crown and of the root united in an ‘hourglass’ through the trunkcolumn continuity.
The motif of the cluster, suggested by the existence of an ‘integrating
complex’ of systems/forms, is defined by archaic motifs such as ‘the world as
a primordial man’ (Purusha) of the Indians, or Tiamat (the Babylonians),
whose sequences, chopped by the primordial hero (Arjuna or Marduk), would
have shaped the sequences of the world: sky, earth, waters, etc., respectively
the world as a ‘primordial giant’ (like Panku, of the Chinese), whose ‘selfsacrifice’ (decomposition) would have given birth to all the world
components.
From a structural-integrating perspective, these morphological
reference points of the world are mythically correlated with some
archetypal elements of content. Thus:
a) The symbolic statement according to which ‘The universe is a
horse’ (or a ‘snake’ that the Indian texts of Rig-Veda formulate) or that
‘The world is a table’ (as in the tradition of the Romanian cosmogony)
(Vulcanescu 1985: 158) suggests the implication of the symbolism of the
four elements (fire, air, water, and earth) in the world construction. The
Oriental cosmograms, like the Indian geometrical magical circles or the
old Chinese coins, make the most of the intuition of the four elements
integrated within the world in an admirable symbolic diversity.
b) The statement that ‘The universe is a tree’ implies the same
tetrahedral presence: ‘the root-funnel of the tree’ planted in the ‘cosmic
earth’ (substance) and watered by the ‘water’ (energy) accumulated in the
funnel of a ‘black hole’ has allowed the rising of ‘the cosmic trunk’ in the
‘cosmic air’ (the information of a vortex / tunnel column light), spread in
‘the air’ of the cosmic sky (the light-field of the Great Universe).
Exactly on the basis of such symbolic representations of the cosmic
world the models of modern cosmology have been built much later, with
or without explicit reference (cf. Stănciulescu 2007: Fig. 4.1).
In essence, the description of cosmogenesis as an endless continuity
of implosive-explosive processes – being able to transform the cosmic
dualities BHQ (Black-Hole & Quasar) in ‘seeds’ that generate an endless
number of cosmic worlds in succession (describing the model of some
‘infinite columns’) or in a parallel coexistence (that fits the image of an
infinite ‘cosmic cluster’) – corresponds both to archaic intuitions and to
recent astrophysical discoveries and theories.
Architecture of Light: Sacred Geometry & Biophotonic Tech.
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Table 4.1. The representation of some archetypal cosmogonic symbols
common to Romanian and Indian traditions.
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4. Aritia Poenaru and Traian D. Stănciulescu
Fig. 4.1. The modelling of the universe, from archaic intuition to scientific
ration: A. The laws of the creative becoming: (1) the law of the entropic
cycle (‘the ovoid’ and ‘the hourglass’ of the creative becoming; (2) the law
of informational continuity (‘the endless column” of the creative
becoming); the image of the two laws has generously been synthesized in
works like ‘The Infinite Column’, by the Romanian sculptor, Constantin
Brâncusi, or in the verse of a genuine inspiration written by the poet Mihai
Eminescu: ‘As all people are born to die and die to be born”; (3) the
‘essential forms’ represented volumetrically and in a plan; B. An
integrating cosmologic model: (1) galactic ellipsoid (galactom); the model
of ‘a cosmic world that is in a throbbing expansion’; (2) the model of ‘the
cluster universe’, suggesting the existence of an infinity of parallel spaces
and times; (3) the computational model, similar as signification, of the
‘foamy universe’.
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Consequently, having noticed the obvious analogy between the
archaic and the scientific models regarding the evolution of the Big
Universe and implicitly of our world, as one of its infinite worlds, a
paradoxical remark is appropriate:
— practically, there are no limits to the manifestation of the archetypal forms
that are co-present in quasi-identical shapes – in all times and places,
unifying the micro- and the macro- space, nature and culture;
— what our forerunners have inferred about space – through experimentalholistic knowledge – has become a premise for the analytic-experimental
statements of modern science.
2. The Essential Unity, a reflex of ‘Sacred Geometry’
The same objective forms – diversely arrayed in the meanings of an
endowed language, having light as a unifying measure – have defined the
history of the relationship between human being and space. Practically,
throughout this history, ‘there is nothing new under the sun’. Thus,
inferring the omnipresence of the essential forms, human logic has shaped
what it is called the ‘sacred geometry’, characterized by Charles Gilchrist
[www.charlesgilchrist.com] as follow:
• the use of the visual language, being able to intuitively describe the stages in
the becoming of the manifest-universe;
• defining the archetypes, the perfect and immutable forms – emerged from the
Great Architect’s mind – on whose basis the ephemeral forms of the world
would have been created;
• the emphasis on the fact that the universe is (in) vibration and that the
principles of ‘sacred geometry’ are in a direct correspondence with the
wave phenomena;
• the geometrical nature of space-time, which establishes the fact that the
whole architecture of the universe can be described in terms of a vibrating
‘sacred geometry’.
Intuitively, we can imagine a passage from the perfect and invisible
form of the lines of ovoidal force of a magnet, for example – through a
‘holographic resonance’ process initiated by certain energy – to the
evolutionarily imperfect forms materialized in iron filings. This passage
represents a process that realizes the major stages of the ‘sacred
geometry’, unifying religion and science, metaphysics and physics, in a
non-conflicting manner (Fig. 4.2).
Analytically, it is enough to regard the way in which this geometry
describes the genesis of the world itself (Fig. 4.2A) [www. Charlesgil
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christ.com], in order to understand why all the essential forms are found in
models such as:
i. The Originary Point(s): points (cf. A1-2) starting to move / rotate, for
generating the cosmic archetype of the circle (cf. A3);
ii. Vesica Piscis: the archetypal symbol of the ovoid, ‘The Fish’s Bladder’, ‘the
uterus / the matrix’ of the universe, the permanent ‘folded mother’ of the
‘sacred geometry’, generated at the intersection of the circles (cf. A4), by
complementary principles, yin and yang;
iii. The Petal: analogically associated with the hourglass, respectively with the
essence of ‘the family’ – The Parents (circle A4) and The Children (cf. A5) –
or with the essential couples: Field-Information and Energy-Substance,
having as a ‘heart’ the synergy state (the fifth force); the form of twins of the
becoming creation is defined by this archetype;
iv. The Flower of Life: described by the set of columns whose interpenetration
gives birth to the cluster, the integrating matrix of all the forms of the world
(cf. A6).
The objective correspondence between the intuitive models of the
sacred geometry and those proposed by the ‘Essential Unity’ (Stănciulescu
1990), model represents another path to close the distance between the
connoisseurs of the initiative times and those of modern times. Based on
this metaphysical (onto)genesis, the ‘sacred geometry’ has explained the
manifestation of the concise forms of the world, characterized by a series
of objective properties, such as (Poenaru 2006):
— the symmetry of the natural forms, having as effect the order and the
determination of the cosmic / geographic space and implicitly human;
— the integrating presence of the spiral, as a dynamic (evolutionary)
manifestation of the archetypal forms;
— the emphasis of the golden proportion, of some constant harmonious
relations that ensures an ideal proportionality to the archetypal forms.
Some considerations about each of these are offered in the following lines.
2.1. Geometric symmetry, beauty and stability.
The sacred geometry emphasizes the fact that symmetry is a principle
that ensures order in space, which gives it stability and harmony. Through
the property of symmetry, the forms of the world become – in their turns –
beautiful and stable. The research of this structural property can be
realized mathematically (through numeric and geometric criteria).
Therefore, like the geometricians of ancient Greece have shown, all the
structures of the natural, physical and biological (vegetal, animal and
human) world can subordinate themselves to some rules of numeric
Architecture of Light: Sacred Geometry & Biophotonic Tech.
119
modelling, on the one hand, and to some correlations with the angular or
circular geometric forms, on the other hand.
The condition of conservation of the ‘connection energy-information’
– that imposes an optimum correlation of the human being with the
particularities of the environment in which he lives, a natural (the
geographic frame, the view, the site) and artificial (the architecture, the set
of utilitarian objects, etc.) environment – is permanently present in human
life, implicitly accomplishing itself through the (re)cognition and the
creative development of the ideal forms (Schneider 1994) (Fig. 4.2B).
2.2. The spiral, light in movement.
The spiral is the result of a dynamic informational-energetic cause,
more or less known. Mathematically, the sizes (relations) that generate a
logarithmic spiral have as a correspondent the so-called ‘law of organic
growths’, described by Fibonnacci’s array: 1, 1, 2, 3, 5, 8, 13, 21… This
assumes that “every term of the logarithmic series can be found out by
adding two consecutive terms, and the relation between two consecutive
terms is close to the value of the «golden number» according as the
number of terms of the array grows” (Ghyka 1981: 53).
This feature of living and non-living material developing through
compositions that gather successively has been checked by
(astro)physicians, geologists, botanists and zoologists. The last ones, for
example, have measured the distances between the knots where the leaves
grow etc., or they have observed that the shape of the snails and oysters’
shells, of the animals’ horns or of the big bones corresponds to the law of
organic growth. It has thus been proven that the living and non-living
material keeps an archetypal shape when growing, the logarithmic spiral,
which evolves through a constant maintenance of its proportions. The
manifestation of these proportions and implicitly of the law of organic
growth can be found in all the evolved forms of the world, in this way
giving credit to Pythagoras’ statement: Mundum regunt numeri, a
statement that will be rightly justified by the examples below.
*
* *
It is enough to regard these forms to understand that the spiral defines a
functional track that is present both at a micro- and macro-cosmic scale,
being able to describe the essential forms, from ovoid to column and cluster,
which, directly or indirectly, human technology (architectural implicitly) has
been capable of reproducing and developing (Fig. 4. 2C).
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4. Aritia Poenaru and Traian D. Stănciulescu
2.3. The golden section: an expression of the harmonious light.
Among the algorithms that the light has followed in the process of
generating its forms, the one dictated by the law of the golden number has a
special signification, mentioning that: “So that a whole, divided in two
unequal parts, should look nice from the point of view of the shape, we must
have the same relation between the small part and the big part as we have
between the big part and the whole” (Ghyka 1981: 259). This section aurea
(Fig. 4.2 D) has a universal value because it can be found implied in the
fundamental forms of the living and non-living world, making the subject of
interest to the exact sciences, of mathematics, first of all. Its intuitive
expression stands as a proof, an expression translated both in terms of plane
geometry and solid geometry, known from Plato and Aristotle.
Proving with the arguments of an original (bio)photonic theory of the
energy-information, that shape is a form of field, a result of the actions of
the fields (electromagnetic, firstly, but also gravitational, geomagnetic,
etc.) on the biological (and physical) material – we can state the fact,
having both theoretical and practical value, that the light-field
(information-energy) is responsible for the generation of the essential
forms and of their geometry results from onto-logical aspects that modern
physics has been able to describe in analytical models, such as (Fig. 4.2E):
— the volumetric unfolding of a light wave generates the “column of
columns”, the integrating “flower of life”, the cluster universe;
— the matrices of the ‘sacred geometry’ – triangle, square, pentagon etc. –
represent archetypes that the intersections of the adulatory networks of the
universe implicitly assume;
— the relation between the spiral and the golden proportion can be found in
the properties of the electromagnetic spectrum.
Consequently, we can state that the essential forms of the world are
the effects of the oscillations of light. Such forms of light have been
translated by the human eye that has learned how to discover them and to
re-create them in cosmograms, geometric models of space itself.
Simultaneously, passing ‘from light to enlightenment’, humanity has
learned to generate creative products of an amazing harmony and
functionality, among which those of architecture are foremost here.
Fig. 4.2. Representations of the ‘Sacred Geometry’: A. The genesis of the
archetypal forms, from the ‘Originary Points” (1, 2), ‘Circle’ (3) & ‘Vesica Piscis’
(4, 5) to the ‘Flower of Life’ (6); B. Some examples of the subordination of the
symmetric forms to some geometric figures: (1) triangle vs. insect; (2) square vs.
tungsten atom; (3) pentagon vs. cat and man; (4) hexagon vs. snow flake; (5) a
frozen drop of ‘structured water’ (by a ‘thank you’ invocation (cf. Emoto 2001); C.
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The spiral, from physical phenomena to biological ones: (1; 2) macro-cosmos
(galaxy) and whirpool; (3, 4) micro-cosmos (Nautilus) and univalve shell; (5) the
vortex of a nettle (Schneider 1994); D. The ‘golden section’: (1) the section’s
construction; (2) Platon’s perfect volumes [www.geometrycode.com]; E. Models
of the light matrices: (1) three-dimensional electromagnetic wave
(http://www.who.int/entity/mediacentre); (2) the 3D model of the cosmic network
(Tiller) (cf. Dubro, Lapierre 2002); (3) the ‘golden spiral model’ of the
electromagnetic spectrum frequencies (Stănciulescu and Manu 2002).
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3. The postulates of the ‘Architecture of Light’
Passing from the ‘world’s architecture’ to the ‘architecture’s world’
has assumed a natural process of reflection/ transfer of the cosmic
archetypes into the area of human existence, a process accompanied by
two effects generating ‘well being’, namely:
i: the balancing of the human bio-psychical state, through human experientialholistic resonance with the harmony of the essential forms, with their
structure and proportion, being able to optimize, through the resonance of the
“form waves” the state of the biological human system, modelled by the same
universal principles;
ii: the harmonisation of the human spiritual-cognitive state, through a
permanent (re)actualization of the intuitive learning regarding the genesis of
the world itself, to generate effects of cognitive therapy.
These two categories of effects have implicitly succeeded in offering
intrinsic health-optimizing properties to our ancestors’ life style – starting
from dwellings to common utilitarian objects (household objects, clothes
etc.). The fact that the archetypal forms have represented an obsession
more or less explicit of the primitive architect or of the modern one can be
justified by an intuitive recovery of the history of human architecture (Fig.
4.3), in which the curved forms of the ovoid, hourglass, column and
cluster and their angular subordinates can recover themselves both in the
forms of the sacred architecture (religious), and of the secular one.
Fig. 4.3. Architectural representations of the archetypal forms (Tafuri
1980): (1) The motif of the ‘ovoid’: project of Nicolas Leloux; (2) The motif of
the ‘hourglass’: Guggenheim Museum; (3) double spiral building (Poenaru 2003);
(4, 5). The motif of the column: DNA building (Vilceanu 1983) & Romanian wood
church (Monda 1980); (6). The ‘cluster’: block of flats (Pevsner, 1975).
Taking into consideration the benefits mentioned above, the postulates
of the ‘Architecture of Light’ (Poenaru 2004) should be explicitly
recognised and practically valued by all the architects of our time, using in
Architecture of Light: Sacred Geometry & Biophotonic Tech.
123
this direction the virtues of the integrating science of the ‘living light’ that
is biophotonics.
An interdisciplinary science discovered at the end of the last
millennium by professor Fritz-Albert Popp and his team (1989),
biophotonics has as its subject the processes of generating, storing and
releasing (bio)photons, under the form of an ‘ultraweak luminescence’, by
all living systems (vegetal, animal, human). While German researchers
have observed in laboratory conditions that these emissions have the
properties of a laser type light – without explaining the phenomenon in
detail – laborious Romanian research has led to an explicative theory
regarding the nature of this bioluminescence emission (aura), symbolically
named the theory of ‘the biological lasers’ (BLT) (Stănciulescu and Manu
2002), representing a real ‘tough core’ of biophotonics. In essence, the
postulates of these theories are the following:
(i) Structurally, at the level of the human body, the ‘metamorphoses of
light’ – which pass from the physical state (photonic) to the biological one
(biophotonic) – are ensured by the following two systems:
(a) the molecular semiconductor-type system, represented by the complex
phosphate / bounded water / molecular oxygen at the cellular membrane
level, which generates the bioluminescence phenomenon, that is the
laser-type emission of light;
(b) the organic structures with liquid crystal properties, such as the cholesterol
molecules and phospholipid from the cellular membranes, which determine
the physical properties of the laser type emission (coherence,
monochromaticity, intensity, directionality of the incident light) through
birefringence, polarization and selective reflection.
(ii) Functionally, the two premises represent the basis of the major BLT’s
hypotheses, namely:
(a) The molecules, membranes, cell nucleus, cells, organs and the whole
organism function just like some ‘biological-laser’ systems, both ‘linked’
and ‘intricated’. On the one hand, all these systems present evident
structural analogies with technical lasers: optic resonator, active substance,
optical pumping source of light, cooling system, electromagnetic director
field, etc. On the other hand, the functionality of these biological
complexes generates a bioluminescent phenomenon, having all the
mentioned properties of the ‘natural laser’ emission.
(b)
The structural-functional particularities of the six types of
‘biological-lasers’ existing in the living complex body (molecular,
membrane, nuclear, cellular, organic, organismic) enable us to emphasize
the correlated effects of four types of phenomena: Biochemical, Electric,
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Magnetic, Photonic (BEMPh) effects. These phenomena are characteristic
of all the biological processes of the living body, by interconnecting the
stimuli of the cosmic world.
(c) By the energetic accumulation permitted by the presence of light, by the
energetic discharges which take place in absence of light respectively, it is
possible to define two essential cycles which maintain the vital processes
on a dynamic equilibrium: ‘daily cycle’ (of light) and ‘nightly cycle’ (of
darkness).
By virtue of these premises, the interaction between the human
organism and the stimulating reference points of the architectural object
(and not only) can be explained in terms of biophotonic technology,
demonstrating that:
i. The effect of the EM radiations of the geographical area (landscape) and of
the Hartman telluric network where the building is placed, doubled by the
effect of the ‘form waves’ generated by the relief / landscape, is reflected
directly in the health state of the human organism. Architecturally, this state
can be optimized / stimulated through Feng-Shui strategies, focusing on the
correct placing of the dwelling in relation to the cardinal points, with water,
forest or street, through the energetic practices of geomancy, focusing on the
placing of some pyramid type ‘volumes / sacred forms’ or some protective
‘cosmograms’ in the building area, these volumes having variable dimensions
and made from different materials, capable of cancelling the effect of some
harmful, natural or technological radiations, etc.
ii. The item of architecture can influence the harmony of the physical, psychical
and spiritual state, through the correct utilisation of the colours (the
electromagnetic spectrum), of the information on the ‘form waves’ generated
by the volumetry and the planimetry of the building, the energy-informational
waves of the natural or artificial construction materials, by the system of
construction, etc. Hence, taking into consideration the necessities of the
beneficiary, we can choose those properties of the architectural whole – from
the symbols of the ‘sacred geometry’ used in different decorative variants to
the constructive materials that have been used – whose synergy acts through
their vibration power both at the cellular level (bio-physiological) and at the
human psycho-logical (emotional / intellectual) level.
iii. The utilitarian objects present at the dwelling level, starting from houses and
furniture to the healthy type of textile products etc., can bring their
contribution to the conservation of the ‘connection energy’, and implicitly to
the optimization of human health [Stǎnciulescu 2003].
This is exactly the idea on which the project ‘Ecosane Architecture’ is
based, focusing on building some ecological-healthy constructions
Architecture of Light: Sacred Geometry & Biophotonic Tech.
125
(Stănciulescu and Poenaru 2008), under advantageous economic
conditions, for a wider range of beneficiaries.
The benefits of such an architecture should explicitly be recognized
and practically recovered by the architects of our time, for the benefit of
harmony that the antique people have simply called mimesis & catharsis,
purified through imitation and signification, namely Nature & Culture,
connected by the harmony of our buildings.
4. Instead of conclusions: «ICHTHUS», an integrating
cosmogram
This sketchy presentation of a project of ‘Sacred Architecture” as well
as of Eco-Sane architecture stands instead of the conclusions of this work.
Suggestively bearing the Greek name of the Christian symbol of
«ICHTUS» (International Complex for Human Therapy and Unity of
Spirit) Săcărâmb/ Romania, the project aims to accomplish (Poenaru 20042009):
• a synergetic view on the relationship between modern humanity and a sacred
cosmic-geographic (landscape) space, where a centre of spiritual initiation of
the ancient Thracian-Geto-Dacians was placed three millennia ago;
• the construction of a modern architectural ensemble, assuming: (1) a hotel
complex functioning as a leisure centre and as a centre of bio-psychic
optimization; (2) a sanatorium of complementary therapies; (3) a meditation
centre, trans-spiritually conceived in relation with the world religions, an
ensemble which, through its structure and functions, focuses on body
harmony, with the human soul and the spirit;
• the interconnection between nature and the culture of a “technological
humanism”, through the use of the already mentioned biophotonic reference
points when applying the principles of the ‘Architecture of Light’.
In essence, the main purpose of «ICHTUS» Săcărâmb (Fig. 4.4),
projected by Poenaru and scientifically assisted by Stănciulescu, is to
initiate the travellers into the mysteries of cosmic genesis and of the
archetypal history of humankind, by walking only among the architectonic
objects and by interpreting them in a symbolical way.
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4. Aritia Poenaru and Traian D. Stănciulescu
Fig. 4.4. The Spiritual Center of «ICHTUS»: an archetypal cosmogony.
A. Two “cosmograms”: (1) the human archetypal embryo (Paris, 4 Match 2003);
(2) the analogy of the embryo with the general plane of ICHTHUS; B. A general
presentation of the Spiritual Center: (1) the plane: a telluric projection of the
Cosmic Tree; (2) a frontal view of the ‘Road of Light’: an initiatory travel /
pilgrimage; C. Architectural elements: (1) The ‘Flower of Life’ generated from the
‘originary waters’; (2) The ‘Gate of Space’; D. The ICHTUS ‘temples’: (1) The
‘Temple of Time’; (2) The ‘Temple of the Archetypal Initiation’.
Architecture of Light: Sacred Geometry & Biophotonic Tech.
127
Hermeneutically interpreted, the «ICHTUS» project takes the form of:
(a) an integrating cosmogram, which – from a functional point of view –
correlates the three architectonic objectives so that it should represent the
image projected in the landscape of a symbolic human foetus, coupling the
shape of the ovoid with those of the hourglass and of the column, uniting
the principle of fire (light-sky) with air (the mountain ozone), with water
(the dam) and earth (the ground of the building);
(b) a series of specific cosmograms characterizing – from a structural point of
view – the built shapes (volumetric and plane); for example, the centre of
the ‘universal spirituality’, placed exactly on the old sanctuary, recovers the
image of an Oriental magical circle, in which an equilateral triangle
circumscribes / inscribes in section within a circle and a square, and which,
on a plane, generates figures of the ‘sacred geometry’, such as vesica piscis,
the ‘flower of life’, etc.
Consequently, we could appreciate that «ICHTUS» is symbolically
representing – using the architectural language – the essential stages of the
cosmogenesis. Learning about the cosmic becoming, by walking among
the «ICHTUS» architectural cosmograms, the pilgrim has the privilege to
understand that:
— according to the ancient principle from the Temple of Delphi: ‘Know
yourself and you will know the Universe’, the human being – as a divine
‘face and alikeness’ – could be further considered as a ‘measure of
everything’ (Fig. 4.4. A1-2);
— the Creative Light Matrix (the electromagnetic field / forms
generated after the Big-Bang explosion) is essentially involved into the
genesis of the cosmic structures, as the ‘Road of Light’s architectural
objects are symbolically presenting (Fig. 4.4. B1-2);
— in illo tempore, the archetypal sign of the first creation is emerging
from the chaotic darkness – identified with the ‘originary waters’ (the
«ICHTUS» lake) – as a mythical ‘cosmic tree’, as ‘flower of life’, etc.
(Fig. 4.4. C1);
— the first creative vibration / radiation of light – identified with the
moment of ‘Fiat Lux’ / ‘Big-Bang’– is generating an archetypal matrix of
the cosmic becoming, as a potential ‘ovoid of light’/ galactom namely,
having inside it the generative “first spark” (Fig. 4.4.C1);
— the substantial genesis of the four cosmic elements – Light / Field →
Air / Information→ Water / Energy → Earth / Substance , namely –
characterizing the structure of the cosmic space, is symbolized by the Gate
of Space and its implicit Etheric synergy (Fig. 4.4.C2);
— situated in the middle of a successive interfered spirals (implicitly
representing the symbolism of the electromagnetic waves of light), the
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4. Aritia Poenaru and Traian D. Stănciulescu
Temple of Time is suggesting that the cosmic world is already organized,
as the cosmogram of the ‘church of firs’ is presenting (Fig. 4.4D1);
— the Temple of the Archetypal Initiation (Fig. 4.4D2) is symbolizing
the human world and its esoteric history, which must be recognized and
assumed by the modern human being, intuitively or / and analytically, in
order to permit him / her to resonate with the history horizontal and with
the vertical of the cosmic becoming.
*
* *
In conclusion, we could say that walking among the architectural
elements of the ‘Road of Light’, a “symbolical vertebral column”
projected on the horizontal plane of the «ICHTUS» complex, the pilgrim
will be able to understand that:
— the ontological mechanism of the creation of the world is starting
from invisible (field) to visible (substance) and that it is gnoseologically
understood by human being starting from visible to invisible, by generating
a complete onto-gnoseo-logic circuit of the creation of the world,
namely…
— to imply the principles of the ‘Architecture of Light’, namely the
biophotonic principles of the human health, means to stimulate the
beneficiaries’ BPL (bio-psycho-logical) optimal state, by a fertile
interpretation of the ‘esthetical pleasure’ principle, namely: The
(architectural) ‘beauty’ is what we (subjectively) like, because we biopsychically need it.
So, such type of ‘Architecture of Light’, which the ICHTUS is
implicitly using, will recuperate the two functions of the sacred and laic
architecture of the old times, namely:
— to be a “learning book”, able to keep in its “pages” the archetypal
memory / forms of the cosmogenesis;
— to represent a harmonizing frame of life, by its emissions of
‘light’ (colours, forms, volumes waves, etc.), biophotonically
resonating with human body / soul / mind complex.
That is why the «ICHTUS» SǍCǍRÂMB (Romania), could become a
symbolic pilgrimage place, able to realize the symbolical connection
between the archetypal times and the modern ones.
Acknowledgements
We are thankful to Dr. David Cornberg for being kind enough in going
through the paper and making all sorts of corrections of English.
Architecture of Light: Sacred Geometry & Biophotonic Tech.
129
5. References
Constantinescu, Paul and Stănciulescu, Traian D. 1993. Resonance as a
Principle of Universal Creativity. Photonic (Quantical) Hypothesis of
Information-Energy. Revista de Inventica, 12 (1): pp. 18-25.
Dubro, Peggy P. and Lapieree, David 2002. Elegant Empowerment.
Evolution of Consciousness. Platinum Publishing House, Energy
Extension Inc., Sedona USA.
Gilchristm, Charles L. 2008. Sacred Geometry. The Architecture of the
Universe; Web: www.charlesgilchrist.com
Emoto, Masaru 2001. Messages de l’Eau. I.H.M, General Research
Institute, HADO Publishing.
Ghyka, Matyla C. 1981. Estetica si teoria artei (Estetics and Theory of
Art). Editura Stiintifica, Bucuresti.
Monda, Jean 1980. Arhitectura actuală, artă necunoscută? (The actual
architecture: an unknown art?). Editura Albatros, Bucuresti.
Pevsner, Nikolaus 1975. Pioneers of Modern Design from William Morris
to Walter Gropius. Penguin Books, London.
Poenaru, Aritia 2003. The ‘Architecture of Light’: towards an integrative
urban anthropology. A paper presented in the International Congress
of IUAES, Florence, July 6-12.
―. 2004. Centru de sanatate si odihna (Health and Rest Centre,)
Sǎcǎrâmb. Unpublished Diploma Project, Technical University, Iasi.
Popp, Fritz-Albert; Li, K.H. and Gu, Q. 1989. Recent Advances in
Biophoton Research and its Applications. World Scientific, Singapore,
New Jersey / London, and Urban Schwarzenberg, München.
Schneider, Michael 1994. A Beginner’s Guide to Constructing the
Universe, The mathematical Archetypes of Nature, Art, and Science.
Harper Perennial, New York.
Stănciulescu, Traian D. 1990. O cale a ratiunii catre Dumnezeu? (A path
of ration towards God?). Editura Timpuri, Deva.
―. 1995. Miturile creatiei. Lecturi semiotice (The Creation Myths.
Semiotic readings). Editura Performantica, Iasi.
―. 2003. Signs of light. A biophotonic approach to (meta)physical
fundamentals. Cristal-Concept & WDO, Iasi and Geneva.
―. 2007. The hierarchies of light: from biblical intuition to scientific
reason. “Cultura”: International Review of Philosophy (Iasi), nr. 2: pp.
137-156.
Stănciulescu, Traian D. and Manu, Daniela M. 2002. Fundamentele
biofotonicii (Fundamentals of biophotonics). Performantica, Iasi.
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4. Aritia Poenaru and Traian D. Stănciulescu
Stănciulescu, Traian D. and Poenaru, Aritia D. 2007. The “living light”
matrix: a biophotonic approach to human harmony design. PLDC,
London, October 24-29.
―. 2008. Ecological-sanogene buildings (invention patent). OSIM,
Romania.
Tafuri, Manfredo 1980. Theories and history of architecture. Granada,
London and New York.
Vulcanescu, Romulus 1985. Mitologie româna (Romanian Mythology).
Editura Academiei, Bucuresti.
Vilceanu, Sabin 1983. Bionica (Bionics). Editura Ion Creanga, Bucuresti.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Arch. Designer Drd. Aritia D. Poenaru
National Institute of Inventics & Biophotonic Synergy Design, Iassy
Bd. Carol 1, nr. 11, Iasi. ROMANIA
Email: aritia.poenaru@yahoo.it
§ Aritia Poenaru, a graduate from the Institute of Arts & Faculty of Architecture
(Iassy), finalizing a doctorate paper in the field of semiotics of architecture. She is
a scientific researcher at National Inventics Institute and a practitioner designerarchitect. She realized many design and architectural project, such as ICHTHUS
Sacaramb, and published as (co)author two books – The clothing of light (2005),
Biophotonic clothing (2008) and over 25 scientific articles; she is the co-author of
3 invention brevets, distinguished with international diplomas and golden medals.
Prof. Dr. Traian D. Stãnciulescu,
Professor, Department of Science of Communication, Al. I. Cuza’
University & National Institute of Inventics,
Bd. Carol 1, nr. 11, Iasi. ROMANIA.
Email: tdstanciu@yahoo.com
§ Traian D. Stănciulescu, a graduate from the Institute of Architecture (Bucharest)
and Faculty of Philosophy (Iasi), Doctorate (in logic & semiotics), teaches and
coordinates doctoral papers in the field of semiotics and creatology. He is a senior
scientific researcher at National Inventics Institute Iasi (studying biophotonics), the
President of Romanian Association for Semiotic Studies and a Vice-president of
ANATECOR (National Romanian Association for Complementary Therapies). He
has (co)authored 30 books, including: Myths of Creation: Semiotic Lectures (prize
the of the Romanian Academy), Biophotonics Fundamentals (2002), Therapy by
Light (2003), Semiotics of Light (2003), Signs of Light (2004), Semiotics of Love
(2007), and El Poder de la Luz (2007), etc. He is also an inventor in the field of
biophotonics and human health optimization that are internationally appreciated.
5
Kailās – the Centre of the World
Tomo Vinšćak
and Danijela Smiljanić
University of Zagreb, Croatia
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. This paper is the result of field research conducted by its
authors in 1999 (Vinšćak) and 2006 (Vinšćak and Smiljanić) in Tibet. The
authors went on a pilgrimage to Kailās and as participant observers
followed the same rules as the Buddhist and Hindu pilgrims, advised by
methods of cultural anthropology. The paper will try to clarify the
importance that the holy mountain of Kailās has for Buddhists and Hindus,
and to give an answer to the question of why it is considered to be the
centre and the axis of the world– axis mundi. A phenomenon is interpreted
within the context of religious anthropology and sacral geography. Special
attention was given to pilgrimages of Buddhist and Bon pilgrims
(Vinšćak) and to that of Hindus (Smiljanić). During the second Kailās
pilgrimage taken in June 2006, the authors participated in the central
annual Saga Dawa festival, when a large wooden pole is erected on the
base of Kailās’s south face, in a meadow called Tarboche. The pole is
adorned with prayer flags celebrating the Buddha’s birthday,
enlightenment, and nirvana. The festival of Saga Dawa (Tibetan for full
moon) celebrated under Kailās takes place at a holy time in the holiest part
of the globe. The purpose of the authors’ stay in Tibet was to acquaint
themselves with Tibetan traditional culture, religion, rituals, customs, and
their way of life. This paper aims at giving an outline of the course of the
journey and also to interpret the most important practices of pilgrimage.
Keywords: Kailās, Tibet, axis mundi, pilgrimage, Buddhism, Hinduism,
spiritual magnetism.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction
All nations and all religions divide the material world into things and
phenomena that have holy characteristics and those that are profane. The
institution of taboo is what separates the one from the other. The question
is: what is it that is holy (or sacred) to certain peoples? Those are primarily
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5. Tomo Vinšćak and Danijela Smiljanić
mountains and their summits, rivers and waters springing from those
mountains, lakes that are the abodes of divinities, caves, certain rocks,
trees, and plants. Mountains are considered sacred since their unreachable
tops are the dwelling places of gods, lords of the sky, thunder and
lightning. That is the reason why many researchers of religion believe
them to be holy. It is, however, only partially true. Mountains are not
sacred for being home to gods, they are sacred by their own merit, and
they themselves are divine. Rice is sacred, too, but not because it gives
crop. It gives crop because it is sacred. Just as space can be sacred, so can
time be both sacred and profane. Most days of the year are profane, and
only holidays are sacred because they are at a holy time. Holidays put
rhythm into the year (365 days) and introduce people into holy times. The
life of any pious pilgrim, whether Buddhist or Hindu, consists of eternal
circulation from one holy place to another.
This is not merely a physical journey from one place to the next, but
also a spiritual one that purifies men from the accumulated layers of
profane world. It is a rite of passage of a sort, by means of which a man
experiences spiritual recreation. Pilgrims on their journey go through three
phases: separation, transition, and incorporation. The passage symbolizes
transition from ignorance to knowledge, mortality to immortality.
“Mountains have an important place in the symbolic geography of
religious traditions the world over, although the ways in which mountains
are significant have differed. Some have been seen as cosmic mountains,
central to an entire worldview; others have been distinguished as places of
revelation and vision, as divine dwelling places, or even as geographical
manifestations of the divine” (Eck 1995: 130).
Many researchers and scholars of religion will claim that all religions
of our civilization share a common foundation that they all originate from
the same source. Researchers of religion often wonder at the myriad of
details that various stories from one religious system share with those from
another, one developed in the opposite corner of the world. They share
similar motifs, rites, beliefs. Is it really possible that all religions come
from a primordial form? From the very beginning of existence, man placed
gods, deities, and all forms worth of worship and reverence to mountain
tops, as close to heaven as possible. When it comes to holy mountains,
Kailās is definitely in the lead by the number of people who consider it as
such. The exact number would be hard to calculate, but it definitely
exceeds one billion. For many centuries, the mountains have been a
favourite destination of priests, yogis and pilgrims from all over the world
who wanted to prove their faith by completing a circle around its base. A
ritual circle around Mount Kailās is fifty-four kilometres long at an
Kailās – the Centre of the World
133
altitude between 4,500m and 5,600m (cf. Figs. 5.1 and 5.2). The path is
difficult, and occasionally even dangerous due to steep segments and the
lack of oxygen at high altitudes to which people who do not reside in the
region are not accustomed and therefore often suffer from dizziness,
weakness, and fatigue. That, however, can easily be overcome. The
Tibetan climate and its various surprises present another challenge. Snow,
for example, is not uncommon all year round and can block a pilgrim’s
journey. The path to Kailās has always been long and difficult, but
pilgrims who know where they are headed, whose heart recognizes the
holiness of that area and whose mind is familiar with the numerous
legends and stories, can hardly give up on the spiritual journey, even at the
price of their own life.
Fig. 5.1. Kailās: The route and main stations.
This mountain stands separate from other mountains, a hundred
kilometres to the north from the main chain of the Himalayas. Its peak at
6,714m rises from the Tibetan Plateau in solitude. Many are awed by its
beauty and perfect pyramidal shape, as well as by the four faces of Kailās
that all differ from each other: the east face is smooth, without rocks and
covered in snow; the southern one contains a large and regularly shaped
groove separating the mountain’s face right in the middle; the west side is
made of black monolith; while the north, or Shiva’s face of the mystical
mountain is intertwined with various combination of narrow cracks and
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5. Tomo Vinšćak and Danijela Smiljanić
stone plates (Berljak 2000: 197). The word kailāsha means crystal in
Sanskrit. And indeed, Kailās is like a shining crystal, bathed in sun and
moonlight, solitary in the vast Tibetan Plateau. This distinctiveness is
perhaps the reason why Kailās is connected to the story of the mythical
Mount Meru. But what is it that is so special about Kailās, what is it that
distinguished this mountain from all the Himalayan and Trans-Himalayan
regions to become the centre of the world?
Fig. 5.2. Kailās: notional map of the pilgrimage path.
2. Kailās as axis mundi
Kailās is a holy place for four Asian religions: Bön, Hinduism,
Jainism, and Buddhism. Even before Buddhism came from India to Tibet,
the local Bön population believed the summit of Kailās to be the abode of
a deity called Gekho. What the Olympus had meant to the ancient Greeks,
Kailās – the Centre of the World
135
Kailās meant to Tibetans and Hindus. There are all together 24 mountains
in Tibet that serve as places of pilgrimage. Out of these, three are
particularly holy: Labchi, Tsari, and Kailās. All three are believed to be
the abode of a Buddhist deity called Demchok (Dowman 1998: 153). It is
also believed that no human has ever set foot on Kailās’s summit, nor ever
will, for it is too holy and a human foot would desecrate it. Kailās has
always been the goal of pious pilgrims. Tibetan Buddhists consider it to be
the axis mundi, centre of the world. According to the oldest Sanskrit
tradition the Meru or Sumeru Mountain represents the axis of the world
and is not only its physical but also metaphysical centre (cf. Fig. 5.3).
Fig. 5.3. Kailās: Snow covered peak and the environs.
The Jains call Mt. Kailās Ashtāpada and to them it is the place where
Rishabhadeva, the first Tirthankara, attained moksha, or liberation
(Snelling 1990: 25). To Hindus, Kailās is the heavenly seat of Shiva and
the abode of Kubera, while to Buddhists it represents a great universal
mandala of the Dhyāni Buddhas and Bodhisattvas, as it is stated in the
famous Demchog Tantra. The Bön population identifies the mountain with
a crystal chorten or stupa. To an ordinary Tibetan pilgrim, Kailās
represents the heavenly king and the surrounding, lower peaks its
ministers. To the Hinayāna Buddhists it is a place where Buddha used to
dwell with his 500 Arhats, and to the Tantric Buddhists it is the abode of
Demchok (Samvara) and his companion Dorje Phakmo (Dowman 1998:
155).
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5. Tomo Vinšćak and Danijela Smiljanić
Tibetans compare Kailās to sahasrāra chakra, which is the psychic
centre of one thousand petals in the head. The mountain’s three rivers –
Lha Chu, Zhong Chu, and Tarchen Chu – are compared to the Kengmā,
the Rengmā, and the Umā, which are the Idā, Pingalā, and the Sushumnā
of the yoga shāstra. Tarchen Chu joins the Zhong Chu; Kerleb Chu
merges with Lha Chu; further downstream the Zhong Chu flows into the
Lha Chu, which subsequently enters Rākshas Tal; Dam Chhu also flows
into Rākshas Tal. Ultimately, all rivers of Kailās flow into the Rākshas
(Pranavananda 1949: 129)
The Hindu texts, Purānas, originating from almost two thousand years
ago, mention Mount Meru. It seems that people at the time were aware of
tectonic movements of the planet that took place more than a hundred
million years ago and resulted in the formation of continents as we now
know them and of the seas that wash their shores. The Vishnupurāna sees
Mount Meru placed in the centre of seven continents that form concentric
circles. These are surrounded by seven oceans made of salt water, and
seven seas of fresh water. In its golden glow, Mount Meru stands
surrounded by smaller mountains that seem to support it. The fruits born
by trees that grow in its vicinity give health and eternal youth (Sharma
2004: 5). Each of Meru’s four faces is of different colour or varna. The
mountain is encircled by four other mountains representing the four
corners. At night, the Polestar shines above Meru, while at daytime it is
encircled by the light of the Sun’s chariot. When Ganges comes down
from heaven, it lands on the top of Meru and then splits four ways. Each of
the four rivers thus created runs in one of the four directions to water the
planet (Eck 1995: 131).
The above description corresponds to geologists’ explanation of
tectonic movements under the Earth’s surface. Many cultures have various
stories in which mountains have the lead role. The mountain as a place of
heaven, earth, and hell is mentioned in legends and myths of nearly all
cultures of the planet, even those residing in areas that have no mountains.
Early Hindus brought with them a legend from central Asia which took
root in India where they settled about 1500 BCE. The legend speaks of a
heavenly mountain somewhere in the north, mentioned in the Mahābhārata to be: “guarding the world from above, below and across.” The
mountain is the home of seven great rishis (seers) who appear in times
when spiritual restoration of the world is needed (Le Page 1996: 61-64).
Le Page references Eliade and claims he managed to capture the inner
meaning of the legend in his statement that the cosmic mountain
mentioned in many legends symbolizes the pinnacle of mystical exaltation
and enlightenment. That is why all religious centres adopted some part of
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137
the meaning of the mythical mountain. The temple, for example, was the
highest point of a town or land, the centre of the world, a place of
revelation, prophecy, and heavenly gifts. If there were no mountains there,
the people would build one, whether a mound, a pyramid or a ziggurat (Le
Page 1996: 63-64).
In many Hindu temples there is a symbolical recreation of Mount Meru
as the centre of the world mandala. The temples’ architecture is based on
the prototype of a mountain. The shikhara (tower or spire) is erected
directly above the sanctuary which resembles a cave. At the top of the
spire is the amalaka, the ring-shaped symbol of the heavens. Recreation of
a mountain can also bee seen in the architecture of Buddhist stupas. The
dome has gateways facing the four corners and the mast at the top marks
the bhumis (“worlds”) that lead to heaven (Eck 1995: 131).
People make the pilgrimage to Kailās either alone, with their family, or
sometimes with the entire population of their village. It takes at least two
days to complete the Kailās circuit, but some stay there for an entire month
and make 13 outer khorras after which they are allowed to enter the inner
one. First westerners to visit Kailās reached the mountain two hundred
years ago and it has been the subject of many researches of Tibet ever
since (Snelling 1990: 77-216).
One of the possible answers to why Kailās is considered to be the
centre of the world appears when we look at a map showing Kailās’s
position in the Tibetan Plateau, and the way it is connected to the river
system of the Indo-Tibetan region. Kailās is the highest peak of the
Tibetan Plateau and an array of rivers flows out of it like wheel spokes
towards east, west, northwest, and south. These rivers are the Brahmaputra, Indus (Sindhu), Sutlej, and Karnali. All of them emerge out of the
Kailās area and the Mānasarovar Lake. Tibetans believe that these rivers,
if looked at from the air, form a swastika with Kailās as its centre.
Old scriptures say that these rivers flow out of the Mānasarovar Lake
just beneath Kailās and make seven circles around the holy region before
they take their separate courses. This is the rivers’ way to show respect to
the Seat of Gods in accordance with the old custom of circumambulation
(Sanskrit pradakshinā). The Brahmaputra’s spring is east of Kailās and
Mānasarovar. Tibetans call it “Tamchog-Kham-bab” (rTa-mchog Khahbab) ‒ flows out of horse’s mouth. Sutlej, emerging from the west, is
called “Lanchen-Kham-bab” ‒ flows out of elephant’s mouth. From the
north springs out the Indus ‒ “Senge-Kham-bab” (Sen-ge Kha-hbab) ‒
flows out of lion’s mouth. The southern river, Karnali (called Gogra in the
plains), is called “Magcha Khambab” (Mag.bya Kha-hbab) - flows out of
peacock’s mouth. These animals are symbols of the four Dhyāni Buddhas
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and the names of the rivers show that they are considered to be parts of the
universal mandala with Kailās as its centre (Govinda 1984: 199-200).
3. Buddhist pilgrimage to Kailās
Walking around holy places connected to the roots and basis of their
religion is one of the most important rites to every Tibetan. Two
destinations are considered the holiest ‒ the Jokhang monastery in Lhasa
and the sacred Kailās Mountain ‒ and all Tibetans wish to visit them at
least once in their lifetime. The most persistent of the pilgrims make that,
sometimes up to a 1000-km long, journey measuring it with the length of
their body by performing prostration through the entire length of the
journey. Such pilgrims are rare now because prostration has given way to
off-road vehicles or trucks as means of travel, although there are no routes
for such transport around Kailās itself.
Fig. 5.4. Kailās: A Buddhist Thanka.
Kailās – the Centre of the World
139
Tibetan word for pilgrimage is neykhor and means circling around
holy places (Dunham 1993: 132). Holy places can be monasteries,
mountains, rivers, lakes, chortens (stupas), or sacred trees (Chan 1994:
40). To fully understand the meaning of Kailās and its remarkable
surroundings, one should not only observe it from geographical, cultural,
or historical point of view, but primarily through the eyes of a pilgrim.
Those that make the khorra or the ritual circle around that holy mountain
with utmost dedication and perfect spiritual concentration are believed to
have made a full circle through life and death (cf. a Buddhist Thanka
showing the pilgrimage to Kailas, Fig. 5.4).
Two pilgrim paths lead around Kailās: the wider, outer khorra, and the
narrower, or inner khorra. It is necessary to make at least 13 outer khorras
to be allowed to enter the inner one. The inner khorra leads directly from
Darchen through a narrow valley to the gash on the mountain’s southern
side and then goes around a small peak called Nandi. This gutter or gash
on the mountain’s southern face, viewed from particular spots, seems to
Buddhist pilgrims like kālachakra ‒ the wheel of time – while from other
locations it looks like a swastika or a Tsi rock. Two Buddhist monasteries
are located along the inner khorra path: Silung and Gyentok. According to
the Tibetan lunar calendar, in the year of the horse, which comes along in
12-year intervals, one circle around Kailās is worth thirteen.
The circle starts and ends in the village of Darchen, south of Kailās (cf.
Figs. 5.1 and 5.2). The Tibetans believe that all who complete 108 Kailās
khorras in their lifetime are liberated from all life’s sufferings and have an
open road to nirvāna, the state of bliss. Their material life in this world
ends and they continue to live as enlightened beings. Hindus, Jains, and
Buddhists all circle Kailās clockwise (from west to east). Only followers
of Bön walk counter clockwise ‒ from east to west. In order to distinguish
themselves from the orthodox Buddhists, all of their movements are
performed opposite to the direction of the Sun’s apparent orbit.
Ethnologists will know that the direction of all movements connected to
growth, development, and fertility always follows the direction of the Sun,
and that only funeral processions move in the opposite direction. Why then
do the followers of Bön perform their rituals contrary to everyone else?
The answer is still not clear. According to an old Buddhist legend, the
Buddha himself walks clockwise around Kailās, and the Bön pilgrims
figured out a way how to be the first who would see Him – by walking in
the opposite direction and actually walking towards him.
The full moon in the fourth month of the lunar year is the time for a
festival called Saga Dawa at which we participated 12 June 2006. This is
the most important annual festival on the foothills of Kailās. Thousands of
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pilgrims from all over Tibet pour into the area to hang their prayer flags.
Some of them stay here for an entire month performing Buddhist rites
(Chan 1994: 278).
The rock called Darchen Ngyaye Durtro is a particularly holy spot for
Tibetans because it holds remains of the 84 Mahāsiddhas. Pilgrims
sometimes feign ritual dismemberment of living people there. The author
of the text (Vinšćak) experienced the rite on his own skin when a Tibetan
pilgrim “dismembered” him into as many parts as was his age. Tibetans
believe that those who have the ritual performed on them are reborn or
incarnated after their real death in a holy place near Kailās in Tibet.
Fig. 5.5. Kailās: A Buddhist pilgrimage procession, near Drölma Pass.
After the first day, walking alongside the left bank of the Lha Chu
(Divine) River, we reached a Buddhist gompa called Drira Puk. That
gompa is at an altitude of 5000 meters offers the best view of the always
snow-clad northern face of Kailās. This is a site where the Tibetan
pilgrims perform their rituals. Facing the mountain’s northern face,
Buddhist pilgrims send their prayers by performing prostration. While
advancing together with Buddhist pilgrims towards the Drölma Pass
(Tibetan Drölma La) that separates the northern and southern valleys, we
reached a place called Siwatshali Durtrö. This is a place where pilgrims
Kailās – the Centre of the World
141
are supposed to lie down on the ground between two large boulders and
assume the position of the dying. Then they imagine their journey after
death through bardo. After ritually dying, the pilgrims enter the kingdom
of the horrible Dorje Jigje, the Death God (Chan 1994: 286). At that time
they remember everyone they had loved and who died, and everyone
whom they had not loved back, and then pray for their happiness and
rebirth in any form. As a confirmation of their wishes, pilgrims leave
certain symbols or relics of their earthly lives. These are mostly items of
clothing, pieces of cloth, bones, saddlebags, shoes, locks of hair, or ashes
from a funeral pyre. Some pilgrims even cut their finger and squeeze out
some blood, or knock out a tooth and place it into a rock crack. Pilgrims
believe that Milarepa has left his footprint in a rock nearby.
Fig. 5.6. Kailās: the ritual flags nearby.
All pilgrims symbolically die here. Afterwards they pass through a
valley leading to the Drölma Pass (cf. Fig. 5.5). The passage through the
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valley symbolizes the passage through the state of bardo which lasts for 49
days after physical death. We, too, cut off a lock of hair from each other
and left them with some clothes beside the great rock. While walking
through that valley, one feels very peculiar; like they are leaving their
entire life and all the people they knew and loved behind.
A half an hour walk away from Siwathal Durtrö towards the Drölma
Pass, on our right-hand side we saw a cone-shaped stone called Shinje
Melong. Its reddish base is believed to be the “mirror of the death king”,
called Shinje by the Tibetans. Pilgrims throw themselves on the ground in
front of it and some of them perform a Tantric rite and chant prayers
glorifying Padmasambhava or Guru Rimpoche, as the Tibetans call him
(Chan 1994: 286).
Unlike the rest of the pilgrimage path, where one can hear constant
shouting of yak drivers and the chatter of pilgrims, this valley is
completely filled with silence and everyone walks calmly and without
making a sound. Even the altitude sickness and fatigue disappear.
When we reached the Drölma Pass we were all reborn, symbolically,
and also purified of all our sins, because Drölma is the goddess of mercy
that forgives all sins to those who arrive there (Chan 1994:288). All
pilgrims at the Drölma Pass leave holy scarves ‒ kaatas ‒ and prayer
flags cf. Fig. 5.6).
Fig. 5.7. Kailās: Mani stone: ‘Om mani padme hum’.
Down in the eastern valley we reached the Zutrul Puk cave, the home
of Milarepa, Buddhist poet from the turn of 11th and 12th centuries and the
most famous holy man of Tibet. Milarepa composed poems and meditated
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143
there, and today’s pilgrims read the mark on the ceiling of the cave which
was turned into a Buddhist temple as his handprint. After a three-day walk,
we once again came to the open plain and soon afterwards to the starting
and ending point of the khorra ‒ the village of Darchen. Along the way,
we passed by many mani walls built out of thousands of rocks with the
‘Om mani padme hum’ mantra carved into them, praising Avalokiteshvara
who dwells like a precious gem ‒ mani ‒ in the heart of every pious
pilgrim. All who pass there add a rock of their own as a symbol of
gratitude for everything this pilgrimage gave them, and as a blessing to all
those who will come here afterwards (cf. Fig. 5.7).
After successfully completing the khorra around Kailās and after we
were, according to Buddhist beliefs, reborn and purified of all our sins, we
headed towards the holy lakes Mānasarovar (Tibetan Tso Mapham) and
Rākshas Tal (Tibetan Langak Tso) (Vinšćak 2004: 285-296).
4. Hinduist pilgrimage to Kailās
Since the advent of Aryan civilization into India, Tibet and especially
the Kailās – Mānasarovar Region have been glorified in Hindu mythology
as part of the Himalayas (Pranavananda 1949: 9). To many Hindus, Kailās
is an unattainable dream. The reason lies partially in the distance of Kailās
from their homes in India, but also in issuing of limited number of entry
visas from the authorities of People Republic of China (Snelling 1990:
319).
The nature of Hindu pilgrimage is contained within the term tirthayātrā which could be translated as “undertaking a journey to river fords”
(Bhardwaj 1983: 2). Yātrā signifies the journey, and tirtha is a complex
Sanskrit term with several meanings. Tirtha is a gat, but can also be used
to signify a seer and holy scriptures. What is common to these seemingly
different meanings is the idea of going across – the possibility to move
away from the human and into the divine realm, which is evident in Holy
Scriptures, places, and people. Every tirtha is a special nod, a place
extremely suitable for rites and ceremonies: prayers spoken there are
considered to be more effective than when repeated in a different space
(Coleman and Elsner 1995: 137). Hindu mystics have developed a concept
of the inner pilgrimage by which one visits sacred places within the
microcosm of the mind and body (Morinis 1992: 2). The very term used
for pilgrimage can be understood in a metaphorical sense – a yogi through
meditation undertakes a pilgrimage because tirtha-yātrā is not only a
physical journey to a holy place, but represents mental and moral
discipline as well (Bhardwaj 1983: 2). It could also be argued that without
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the two components, the significance of pilgrimage is greatly reduced to
Hindus since that is the point of pilgrimage as such, regardless of the
religion that the pilgrim belongs to – purity of body, mind and soul,
dedication and utter devotion to the Devine at that sacred place, but also
upon return from it. It is an individual path upon which a human being
establishes a direct relationship with the divine. Bhardwaj states that in
Hindu tradition, a journey to holy places has no meaning and effect unless
the person undertaking the journey leads an upright and moral life. That
claim is also often encountered in Hindu religious literature as a condition
to visit holy places, enter temples and submerge oneself in the water of
holy rivers (Bhardwaj 1983: 2). During pilgrimage, people relinquish their
daily tasks, worries and secular duties and they dedicate to prayer,
meditation and contemplation.
Although it might not be recognized as a primary path to achieve
moksha, pilgrimage is still desirable for the pious who live their lives
according to dharma. It is only one of the ways in which one can attain
bliss (Bhardwaj 1983: 3). Perhaps the earliest allusion to the practice of
pilgrimage in Indian literature is to be found in the Āitareya Brāhmana of
the Rigveda:
Flower – like the heels of the wanderer,
His body groweth and is fruitful;
All his sins disappear,
Slain by the toil of his journeying.
(Āitareya Brāhmana, VII-15, as translated by A.B. Keith,
hmanas: the Āitareya and Kaush
hmanas of the Rigveda,
p. 320)
In Hinduism, it is traditional to undertake a pilgrimage at the time of
major transitions in life. People visit pilgrimage centres to feed their child
solid food for the first time, cut their child’s hair or to invest a boy with a
sacred thread since those rites have more value there. Newly married
couples often visit shrines to gain blessings for their marriage, and the
dying visit such sites believing that death there would release them from
rebirth (Morinis 1992: 11).
A pilgrimage or tirtha-yātrā is a journey to a holy place, a place of
transition where the world of gods touches and meets the human world.
Tirtha is the place where the transcendental comes down to earth, where
the higher spheres join the lower ones, where the holy meets the mundane.
It is a mediation between two realities (Flood 1996: 212). And indeed, a
man at a pilgrimage site, such as Kailās, for a moment becomes unaware
of the difference between dreams and reality and of the line between
sacred and profane.
Kailās – the Centre of the World
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The reason why people come to this holy place is to purify their souls
and get absolution from sins. When they are removed from the Divine,
because they have been taught so by religion, people place their gods into
mountain tops, areas far away from their reach, places closer to the
heavens. It is very unusual that even today in this modern age when
everything goes and when the limits imposed by centuries are simply
deleted, no human foot has stepped on the top of Kailās. The summit of
this magnificent mountain is considered too sacred to be desecrated by
human presence. Lama Anagarika Govinda (1949) said that the modern
man driven by ambition and desire for glorification of his ego climbs
mountains and yearns to be the first to step on a mountain top, while a
pilgrim, a devotee is more interested in the spiritual, rather than the
physical climb. To him, the mountain is a symbol of god and as he would
not step on a holy image, he does not dare to step foot on the holy
mountain top.
Like Buddhists Hindus also believe that one parikramā (or one round
of circling) around Mount Kailās washes away sins of one life, 13 circuits
wash away the sins of one kalpa, and 108 parikramās secure moksha in
this very life (Pranavananda 1949: 10). Nobody can approach the Throne
of the Gods, or penetrate the Mandala of Shiva of Demchog, or whatever
name he likes to give to the mystery of ultimate reality, without risking his
life – and perhaps even the sanity of his mind. On the eve before
parikramā, Brahmans perform a rite called pujā. Through rituals a man
communicates with gods, while customs serve for communication among
men (Vinšćak 2000: 421-434).
Anthropologist Chris Fuller pointed out that Hinduism represents the
non-existence of an absolute border between gods and men (Coleman and
Elsner 1995: 137). Before the rite, a priest in Shiva’s temple needs to
awake the divine strength within him since religious texts state that “only
Shiva can worship Shiva.” Just as men show their respect to gods through
the characteristic bow or namaskār – lowering their heads and joining
their palms, gods do the same to other gods, but to men, too. Hindus
perform rituals of sacrifice and pujā to appease deities and receive
blessings. The purpose of private rituals performed by some is to achieve
mukti or salvation and to attain heaven of bhukti. Rituals ensure the
continuity of tradition, install Hindu values, and help set the Hindu
identity (Flood 1996: 223).
The act of worship or pujā consists of several parts. One of them is
offerings. Gods are offered vegetarian food, incense sticks, and flowers.
Pujā is a Sanskrit word that could be literally translated as “worship”. This
is a rite performed in the households of the pious, in temples, and on holy
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sites, such as Kailās. It can be as short as an offering of a coin to an image
of a deity and receiving the god’s blessing through a mark between
eyebrows (tilak) made of sandalwood paste (chandana) and red powder
(kumkuma) (Flood 1996: 208). Another part of the pujā ritual is ārati, a
form of lamp offering in which a priest sings a prayer from Holy
Scriptures and sways an oil lamp holding a number of wicks before the
gods image (Coleman and Elsner 1995: 147).
The ritual of pujā can be devoted to different deities. Pujā preformed
for lord Shiva, at the foot of mount Kailās, is considered one of the most
powerful and significant rites for the Hindus’ worship of Shiva. In all
forms of Hindu pilgrimage, the pilgrims hope to absorb the beneficial
effects of contact with the deity by consuming or receiving sacrilege
substance (prasāda) such as food, flowers, water or ash, which have been
to the close proximity of the deity (Coleman and Elsner 1995: 148).
Shortly before sunrise, Hindu pilgrims wash in the cold water of Lha
Chu river (divine river) passing by the Golden Grazing Ground where all
pilgrim tents are located, and they start meditation and invocation. Tirthas
are usually connected with running water and ritual ablution performed at
dawn. It is believed that seven holy rivers come from heaven, and the
Ganges is sometimes called “the running ladder to heaven”. Pilgrimage is
an opportunity for self-purification through ritual ablution (Coleman and
Elsner 1995: 140).
The idea of purity is the central point of all Hindu rituals. Those
performing the ritual and those participating in it in any capacity, need to
maintain body purity – they need to be clear from bodily fluids, have clean
hair, neat nails. This purity of the body has to be maintained every
morning through a special ritual. There are certain conditions that are
considered impure, for example the period of mourning after someone
close has died, the time of menstrual bleeding, and birth. People in those
conditions are not allowed in temples and holy sites. Women during
menstrual bleeding used to be excluded from housework, such as
preparing meals, so their impurity would not be transferred to other
members of the household. As a rule, the pious need to be pure in the
presence of a deity, in a temple or a house shrine (Flood 1996: 219).
The idea of purity is one of the main reasons for ritual ablutions in the
Mānasarovar Lake on the day before going to the sacred mountain. This is
both the process of physical purification by water, and of spiritual
cleansing, since the lake is considered to be holy.
All prayers pronounced the morning before starting parikramā are
directed to Lord Shiva awaiting their arrival on the slopes of the holy
mountain: ‘Om namah Shivāya’. Every mantra in Hindu traditions starts
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with or contains the word “Om”. Lama Anagarika Govinda says: “OM is
the quintessence, the seed-syllable of the universe, the universal force of
the all-embracing consciousness..”.
Mantras are holy syllables that take the devotee to higher realms of
consciousness (Govinda 1987: 13). They are words that carry that power, a
message from the divine world, bestowing knowledge and helping to
change the consciousness of the person pronouncing them. The root of the
word mantra is man-, to think, appended with -tra, it forms an instrument
– and that is the word (bija-sabda). Thus, mantra means “an instrument
for thinking”, “the thing that creates a mental image”. Its sound invokes its
content into the current state of reality.
Ancient teachers realized that the mantra “Om Namah Shivāya” is the
source of what they call tejas, or energy transforming mental thought into
spiritual realization. The Shiva Purāna states that the mantra contains the
nature of Lord Shiva and that it can lead to higher consciousness if intoned
in the proper way and with full concentration of the aspiring. The more
times it is pronounced, the greater is the presence of energy. Pilgrims
speak out or intone mantras either together of individually. This is
followed by meditation to prepare for the pilgrimage.
During the entire pilgrimage, the devotees repeat the “Om namah
Shivāya” mantra in their head to come as close to Lord Shiva as possible.
On the second day of the circle around the holy mountains, Hindus
symbolically meet Shiva under the holy rock of Kailās. For all Hindus,
alongside Brahmā and Vishnu, Shiva is one of the three gods that make up
the holy trinity and is worshiped as the god of destruction. However, for
his devotees he is the supreme Lord who creates, maintains and destroys
the cosmos. In the traditional iconography he is often portrayed sitting in a
lotus position, blue skinned, covered in ashes, with a third eye open, the
Ganga flowing from his locks, a crescent moon (ardhachandra) and a
cobra (nāga) in his hair. He is seated upon a tiger skin, has sacred
rudrāksha beads around his neck, and on his arms. He is also holding a
trishula, trident (Flood 1996: 151). Kailās is considered the abode of Shiva
and his wife, the goddess Pārvati. Devotees of Lord Shiva consider the
north side of mount Kailās as the place where they finally meet their god.
The next significant stop for the Hindus is Shiva Tal. Hindus like
Buddhist make the same rituals of leaving certain symbols or relics at this
holy site. They also face Yama’s judgment, symbolising their own
conscience that reminds them of all their deeds. All pilgrims symbolically
die there. Immediately after crossing the Dolma La pass, in the midst of
rocks and snow, a small emerald green lake appears. It is considered a lake
of great mercy. The Hindus call it Gaurikund. Those who bathe in the cold
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water of the lake are initiated to a new life. During our visit the lake was
frozen and we had not hade the chance to perform the rite. The water is
believed to be holy and to have healing powers so the pilgrims collect it to
take home with them. It sometimes happens that pilgrims, especially those
from India, die of exhaustion while climbing to the Dolma La Pass. The
temperatures there are very low and the air is very thin (Vinšćak 2000:
421-434).
Hindus believe in the excellence of death at a pilgrimage place
(Morinis 1994: 11). We met an old Indian man who was nearing ninetyfive years of age. He was accompanied by his daughter, a woman of
advanced age, and her husband. Coming up to the pass, the man turned ill
and they immediately used oxygen bottles on him. He said he had come to
die on Kailās, and if that happened, it would be a true blessing from Shiva.
Those who come here are blessed with the sight of the sacred mountain
and its unearthly beauty, that gigantic natural and perfectly symmetrical
temple. But they are also blessed with the darshana of God, whether in the
form of Shiva and Pārvati or any other form (Govinda 1960: 215).
5. The holy lakes – Mānasarovar and Rākshas Tal
The beauty of Lake Mānasarovar (Sanskrit: ‘spirit of consciousness’)
has been sung many times. The lake with its intense, almost unearthly
colours that blend from light blue to green emerald is located under Mount
Kailās and they form this holy site together. Hindus believe that by
submerging their bodies in the waters of the lake frees them from sins of
their past lives. Those who submerge their entire bodies in the lake are
believed to be reborn as deities. They turn to the verses from the
Rāmāyana:
“When the earth of Mānasarovar touches anyone’s body or anyone bathes
in the lake,
he shall go to the Paradise of Brahmā, and he who drinks its waters shall
go to the heaven of Shiva
and shall be released from the sins of a hundred births.
Even the beast who bears the name of Mānasarovar shall go to the
paradise of Brahma.
Its waters are like Pearls”.
One Tibetan saying says that the wise dwell in mountains, while the
enlightened ones dwell in waters. Tibetans, thought, do not bathe in these
holy lakes. Sailing on the lake is still not permitted to anyone.
Under Hindu tradition, Brāhma the Creator made Mānasarovar and the
heavenly tree Jambu that grows in its centre unseen to human eye. That is
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why the ancient Indians called the world jambudvipa (the Jambu
continent), and claimed that the fruits of the divine tree turned the water of
Mānasarovar into an elixir of life. Hindus believe that Brahmā himself
created the lake (Sanskrit Mānas = mind) at the request of twelve rishis
who came there to perform rites and meditate. They were blessed with a
darshana of the divine couple – Shiva and Pārvati. When the rishis
realized they had no water, they prayed to Brahmā who in His mercy
created Lake Mānasarovar. Pilgrims walk around the lake hoping to
receive rewards in their next life. The water of the lake is considered even
holier than that of the Ganga/Ganges (Sharma 2004: 127). According to
Buddhist tradition, queen Māyā Devi saw the protector gods of the
Anotata Lake (Pāli name for Mānasarovar) in a dream taking her
bedspread and washing it in the lake’s holy water. This way it was
cleansed of all human impurities so that Buddha was able to enter her
womb. In her dream Buddha appeared to her as a white elephant coming
from the holy Mt. Kailās within a cloud and entering her body.
Just like every temple in India has its lake, Kailās has two holy lakes
on its southern foothills. The Mānasarovar Lake is formed like a sun and
symbolizes the forces of light. Rākshas Tal has a form of the moon sickle
and symbolizes the hidden forces of darkness. As long as their true nature
is not conceived and these forces are not directed to certain channels, they
appear as demonic forces of darkness. These ideas are expressed through
the names of these lakes: mānas is Sanskrit for spirit or consciousness and
is considered to be the centre of recognition, a force of light and
enlightenment. Rākshasa, on the other hand, is a Sanskrit name for a
demon so that Rākshas Tal is a demon-lake.
These symbols of the sun and moon are used on every Tibetan thanka
(thang-ka) where the Buddhas, deities, or holy men are depicted (Vinšćak
2000: 421-434). Mānasarovar in fact is Kailās, its inseparable part. The
lake is the female principle, and the mountain male. Mānasarovar does not
stand alone. It is accompanied by Rākshas Tal (Sanskrit rākshasa =
demon). The two lakes are joined by a channel called Ganga-chu. The
channel used to contain water which flowed from one lake to another.
Hindus believe Rākshas Tal to be impure. Topographically, it is
positioned to mirror the surrounding mountains. Located west of
Mānasarovar, according to Tibetan legends, it was once the dwelling place
of demons and nobody drinks its water. The legend also speaks of an
argument between two golden fish living in Mānasarovar, after which one
banished the other to Rākshas Tal. The path that the banished fish took to
the other lake became the Ganga Chu channel, and the second lake became
holy as well, since water from the Mānasarovar flowed into it. Since then,
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the water of Rākshas Tal is no longer taboo. The Hindus, however, still
consider it impure (Sharma 2004: 112). Interestingly, even the geographical position of the two lakes corresponds to their relationship to light
and darkness, day and night. Mānasarovar is in the east, the direction of
the rising sun and the beginning of the day with a number of monasteries
and ascetic dwellings around it, while there are no human dwellings at the
other lake, Rākshas Tal. Although positioned in a beautiful spot, there is a
strange and mysterious air about it. Pilgrims look at it in fear and avoid it,
although it is as holy as its twin (Govinda 1998: 222-225).
The Rāmāyana and the Mahābhārata, all the Purānas, but Mānasakhanda of Skanda Purāna in particular, sing the glory of Mānasarovar
(Pranavananda 1949: 9). The most devoted pilgrims make a 120km long
parikramā or kora around the Mānasarovar Lake. In the Mahābhārata
Mānasarovar is also known as Bindusara and in Jain works as Padma
Hrida (Pranavananda 1949: 10). There are legends that say that some
pilgrims witnessed their gods mirrored in the waters of Mānasarovar. For
most pilgrims this offers a thread of hope guiding them on their path
around this holy lake.
6. Conclusion
Man has always aspired to the divine, to return to the Source, the
Maker, Creator, Mother Nature, or what ever term we might use. We have
always been searching for answers to the question of our existence, the
reason of being in this dimension, the meaning of life. That is particularly
true for times like these when we are surrounded by insecurities,
unanswered questions, deprived of true joy, morality and humanity. This is
the time of greatest technological progress, of elevated scholastic
knowledge, rationalization and bureaucracy. All the preconditions are here
to “strip the world of its magic”. But that has not happened. People still
believe because the world gives them no hope or future. We also live in
the time of knowledge. However, neither this great knowledge nor our
advanced technology gave us an answer to the eternal questions: Who am
I? Where am I going? What is the meaning of life? Those are the three key
questions that numerous religions – those developed through centuries and
millennia – are trying to find answers to.
The current time is very important for cultural anthropologists.
Societies, politics, economy and religion are changing globally and those
changes need to be observed and understood. Pilgrimage is an important
part of that change, and what better place to research pilgrimages than
Mount Kailās? Mount Kailās is the axis mundi, the centre, the heart of the
Kailās – the Centre of the World
151
world. Pilgrims see it as a gateway to the world of the dead and to the
world of Gods. It stands as an enormous shrine that is the intersection of
extraordinary energies – of Earth and of the Universe. This is where Gods
receive all hopes and prayers of men. Kailās and Mānasarovar mirror the
world of Gods right here on earth. Pilgrims come to holy sites in order to
awake the divine within them and to preserve that realization upon their
return to everyday life. They come home “reborn”, cleansed of all sins and
burdens of life. Although many mountains had been considered sacred
throughout history, some have lost their initial importance. Kailās,
however, is not one of them. It has maintained its mysticism and remained
important and holy to millions of worshipers, explorers and researchers.
Maybe it is because of Tibet’s geographical isolation, the altitude or
simply because of the beauty of the landscape surrounding Mount Kailās
and its accompanying lakes Mānasarovar and Rākshas Tal. What ever the
reason might be, the area has remained unspoiled in its holiness to
multitudes of believers. If one were to search for heaven on earth, Kailās
in Tibet would certainly be the place to look.
7. References
Berljak, Darko 2000. Ključevi neba ili Tibetska trilogija. Izvori, Zagreb.
Bhardwaj, Surinder M. 1973. Hindu Places of Pilgrimage in India – A
Study in Cultural Geography. University of California Press, Berkeley.
Chan, Victor 1994. Tibet Handbook: A Pilgrimage Guide. Moon Publs.,
Chico, CA.
Coleman, Simon and Elsner, John 1995. Pilgrimage: Past and Present in
the World Religions. Harvard University Press, Cambridge.
Dowman, Keith 1998. The Sacred Life of Tibet, Harper Collins Publisher
India, New Delhi.
Dunham, V. C., Baker, I., & Kelly, T. L. 1993. Tibet: reflections from the
wheel of life. Abbeville Press Publishers, New York.
Eck, Diana L. 1995. Mountains; pp. 130-134 in The Encyclopedia of
Religion, Editor-in-Chief: Mircea Eliade. Macmillan, New York.
Flood, Gavin 1996. An Introduction to Hinduism. Cambridge University
Press, Cambridge.
Govinda, Lama Angarika 1966. The Way of the White Clouds. The
Guernsay Press Co. Ltd, Guernsey, Channel Islands, first published in
1966, revised edition 1968, reissued 1984.
Keith, A. B. 1920. Rigveda Brahmanas: the Aitareya and Kaushitaki
Brahmanas of the Rigveda. Harvard Oriental Series, vol. 25. Harvard
University Press, Cambridge.
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5. Tomo Vinšćak and Danijela Smiljanić
LePage, Victoria. 1996. Shambhala – The fascinating truth behind the
myth of Shangri-la. Pilgrims Publishing, Kathmandu, Nepal
Morinis, Alan (ed.) 1992. Sacred Journeys: The Anthropology of
Pilgrimage. Greenwood Press, Westport CT.
Pranavananda, Swami 1949. Kailās Manasarovar; published by Swami
Pranavananda and printed by Surya Print Press, New Delhi.
Sharma, Veena 2004. Kailās Manasarovar: A Sacred Journey. Roli
Books, New Delhi.
Snelling, John 1990. The Sacred Mountain, East-West Publs., London.
Eliade, Mircea (ed.) 1995. The Encyclopedia of Religion. Volume, 10: 13134. Macmillan Library Reference, New York.
Vinšćak, Tomo 2000. Buddhističko hodočastilište Kailās, Trava od srca.
Hrvatske Indije 2, pp. 421-434; Sekcija za orijentalistiku filološkog
društva i Filozofski fakultet, Zagreb.
―. 2004. Following the Paths of Tibetan Buddhism. Studia ethnologica
croatica, vol. 14/15 (2002-03): 285-296; Odsjek za etnologiju, Zagreb.
---------------------------------------------Prof. Tomo Vinšćak
Department of Ethnology and Cultural Anthropology, Faculty of
Humanities and Social Sciences, University of Zagreb; Ivana Lučića 3,
HR- 10000, Zagreb. CROATIA. Email: tvinscak@ffzg.hr
§ She is involved in projects concerning shamanism, customs and beliefs, Slavic
mythology, ethnology of India, Nepal and Tibet, Tibetan Buddhism and Bön,
sacral interpretation of landscapes, and has published profusely on these themes.
Ms. Danijela Smiljanić
Doctoral student, Department of Ethnology and Cultural Anthropology,
University of Zagreb, # Dobrilina 20, HR- 10000 Zagreb, CROATIA.
Gsm.: +385(0)98519958. Email: danijelasmiljanic@yahoo.com
§ She was graduated at the department of Anthropology on the subject of Kailās –
A Hinduistic pilgrimage based on scientific field research, based on her visit to
Tibet and Nepal in 2006; and presently doing research in the field of anthropology
of religion.
6
Rolwaling: A Sacred Buddhist Valley in
Nepal
Janice Sacherer
University of Maryland, Asian Division at Okinawa, Japan
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Rolwaling Valley is situated in Nepal just south of its border
with the Tibetan region of China. Located approximately 50-km west of
Mt. Everest, it lies on the southern slopes of a 7,146 metres peak known as
Gauri Shankar in Nepalese and Tseringma in Tibetan. It has been known
in Tibetan culture as a holy place for at least a thousand years. Its fame
rests on being sacred to five goddesses who live on Tseringma Mountain,
and to Padmasambhava, the patron saint of Tibet. The Tseringma
goddesses have been worshiped since prehistoric times, while history
records that Padmasambhava passed by Rolwaling in CE 817. Along the
way he subdued local spirits by converting them to Buddhism, including
the Tseringma. Rolwaling became known as a valley sacred to
Padmasambhava, or Guru Rinpoche, in Tibetan, only in the fourteenth
century however, when Buddhist “treasure finders” received visionary
revelations to this effect. Secular historians meanwhile, credit the rise of
the sacred hidden valley tradition (beyul) in Tibetan Buddhism to the
depredations of the Mongols during this period. Nowadays, Rolwaling is
filled with rock monuments commemorating the visit of Padmasambhava
and his Tibetan consort, Yeshe Tsogyel. Rolwaling has remained isolated
and poor compared to the tourist frequented Mt. Everest region. This
isolation results from a combination of geographic and political factors.
Problematic however, is how to preserve the sacred nature of the place.
Keywords. Padmasambhava, Buddhism, Beyul, Sherpas, Nepal.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. The Geography of Beyul
Sacred hidden valleys, known as beyul (sbas-yul)1 in the Tibetan tradition,
are special places. Located at the southern periphery of Tibetan settlement
and culture, their climate is strikingly different from the Tibetan plateau,
even though they are about the same altitude. This results from differential
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rainfall north and south of the Himalayan range during the summer
monsoon. Tibet itself is arid, often desert-like, a landscape painted in
subdued shades of beige, blue and gray, whereas the southern beyul, are
universally green in summer and filled with luxuriant vegetation. In
winter, when bitterly cold winds sweep the treeless Tibetan plateau, the
beyul are sheltered by high mountains on at least three sides. The
easternmost beyul of Pemako, lying within the great bend of the
Tsangpo/Brahmaputra River, could even be classified as sub-tropical rain
forest (Ward and Cox 2001, and 2008; Baker 2004).
The Himalayan range represents to Tibetans, not only the frontier of
the familiar world, but also a formidable physical barrier to be passed if
one wishes to visit the holy places of India where Buddhism began.
Finding any of the beyul is yet more strenuous, even when a guidebook or
Neyig, is available. These Neyig always give directions from the Tibetan
perspective, and are produced by special visionaries known as treasure
finders, or terton (Birnbaum 1989: 64-68).
Chief among the locaters for secret and sacred hidden lands, are the
individual mountains behind which they lie. These mountains have been
thought of as the home of gods and goddess since prehistoric times, which
in Tibet, means the 8th century BCE, when a writing system based on
Sanskrit was introduced along with Buddhism (Snellgrove 1980: 75).
These deities are place gods, rulers of both mountains and the regions
surrounding them - pagan gods from the Buddhist point of view, who in
the past, often caused misfortune if they were not propitiated with
offerings, including animal sacrifice. According to Tibetan tradition, it was
the opposition of these local guardian deities, which put innumerable
hindrances in the way of the first Buddhist teachers in that country (Chan
1994: 45-46).
The geographic location of Rolwaling meanwhile, fits all of these
classic beyul criteria. It lies on the southern slopes of an important sacred
mountain known as Tseringma in Tibetan and Gauri Shankar in Nepali, a
mountain that is holy to both Hindus and Buddhists. The highest crest of
this massif forms the border between the present day Tibetan Autonomous
Region of China and Nepal, while the valleys on its northern Tibetan, and
southern Nepalese slopes, are both sacred. It is bordered on its western
flank by the north-south valley of the Bhote Kosi River, which was one of
the most important trade routes between Tibet and Nepal. Ironically,
thousands of traders travelling between Kathmandu and Dingri in Tibet,
passed by the entrance to Rolwaling without being aware of it, or if aware,
without having the courage and curiosity to explore. It was concealed in
this case, almost in plain sight.
Rolwaling: A Sacred Buddhist Valley in Nepal
155
Tseringma Mountain, at 7,146 metres (23,697 feet), is clearly visible as
it rises abruptly above the flat plains of Tibet, and is also visible from the
Nepalese capital of Kathmandu as well as the district capital of Charikot.
From the Nepalese side however, the mountain disappears as one descends
into the valley of the Bhote Kosi, approximately 1,000 metres in altitude
and surrounded by steep walls. In past times the narrow trail, passable only
by human porters and pack animals, could be quite treacherous due to
frequent landslides, and narrow bridges that often washed out.
Just south of the Tibetan border post, an observant traveller would
have been aware that there was a high altitude east-west valley far above,
because of the loud and dramatic descent of the Rolwaling river at this
point. The Rolwaling River descends no less than 3,000 metres in a great
roar accompanied by clouds of rainbow-filled mist and spray. Exploring
the source of this spectacular Rolwaling waterfall would have not have
been tempting for any but the most stalwart however, as it would have
involved climbing the steep, pathless, and heavily forested cliffs beside the
crashing water. Even at the top of this steep, slippery climb, one would
only have found oneself at the far western end of a narrow (less than 1-km
wide), forested valley stretching out of sight, 7-km to the east. Further
discouraging travel would have been the many bears and leopards
inhabiting the surrounding forest, animals which occasionally make their
presence known even today.
If one had braved wild animals and the steep and slippery climb, the
Rolwaling Valley is so narrow and the surrounding mountains so high,
that a view of the majestic surroundings would not have been afforded
until the traveller had arrived at 4,000 metres, and finally been above
timberline. At this point any visitor gazing around would have realized
that the path taken from the west was the easy approach, as Rolwaling is
surrounded by snow and ice clad peaks on three sides. Passes across these
ranges exist, but they are not obvious, and average 5,600 metres or almost
17,000 feet in height. All require nearly three days’ of travel on either
gravel covered, or heavily fissured, glaciers consisting of perpetual ice
more than fifty meters deep. Even so, they are generally navigable only in
the cold season from October to March, becoming impassable in the spring
heat and the summer and early fall monsoon.
Lowland Nepalese hunters who may have been the first to venture into
Rolwaling, would have been happy to depart quickly for warmer climes,
although Tibetan plant or animal hunters, or ascetic holy men, would have
realized that compared to their own high altitude plateau, Rolwaling was a
veritable paradise of tall trees draped with hanging moss, southern facing
slopes covered with bamboo, and higher altitude forests covered with
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fragrant incense rhododendron. Altogether there are some eighty edible,
medicinal, incense, and other special use plants among the three hundred
or so different species dwelling there (Sacherer 1979: 57-61). Other
features would have included a spring that never freezes, a variety of sub
tropical and high altitude animals ranging from the lesser panda to the
elusive snow leopard, two lakes with pristine turquoise-coloured water,
and in the summer months, more than a dozen waterfalls surrounded by
moss and ferns, and very often, rainbows (Mountain Legacy n.d.).
2. The Spiritual History of Beyul
Far more important to Tibetan culture than the spectacular scenery of
beyul, is their unique spiritual significance. Tibetans and related ethnic
groups such as the local Sherpas, as well as other followers of their form
of Buddhism, would say that the significance of the hidden valleys began
with the founder of Tibetan Buddhism himself. Appearing first in
northwest India roughly a millennium after Shakyamuni, he is thought by
many Tibetans to be the second Buddha. Known as Padmasambhava in
Sanskrit and Guru Rinpoche (precious teacher) in Tibetan, this great
tantric master from northwest India, first travelled to the Kathmandu
Valley where he spent time in meditation. He then proceeded northwest on
the Nagarkot route to the border at Rasuwa, where he crossed into Tibet in
CE 817. He next journeyed due east, passing Rolwaling on his right, since
it lies just south of the Tibeto-Nepalese border. Eventually he reached the
valley of the Tsangpo River, south of Lhasa, where he also met his Tibetan
consort, Yeshe Tsogyal, who figures prominently in the later hidden valley
tradition (Yeshe Tsogyal 1978; Dudjom Rinpoche 1991: 512-521).
Even more important to Tibetans however, is their belief that he alone
was able to transform their land from one beset by jealous and demanding
place gods, to one of peaceful Buddha dharma. Buddhism had already
been introduced to Tibet but had not made much headway until
Padmasambhava was able to subdue the place gods and goddesses who
defended both Tibet and the old Bon religion. Once these local place gods
submitted to his superior powers, they were then made guardians of the
Buddhist religion in the “land of snows”. Following this accomplishment,
he was able to convert King Trisong Detsen and the royal court, establish
the first monastery at Samye, and train many followers, both lay and
monastic (Stein 1972: 66-69; Snellgrove 1980: 96-99).
After some years, Padmasambhava decided to depart Tibet, but before
he did, he composed and gave to Yeshe Tsogyal, many teachings, ritual
implements, and religious artefacts to be hidden for future times and
Rolwaling: A Sacred Buddhist Valley in Nepal
157
rediscovered by future incarnations of his contemporary followers. The
hiding places of various physical items included mountains, rocks, caves,
lakes, and the air, while there is a tradition in Tibet of terton, or treasure
finders, miraculously retrieving such items before crowds of witnesses.
Philosophical or ritual texts were sometimes revealed in the form of
mysterious writings on yellow paper that could only be translated by the
designated terton. Some were also revealed in visionary form during
meditation or dreams (Dowman 1988: 291-292; Birnbaum 1989: 65).
These practices, gave the Nyingma or “old school” sect of Tibetan
Buddhism which Padmasambhava founded, a particular dynamism which
has enabled it to be relevant for the succeeding twelve centuries, since
treasure finders are still making discoveries in both Nepal and Tibet
(Germano 1998: 76-94; Sacherer: <personal observation>).
Among the most interesting items Padmasambhava concealed, were
whole valleys or beyul in Tibetan. He is said to have hidden them either by
making them difficult or dangerous to find, or by placing them so that no
one even noticed they were there. These beyul, were concealed so that they
would remain undiscovered and uninhabited until future times of trouble,
when they would be revealed to provide hiding places for Tibetan people
and the Buddhist religion, during those unfortunate times (Birnbaum 1989:
62-63). His beyul concealing activities were not made known to anyone
but Yeshe Tsogyal, until the CE 12th century, when his original Tibetan
disciples began reincarnating for this purpose (ibid.: 65). Meanwhile, no
one knows for sure how many beyul there are, although the numbers 8 or
108, considered auspicious in Tibetan culture, are often cited by
informants (Sacherer 1977: 44), while others have counted 7 (Reinhard
1978: 6), and 7 is the number mentioned by the treasure finder Rigzen
Godem (Wangmo 2005: 332), though the latter two lists are not an exact
match. Further, Birnbaum (1989: 71) has mentioned that there could be
hundreds in the Himalaya and that some beyul will cease to exist as hidden
lands once their function has been fulfilled.
Secular historians will of course note that the 12th century marked the
beginning of outside incursions on Tibetan territory and peace, primarily
by the Mongols who were also involved in sectarian disputes among the
Tibetans themselves (Stein 1972: 75-85; Wangmo 2005: 339). Later
Muslim raiders from Indian Kashmir also encroached (Oppitz 1974: 122).
Large numbers of Tibetans were displaced from Eastern Tibet in
particular, as that was the region most heavily raided by the Mongols, and
consequently suffered the most widespread destruction. These eastern
peoples, primarily from the province of Kham, fled westward and
southward, towards the border with Nepal. Among them were the
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ancestors of the present day Nepalese Sherpas, whose very name (shar
means east and pa means people), belies their origin.
The region, to which the Sherpas fled, was due north of the Himalayan peaks now known as Gauri Shankar and Everest. In particular, many
settled near the trade town of Dingri, which itself was associated with two
later figures of importance to Tibetan spiritual history – Padampa Sange
and Milarepa (Aziz 1978: 23-30; Chan 1994: 921). It was also the region
that is mentioned by two important spiritual treasure finders, Orgyen
Lingpa (CE 1323-1360) and Rigzen Godem (CE 1337-1408) as part of
their revelations (Dudjom Rinpoche 2002: 775-783).
Apparently the first to write of Rolwaling as a sacred land was Orgyen
Lingpa in the Padma Katang, Shelbragma version. This treasure teaching
of over 755 pages done primarily in verse (Yeshe Tsogyal 1978), was
revealed to Orgyen Lingpa while he was meditating in the Sheldrak Cave,
high above the present city of Tsedang, not far from Samye monastery
(Chan 1994: 522). Sheldrak was the first cave Padmasambhava used for
extensive meditations in that region, and is filled with his spiritual energy
(ibid.: 523). It is worthwhile to note that although the popular conception
of beyul, is that of places of safety and plenty, the Padma Katang mentions
the Rolwaling area, “The glacier of Tsering”, under Canto 95, as “one of
the best places for spiritual attainment in future times” (Yeshe Tsogyal
1978: 645). Still more specific is the reference in the Katang Dupa, The
Abbreviated Chronicle, revealed by Orgyen Lingpa, which further
mentions in folio 6 that Padmasambhava performed the Vajrakilaya ritual
in a cave in Rolwaling which then became known as the Phurbi Drubkang
(Wangmo 2005: 14, and 335).
Beyul Rolwaling is also mentioned in at least two works of the treasure
finder Rigzin Godem. In The Seven Plains and Ridges of the Seven Hidden
Countries, he names seven hidden valleys, including the Playground of the
Dakinis (rol ba mkha’ ‘gro’i gling) (ibid.: 332). In his General Catalogue
of the Hidden Valleys, the Playground of the Dakinis is mentioned as “a
hidden valley that is easy to find and can easily be kept by skilful means”
(ibid.: 335).
The Rolwaling reincarnate lama, Tulku Ngawang Lapsum adds,
“According to our traditions, Karmapa created Rolwaling in the 16th
century” (Bridges 1999). In searching through the biographies of the
Karmapas, the most likely candidate is the 7th Karmapa (Thinley 2001:
83-87; Karmapa.org: n.d.). The biography of Karmapa Chodrag Gyatsho
(CE 1454-1506) states that he was prompted by a vision of Padmasambhava surrounded by both Nyingma sect deities and lamas of the
Kagyu sect, “to find certain valleys which would afford safety during the
Rolwaling: A Sacred Buddhist Valley in Nepal
159
coming conflict he saw as inevitable”, (Thinley 2001: 85). Known as a
vegetarian, he persuaded many people to give up fishing and hunting. He
also protected domestic animals by instituting the practice of marking
them with ribbons in their ears to show that they were exempt from
slaughter (ibid.: 83), a practice followed in Rolwaling where all animal
slaughter is forbidden and wool ribbons in an animal’s ears means that
even their wool will not be used for commercial purposes.
Normally, the discovery of a hidden land and the treasure finder who
“opened” it are well known as they are recorded in what is called a Neyig.
Unfortunately there was only one copy of the Neyig for Rolwaling kept in
the valley itself, and this was loaned to a priest from the Sherpa area of
Pharak, whose family unwittingly discarded it after he died. These events
occurred at least 50 years ago, according to informants, so there is little
current memory as to the content of the Rolwaling Neyig or its author.
There must have been other copies in either Kagyu or Nyingma
monasteries in nearby regions, perhaps even a major monastery like the
Kagyu center at Rumtek in Sikkim, but so far none have been located.
Inspired by local oral traditions, anthropologists began looking for
beyul literature in Nepal and Tibet about 40 years ago (Jest 1975; Aris
1975; Sacherer 1977; Reinhard 1978; Huber 1999, and 2002), but so far
the search has not been systematic. Currently however, groups devoted to
individual treasure finders, such as Rigzen Godem (Northern Treasures:
n.d.), have renewed translation efforts so there is hope that eventually the
Neyig of Rolwaling will be found. Until then, and we have only local oral
traditions to go by.
3. Tseringma Mountain Significance
Remarkably, the treasure finders of the beyul tradition were not the first
mention of the Rolwaling region as a sacred place. This honour belongs to
an earlier Tibetan saint named Milarepa (CE 1052-1135), a beloved figure
who went from a life of great sin to full enlightenment in one lifetime. A
lineage master of the Kagyu school, Milarepa was also a great poet whose
collected works are known in English as The Hundred Thousand Songs of
Milarepa (Chang 1999). He was born in Tibet near the Nepalese border
crossing of Rasuwa, in the sacred hidden valley of Kyirong. Later he
journeyed to east-central Tibet, where he studied under the Buddhist
translator Marpa, before retiring to isolated valleys in the southern border
regions (Milarepa 1996; anon. 1992). In fact, most of his latter life was
spent in the Lapchi and Chuwar valleys just north of Rolwaling. Today
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Chuwar is known as Rongshar, but its holiness as the place where
Milarepa became enlightened, died and was cremated, remains.
Milarepa recorded that he was often tormented by the five long life
goddesses of nearby Tseringma Mountain, who specialized in sexual
taunts and temptations. Although Padmasambhava had initially subdued
them on his journey through the region, they needed further teachings
from Milarepa, according to some accounts, or alternatively, were merely
testing his level of spiritual attainment. In any case, the encounter was
fateful as Milarepa resisted all advances, and they became his personal
disciples. Modern Tibetans recite Milarepa’s poems describing these
experiences in their own language still, and probably his song naming and
describing the Tseringma, was the first time their names and attributes
were noted in print (Chang 1999: 296-311).
The five long life goddesses remain important protector deities for all
of Tibet, but particularly for the Kagyu sect of Buddhism, of which
Milarepa was a master. The most important religious leaders of the Kagyu
sect are the Karmapas, who also represent the first lineage of reincarnated
leaders in Tibet. The third Karmapa, Rangjung Dorje (CE 1284-1339),
was born in nearby Dingri, and spent time meditating in both Lapchi and
Chuwar (Thinley 2001: 55; www.karmapa.org : n.d.), while there is a very
strong tradition in Rolwaling that he visited there also, and was gifted by
an appearance of Tseringma, the chief goddess of the five sisters, during
his visit. The present reincarnate lama of Rolwaling, Tulku Ngawang
Lapsum, has stated, “Ramjum Dorge (sic) also visited Rolwaling, and his
hand and knee prints can be found between Beding and Na” (Bridges
1999).
The Tseringma goddesses are worshipped across Tibet, both
collectively and individually. Individually, they each have names,
properties, colours, directions, and ritual implements, while riding on
different mounts accordingly to the rituals of the various schools of
Tibetan Buddhism (Nebesky-Wojkowitz 1977: 177-181). In the hierarchy
of Tibetan place gods, they rank as part of the retinue of Palden Lhamo,
the chief female guardian of Tibet (ibid.: 30). Their arrangement on icons
represents a mandala, with Tashi Tseringma in the centre. Collectively
they represent the vast spiritual power present in the great snow mountains
of the Himalayan range, while individually, they grace particular
mountains and lakes.
Nebesky-Wojkowitz (1977: 177) recorded that there were five glacial
lakes of different colours on the northern flanks of Tseringma Mountain,
representing the five goddesses. However, no one in Rolwaling could
name them and they are no longer discernable on either maps from the
Rolwaling: A Sacred Buddhist Valley in Nepal
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1960’s (Scheneider 1974) or more recent satellite images (Reynolds 2008:
<personal communication>). Probably they have melted into the one large
glacial lake now seen. The Rolwaling tradition meanwhile holds that the
high altitude lake of Omi Tsho, located at 4,700 metres on the southern
Rolwaling side of the mountain, is the lake representing the soul of the
chief goddess Tseringma.
For the Sherpa people, the two most important goddesses of the five,
are Tashi Tseringma and Miyo Langzangma. Tashi Tseringma whose
name translates as “auspicious long life mother” or auspicious long life
female, is the eldest and most important. She is always pictured with a
beautiful white face and body, as pure as the Himalayan snows. Her
silken clothing appears in pastel colours, while her jewellery is of purest
gold. Her mount is the legendary protective animal of Tibet, the snow lion,
also pure white, with green mane and tail. In her right hand she carries a
golden thunderbolt vajra, a symbol of power, and in her right, a vase
containing the elixir of numerous progeny and long life. She always
occupies the centre of the five sister’s icon and is larger in size than the
others, to denote her greater importance. She is particularly invoked for
safety and long life by the Rolwaling Sherpas before they begin a
mountaineering expedition.
Miyo Langzangma (Immutable fair lady of Heaven), occupies the
upper right corner of the icon and is yellow in colour, offering savoury
foods with the right hand and holding a gold bowl filled with foodstuffs in
the left. She bestows food and wealth while riding on a large young tiger
with golden hair, and spends most of her time on nearby Mt. Everest.
Because of Everest and the wealth brought to the Sherpas of that region
through the many mountaineering expeditions to her mountain, she is
worshipped by them as their chief protector goddess. The name of Everest
in Tibetan is transliterated as Chomolangma which combines the word for
goddess, Chomo or Jomo with Langma, a contraction of her name. In the
Sherpa language, the name Chomolungma translates as mother goddess of
the countryside, lung/ling (of the Everest region), not mother goddess of
the earth as it is usually translated into English.
4. The Sacred Landmarks of Rolwaling
4.1. Tseringma Monuments
Because of its dual status as the playground of the five long life goddesses
as well as being a hidden valley of Padmasambhava, Rolwaling is blessed
with natural monuments commemorating both the goddesses and the Guru.
These monuments and the religious festivals associated with them are
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divided by function. The place gods and goddesses like Tseringma, her
guardians, and the water spirits, are concerned with practical matters such
as keeping one’s children, livestock, and crops alive and healthy. By
contrast, the Buddhist saints, Boddhisattvas, and Buddhas, are concerned
with one’s spiritual growth and future lives. As with other communities of
Tibetan culture, every unusual aspect of the physical landscape is given a
spiritual significance, and the notion of unusual features of the landscape
spontaneously appearing to reveal a sacred property or message, is
common (Huber 1999, and 2002; Dowman 1988: 290-294; Chan 1994:
38). These spontaneous monuments, or rangjin, can be revealed by a great
treasure finder or by a pious villager who receives a revelation.
Fig. 6.1. The Rolwaling village of Beding (3,693 m) with sacred Tseringma/Gauri
Shankar Mountain (7,146 m) in the background. Unknown Photographer.
The most spectacular monument to the five long life goddesses is of
course the Tseringma/Gauri Shankar massif itself which towers above the
Rolwaling: A Sacred Buddhist Valley in Nepal
163
main village of Beding (cf. Fig. 6.1). Almost equally important is the high
altitude lake known as Omi Tsho, or Milk Lake, which contains the life
force, or chi, of Tashi Tseringma (cf. Fig. 6.2).
Fig. 6.2. Sacred Omi Tsho lake lies at about 4,800m and is the site of the highest
summer pastures in Rolwaling. The roofs for the temporary dwellings and
all other supplies must be carried up. Photo by Janice Sacherer.
Omi Tsho also has the quality of giving visions of the future to highly
spiritual people and indeed, the reincarnate lamas from Thami (Thangme)
monastery in the Sherpa region to the east, have meditated here for that
purpose and received visions. This lake is also sacred to Hindus, who visit
it in the summer around the first of August, and make offerings.
A monument to all five goddesses is a flat rock labelled Shupji Niye,
“footprint story”, a flat rock on the path to Na village which has small
indentations on the top that are believed to be the footprints of the five
goddesses. Another rangjin, of great importance to the Tseringma, is
Charka Nasa, a flat rock that has indentations which resemble the marks
someone would have made, if they had prostrated themselves, touching
knees, hands, and forehead to the ground. It is said to be the marks left by
the Third Karmapa, when he had a vision of the Tseringma, almost 800
years ago.
On the north side above Na village is Tse Bum, life vase, a rock
surface containing the outline of a large vase, before which childless
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women, or women wishing for a son, will pray. An interesting aside is the
fact, ascertained in demographic studies by the author, that more girls are
consistently born in Rolwaling than boys, a phenomenon attributed to
Tseringma preferring women. Along these lines, Rolwaling people say
that the reason Rolwaling women are so strong and can do the same work
as men is due to the influence of Tseringma who aids them.
A lesser monument, is that of Tseringma Chabu, a rock on the north
side of the valley to the east of Beding, which resembles a chicken
(Chabu) and which is said to belong to Tseringma. Since her conversion to
Buddhism, she no longer requires blood sacrifice, and the stone chicken is
symbolic of this.
Other than Tseringma, there are two place gods who watch over the
welfare, but particularly the livestock herds of the people. Known as Gora
or Terton Gowari, one of these is the Nangi Gora which is worshipped at a
particular rock on the north-eastern side of the valley on the way to the
village of Na, and has been there as long as anyone can remember. The
Tsamtar Gora on the south-western side of the valley is only 40 years old
by contrast, and was discovered to be the site of a Chi Gora or life giving
Gora, when a yak belonging to a past village headman began disappearing
every evening and was found to be going to the site of Tsamtar and
expressing her milk on the ground. Since then the Tsamtar Gora has
become sacred to both Buddhist Sherpas and lower region Hindus. Tsam
and Gora are known in Tibetan religion as guardians of boundaries,
(Wangmo 2006: <personal communication>) and since they are formally
known as Terton Gowari, one suspects that these were the inner
boundaries of the Beyul, as set by the original terton, or treasure finder,
whomever that may have been.
4.2. Buddhist Monuments
In the modern interpretation of the meaning of Rolpa Ling, (Rolwa ling in
Sherpa language) the entire 1 km wide by 7 km long valley is a monument
to Padmasambhava. This interpretation has arisen as one homonym of
Rolpa means the furrow created in a field by a plough, which is not a bad
description of such a narrow valley bounded on three sides by 6-7,000
meter mountains. This change in meaning has arisen under the increasing
influence of the Nyingma sect and especially the lamas of Thami
monastery. Thus the original “playground of the Tseringma goddesses”
meaning has changed to “one furrow wide country”, as created by one
sweep of Padmasambhava’s legendary flying horse Balahoka (Yeshe
Tsogyal 1978: 734) and a plough. It can also be understood as a greater
Rolwaling: A Sacred Buddhist Valley in Nepal
165
emphasis being placed on Buddhism with a diminishing role for place
gods.
It is currently believed that having finished this work, Padmasambhava rested in Rolwaling in the company of Yeshe Tsogyal. It is said
they were accompanied during their approximately three months’ stay by a
retinue of a hundred followers. Historically, it is possible that Padmasambhava visited Rolwaling as he travelled eastward across Tibet, though
unlikely. Instead, this legend is better understood in spiritual terms ‒ that
he created Rolwaling as a hidden valley and visited it with Yeshe Tsogyal
in a meditative state.
In any case, one of the most obvious and impressive sites is the
Orgyen Shuti, a large square rock which stands alone in the middle of the
valley as one approaches the village of Na (Fig. 6.3). Approximately 5
meters high, it is a monolithic piece of stone that is now inscribed on all
four sides with the recurring Tibetan phrase, Om Mani Peme Hum, “Hail
to the Jewel of the Lotus”, a mantra with multiple meanings.
Nearby is a smaller and similarly carved rock named Kanda Shuti,
which is said to be the chair of Yeshe Tsogyal, who is also known as
Kandro’i Tsogyal, from one of her titles that translates as “Sky Goer” or
“Sky Dancer Life Queen”. Lying at the base of these stone thrones are
small slabs of rock of many strata, which are said to be holy scriptures,
whose meaning has not yet been revealed (many exist around Omi Tsho as
well).
More important from a spiritual point of view, as it is mentioned in
Orgyen Lingpa’s Abbreviated Chronicle, is the Orgyen Drubkang, a cave
on the north side of the valley over looking the stone thrones of the Guru
and his consort. It is said that Padmasambhava meditated here for several
months, most probably in spiritual form. It is also believed that when the
sponsors of the summer festival are especially pure of heart, water will
flow from the roof of the cave. Near it is a 3m high rock which resembles
the face and head of a Lama that is thought to be a spontaneously created
likeness of the great Guru.
On the south side of the Valley below Na village and not too far from
the Orgyen Shuti, is the Neg’i Go, a large rock said to be a “story” door
left behind by Padmasambhava which awaits a treasure finder to open it
and reveal what lies within (cf. Fig. 6.3). Some Rolwaling people have
speculated that it might be the door to the perfected land of Shambala.
However, beyul and Shambala are separate traditions (Birnbaum 1980: 7677) so it seems more likely that the original meaning was a door to a
deeper level of the beyul. Since the outer, inner, and secret levels of a
beyul interpenetrate each other in Buddhist philosophy, a more likely
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interpretation for the voices and laughter Rolwalingites sometimes hear in
this region, is that they are temporarily encountering a deeper, still secret
level of the valley and its particular inhabitants (Birnbaum 1989: 62).
Fig. 6.3. Orgyen Shuti, the throne of Padmasambhava, Guru Rinpoche, when he
visited Rolwaling in the 8th century. Photo by Tom Weir .
Other rangjin on the south side of the valley across from Beding
village, are Ringa Rangjin which consists of five small waterfalls side by
side representing a special five-sided hat, or ringa, that is worn by high
ranking Lamas at special religious occasions. The implication of course, is
that every day in Rolwaling is a special religious occasion. Further up the
Rolwaling: A Sacred Buddhist Valley in Nepal
167
Valley is a stone formation that resembles hands folded in prayer and is
labeled Chenresi Rangjin, Chenresi being the Sherpa name for the
Boddhisattva of Compassion whose Sanskrit name is Avolokiteshvara.
Chenresi is the patron Boddhisattva of Tibet whose physical manifestation
is the Dalai Lama. There is also Zambale Rangjin, which commemorates
Zambala, the Boddhisattva of Prosperity. Above these rangjin are several
mountains that also bear Buddhist names – Tabayabyum, the tantric father
and mother figures in embrace, and Dorjee Pagmo, another Boddhisattva
of prosperity.
In the questionable category is a cave named Kira Gomba Dorjee.
The author was told that it was the cave where Guru Rinpoche stored his
dried goods while in Rolwaling, including dried meat. However, the name
closely resembles that of Kyirawa Gonpo Dorje, the mythical hunter who
is said to have first discovered the nearby Khumbu region (Wangmo 2005:
21-22). As such, it may be an example of an older pre Buddhist tradition
having been sanctified by Padmasambhava.
Meanwhile, revelations are ongoing in Rolwaling, as in 1974, the year
the author first did field work there, the local Buddhist priest, a renowned
holy man, had a dream that a rangjin with the footprints of Padmasambhava, was awaiting discovery. He then had his many young students
from Rolwaling go to a specific area near Beding with shovels, to dig on
the spot he had dreamed of. And so it was, that the latest rangjin,
displaying Padmasambhava’s footprints was found.
5. Sherpa Immigration to Nepal and Rolwaling
Since the Sherpas are known to have originated in Tibet and to have
crossed over into Nepal around 500 years ago, questions naturally arise as
to when and why the Sherpas departed Tibet and what role the beyul
tradition might have played in these events.
The first research into Sherpa history was done by Michael Oppitz
(1968, and 1974), when he discovered genealogical documents in the
lower altitude region of Solu. According to these documents, the Sherpas
originated in eastern Tibet in the province of Kham, in a region called
Salmo Gang, near Derge, more than 1,500 km. from their present location.
They left this area because of the depredations of a series of Mongol
invasions from the north, toward the end of the 15th century (ibid.: 122;
Wangmo 2005: 22). Many people from Kham migrated westward at this
time, but only four families are thought to be the direct ancestors of the
original Sherpas (Oppitz 1974: 125).
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Eventually many of these migrants settled in the Dingri region,
(Oppitz names it as Tinkye), just north of the Himalayan range and near
where the Sherpas live now. Some Sherpas gradually moved south to the
Milarepa valley of Chuwar, now known as Rongshar. While it is not
certain, it seems likely that the change of name from Chuwar to Rongshar,
is also a reference to the Sherpas (sher = east, pa = people) and their
sojourn there. Even this area did not remain peaceful however, as a
Muslim general from the west came thorough the area in 1533, destroying
Buddhist temples in his wake, and according to Oppitz (ibid.: 122),
precipitating the Sherpas’ move south of the Himalayas. The Sherpas
could have fled northward into the empty reaches of the Changtang plain
in 1533, but chose instead to go south across the Himalaya, a bold move
made psychologically possible for them, this author believes, because of
the revelations of the treasure finders.
Rolwaling Valley itself, was not populated until about 1870 (Sacherer
1977: 290, 1981: 157). These pioneers were a combination of hunters from
the Tibetan town of Kyrong, to the northwest, and Sherpa families from
Thami, just over the Tashi Labtsa pass to the east. The Sherpa families
were seeking to escape bad debts, probably the result of the increased
taxation imposed on the Sherpas by the aristocratic Rana family (Ortner
1989: 117-123).
These early settlers lived in caves and rock lean-tos at first, and then
joined by other families, constructed the first permanent houses at the
eastern end of the valley. There was considerable friction in the beginning
between a particular Tibetan hunting family who also furnished the first
village headman, and the Sherpas, over the issue of whether the Tibetans
should continue to hunt. Since hunting was and is, considered a sin by
Buddhists, it was thought to be a particularly unfortunate activity in a
beyul. Eventually the headman met with a fatal accident and from then on,
the killing of any animals, wild or domestic, was banned. Rolwalingites
will however, eat the meat of an animal that dies by accident or old age.
Later immigrants had their own reasons for fleeing to a place that was
so remote and difficult of access that authorities chose not to pursue them
once they had arrived. Interviews with the oldest people alive during the
1970’s, revealed many interesting stories of people whose ancestor’s had
fled other Sherpa or Tibetan communities to escape feuds, debts, and tax
collectors. For many of the original settlers, Rolwaling truly was a hidden
land of refuge. However, since Rolwaling is an east-west valley rather
than a north-south one like most in the Nepalese Himalaya, it also meant
the Rowalingites were never able to benefit from cross border trade as did
Rolwaling: A Sacred Buddhist Valley in Nepal
169
other Sherpa regions, and so paid for their splendid isolation by being the
poorest of all Sherpa communities.
6. Recent Rolwaling History
The first Western people to visit Rolwaling were Sir Edmund Hillary and
Charles Riddford, who crossed into the valley via the eastern Tashi Labtsa
pass (Fig. 6.4) after their 1951 Mt. Everest Reconnaissance expedition
(Sacherer: 1977: 59-60).
Fig. 6.4. The Rolwaling approach to Tashi Labtsa Pass (upper right 5,755 m),
which connects it to the Mt. Everest region. Photo credit Tom Weir.
On this same expedition, famed mountaineer Eric Shipton approached
the Menlung La pass from the north, but was unable to cross the deep
crevasses. His trip was notable however, for obtaining the first photograph
ever, of a purported yeti footprint (Shipton 1999: 621). Other expeditions
and mapmakers followed through the 1950’s (Sacherer 1978: 59-66). Then
in 1959, an expedition of the Japanese Alpine Club left Rolwaling and
crossed Menlung La pass illegally in order to climb Tseringma Mountain
from the easier Tibetan side. Once in Tibet however, they were robbed of
nearly everything, by sword wielding bandits on horseback, and had to
borrow money from the British Embassy to return to Japan (Kato 1960).
The Nepalese government, unable to patrol Rolwaling because of its
remoteness, and fearing international repercussions from further illegal
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border crossings, decided to put the entire valley off limits. Only in 1973,
shortly before the author arrived to do ethnographic fieldwork, was
Rolwaling again opened to the public. Through these fortuitous
circumstances, the author was able to study a Sherpa community still
living a traditional life.
The autumn of 1974, however, saw more trekking group visitors (over
200) than there were permanent residents, and as a result, social and
economic changes similar to those that had already occurred in the Everest
region (Stevens 1993), began taking place (Sacherer 1977, and 1981;
Baumgartner 1980, and 1988). Significant for other remote areas being
opened up, the greatest number of changes in the valley itself occurred
within the first three years of this opening. Not until twenty years later in
the 1990’s when nearly half the total population, (now increased to 400)
moved to Kathmandu, was there again great change.
There were many reasons for this mass relocation, including the
official closure of the valley to casual tourists once again, because of
Nepalese government concerns over a series of fatal accidents on Tashi
Labtsa. While registered mountaineering groups were still allowed, they
did not bring as many local employment opportunities as the trekkers.
Other strong motivators included the desire of the Rowalingites to give
their children a quality education, and the Tsho Rolpa scare.
The latter resulted from the glacial lake on the far eastern end of the
valley becoming dangerously full of water and in danger of bursting, as
have other glacial lakes in the Himalaya (Mool et al. 2001). Since Tsho
Rolpa is the world’s largest and deepest glacier lake, and Rolwaling so
high and narrow, such an event would bring catastrophe not only to
Rolwaling but also to valley dwellers for many kilometres below. Recently
however, foreign donors and the Nepalese government have completed
major engineering projects to drain the lake of excess water (Reynolds
2005) and this has given renewed confidence to Rolwalingites who hope
to return there for retirement at least. A Norwegian backed NGO has
become active as have numerous other foreign philanthropic groups, and
development for the remaining population is finally underway (Mountain
Legacy: 2006).
It is the desire of Rolwaling people to maintain their religious
traditions and to develop their valley for tourism in a more thoughtful way
than the Everest region. To this end, they have requested the author to
write a religious guidebook in English, and plan to mark the various sacred
sites in that language and others. They have also requested Western aid in
getting a prohibition from the Nepalese government on climbing
Tseringma Mountain, and they have made a general appeal to commercial
Rolwaling: A Sacred Buddhist Valley in Nepal
171
trekking agencies to refrain from slaughtering animals while in the valley
(Chokling n.d.).
Currently a road is being built that will reduce the trekking time from
5 days to 1½ , and assuming a modicum of peace and political stability in
Nepal, both of which have been lacking the past ten years, tourism is
bound to increase accordingly. This would open up the possibility of a
sacred sites tour similar to one already established in the Mt. Everest
region (Mountain Institute n.d.), making Rolwaling a place of pilgrimage
for both Nepalese and western tourists, a development which would
provide many local employment opportunities and the possibility of a
return to the valley for a substantial portion of the Rowalingites who now
live and work in Kathmandu. Conversely, if national political stability is
not achieved, then Rolwaling is once again likely to serve as a place of
refuge from the troubles of the outside world.
Note:
1 Tibetan script, which the author does not read, is transliterated in a number of
ways. However, the most accurate letter for letter renditions include many
consonant clusters which are virtually unpronounceable and are no longer used
in modern speech. For this anthropologically oriented paper, therefore, the
author has chosen to render the Tibetan and Sherpa terms as they are
pronounced phonetically in British English (Wylie system), rather than in the
formal Tibetan of 1,200 years ago.
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in Future Times’, Canto 95: 645, and ‘the Departure from Tibet
Towards the Southwest to Convert the Raksasas’ Canto 107: 734; in,
The Life and Liberation of Padmasambhava, Part II, (trans. Douglas,
Kenneth and Bays, Gwendolyn). Dharma Press, Emeryville, CA.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Prof. Janice Sacherer
[Professor of Anthropology and Asian Studies, University of Maryland,
Asian Division]. PSC 560, Box 843, APO AP 96376, Okinawa, JAPAN.
Email: jturner@sunny-net.ne.jp ; jturner@asia.umuc.edu
§ Janice Sacherer received her M.A. in anthropology from San Francisco State
University and her PhD from the Ecole des Hautes Etudes en Sciences Sociales,
Paris, in 1978, for her work on the Sherpas of Rolwaling. She has taught in the
University of Maryland’s European and Asian Divisions (UMUC) for more than
30 years, and has also worked in Nepal as an applied anthropologist for the Swiss
and New Zealand governments. Resident in Japan since 1982, she retains her
research interest in Himalayan populations, and travels frequently to Nepal. She is
the author of both: the technical reports and academic articles on cultural ecology,
social and economic change, applied anthropology and ethno-history.
7
Landscape, Memory and Identity: A Case
of Southwest China
Zhou Dandan
Tsinghua University, Beijing, China
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. During the great transition from the Ming to Qing Dynasty in
China, many Ming loyalists utilized different ways to keep loyalty to their
state and struggle against reality. Qian Bangqi was one such and he chose
a distant and isolated village, which was located at the margins of the
empire, to escape the impending political danger and find peace of mind.
There, he lived a reclusive life for eight years and creatively transformed a
wild southwest landscape into a familiar southern scene from his
homeland. This paper analyses Qian Bangqi’s actions as a landscape case
study in which landscape is defined as a constructive process of culture,
and as cultural representation to shape individual identity. First, I focus on
Qian Bangqi’s identity crisis as he faced the fall of the Ming dynasty and
the conquest by Manchus. Second, I discuss the two strategies, waterscape
and stone layout, he employed to transform the wild and isolated
landscape. Generally, Qian Bangqi used naming, imagination, appropriation, replication, re-creation, writing and inscription to alter Pucun’s
landscape, turning a place of exile into a familiar Southern-style garden
and intimate home scene. Therefore, the process of landscape transformation and landscape making became a unique and subtle way to express
and recognize his personal identity, lessen the degree of his identity crisis,
as well as to resist the Qing Dynasty.
Keywords: landscape, memory, identity, exile, Qian Bangqi, Ming
loyalist, waterscape, stone layout, stone inscription, reign title.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
It seemed important to grapple with the politics of landscape, to try to
understand how people in a turbulent world create a sense of place and
belonging, loss or negation. It seemed right to ask people to talk about
contested landscapes, and about landscape of movement, migration, exile
and home-coming.
— Barbara Bender (2001: 1)
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7. Zhou Dandan
The landscape is never inert, people engage with it, re-work it, appropriate
and contest it. It is part of the way in which identities are created and
disputed, whether as individual, group, or nation state.
— Barbara Bender (1993: 3)
1. The Perspective
The fields of cultural geography, art history, and cultural studies have
provided different definitions of landscape. Landscape has been conceived
as place, scenery, background, land, agrarian modes, way of settlement,
visual environment, territory, nature, space, etc. (Zhang 2006). In the
1980s, landscape has been read or interpreted as a “text”, or a social
document (Cosgrove and Daniels 1988; Duncan and Duncan 1988). In the
1990s, Mitchell challenges us to “change landscape from a noun to a
verb,” and takes “landscape not as an object to be seen or a text to be read,
but as a process by which social and subjective identities are formed”
(Mitchell 1994: 1). Meanwhile, Mitchell sums up the two major shifts of
the study of landscape in the 20th century:
the first (associated with modernism) attempted to read the history of
landscape primarily on the basis of a history of landscape painting, and to
narrativize that history as a progressive movement toward purification of
the visual field; the second (associate with postmodernism) tended to
decenter the role of painting and pure formal visuality in favor of a semiotic
and hermeneutic approach that treated landscape as an allegory of
psychological or ideological themes (Mitchell 1994: 1).
Mitchell calls the first approach “contemplative” and the second
“interpretative.” He stresses that he intends to “absorb these approaches
into a more comprehensive model that would ask not just what landscape
is or means, but what it does, how it works as a cultural practice” (Mitchell
1994: 1). Generally speaking, landscape has been more and more
considered as a dynamic medium rather than a still and transparent present.
Moreover, as a semantically rich conception, landscape study is becoming
a popular inter-disciplinary topic, and as Barbara Bender has put it, one
that operates “at the juncture of history and politics, social relations and
cultural perceptions, landscape has to be...an area of study that blows apart
the conventional boundaries between the disciplines” (Bender 1993: 3).
Towards the end of the twentieth century, anthropologists begin
exploring the concept of landscape from an anthropological perspective. In
1995, Eric Hirsch and Michael O’Hanlon edited a book titled The
Anthropology of Landscape: Perspectives on Place and Space. Nine
anthropologists and an art historian discuss landscape from different
Landscape, Memory and Identity in SW China
177
approaches; however, all focus on landscape as a constructive process of
culture. Eric Hirsch emphasizes that,
place and space, inside and outside, and image and representation cannot be
arranged further into a set of equivalences or exact homologues of one
another, with landscape as their sum. This is because there is no absolute
landscape: the salience and relationship between place and space, inside
and outside and image and representation are dependent on the cultural and
historical context (Hirsch 1995: 23).
Their efforts to introduce landscape into anthropology bring about a new
dimension of landscape research, but at the same time they realise that
landscape remain largely unproblematized (Hirsch 1995: 23).
Additionally, Darby maintains that “the construction of identity
through recreational participation in valued and symbolic landscapes is a
topic little explored in anthropology, even though such activities are
assuming an increasingly important role in the lives of many individuals in
the affluent countries of Western Europe, Asia, and the United States”
(Darby 2000: 1). Thus, in her book Landscape and Identity: Geographies
of Nation and Class in England, Darby provides an excellent investigation
into the formation of national and class identity of the English through
their landscape practice. Darby focuses on a group of people and their
collective identity formation process, from a macro-level perspective. Here
I attempt to discuss from a micro-level perspective and to analyse the
identity formation of an individual in a particular historical period.
Just as McCall commented in his review of The Anthropology of
Landscape, the term landscape is frequently employed, but its meaning
and utility have rarely been examined in a sustained and rigorous manner.
Thus, for anyone wanting to discuss landscape from an anthropological
perspective, must first rigorously define it (McCall 1997: 676). Here I
discuss landscape as a constructive process of culture, and I intend to
understand landscape not only as natural environment to be adapted to or
to be viewed and enjoyed, but also as “a site of visual appropriation and a
focus for the formation of identity” (Mitchell 1994: 2).
My fieldwork was carried out in a village in southwest China. In the
long history of imperial China from Qin (221-207 BCE) to Qing (16441912) Dynasty, the southwest area was always remained at the margins,
which lay outside the political, cultural and economic centre of the empire.
During a particular period of dynasty transition from Ming (1368-1644) to
Qing, a southwest province, Guizhou, became a place of recluse for
several intellectuals, who exiled themselves from the centre, which was a
silent way for them to resist the Qing Dynasty. Here, I choose Qian
Bangqi (1599-1673), an exiled intellectual as a case of landscape study.
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7. Zhou Dandan
Qian Bangqi lived a reclusive life in Pucun, a village of Yuqing County in
Guizhou Province, for a period of eight years. Lived in a time described by
Struve as “political dissolution, socio-cultural ferment, and moral
dilemmas”, in order to “find peace of mind and integrity of soul” (Struve
2009: 343), he made best use of naming, imagination, appropriation,
replication, re-creation, writing and inscription to improve Pucun’s
landscape, transforming a depressing place of exile into a garden of
southern and homely style. Therefore, as a cultural representation and a
means of shaping individual identity, landscape gardening became a
special way to express his personal identity and reduce the pain of his
identity crisis, as well as to express his resistance of the Qing Dynasty.
In the foreword of Contested Landscapes: Movement, Exile and Place,
Bender argues that the study of landscape is not merely an academic
exercise — it is about the complexity of people’s lives, historical
contingency, contestation, motion and change (Bender 2001: 2). In a
sense, to understand Qian Bangqi from the perspective of landscape,
memory and identity is to probe into the complexities of his life
experience in “motion and change” (Bender 2001: 2), which means his
exile from the centre to the margins, and the dynasty transition from Ming
to Qing.
2. Homelessness: Qian Bangqi’s Identity Crisis
During the transition from Ming Dynasty to Qing Dynasty, those who kept
loyal to Ming and resisted Qing Dynasty were called Ming loyalists.
According to Struve, Ming loyalism “could apply meaningfully to anyone
who pointedly altered his or her life patterns and goals to demonstrate
unalterable personal identification with the fallen order” (Struve 1979).
Qian Bangqi was among this group of people, and as the rest of them, he
faced deep identity crisis.
First, I will give a short description of the life course of Qian Bangqi,
which could make us better understand his choices. Qian Bangqi was
known as “an erudite intellectual of the southern Yangtze river” (jiangzuo
daru). Information of his life is mainly available in Yuqing xianzi (Yuqing
County Document). As the version edited in Qing period recorded:
Qian Bangqi (also Kaishao), was born in Dantu [now Zhenjiang, in Jiangsu
Province]. As a governmental official, he was promoted from the position
of Zhonghan to Duxian. In order to reject the malicious invitations from
Sun Kewang (?-1660), he went to Pucun, a village in Yuqing County.
During his stay in Pucun, he constructed a lake lined with willows. Several
persons followed Qian and learned from him. He and his disciples often
wrote and replied in poems, using the same rhyme sequence. He wrote
Landscape, Memory and Identity in SW China
179
Tashanfu (An Essay on Tashan), which was recorded in the literature
section of Yuqing xianzhi. (Jiang 1718)
Another version of the Yuqing xianzhi, which was re-edited during the
Republican period, gives us a more detailed description:
Qian Bangqi(also Kaishao), was born in Dantu. He unfortunately failed the
civil service examinations several times. He was talented in literature, and
wrote poetry and articles as excellently as his contemporaries, such as
Zhangfu (1602-1641), Xu Fuyuan (1599-1665), Chen Zilong (1608-1647),
Ai Nanyin (1583-1646) and Wuyi (?-1646). He was promoted in the
official position from Zhonghan to Duxian, but then was forced into exile
in Qian. He was once imprisoned by Sun Kewang, who forced him to
assume a position in an illegitimate government, but Qian Bangqi firmly
rejected him. In face of Sun’s threat, Qian Bangqi decided to cut his hair to
become a monk, and lived a reclusive life in Pucun. There, he made friends
with Zheng Fengyuan (1613-1689) and did not care about the outside
world. He had many disciples who studied under his instruction. During the
time when the Qing court exploited Qian province, he escaped to Heng
Mountain and continued his writing assiduously. In the ninth year of the
reign of Emperor Kangxi (r.1661-1722), the governor of Yongzhou, Liu
Daozhu, invited him to edit and write Yongzhou xianzhi (Yongzhou County
Document). In the twelfth year of Kangxi’s reign, the governor of Baoqing,
Li Yiyang, invited him to edit and write the Baoqing xianzhi (Baoqing
County Document). But six months later he had a serious illness; therefore,
he had his friend Liu Yingqi to continue and complete the work on his
behalf. Qian Bangqi had a strong personality and was intelligent; he was
also a man of integrity and responsibility, and it was said that he never lost
his temper around others. Because Qian Bangqi often criticized cruel
officials, these people feared and hated him very much (Chen 1927: 208).
Besides the narrative of his life course, Yuqing xianzhi also included
several poems and articles written by Qian Bangqi, as well as some poems
about him by intellectuals of the Qing period. Here I will try to illuminate
his exile experiences and complex feelings of “crisis” mainly with these
materials. As recorded in Yuqing xianzhi, Qian Bangqi exiled himself to
escape the danger from Sun Kewang, and stayed in Pucun (see Fig. 7.1),
which had also been described in his writings. In the article Yangmu
baifuren shouxu (prelude to a congratulation essay to celebrate the
birthday of Yang’s Mother Lady Bai), he wrote, “[...] In the spring of the
year Xingmao, I came to Yuqing and stayed there, because Sun Kewang
revolted” (Chen 1927: 210). At that time, Qian Bangqi was the governor
of Sichuan Province, and the Emperor Yongli (r. 1646-1662) hoped that
Qian Bangqi could persuade Sun Kewang to submit to the Southern Ming
court, so that his power to resist Qing dynasty would be strength-
180
7. Zhou Dandan
ened. Therefore, Qian Bangqi wrote a letter to Sun Kewang, and
eventually successfully persuaded him to submit to the Emperor with his
territory of Dian. However, when Qian Bangqi told the news to the
Emperor, he argued that Sun Kewang should not be accepted by the Ming
royal court, because he was not a descendant of the royal family.
Fig. 7.1. The village, Pucun (photograph by the author)
At last, the Emperor Yongli took Qian Bangqi’s advice and rejected
Sun Kewang. Because of this, Sun Kewang deeply hated Qian Bangqi. In
fear of Qian Bangqi’s fame and not daring kill him immediately, Sun
Kewang came up with an idea of inviting him to be an official in order to
shame and control Qian Bangqi. In the following months, Sun sent several
invitation letters to urge Qian (Qian 2006). As a traditional Chinese
intellectual, according to the moral and ethical principles of Confucianism,
loyalty to one’s state is the basic and most important rule. Qian Bangqi
would not be a disloyal person and betray Ming dynasty. So he was
determined to give up his social position and become a hermit. In
general, under continuing pressure from Sun Kewang, Qian Bangqi
insisted on a classic Chinese intellectual’s moral tradition and chose to act
as a Confucian moral model.
In his writings, Qian Bangqi described the period of his life in Pucun
as tranquil and undisturbed. His essay Pucun laonong (an old peasant in
Pucun), written in the form of the third-person, was actually an autography
of himself: “Pucun was in Qian province, and it was uncivilized compared
Landscape, Memory and Identity in SW China
181
with central provinces in China, but the peasant who lived there felt quite
satisfied” (Chen 1927: 207). Besides, in one of the twelve poems under the
title Pucun guitianshi (a series of twelve poems on Returning Back to the
Farmland in Pucun), he wrote:
The earthly life restricted me… Once I decided to live as a hermit, I felt
harmonious and satisfied. I happily tidied up my clothes which were made
of lotus leaves, and put on my bamboo hat. I felt free at the farmlands,
looking at the clouds in the sky. Everything was in tune with the rhythm of
nature, and I was glad to see birds flying back home hastily in the
evening ① (Chen 1927: 233).
However, the feelings expressed in his articles and poems were more
rhetorical than true. In other words, he created an imaginary world through
his writings and pretended to be satisfied with his present life in
Pucun. Although his true mood and concerns were concealed by himself,
they were well expressed and revealed in other intellectuals’ writings. A
good example of this was from a poem by an intellectual of Qing period Li
Guangdou, Yongtashan (Song to Tashan): “I can imagine that Qian Bangqi
once stood by the lake side years ago, even without mentioning of his
country’s political situation and fate, he would not help weeping because
of his deep concerns and sorrow” (Chen 1927: 242).
If the situation was what described by Li Guangdou, then, how did
Qian Bangqi obtained comfort and harmony during the turmoil of exiled
life? It is interesting that the notion of landscape played an important role
in his life and he chose landscape as a means of finding balance. Qian
Bangqi constructed a delicate garden in Pucun so as to transform a wild
village into a “home”, or homeland. The process of transforming the
landscape is actually a process of reconstructing his personal identity; thus,
the landscape became the symbolic representation of his identity. The
constructor of the landscape, Qian Bangqi, personified the place and space
of the exiled village with intensifying the emotional recognition through
his memory of hometown landscape, and made the transformed landscape
in Pucun a symbol of his self re-definition. In this sense, the place and
space in his exiled village became his “territory” and his “hometown.”
Generally speaking, two steps were taken by Qian Bangqi to
transform the village into a garden. First, a lake lined with willows (liuhu)
was constructed and the waterscape was formed as a famous scene titled
“The Morning Mist of the Lake Lined with Willows” (liuhu xiaoyan).
Second, a series of stone layouts and stone inscriptions were designed and
①
Due to the difficulties of translation, I do not maintain the original structure of
the poems quoted in this essay.
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7. Zhou Dandan
arranged, which constituted a main part of an integrated classic Chinese
southern-style garden. Through these efforts, an unfamiliar landscape was
familiarized and became his intimate domain.
3. The Hometown in His Memory: Construction the
Waterscape of the Lake Lined with Willows
Waterscapes are an essential part of a Chinese classical garden. In contrast
with the western style classical gardens, which prefer fountains with
sculptures, Chinese gardens always employ still waterscapes, for example,
a pool or a lake; and the scale of the waterscape is designed according to
the size of the landscape of the garden. Sometimes, lively waterscapes are
also used, such as a cascade or a water curtain cave. Waterscapes add
special characteristics to a garden and are an indispensible part of it.
Waterscapes not only make a garden more intimate with visitors and bring
vitality to a garden, but they are also important in garden composition, and
waterscapes with its reflections of architectures, trees, and clouds, can
bring pleasant scene and change the rhythms of landscape.
According to Yuqing xianzhi, “Qian Bangqi [...] rejected Sun
Kewang’s malicious invitation, and lived a reclusive life in Pucun. He
constructed the waterscape of a lake which lined with willows [...].” (Chen
1927: 184). This record did not give us any details of the process of how
Qian Bangqi carried out his construction; we can only infer that Qian
Bangqi may convert a farmland into a lake and plant many willows around
the lake. Meanwhile, in a poem Yongtashan liuhu (song to the Waterscape
of the Lake Lined with Willows), Li Wenyuan carefully described that
Qian Bangqi had diverted a brook in the village and then built banks to
form a lake, as well as planted hundreds of willows around the lake. On
beautiful spring days, Qian Bangqi would invite his families and disciples
enjoy a boat ride on the lake (Chen 1927: 243). According to Li’s version,
we can see that before Qian Bangqi came to Pucun, there was not any lake
in the village.
Besides, there was another version of how the lake formed, which was
offered by Qian Bangqi himself. In the prelude to a series of twelve poems,
Puncun guitianshi (a series of twelve poems on Returning Back to the
Farmland in Pucun), Qian Bangqi wrote:
My disciples and I came to a place, where there was a lake about twenty
Mu among the mountains, and there were hundreds of willows by the
waterside. I asked local people what was the name of the place, and they
told me it was Pucun and I decided to stay here. In order to make a
Landscape, Memory and Identity in SW China
183
beautiful scene, I cut the wild grasses around the lake; and then I also built
my wooden house by the lakeside (Jiang 1718).
In Qian Bangqi’s narrative, there had already been a lake in Pucun
before he came, which was contrary to what recorded in Yuqing xianzhi
and Li Wenyuan’s poem. Until now, there was still not enough evidence to
verify which version was true and what really happened hundreds of years
ago. However, whether or not the lake originally existed, the three
versions all indicated that Qian Bangqi indeed named the waterscape and
did some reconstruction of it according to the aesthetical principles of
Chinese southern-styled gardens. Thus, a new scene was formed, which
became one of the Yuqing bajing (the eight scenes of Yuqing), and it was
called Liuhu xiaoyan (the Morning Mist of the Lake Lined with Willows).
As we all know, there is a long tradition of Chinese intellectuals to select
and name the famous scenes in a place, the good examples are Yanjing
bajing (eight scenes of Yanjing), and Jinling shijing (ten scenes of Jinling).
The intellectuals in Ming and Qing periods also selected eight scenes
which were the most distinguished ones in Yuqing County, and the
waterscape in Pucun was among them. An anonymous poem had
described it like this:
At the foot of Tashan, there are hundreds of old and green willows; in the
morning, dews are dripping on the green leaves; and the silk-like mist is
dense. In the beautiful day, birds are singing here and there, while swallows
are flying up and down. Thus, all these natural scenes make a picture of
wonderland (Chen 1927: 8).
Perhaps, we may feel a little confused when we first read the above
poem. It appears to be a description of the scenery in a middle or south
place of China, rather than the margin of the empire. It was obvious that
through Qian Bangqi’s re-creation, the waterscape was distinguished by a
traditional southern China intellectual’s taste as delicate and exquisite,
sharply contrasting to the general impression of landscape in Yuqing
County as desolate, wild and dangerous. As an intellectual in the south of
Yangtze River, the centre of high culture area during the Ming dynasty,
Qian Bangqi was interested in gardening and had a unique ability to
appreciate it. He made the waterscape completely according to the type of
south-style garden. We can imagine that with the willows planted around
the lakes, the reflection of willows can be viewed; and when a gentle
breeze blows, the branches of the willows would swing, and may even
sweep the surface of the water. These were familiar scenes in Qian
Bangqi’s hometown, and were what he missed and dreamed of in his
exiled place.
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7. Zhou Dandan
Compared with the other seven scenes of Yuqing County, the
waterscape was quite impressive. Yang Yurun, an intellectual in Qing
period wrote eight poems for each of the Yuqing Eight Scenes, and each
title was formulated as a four character couplet. In Liuhu xiaoyan (a poetry
on the Scene of Morning Mist of the Lake Lined with Willows), he
described the scene as follows:
The willows were standing on the bank of the lake, and their branches were
swaying now and then in the wind. It seemed that the mist and the glow of
sunset were both waiting for a long time for a man named Qian Bangqi,
who was intelligent and capable of being a teacher of the emperor. Please
be careful, and please don’t let the nightingales and swallows tell the secret
place to others, because Qian Bangqi was afraid that those outside the
wonderland may know he lived a reclusive life here (Chen 1927: 254).
It is worth mentioning that the other seven scenes were all natural
landscapes; while Liuhu xiaoyan was quite different. As we can see, it was
a totally man-made landscape and closely connected with a particular man.
In the above poem, Yang Yurun evidently connected the scene with Qian
Bangqi. It is interesting that, the word “afraid” in the poem illustrated a
paradoxical situation — open, as well as hidden — of the particular
landscape. While the landscape was open and invited viewers, the scene
tended to remain undiscovered and was kept a secret; it was the
wonderland of an exiled person, and the landscape was possessed and
under his control. The landscape was appropriated by Qian Bangqi, and
endowed with new meanings, thus symbolically became the embodiment
of the appropriator’s identity.
4. The Hometown in His Memory: The Stone Layout on
Tashan
The four main elements of a classical Chinese garden are architectures,
stone layout (zhishi), waterscape and plants. And, Tai-Lake stones are
regarded to be best for stone layout because of their special shapes,
textures and colours. Although the Tai-Lake stones could not be obtained
in Pucun, Qian Bangqi still managed to complete his garden design there.
The stone layouts were arranged by Qian Bangqi on a mountain
named Tashan (See Fig. 7.2). As for this mountain, the Yuqing xianzhi
recorded as follows:
Tashan, 160 li west of the county, was in Pucun. There were many strange
stones on the mountain, and at the foot of Tashan, there was a lake lined
with willows. Qian Bangqi lived a reclusive life here, and he inscribed two
characters Tashan on one of the stones. (Jiang 1718)
Landscape, Memory and Identity in SW China
185
Fig. 7.2. The mountain, Tashan (photograph by the author)
Another version of Yuqing xianzhi edited during the Republican
period wrote:
At Tashan, three li away from Songyanpu, there was a village called Pucun.
Tashan was at the right side of the lake lined with willows. There were
many strange stones on the mountain. An official Qian Bangqi in the Ming
dynasty lived a reclusive life there in order to avoid the danger from Sun
Kewang. He inscribed two characters Tashan on a stone, and inscribed the
characters Ming shaobao Qian Kaishao fanggechu (the place where Qian
Kaishao sang a song) on another stone near it. Besides, he also inscribed
some characters on many other stones (Chen 1927: 8).
Tashan is a large mountain in Pucun named by Qian Bangqi because
of his stone layout (cf. Fig. 7.3) and stone inscriptions. Before we turn to
discussing the stone layout, we need to clearly describe the location and
relation of the mountain Tashan, the stone layout and the stone inscribed
with the characters Tashan. The stone layout was arranged on a flat place
of the mountain Tashan, while the stone on which Qian Bangqi inscribed
the two characters “Tashan” was only one piece among the series of stone
layout. Qian Bangqi wrote in his essay Tashanji (a description of Tasha):
“There was a lake lined with willows in the village, at the left side of the
lake was the mountain Tashan” (Chen 1927: 205). We can see that,
although the characters were only inscribed on a small stone of his stone
layout, Qian Bangqi meant to name the whole mountain “Tashan.”
186
7. Zhou Dandan
Fig. 7.3. The Stone layout (photograph by the author)
However, it has been long ignored by researchers that these stones
were designed by Qian Bangqi and became an important part of his garden.
At the first sight of these stone relics, scattered among the grass, one can
hardly believe that they were ever carefully arranged. Nevertheless, the
stone layout opens a window for us to discern the landscape’s
complexities and its connection with personal identity.
Traditional Chinese gardens can be divided into different kinds: royal
garden, temple garden and private garden. In the case of private gardens,
some are built by rich businessman, while others are owned by
intellectuals. When an intellectual is retired, or feels frustrated in his
career promotion, or experiences great life transition, he builds a garden in
order to keep his inner world quiet and satisfied.
During the middle to late Ming period, gardening was fashionable
among the intellectual elites in southern China:
In the middle and late period of Ming dynasty, the phenomena of
intellectuals contesting to build gardens in the south were recorded in many
books. Just as He Liangjun commented, rich people would constructed
gardens after they had built and decorated their houses; while the
intellectuals would manage to repair and decorate their gardens, whenever
they had a little money beyond their daily life necessities. In some places,
for example Songjiang, when intellectuals retired from official positions,
they would spend huge amounts of time and money on gardens. It was
recorded that their gardens were well decorated and shone splendidly and
luxuriously. Among these gardens, the most famous ones were Yu garden,
Landscape, Memory and Identity in SW China
187
Zhuojin garden, and Xi garden. These gardens were all decorated with
beautiful flowers and trees; as well as with many pavilions and stone layout.
Besides, in Suzhou area, there were still more gardens, and the rich were
satisfied with enjoying the beautiful views and sceneries of pavilions,
flowers, trees and stone layout (Chen 2007).
As an intellectual in Zhenjiang County of Jiangsu Province, Qian
Bangqi was undoubtedly deeply influenced by trends of the time.
Moreover, as a traditional Chinese intellectual, he had been well cultivated
with the ability to appreciate gardens and landscapes, which were well
expressed in his writings. In his essay Keyu yiju Pucun wencizhong
shanshui fengsu change dazhi (a reply to a friend who asked about the
customs and sceneries of Pucun, because he wanted to move here), Qian
Bangqi described that the scenery in Pucun was so beautiful and
distinctive that even the natural landscape paintings by Mifu (1051—
1107) could hardly be compared with it. (Mijia shuhua chakanni) (Jiang
1718). Mifu was a famous painter in Northern Song dynasty (960-1127).
He lived in Zhenjiang for a long period of time. During the years he stayed
there, he imaginatively created a new and special drawing skill of
mountain-and-water paintings (mijia shanshui) (Chen 1999:157). Mifu’s
style was unique in using ink with water to emphasize and express the
atmosphere and colour tone of misty clouds, mountains, water and trees.
Qian Bangqi exquisitely discerned the familiarities between nature scenes
and landscape paintings, as well as made an accurate comparison of them,
which obviously illustrated his appreciation capability and aesthetic taste.
Besides, his two essays about the stone layout further explained the
thoughtfulness of his design. In the Yuqing xianzhi, there were two articles
titled with “Tashan”: tashanfu (an essay on Tashan) and Tashanji (a
description of Tashan). Although they were both focused on Tashan, they
described it from different perspectives. In the former, Qian Bangqi gave a
panoramic description of Tashan; while in the latter, he focused on the
stone layout. In Tashanfu, Qian Bangqi observed and described the
unusual shape of the stones on the mountain from the perspectives of a
painter and a gardener. He used vivid comparisons and tropes, for example,
some stones looked like lions, and some looked like eagle; while still
others seemed to be like dragon in shape. Moreover, he carefully selected
a series of special terms in gardening to describe the stones, both from the
shape and colour, such as shou, lou, tou, zhuang, zhou, song, xiao. Such
descriptions suggest that Qian Bangqi had a particular taste in garden
stones and demonstrated an expert’s appreciation of stone selection.
According to the traditional gardening principles, after stone selection
and arrangement, the following step is stone inscription. Qian Bangqi
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created more than ten stone inscriptions, for example cuiping (a stone in
the shape of green screen), shifanfeng (a stone in the shape of a boat sail),
jiumianfeng (a stone in the shape of a nine-facet peak), meizhou (a stone in
the shape of a boat with a plum tree), cangshuxia (a stone in the shape of a
valley which can be used as a book library), etc. These stone inscriptions
all stood together in one place and made a concentrated stone layout
landscape. During my fieldwork, I found another stone with an inscription
which was not mentioned by Qian Bangqi’s essays. This stone was far
from the stone layout, and on it were inscribed two characters yanduan
(Discontinuity of Mist). As we can see, Qian Bangqi used two different
ways of stone-layout in a garden. One was to concentrate a series of stones,
which was “stone laying”. The other was to scatter a stone somewhere else
to express some particular meaning and bring a scene in a garden; this was
“scattered-stone”. It is worth mentioning that the meaning of the word
yanduan and the location of the stone is quite interesting. The stone with
an inscription of yanduan lay fifty miles away from the main stone layout.
From the perspective of its location and distance from the main stone
layout, it can be said to be a “discontinuity.” But from the perspective of
Chinese traditional gardening aesthetics, the discontinuity was in fact
continuity, since it was also part of the whole stone landscape. Here, Qian
Bangqi delicately unified the continuity and discontinuity.
Besides, Qian Bangqi also paid much attention to the artistic and
visual perception of the garden. Several examples can be found in his
articles, such as “old cypress, plum tree, boxwood, fir were planted
interspersed” (Chen 1927: 205).
We know that Chinese gardeners stress the importance of trees
matching, in order to make the best scene. Here, Qiang Bangqi’s
description showed an arrangement of different kinds of trees, matching
them in colours, heights, shape of the leaves, and different seasons of
blossoms. Furthermore, “a plum tree was planted in a stone cave”; “there
was a cave on the right side, it was round, and a plum tree branch extended
out” (Chen 1927: 205).
These were the matching of stones and trees, which can obtain a
harmonious unity of the two. Other examples were about the aesthetic
principles of Yibu huanjing, jiejing and dianjing. First, “The view of the
other side was quite strange and unique, and the viewer gained a totally
different and new perspective with each step he moved forward or
backward” (Chen 1927: 205). This was about gaining different view with
every step (yibu huanjing). Second, “Sitting in the pavilion, the
grotesqueness of the stones can all be viewed” (Chen 1927: 205). That was
the “borrowing scenes” (jiejing). “Borrowing scenes” is an important
Landscape, Memory and Identity in SW China
189
design principle and a visual extension strategy in Chinese garden. The
scenes, which may be in the aspects of colour, smell or sound, can be
borrowed from a near place, or from distance; or, we can borrow scenes
when we change the gesture, by looking up or bending down. Third, “this
was named according to its shape as cuiping and shifanfeng” (Chen 1927:
205). This can be called as “pointing out the scene” (dianjing).
Among these scenes, the cangshuxia (see Fig. 7.4) was unique. For a
traditional Chinese intellectual, books are what they cherish most, so
library is a most important place for them. Qian Bangqi did not forget this
and even arranged an imaginary library in an imaginary southern-style
garden. “At the end of the stone there is a gap, nine chi in depth, fifteen
chi in height, I called it cangshuxia” (Chen 1927: 205).
Fig. 7.4. Cangshuxia (photograph by the author)
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7. Zhou Dandan
Qian Bangqi arranged his imaginary library in a very secret place of
the stone layout. From my on-site experience, it was the least conspicuous
part of the scenery. Near it, the characters of “Tashan” were inscribed on
another stone (see Fig. 7.5). “The shape of the stone is the strangest among
those stones. It was less than one zhang in height and stood up-straight. I
named it cuiping. The stone is sharp and has a narrow, deep gap in it, and I
inscribed two characters Tashan on it” (Chen 1927: 205).
Fig. 7.5. Inscription “Tashan” on stone (photograph by the author)
The word Tashan originated from a classic book Shijing (Book of
Poetry) in the spring and autumn period (Chunqius 770-476 BCE). The
poem went like this: Tashan zhishi keyi gongyu (stones from other
mountains may serve to polish the jade of this mountain). Later, an idiom
gradually developed from this poem. It was a trope to describe that we can
learn from others; or other things can be used by us to achieve our own
purposes.
Moreover, in Chinese, the character ta had a meaning of “otherness”.
Here, the name chose by Qian Bangqi was quite significant. For a
reclusive intellectual in exile, missing his hometown would stir deep pains
in his soul. The place here was undoubtedly “otherness” for him. As Li
Guangdou in the Qing period wrote in his poem Yongtashan (song to
Tashan):“Qian Bangqi wanted to do something when he lived in Pucun,
as the old poem described, using the stone on other mountains to polish his
Landscape, Memory and Identity in SW China
191
jade; He wanted to tell others of the rise and fall of his dynasty, because he
had deep anxiety and sorrow” (Chen 1927: 242).
Fig. 7.6. The stone with the inscription “Qian Kaishao fanggechu, yongli
dingyouchun ti” (photograph by the author)
Besides cangshuxia and the stone inscription Tashan, another salient
stone inscription was: Qian Kaishao fanggechu, yongli dingyouchun ti (the
place where Qian Kaishao sang a song, inscribed in the spring of dingyou
of the Emperor Yongli) (see Fig. 7.6). As we know, the year dingyou of
the Emperor Yongli was 1657. However, at that time, Qing dynasty had
already been established; and it was the fourteenth year of the reign of the
Emperor Shunzhi (r. 1644-1661). It was in the year 1657 that Qian Bangqi
eventually left Pucun to follow the Emperor Yongli, when he heard that
the Emperor was in the neighbouring province of Yunnan. Before Qian
Bangqi left, he inscribed the reign title Yongli on the stone to memorialise
it. Yongli was the reign title of Zhu Youlang of a late-Ming court, and
Qian Bangqi’s national identity was fully expressed and significantly
emphasised by using that particular reign title. Li Dabing, an intellectual in
the Qing period, wrote in the prelude to his essay Youtashan mikaishao
Qianxiansheng yizong (a visit to Tashan and Seeking for the heritage place
left by Mr. Qian):
The mountain named by Qian Bangqi is not high. There are several unusual
stones on it, and each stone is with an inscription on. For example, Qian
Kaishao fanggechu , yongli dingyouchun ti; Tashan; cuiping [...]. In
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7. Zhou Dandan
Yuqing xianzhi, it recorded that there were cypress and a lake lined with
willows, but now they have all disappeared. For me, the strangest thing is
the reign title Yongli inscribed by Qian. I am totally confused and can not
understand the meaning of the reign title Yongli (Chen 1927: 216).
Li Dabing’s question of what the reign title’s meaning implied his
differing identity recognition of another dynasty. According to Yuqing
xianzhi, Li Dabing was a county governor of Yuqing during the year 1804
to 1805. He was influenced by the orthodox ideology of Qing Dynasty;
therefore, it was not surprising that that he would not identify with the
reign title Yongli. Moreover, he might even not know this reign title,
because of the severe censorship and control of Qing court. But for Qian
Bangqi, this reign title was so important that he chose to carve it in stone
as a memorial. McCall says that landscape is a process of social perception
that relates a meaning-laden relationship to a social past. Qian Bangqi took
pains to design and arrange the landscape in order to bond himself with the
past and with the decaying empire. The landscape was laden with his life
memory, both of his hometown and his nation.
5. Concluding Remarks
Through his landscaping efforts, Qian Bangqi was able to turn the strange
environment of Pucun into a place that he felt familiar with. With the
typical components of a southern-style garden surrounding him, he
reduced the burden of his identity crisis as an exile.
Darby states that because landscapes, like other material structures, are
created and destroyed within an ideological context, in order to understand
them one must examine the historical recovery of ideologies specific to
particular places (Darby 2001: 106). The landscape of Pucun was created
by an exiled intellectual Qian Bangqi within a specific ideological context.
The key to understanding the landscape is to return to the historical
context of his identity crisis. Thus, doing so not only deepens our
understanding of the landscape, but also made us aware of its complexities
and its importance to Qian Bangqi.
Landscape in the most fundamental sense is an environment where
people live, but is also where human activities take place. Through various
activities people give meaning to their lives and connect themselves with
the outside world. Yet landscape is not only a background to people’s
activity. People not only make landscape; at the same time, people are also
made and regulated by landscape. People are rooted and they belong to a
place during certain periods of their lives, however, people are also
Landscape, Memory and Identity in SW China
193
rootless, because they go to other places at other periods. For those who
are moving from one place to another: how can they familiarize the
strange landscape and make sense of a place? How can they reconcile their
identities with a distant hometown and his past? How can they identify
themselves when they are in exile? Landscape as cultural representation
may provide a possible and delicate way: constructing landscape,
constructing memory and at the same time constructing identity.
In general, Qian Bangqi provides us a clear example of identity
construction through landscape. He made excellent use of naming,
imagination, appropriation, reconstruction, replication, writing and
inscription to alter Pucun’s landscape, turning a place of exile into a
southern-style garden to express his identity, lessen the degree of his
identity crisis, as well as to resist the Qing Dynasty.
6. References
Bender, Barbara 1993. Introduction: Landscape-Meaning and Action; in,
Bender, Barbara (ed.) Landscape: Politics and Perspectives. Berg
Publishers, Oxford: 1-17.
Bender, Barbara 2001. Introduction; in, Bender, Barbara and Winer,
Margot (eds.) Contested Landscapes: Movement, Exile and Place.
Berg Publishers, Oxford: 1-18.
Chen, Jiang 2007. Recluse and Protest: The Plights and Their Responses
of the Intellectuals of the Southern Yangtze River in Late Ming
Period. Shilin (Shanghai, China), 100 (4): 99-108.
Chen, Mingdian (ed.) 1927. Yuqing xianzhi. Rare, Library of Guizhou
Province.
Cosgrove, Denis and Daniels, Stephen (eds.) 1988 The Iconography of
Landscape. Cambridge University Press, Cambridge.
Darby, Wendy J. 2001. Landscape and Identity: Geographies of Nation
and Class in England. Berg Publishers, Oxford.
Duncan, James and Duncan, Nancy (1988) (Re) reading the Landscape.
Environment and Planning D: Society and Space,6 (2): 117-126.
Hirsch, Eric 1995. Landscape: Between Place and Space; in, Hirsch, Eric
and O’Hanlon, Michael (eds.) The Anthropology of Landscape:
Perspectives on Place and Space. Clarendon Press, Oxford: 1-30.
Jiang Shen (ed.) 1718. Yuqing xianzhi. Rare, Library of Guizhou Province.
McCall, John C. 1997. Review of The Anthropology of Landscape:
Perspectives on Place and Space. American Ethnologist, 24 (4): 676677.
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7. Zhou Dandan
Mitchell, W.J.T. (ed.) 1996. Landscape and Power. The University of
Chicago Press, Chicago.
Qian, Zailun 2006. The History of Qian Bangqi Exiled in Tashan. Zunyi
lishi wenhua yanjiu (Zunyi, China), 4: 42-44.
Struve, Lynn A. 2009. Self-Struggles of a Martyr: Memories, Dreams, and
Obsessions in the Extant Diary of Huang Chunyao. Harvard Journal
of Asiatic Studies, 69 (2): 343-394.
—. 1979. Ambivalence and Action: Some Frustrated Scholars of the Late
K’ang-hsi Period; in, Spence, Jonathan D. and Wills, John E., Jr. (eds.)
From Ming to Ch’ing: Conquest, Region, and Continuity in
Seventeenth-Century China. Yale University Press, New Haven: 323365.
Zhang, Jianfei 2006. Landscape Perceptions and Perspectives: On Shen
Congwen’s Xiangxi Landscape. Tianjin Social Sciences (Tianjin,
China), 5: 112-116.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Mrs. Zhou Dandan
PhD candidate, Department of Sociology, Xiongzhixing Building
Tsinghua University, Beijing, 100084. P. R. CHINA
E-mail: zdd08@mails.tsinghua.edu.cn
Mrs. Zhou Dandan (born 19 June 1980) is a PhD candidate at the Department of
Sociology at Tsinghua University, Beijing, China. She works on the anthropology
of landscape, with particular interest in the relationship between landscape and
power. She is currently carrying out her fieldwork on her dissertation project in a
Dong ethnic village in Guizhou province, where tourism, state and local interests
collide over the landscape.
E-mail: zdd08@mails.tsinghua.edu.cn
8
The Miracles of Mt. Wutai, China: the
Spirit of Sacred Place in Buddhism
Jeffrey F. Meyer
University of North Carolina at Charlotte, U.S.A.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Wutai (Five terrace mountain Platform) Shan is one of the four
eminent sacred mountains of Chinese Buddhism. It is sacred to Wenshu
(the Bodhisattva Manjushri), the place where he has appeared to devoted
monks and pilgrims down through the centuries. This article is an analysis
of some of the stories of these appearances or manifestations, and an
assessment of their significance in helping to understand the Buddhist
attitude toward place. The miracles of Wutai Mountain encourage
devotees to make the difficult pilgrimage to the sacred territory, with its
famous monasteries, temples, caves and shrines. For only there could they
hope to have a vision of the Bodhisattva! Also, some of the stories teach
that Wutai Mountain is ultimately unimportant, for Wenshu is everywhere.
It is in the intersection of these two ideas that one gets a glimpse into a
possible basis for a Buddhist environmental ethic. When these two ideas
are held in tension, then a creative and protective attitude toward place
emerges. On 26 June 2009, Mt. Wutai is inscribed in the UNESCO World
Heritage List as cultural landscape, taking in view the tradition of
pilgrimage and serenity of nature, and continuity of temples’ construction
on the site since the CE 1st century to the early 20th century.
Keywords: Mt. Wutai, manifestations of Manjushri, ambiguity of place,
miracle stories, spirit of place, importance/ unimportance of place.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction & Background
Wutai Shan is one of the four Buddhist sacred “mountains” of China,
each one identified with one of the great celestial Bodhisattvas and
therefore an important site of pilgrimage. It is also called Qingliang (clear
and cool) Mountain and was early identified with the Qingliang Mountain
mentioned in the Huayen (Avatamsaka) Sutra, and therefore called the
dwelling place of Wenshu (Manjushri), the Bodhisattva of Wisdom. “In
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the northeast there is a place called Clear, Cool Mountain, where
enlightening beings have lived since ancient times; now there is an
enlightening being there named Manjushri, with a following of ten
thousand enlightening beings, always expounding the Teaching” (Cleary
1993: 106).
Actually, Wutai (Five “Platforms” or “Terraces”, from their rather flat
or domed tops) is not just a single mountain but is a vast “Holy Land” of
approximately one hundred square miles, with the five terraced mountains
at the centre. The largest cluster of monasteries is found in or around the
city of Taihuai in the central valley (cf. Fig. 8.1). Each of the terraces is
identified with one of the directions: north, south, east, west and central.
The highest is the northern terrace which rises to 10,033 feet (3,058
metres) above sea level, the lowest the southern terrace, which is 8,153
feet (2,485 metres) above sea level (Gimello 1992: 97). With its five flat
peaks, Mount Wutai is a sacred Buddhist mountain. Overall, the buildings
on the site present a catalogue of the way Buddhist architecture developed
and influenced palace building in China over more than one millennium.
Mt. Wutai Shan, literally, the five terrace mountain, is the highest
mountain in northern China and is remarkable for its morphology
characterized by precipitous sides with five open treeless peaks. Temples
have been built on the site since the CE 1st century to the early 20th
century.
Intense interest and activity at Wutai began in the Northern Wei
period (CE 386-535), and reached a peak in the Tang dynasty, when there
were hundreds of monasteries, temples and shrines, with thousands of
monks and nuns dwelling there. Activity at Wutai has never ceased,
continuing through the imperial period, and has managed to survive even
the ravages of the twentieth century neglect and the destructive Cultural
Revolution. Today there are over one hundred monasteries remaining
(approximately one third of them open), maintained by three hundred Han
Chinese monks, seventy five Tibetans, and 30 nuns (Sheng Yen 1992:
165).
An important feature of Mt. Wutai is the fact that it has for centuries
been the meeting ground for Chinese, Tibetan, and Mongolian forms of
Buddhism. There is a tradition that Ashoka [r. 270-232 BCE] built a
pagoda there, and it is certain that Indian monks have visited it down
through the centuries. It can therefore claim the status of an international
sacred place, sought out by Buddhist pilgrims from many lands. Ennin, the
famous Japanese pilgrim, counted Wutai as the principal goal of his trip to
China, spending about two and a half months there (Reischauer 1955: 214
ff.).
Miracles of Mt. Wutai, China
197
Buddhism, like all the major religious traditions, has had a strong
attachment to particular geographical places. Primary among these were
the four major sites of the Buddha’s birth, his enlightenment, his first
sermon and his death. Yet, unlike other major traditions, Buddhism has at
the same time taught the unimportance of place. Particular places, however
sacred they may be, are like every thing else in the mundane world impermanent, ever changing and ultimately unreal. Therefore, to become
attached to even a sacred place would in some way be a betrayal of the
dharma. It is this paradox, constantly present in Buddhist history, which I
would like to explore in this article.
Previous to the twentieth century the most comprehensive histories of
the Wutai area were two gazetteers, the Qingliang shan zhi, first published
in CE 1596 and republished a number of times thereafter, and the Qingling
shan xinzhi of 1701 (Gimello 1992: 127). There are earlier collections
which contain stories of supernatural manifestations and spiritual experiences at Wutai from the Tang and Song dynasties (Birnbaum 1986: 120). I
am mainly using the first of these two gazetteers, in the punctuated text
which appears in Chung-kuo Fo-ssu shih-chih hui-k’an.
One of the eight volumes in the Qingliang shan zhi (hereafter QLSZ,
1786 edition) is called pusa xianying, referring to the traditions which
record how the Pusa (Bodhisattva) Wenshu has appeared (xian) to earnest
pilgrims in response (ying) to their sincere efforts. There is also a
collection of accounts in the lingying (spiritual responses) section of the
Qingliang shan quantu, which present the stories in briefer form. My
purpose in this article is to trace the paradoxical Buddhist attitude toward
sacred space as it is articulated in these stories, and to indicate the basis for
the present recognition of Wutai Shan as heritage site by UNESCO.
The stories recounted in these collections have the flavour of popular
legend, yet some of them contain the sophistication which one identifies
with the elite articulation of the Buddhist Dharma. I can frame the concern
of my inquiry by posing a single question: “Is it necessary to go to Wutai
Shan?” The answer to this question belies the apparent simplicity of the
accounts, for it is ambiguous, sophisticated and profound.
The first stories told in the collection give accounts of events which
took place prior to the arrival of Buddhism in China. Their purpose is to
highlight the sacrality of the Wutai area and its “natural” numinous
qualities. Next come the accounts of various pilgrims, which begin in the
Northern Wei period (CE 386-479) and end with the visit of a palace
eunuch, Wang Junjian, in the Wan Li period of the late Ming (CE 15731620). Each contains the account of a manifestation of the sacred, usually
the Bodhisattva Wenshu. The purpose of these stories is to elicit faith in
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the hearts of readers; as the author says in the preface: “Vulgar folk cannot
see [Wenshu]. Now I set forth the records of those who have seen the
sacred to make clear that if one has a pure mind, then the holy beings will
respond. If one’s sincerity is carried to the utmost, then one will feel the
experience [of the sacred]” (QLSZ : 178) What follows will explore this
explicit purpose, while considering the paradoxical counterpoint to the
simple expression of piety expressed in the words quoted.
2. The Importance of Place: Pilgrimage to Wutai Shan
At one level, all the stories encourage devotees to believe that Wutai
Shan is a sacred place and that it is very important and beneficial to go
there on pilgrimage. There they will learn the truth about themselves and
there alone will they have the possibility of seeing the Bodhisattva. The
stories adopt the conventions of Chinese historical writing and are all very
place specific, usually giving the exact dates and connecting every
pilgrim’s tale with a specific platform (east, west, central, etc.) or with one
of the famous temples, monasteries, pagodas or cave shrines on or near
them. Most frequently mentioned are: Huayen temple, the True Countenance temple, Chill Clarity temple, Bamboo Grove temple, Buddha’s
Radiance temple, the Diamond Grotto, the Golden Pavilion. Even today,
the area preserves an aura of sacrality, mystery and expectancy for those
who visit. A modern pilgrim to Wutai Shan tells of the roadside sign
which warns the traveller on arrival “you have already entered the sacred
ground of Wutai. Use care in driving” (Sheng Yen 1992: 130). “The idea,”
he goes on, “is to inform pilgrims and visitors that from this point on, they
should have sincere and reverent hearts, as they gradually approach each
of the great monasteries.”
One of the most famous early pilgrims was the Indian monk
Buddhapali who crossed the desert to visit Wutai Shan. When he arrived
he was so overcome with joy and gratitude that he kowtowed on the earth.
“Since the Tathagata’s nirvana all the sacred beings have concealed their
spiritual power. Only the great Wenshu is still efficacious, showing his
limitless compassion on this mountain. I have come from afar, crossing the
flowing sands, to show respect and worship, humbly looking toward the
great compassion” (QLSZ : 186). Soon he met an old man who spoke
Sanskrit and asked if he had brought a certain sutra with him (the Foding
zunsheng toluoni jing; Sanskrit: Ushnisha-vijaya-dharani-sutra. Birnbaum
[1989-90: 129] lists it as Buddhosnisa-dharani-sutra). If not, he would
never be able to recognize Wenshu. Buddhapali, “determined to renounce
his own life,” went back to India and got it. He returned to the Chinese
Miracles of Mt. Wutai, China
199
capital in 683 CE, according to the account, and then became involved in
translation projects for the imperial court. Finally he translated the sutra,
and took it to Wutai Shan, where he entered the Diamond Grotto and
“never again emerged”, and indicating his attainment of nirvana. This
story is a clear expression of the popular understanding that one must go to
the sacred place in order to have some hope of meeting the great
Bodhisattva Wenshu.
During the same Tang dynasty, approximately 100 years later, there
came to Wutai Shan a zealous and accomplished monk named Wu Zhuo,
who had already attained the “dharma eye” (the insight which leads to
enlightenment. But obviously, Wu had not yet become enlightened). He
had sought the “woods and springs,” and arrived at the sacred mountain in
CE 768, staying at Huayen monastery. While in meditation outside the
monastery library, he saw a white light coming from the northeast, which
touched his head and left him feeling cool and clear, filled with dharma
happiness. The following morning he beaded northeast, in the direction
from which he had seen the light coming. Arriving at Louguan valley, “his
mind felt that it was a holy precinct, and he did hundreds of kowtows”
(QLSZ : 189). Up to this point in the account, the narration straightforwardly emphasizes the importance of the sacred place, but then an old
man appears and the conversation turns in a different direction. I will
return to the rest of the dialogue in the next section.
In the same vein we have the story of the Tang monk Fa Zhao. In CE
768 he began having visions of Wutai sites in his congee bowl. The first
was Bamboo Grove monastery, and then on another day he saw all the
monasteries of Wutai Shan with Wenshu presiding over a vast throng of
holy beings. In a third vision he saw the Pure Land realm of the Buddha.
Fa Zhao had some qualms about the veracity of his visions and sought out
two monks of the monastery who had actually been to Wutai.
Their descriptions of the monasteries of Wutai conformed accurately
to what he had seen, but he still hesitated to go there himself. The account
goes on to emphasize his doubts and continuing reluctance to make the
pilgrimage. Finally he met an old man who said to him: “You previously
made a vow to go to the Golden World (Wutai) and worship the Great
Being (Wenshu), why have you not gone?” Fa Zhao answered: “These are
troubled times and the trip is difficult, how can I go?” To which the old
man responded definitively, “But you must go!” He eventually found a
group of monks willing to go with him and when they arrived at Buddha’s
Radiance Monastery, “he found it exactly like the vision he had seen in
his congee bowl, without the slightest deviation” (QLSZ : 196-200).
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Fig. 8.1. The Holy territory of Wutai Shan (after © Joy Chen Lewis; ref. Gimella 1992: 98).
Miracles of Mt. Wutai, China
201
Another account tells of a remarkable Buddhist nun, called by the
name “Samadhi” (Sanmeigu), who possessed many supernatural powers
and displayed compassion on poor pilgrims by feeding them congee. In
her exhortations, she often cried these words to those who had come to
worship at Mt. Wutai: “You people, you people! The three worlds are
perishing! But you can come here (to Wutai) and generate Bodhi!” The
implication is that, in a degenerate and transient world, Wutai stands as the
sole sacred place of refuge and spiritual attainment.
On the sixteenth day of the fifth lunar month of CE 840, the Japanese
monk Ennin recorded these impressions of Wutai:
At this Mt. Ch’ing-liang the nights of the fifth moon are very cold, and one
normally wears robes lined with wadding. On the ridges and in the valleys
trees grow straight, and there is not a single crooked tree. When one enters this
region of His Holiness [Manjushri], if one sees a very lowly man, one does not
dare feel contemptuous, and if one meets a donkey, one wonders if it might be
a manifestation of Manjushri. Everything before one’s eyes raises thoughts of
the manifestations of Manjushri. The holy land makes one have a spontaneous
feeling of respect for the region (Reischauer 1955: 225. I have changed the
Japanese form used by Reischauer, Monju, to Manjushri, to conform with
spelling used previously in this article.)
All these accounts suggest that the answer to my question is yes, one
must go to Waal. It is a sacred place, the most holy in all of the Middle
Kingdom. There alone can the Great Bodhisattva Manjushri be seen. There
true pilgrims can flee the degenerate world in the final age of the dharma
and discover their own true spiritual condition, overcome their weaknesses
and learn their strengths. Some pilgrims remain to spend the rest of their
lives at the sacred place. There the most famous monastic pilgrims build
monasteries and have statues sculpted in conformity to the models they
have been given in their dreams and visions. There they die miraculously,
indicating that they have transcended the bonds of rebirth and will never
return to the cycle.
3. The Unimportance of Place: “Any grass of tree is the
realm of Wenshu”
Firm belief in the sacred places may be considered an expression of
popular religious sentiment. Buddhism accepts that viewpoint, but works
also at a more puzzling and paradoxical level. The two views can at times
appear to be in complete conflict with each other, but it is important to
realize that they were symbiotic, each requiring the other for its continued
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existence. To give an accurate interpretation of Buddhism, both views
must be given their place.
The paradoxical or iconoclastic approach is best documented in the
Ch’an school, which would see the pilgrimage to Wutai, the search for
miracles and supernatural manifestations as a kind of idolatry.
There is a kind of student who seeks Manjusri on Wu-t’ai Shan. Wrong from
the start! There’s no Manjusri on Wu-t’ai Shan. Do you want to know
Manjusri? What you do right before your own eyes, which is never uncanny
and in no respect dubitable - this is the living Manjusri.
(Lin-chi lu, quoted in Gimello 1992: 119).
While expressed most forcefully in Ch’an, the idea is found in most other
schools of thought as well. At this deeper level, no place is more sacred
than any other place. Distinctions of any kind are attacked as nothing but
expressions of the discriminating mind. All of this is well known, but what
is surprising is that this more paradoxical understanding of the dharma is
also found in these legends of the sacred mountain.
A monk named Dao Ming earnestly sought the sacred land (of Wutai),
and came to Flower Grove Mountain near the Eastern Platform, bringing a
novice monk along with him. Two radiant beings emerged from the forest
and Dao Ming asked them for help in “crossing over” (entering the
supernatural world accessible at Wutai). One of the radiant beings asked
him to wait for other pure disciples who were coming, but warned the
novice that he should not come. But when the disciples came, the novice
pushed ahead anyway, and suddenly they “crossed over” into a radiant
land of natural beauty, surrounding a monastic complex with halls and
pavilions as awesome “as those in heaven.” One of the disciples again
admonished Dao Ming to send out his novice and this time he obeyed,
going forth with him a few paces as he did so. But when he turned his
head back toward the sacred precincts, the entire vision had disappeared
and only the mountains remained. The author then quotes an old saying
which suggests that Dao Ming’s fault lay in his attachment to the novice,
his follower. “When you go on a long journey, don’t take your family
with you” (QLSZ : 183). Going to the physical mountain is not enough.
Without the proper inner attitude, all can be lost.
Another story tells of a young monk named Zhi Chong. He had
studied with the master Fa Shun, an advisor to the Emperor in Changan,
who regularly used the Huayen Sutra to expound the dharma. Zhi wanted
to go to Wutai Shan, so the master gave him a sealed envelope to open
there if he was able to see Wenshu. Lost in the deep forests and dark
valleys, he met an old man who asked what he was looking for. “I seek
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Wenshu but I do not know where he is.” To this the old man answered that
he had long ago moved to (hua - manifested himself in a different form in)
Changan, so “why do you seek him here?” The old man identified Fa Shun
as the form in which Wenshu appeared in Changan, and then disappeared.
Zhi opened the envelope and found there a gatha (verse) which said:
“Pilgrims go in waves to Wutai, passing along the slopes where Wenshu
alone dwells. What further need to seek for Amitabha?” Zhi then
understood that his former teacher was a form of the Bodhisattva and
quickly returned to Changan, but Fa Shun had already moved on and taken
another form elsewhere (QLSZ : 185).
One could interpret this story in a number of ways, but it certainly
shows that Wutai as a sacred place is of relative importance only. The
Bodhisattva can be found elsewhere. Here the ambiguity of place is clear.
Since all beings have Buddha nature, why seek it in some external place?
Since Zhi Chong already had attained the presence of the Bodhisattva,
why go to Wutai Shan to seek it? And yet, paradoxically, had he not gone
on pilgrimage, he would not have understood this truth.
One of the most intriguing stories in the collection is that of Wu Zhuo,
a Tang monk who entered the order early and made very quick progress,
achieving the dharma eye under a Master Zhong. I have already related
above the part of his story relating to his determination to reach Wutai
Shan and his overwhelming sense of its sacrality. When he left the Huayen
monastery grounds to seek the source of the white light which touched him
in meditation, he encountered an old man leading an ox.
The dialogue between the two is too long to recount in its entirety, but
the thrust of the old man’s mysterious questions and answers seems to
point to Wu Zhuo’s problem of attachment to things, and his tendency to
discriminate. For example the old man asked him if the monks in the south
(where Wu came from) keep the dharma. He answered that it was the last
age of the dharma and few kept their vows. The old monk asked “how
many?” and Wu replied: three to five hundred. Then Wu asked the same
question of the old man, who answered: “Dragons and snakes are mixed
together, the ordinary and sacred intermingle.” “How many are there?”
“Before, three three, behind, three three” (gian san san yu hou san san).
These are typical Ch’an conundrums, which indicate that the old man was
trying to combat Wu Zhou’s tendency to discriminate.
Then the old man asked what was Wu Zhuo’s customary religious
practice?; and Wu answered “Prajna fogs my mind, I do not get its
essence.” To which the old man replied: “Not getting is the essence,” an
answer which clearly points again toward non-attachment and nondiscrimination. In the next section of the dialogue, the point becomes even
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more explicit. The old man had said it was time for Wu to leave, but Wu
wanted to stay overnight because it is already evening.
Old Man: “You have two ‘companions.’ (He means things which Wu
is attached to). This is to cling to places where you should not stay. “
Wu: “I in fact have no ‘companions,’ and moreover am not longing
after a place. “
Old Man: “If you have no longings, why are you longing to stay
here? And if you have longings, how is this not like having companions? “
Finally, Wu asked the old man: in this soiled world of sentient beings,
in which goodness is rare, to what should I devote myself to attain release?
The old man answered with a gatha:
If one sits in meditation for even one moment
He will be capable enough to build
the seven jewelled pagodas of the Ganga (Ganges) river.
(But though) the seven jewelled pagodas of the Ganga will in the end
turn to dust One stilling of the mind will yet be true awakening.
Shortly after this, the old man called his attendant to lead Wu out of
his home, and soon afterward both attendant and home disappeared. After
a considerable time had passed, Wu saw auspicious clouds with an aureole
of light in which there were many Bodhisattvas. When this vision had
passed Wu wrote his own gatha:
“This whole vast world is a sacred monastery; I have spoken with
Wenshu face to face.
I heard his words but do not know how to open the seal,
I turn my head and see only the ancient mountains ranges”.
(QLSZ : 189-90).
Like Chong, Wu Zhuo learned the lesson of non-discrimination that
the entire world is sacred. And yet, he too had to make the pilgrimage to
Wutai to become convinced of it.
The same message appears in a dialogue from the story of Dao Yi, a
monk who visited Wutai later in the Tang dynasty. He went because “the
sacred beings had hidden themselves, and only at Wutai had the sacred
vestiges not been destroyed.” This was a common understanding at the
time, that it was the last era of the degeneration of the dharma, and only at
the sacred mountain was the Bodhisattva accessible. Dao too had to learn
non-discrimination, the interpenetration of sacred and secular. He achieved
a meeting with a Bodhisattva, in the form of an old monk, a manifestation
of Samantabhadra. Dao asked him what dharma he regularly taught.
Samantabhadra replied: “In spring, the trees….. Amitabha Buddha. In the
fall, flowers ... Kuanyin (Avalokiteshvara)”. Dao did not understand,
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205
asking another question: “Here (Wutai), is it a Place of pain and suffering
(saha), or is it the Pure Land?” Irritated at his incomprehension, the
Bodhisattva banged on his seat with a stick. “Do you not get it?” he
demanded. “No,” replied Dao Yi honestly. “You’re not getting it; is that
saha or is it the Pure Land?”
Dao then began to understand that his wishing to abide in the sacred
precincts, holy as they were, was still a type of clinging.
4. Buddhism and the Environment
The two previous sections of the article make clear that Buddhism has
two attitudes toward sacred places. It would be inaccurate to demean the
one as a naive and popular understanding of the dharma which ought to be
eliminated; while honouring the other as the higher understanding so well
represented in the Ch’an question: why go to Wutai? Manjusri is
everywhere. An approach more in line with Buddhist tradition is to pay
attention to both understandings, to maintain the paradox. Even Ch’an,
after the sutras have been disparaged and the statues burned, returns to the
study of the sutras and bows to new statues which have replaced those
destroyed.
A modern pilgrim to Mt. Wutai Shan, Ch’an Abbot Sheng Yen,
exemplifies the paradox in contemporary terms. Planning to build a
monastery in Taiwan, Sheng Yen went to China in 1991, with a retinue of
associates, to study the monastic architectural tradition of the Buddhist
past. Wutai Shan was chosen as the most important of those sites which
the group intended to visit, because of its historical continuity and sacred
significance. The earliest example of Chinese wooden architecture, dating
from the Tang dynasty, is found there in the main hall of Buddha’s
Radiance monastery. The architecture of subsequent dynasties, the Song,
Yuan, Ming and Qing, are also represented in the halls, pagodas, and
shrines of the many sites of Wutai Shan.
Reflecting on the hundreds of monasteries which have been built at
Wutai Shan over its 1500 year history, Sheng Yen was moved by the
thought of how many had been destroyed by armies, natural disasters or
the simple process of decay. (He had earlier lamented the fact that certain
monasteries “ate a village a day,” referring to the taxes extracted from the
peasants they controlled - thus creating enormous evil karma). He quotes
the Huayen Sutra, noting that every phenomenon in this impermanent
world is created by our minds. “Ordinary people’s minds create the
vexations and sufferings of this now happy, now sad, but always
impermanent, `burning house’ of a three storey universe. But for the
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salvation of all creatures, the sacred beings (Bodhisattvas, like Wenshu),
by their pity and compassion, create a ‘clear and cool’ universe. (Sheng
Yen is playing on the famous Mahayana description of the world as a
burning house, together with Wutai’s alternate name, Qingling shun Clear and Cool Mountain).
For this reason, every monastery which is built in this three storey “burning
house,” will one by one meet ruin and destruction. At all times people build
monasteries, in every place people are destroying them. When I think about
myself, an ordinary person, building a Buddhist monastery to expound the
dharma and practice the (Buddhist) Way - that is a very happy thing. When
that monastery is destroyed it is an extremely painful thing. But speaking
from the point of view of the sacred world, creation and destruction are a
common matter. Therefore, those great and virtuous monks who built a clear
and cool (abode) in this burning world already know that they are producing
karma which will in the end ruin and destroy the monasteries which they have
built. But they still zealously build anyway” (Sheng Yen 1992: 196).
This quote suggests the paradoxical Buddhist attitude toward place in
a very perceptive way. Monasteries in the past have sometimes become a
plague on the people, a source of pride to those who built them, a
hindrance, and a burden to those in charge of them. This is the possible
result of building a monastery. All sacred places with their holy buildings,
the temples, halls, pavilions, pagodas and shrines are composite things,
and therefore doomed to destruction. This is the inevitable result of
building a monastery. As part of the impermanent world, they are
unimportant, unreal in the deepest sense. Yet, just as the monks of the past
have done, Sheng Yen, too will “zealously build anyway”.
5. From Pilgrimage Landscape to Heritage Site
Mount Wutai with its five flat peaks is one of the four sacred Buddhist
mountains in China, and is seen as the global centre for Buddhist Manjusri
worship. The cultural landscape numbers 53 monasteries and includes the
East Main Hall of Foguang Temple, the highest surviving timber Building
of the Tang Dynasty with life size clay sculptures. It also features the
Ming Dynasty Shuxiang Temple with a huge complex of 500 ‘suspension’
statues representing Buddhist stories woven into three dimensional
pictures of mountains and water (cf. a scene of Xiantong Temple, Fig.
8.2).
The temples are inseparable from their mountain landscape. With its
high peaks, snow covered for much of the year, thick forests of vertical
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207
pines, firs, poplar and willow trees and lush grassland, the beauty of the
landscape has been celebrated by artists since at least the Tang Dynasty –
including in the Dunhuang caves. Two millennia of temple building have
delivered an assembly of temples that present a catalogue of the way
Buddhist architecture developed and influenced palace building over a
wide part of China and part of Asia. For a thousand years from the
Northern Wei period (471-499) nine Emperors made 18 pilgrimages to pay
tribute to the Bodhisattvas, commemorated in stele and inscriptions.
Started by the Emperors, the tradition of pilgrimage to the five peaks is
still very much alive. With the extensive library of books collected by
Emperors and scholars, the monasteries of Mount Wutai remain an
important repository of Buddhist culture, and attract pilgrims from across
a wide part of Asia.
Fig. 8.2. Xiantong Temple, Mt. Wutai in north China's Shanxi Province.
On 26 June 2009, Mt. Wutai is inscribed in the UNESCO World
Heritage List (WHL) as cultural landscape, in recognition of the tradition
of pilgrimage and serenity of nature, and continuity of temples’
construction on the site since the CE 1st century to the early 20th century.
This is one among the 38 heritage sites from China inscribed in the
UNESCO WHL, and is considered to be a unique example of historical
continuity of pilgrimage tradition, religious landscape and associated
traditional architecture; that is how it is considered of special universal
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value for the humankind. The following four criteria were taken into
consideration:
Criterion (ii): The overall religious temple landscape of Mount Wutai,
with its Buddhist architecture, statues and pagodas reflects a
profound interchange of ideas, in terms of the way the mountain
became a sacred Buddhist place, endowed with temples that
reflected ideas from Nepal and Mongolia and which then influenced
Buddhist temples across China.
Criterion (iii): Mount Wutai is an exceptional testimony to the cultural
tradition of religious mountains that are developed with monasteries.
It became the focus of pilgrimages from across a wide area of Asia,
a cultural tradition that is still living.
Criterion (iv): The landscape and building ensemble of Mount Wutai as
a whole illustrates the exceptional effect of imperial patronage over
1,000 years in the way the mountain landscape was adorned with
buildings, statuary, paintings and steles to celebrate its sanctity for
Buddhists.
Criterion (vi): Mount Wutai reflects perfectly the fusion between the
natural landscape and Buddhist culture, religious belief in the natural
landscape and Chinese philosophical thinking on the harmony
between man and nature. The mountain has had far-reaching
influence: mountains similar to Wutai were named after it in Korea
and Japan, and also in other parts of China such as Gansu, Shanxi,
Hebei and Guandong provinces.
All the temples and landscapes associated with the sacred Buddhist
Mountain (Mt. Wutai) are included in the nominated area by UNESCO.
The integrity of some of the temple ensembles was threatened by
uncontrolled development but this has been either reversed or is now being
controlled. For the landscape, the visual integrity relies on sustaining the
beauty of the mountain and its forests so that the inseparability of the
temples and the mountain can be appreciated together with their religious
associations. The temples demonstrate a long history of construction and
reconstruction. The exception is Foguang East Hall which with its statues
has remained largely unreconstructed since the Tang Dynasty. The
attributes such as the assembly of temples, the specific buildings that
reflect the interchange of cultures, the relationship of buildings to the
mountain landscape, the beauty of the forested landscape to the northwest,
the pilgrim routes and the masterpieces within the temples, could be said
to clearly reflect the outstanding universal value of the property.
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5. Concluding Remarks
Buddhism has often been accused, unfairly I believe, of being a
pessimistic and world negating religion. Taken literally, the image of the
burning house is a gloomy and frightening assessment of the world we live
in. Environmentally, if Buddhism did despise this world, it would seem to
give Buddhists licence to do as they please with their natural surroundings.
But that is to ignore the other side of the paradox. There are always the
appointed tasks of life, there is the sacred land of Wutai to visit, and there
are monasteries to be built.
The burning world is the very same as the clear and cool world.
Building a monastery is to create a thing doomed to destruction, yet their
builders “still zealously build anyway”. Sheng Yen, in fact, announced
that one of the three principles which will guide the building of his new
monastery (Dharma Drum Monastery) will be protection of the
environment, specifically preserving the original topography of the site,
and protecting the natural springs, the water courses, the trees and
vegetation of the mountain site he plans to develop (Sheng Yen 1992: 90).
If the natural world were only seen as impermanent and unreal,
Buddhism would have a difficult time developing a sound environmental
ethic. However, it is also the locus of the sacred world, and the two are not
to be distinguished. This Ch’an-like insight informs many of the stories.
Keep the paradox which says that the burning house and the clear and cool
world are one and the same, and a responsible attitude toward the
environment is not only possible, but required. As one of the
manifestations of the Bodhisattva says to Song monk and pilgrim Hui
Qing: “Any one of the grasses or trees in this place is none other than
Wenshu’s world. When in your daily usage you deal with things with clear
understanding, this truly is Wenshu” (QLSZ 1786: 202- 03).
Mt. Wutai has been now internationally recognised being nominated
as World Heritage Site, which will attract a good mass of people to visit
and have experiences of serene landscape and the pilgrimage tradition. But
it would also turn into encroachments and interferences that may cause to
loss the age-old cultural traditions, or even impose upon several irrational
transformations (cf. Kang 2009).
6. References
Birnbaum, Raoul 1986. The Manifestation of a Monastery: Shen-ying’s
Experiences on Mount Wu-T’ai in T’ang Context. Journal of the
American Oriental Society, 106 (1): 119-137.
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—. 1988-89. Secret Halls of the Mountain Lords. Cahiers d’Extreme-Asie,
5: 115-140.
Chung-kuo fo-ssu shin-chin hui-k’an (A Collection of the histories and
annals of Chinese Buddhist Monasteries; compiled by Tu Chiehhsiang). 90 vols. In 3 series. 1980-85. Ming Wen Book Publishers,
Taipei, Taiwan.
Cleary, Thomas 1993. The Flower Ornament Scripture. Shambala,
Boston.
Gimello, Robert M. 1992. Chang Shang-ying on Wu-t’ai Shan; in, Naquin,
Susan and Yü, Chün-fang (eds.) Pilgrims and Sacred Sites in China.
University of California Press, Berkeley: 89-149.
Kang, Xiaofei 2009. Two Temples, Three Religions, and a Tourist
Attraction. Contesting Sacred Space on China’s Ethnic Frontier.
Modern China, 35 (3), May: 227-255.
Meyer, Jeffrey F. 1994. The Miracles of Wutai Shan, China: The
Ambiguity of Place in Buddhism; in, Singh, Rana P.B. (ed.) The Spirit
and Power of Place. Human Environment and Sacrality. National
Geographical Society of India, Pub. 41, Varanasi: 141-148.
QLSZ, Qingliang shan zhi (Annals of Clear Cool Mountain). 1786 edition.
Qingliang shan xinzhi (New Annals of Clear Cool Mountain). 1701
edition.
Reischauer, Edwin O. (trans.) 1955. Ennin’s Diary: The Record of a
Pilgrimage to China in Search of the Law. The Ronald Press, New
York.
(Shih) Sheng Yen 1992. Huo Chai Ch’ing Liang (Burning House, Clear &
Cool). Pastern Pub., Taipei.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Prof. Jeffrey F. Meyer
Emeritus Professor, Department of Religious Studies, Hwy 49 North Str.,
University of North Carolina at Charlotte, Charlotte, NC 28223. U.S.A.
Email: jfmeyer@uncc.edu
§ Jeffrey has received his M.A. from University of Dayton, and PhD from
University of Chicago, and has joined University of North Carolina in 1973. He
became emeritus faculty in 2007. His notable research publications include Myths
in Stone: Religious Dimensions of Washington, D.C (2001), The Dragons of
Tiananmen: Beijing as a Sacred City (1991), and Peking as a Sacred City (1976).
9
Sacred Spaces, Pilgrimage and
Tourism at Muktināth, Nepal
Rana P.B. Singh and Padma C. Poudel
Banaras Hindu University, India; & Tribhuwan University, Nepal
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. The sacred power of Muktināth is eulogized in the ancient and
puranic mythologies. The manifestive power of the place attracted kings
to provide special protection and related programmes which resulted to
develop various architectural styles of monuments, Gompās and pouwas.
Devotees performing pilgrimage to Muktināth also visit the sacred spots
and ancillary shrines in the environs. The inner sanctum of the main shrine
is controlled by the Buddhist Lama, however outside shrine by the Hindu
priests; this results sometimes into conflict. With the increase of trekking
and tourism hotel industry is coming up rapidly — this facilitates pilgrims
for easy stay. Most of the pilgrims are Hindus, while about sixty per cent
tourists belong to European countries. Pilgrims mostly visit in groups of
their kin and kiths, and about ninety per cent of them recorded their visit to
Muktināth for the first time. Similar trend is recorded for tourists too.
Auspicious glimpse and performing ancestral rites have been the main
motives. The other associative motive is to get relief from the cycle of
transmigration (moksha). The mystic beauty of nature and the power of
place jointly support to experience the nature spirit and to understand the
inherent meaning.
Keywords. Pilgrimage, pilgrims’ characteristics, Shālagrāma, sacred
places, sacrality, spatial structure, spirit of place.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction
Following the line of thought advocated by Eliade (1959) that awe,
wonder and deep quest to understand the mystical nature have attracted
human being in that distant past to come close to nature. After passage of
time the spirit of such mystical places with human interaction and
manifestation of human construct (mental and built up) shaped that
environs as sacred place whose inherent power is sustained by the faith
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system and regularly continued by the pilgrimages. Says Eliade (1959: 28)
that “men are not free to choose the sacred site, that they only seek for it
and find it by the help of mysterious signs”. This postulate was in case of
Muktināth was firstly detailed out in a project in late 1970s by Messerschmidt and Sharma (1980, and also Messerschmidt 1981). Messerschmidt
(1989a: 90) states:
In Muktināth the signs are found in the high mountain location and the headwaters site, and in the presence of certain natural elements such as fossils and
fires; these have tempted Man, in the search for god on earth, to create a
supernatural field, a sacred world where Vishnu and other deities are believed
to abide. It is not just natural features, however, but anomalies in nature that
give Muktināth a special sanctity and attraction. At Muktināth, these include
such wonders as fire burning on water and the fossils of primitive sea creatures
(ammonites) found high in the mountains, many thousand metres above sea
level and thousands of kilometres from any contemporary ocean. These are
some of the “mysterious signs”, rare and sacred, that Hindu devotees seek in
the religious field of which Muktināth is the central feature.
In addition to the most sacred abodes of lord Vishnu lying in the four
cardinal directions of India — Badrinath (north), Jagannath Puri (east),
Rameshvaram (south) and Dvaraka (west) — Muktināth (northeast) stands
as the fifth site in the Himalaya. These five centres form a star shape and
compared with the radiating light bestowing wisdom and relief from
transmigration, moksha (Fig. 9.1). These places may be called as special
places where divine manifestive power always radiates. The silent
mountain reflecting on all the passages of one’s life is the most sacred
pilgrimage place for Nepalese Hindus. The whole territory has long been
sacred to the ancient Hindu culture of sub-continent.
In Muktināth the liquid energy of feminine divine (e.g. Damodar
Kunda, and the headwaters), the strength of male power (the Himalaya
mountains), the fire element of space (as in Jvālāji temple), the serene
silence of isolated nature (sacred groves and trees), the message of
inherent mystery (ammonite fossil called Shālagrāma found thousand
kilometres away from the contemporary sea), in passage of time existence
of two traditions of faith system, i.e. Vaishnavite (Vishnu), Shaivite
(Shiva) and Shakta (goddess), and several ancillary and associated unique
features together make this holy territory (kshetra) distinct and special,
which is constantly made alive, awakened, regulated and communicated
through the devout pilgrims. The above mentioned “mysterious signs”,
rare and sacred, the Hindu devotees seek in the religious field of
Muktināth are the central features (Messerschmidt (1989a: 90). The
Pilgrimage-Tourism at Muktināth, Nepal
213
interactions between the religio-geographical realities and the pilgrims,
humans and divine, microcosm and macrocosm are maintained by
varieties of traditions that result to form complex sacredscape in
Muktināth (Poudel 2000: 38).
Fig. 9.1. India and Nepal Star-frame Five holy places.
This essay is an attempt to present the findings of the survey of
pilgrims and tourists at Muktināth, illustration with other findings and
mythologies that support them. The survey was conducted during the
Ashvina Krishna (Pitri)paksha (called as Shrādhapaksha) of Vikram
Samvata 2050, i.e., the waning fortnight (dark half) of September-October
1993, in addition to a day before and a day afterwards (30 September to
16 October 1993). This period is chosen purposely because of its
importance in worshipping ancestral rites in Hindu traditions. Information
were collected by interviewing 78 groups of pilgrims representing 907
individuals. Further, 74 foreign trekking-tourists belonging to 11 nations
were also interviewed. For this purpose questionnaires are used, and also
dialogues and interactions were carried on.
The Himalayan kingdom of Nepal is blessed with an incredible
diversity of natural sceneries and a chain of sacred places, including the
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highest mountain peak of the Sagarmāthā (Mt. Everest, 8,848 metres), and
the celebrated holy place of Muktināth (North 28°49’ lat. and East 83°53’
long., 3,749m) that lies in the north-western part of Muktināth Village
Development Committee (VDC, 3,573 sq. km of area) of Mustang District
(3,573 sq. km of area), Dhawalagiri Zone, Nepal, at the foot of the
Thorong La mountain pass (part of the great Himalayas) (Figs. 9.2, and
9.3).
Fig. 9.2. Mustang district and Muktināth
Pilgrimage-Tourism at Muktināth, Nepal
215
Muktināth VDC records 186 households and 990 inhabitants in 2009
(Regmi & Regmi 2009: 33), which was 191 and 899, respectively in 1993.
Muktināth experiences markedly arid climate with cool summers and
severe dry winters. Patches of alpine vegetation in the inner valleys and
thorny bushes in the mountain slopes are the dominant natural scene. The
houses of the area are made of muddy flat roofs and walls. The dressing
and language are more akin to Tibetan and Buddhist style than Hinduism.
The nearby mountain to Muktināth refers to the myth that it symbolizes
the sacrificial rice pudding thrown by Brahma (‘the creator’). Pilgrims
take with them a quantity of soil from this mountain as mahā prasāda
(“the great offered food to god”) and distribute among their friends when
they return to their homes.
Fig. 9.3. The Path to Muktināth (after Messerschmidt 1989a: 92).
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Of course, Muktināth is the famous Hindu sacred place, the
neighbourhood is dominated by the Buddhist population. That is how it
presents uniqueness in cultural heritage together with natural scenery.
Though this place lies in physically remote area, thousands of foreign
tourists pay visit to this place every year since April 1977 when Manang
Valley (under the Annapurna Trek permit) was open for foreign visitors.
The Annapurna area is recently designated as a national conservation area
and now becomes a popular mountain destination in Nepal, partly because
of its easy accessibility and links with Pokhara — an important regional
tourist gateway. Since 1980 Annapurna has increased its relative share in
trekking from about half to 68 per cent in 1986 of the national total
(Zurick 1992: 615). The influx of Hindu pilgrims has also increased during
recent years.
2. Mythic Context and Historical Background
Muktināth is eulogized in the ancient and purānic literature as the
source site of the Krishnā-Gandaki (or, Kāli-Gandaki) river where a kind
of typical sacred stone symbolizing Vishnu, i.e., Shālagrāma, is found
abundantly (cf. Kurma Purāna II.35.37; Narasimha Purāna 64.22-26; see
Kane 1973, vol. IV: 799). The surrounding hill is called in the same way
as Shālagrāmagiri (Varaha Purāna 144.13, 29). The “Forest Canto” of the
Mahabharata (III.84. 123-128) describes the merit of Shālagrāma and the
holy site where it is found. The whole territory with this divine and
manifestive quality is called as Muktikshetra, i.e., “a place where final
emancipation is attainable” (cf. Varaha Purāna 145.105), and said to
spread over an area of 15 yojanas (ibid.: 182). The measurement fits very
closely to the reality (radius 16.25 km, circumference 102.1 km, area
829.58 sq. km).
This kshetra (sacred territory) is demarcated by the two extreme spots,
viz. Damodara Kunda in the north, and Muktināth in the south; this forms
a shape like an egg, and thus symbolizes itself as Shālagrāma. Mythology
also refers that the great yogi king Bharata had resided close to this place
and performed austerity (cf. Vishnu Purāna II.1.24, II.13.4). Another
version of the same story is narrated in the Bhāgavata Purāna (V.7.8-10;
8.30) which refers it with the names like ‘land of illustrious’, ‘the place
cherished by many released sages’, ‘the forest hermitage where Pulastya
and Pulaha live’, and well known as Shālagrāma Tirtha (pilgrimage place),
or sometimes kshetra.
The Vārāha Purāna (144.29) states that the Shālagrāma hill in itself is
a form of Vishnu, and therefore it is a ‘divine being’ (devatā; ibid.: 145). It
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is also said that Lord Vishnu is always present in the rock of Shālagrāma
(cf. Ramottaratapiniyopanishada IV.166). The Agni Purāna (47) mentions
that Shālagrāma has a great divine power to bliss all sort of boons, but
better to worship it without any desire. Popularly, the Shālagrāma also
symbolizes Lord Shiva in phallus form, and the Krishnā-Gandaki as the
fluid energy of Sati (the earlier form of Shiva’s wife who committed
suicide). According to a version of Shakta tradition, among the 51 shakta
pithas where the parts of Sati’s corpse fallen down, the right cheek
(dakshina kapāla/ ganda) is associated with Muktināth; thus it symbolizes
the 9th sound and letter of Sanskrit alphabet, “lri”.
Apparently Muktināth shows its association with Krishna, the 8th
incarnation of Vishnu. The ritual tradition of worshipping Shālagrāma
with offering tulasi (holy basil) leaves indicates the age-old Vaishnavite
myth referring as to how Vishnu fallen in love with Tulasi, and later by
her curse He himself became Shālagrāma, and succeeding Tulasi became
the Krishnā-Gandaki river. This way Vishnu as Shālagrāma remains in the
lap of his beloved Tulasi who was transformed to the Gandaki river. The
late 16th century epic, the Rāmacharitamānasa (by Tulasidas) describes
the glory of Shālagrāma Kshetra/ Muktināth; this further helped to
promote its intensity of attraction for pilgrimage by Hindu devotees.
The purānic and mythical stories are interpreted in different ways (see
Glasenapp 1928; Yogi 1956: 13; Kaschewsky 1994: 145-149). Several
accounts based on personal pilgrimage have also narrated Muktināth (e.g.
Kirkpatrik 1793/1975; Hamilton 1971; Gurung 1980), and sometimes
personal experiences and diaries have also been recorded (e.g. Snellgrove
1989: 199-203). In spite of its very high sanctity and mytho-magico
power, there does not exist any permanent Hindu settlement in Muktināth
VDC. Nevertheless the predominant Buddhist inhabitants have mostly
been supportive to Hindu pilgrims and other visitors.
Apart from water and special stones, other natural objects which
promote the sacrality of place in Muktināth area include the holy fig tree
(“pipal”, Ficus religiosa), the banyan tree (“ficus” or “vata”, Ficus
bengalensis) and the holy basil (“tulasi”, Ocimum sanctum, or Ocimum
basilicum). These trees are considered to have close association with
Vishnu and preserve healing qualities. The fig and banyan trees cast a cool
shade for the tired pilgrims, while tulasi preserves magical healing quality.
The mythologies narrate the association of different sages and seers who
performed austerities under these trees.
Initially the Hindu Khas Malla kings of Karnali region, Kalyal Kings
of Jumla and Malla Kings of Parbat, were responsible for the development
of Muktināth temple (Dhungel 1987: 1-4). The inscriptions at the second
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roof of the present pagoda and also upon the bell hanging at the southern
main gate refer its construction and architectural style to the year 1814,
and further its renovation in 1983. The local traditions refer that prior to
the present pagoda there was a flat mud-roofed structure.
Muktināth is also a home of many Tibetan inhabitants. The Buddhist
Tibetans believe that Jvālāji is associated with Chen-re-sig (the Buddhist
god Avalokiteshvara) who received enlightenment here (cf. Fig. 9.4).
Devotees feel that an auspicious sight of Muktināth on the 10th of waning
fortnight of Hindu month of Jyestha (May-June), or on Makar Samkranti
(winter solstice; 14th of January) bestows special merit. Popularly, the
pilgrims take holy dips in Dhārā Tirtha, i.e. 108 water-spouts (gomukha)
before paying visit to Muktināth. The number 108 symbolizes the products
of 12 zodiacs and 9 planets, thus it refers to the cosmic coverage.
Fig. 9.4. Muktināth Kshetra (modified after Messerschmidt 1989a: 95).
Note: 1. The route of circumambulation of the shrine, 2. Sacred springs, source of
the Muktināth (Jhong) river, 3. The Vishnu Mandir (temple) and the 108 water
spouts, 4. The temple of Jvālā Māi, with the natural gas fires, 5. The Tibetan
monastery of Gompa Sarwa, 6. The Tibetan temple of Marme Lhakhang, 7. The
sacred grove of poplar trees, 8. Various shelters for pilgrims, 9. Rani Pauwa; site of
the horse fair and tourist lodges, 10. Unused temple, 11. Beginnings of the
Muktināth (Jhong) river, and 12. Route down the valley to Dzarkot village and
Kagbeni (after Jest 1981).
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3. Sacred Places and Ancillary Shrines
Landscape features (especially water spots, and sacred groves) and
sacred places have close association in the Himalayan realm. Most of the
sacred spots in the territory of Muktināth are related to water points like
Damodar Kunda, Muktināth and Kagbeni (cf. Fig. 9.4).
3.1. Muktināth
The holy site of Muktināth (3,749 m) is located on the north-western
slope of a dissected mountain (locally called as Kalo Danda) of Muktināth
Himalaya (Annapurna range). A gentle slope trail of about half kilometre
links the sacred place and the nearest settlement (Ranipouwa village,
Purang), where famous Ranipouwa, hotels and shops are located. There
are two temples, three Gompas (Buddhist temples) and five pouwas within
the compound of the holy site of Muktināth (Figs. 9.4 and 5).
Muktināth temple occupies almost central position in the holy territory.
Three-storied copper-roofed pagoda (in Pahari style) temple of Muktināth
with southward facing main gate is built on a squared platform of a single
tire, occupying 106.58 sq.m. of an area. The outer surface of Muktināth
temple covers an area of 18.48 sq.m. The inner space of the temple is only
2.6 sq.m., which is paved with marble stone (Figs. 9.5, and 6). A copper
image of the main deity (Lord Muktināth) is enshrined at the central
location of the northern wall facing towards the main gate; therefore
devotees cannot circumambulate the image from the inside.
The Muktināth (Vishnu) image has four arms and is in the lotus
position with crossed legs (padmāsana) and lies under the shade of seven
hoods of snake (cf. Fig. 9.7); the upper two hands carry the chakra (disc)
and shankha (conch shell), and the lower two hands express the gestures.
His two wives, Lakshmi (goddess of wealth) and Bhudevi (the earth
goddess) are on either side of the main status. In front of him sits Garuda
(the divine bird, carrier of Vishnu) and Ganesha. Muktināth statue is of a
metre height and a maximum width of 96cm. The style and shape of the
image suggest its period around the CE 16th-17th century (Dahal 1988:
61), which supports its association with Jumla kings.
According to Tibetan Buddhist legend about Muktināth, Padmasambhava, the “precious teacher” and sage who first introduced Buddhism
to Tibet, paid visit to this territory and site in the CE eighth century. Some
believers think that as “the founder, culture hero, and protector of Tibetan
Buddhism” Padmasambhava has more importance than the Buddha
himself (Paul 1982: 151, see Messerschmidt (1989a: 96). The site is also
said to have been visited by the eighty-four magicians (mahā-siddhas) of
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late Indian Buddhism, whose walking steeps are believed to have grown
into the sacred poplar trees of Muktināth. These magicians are also
associated with the sacred springs of Muktināth (cf. Jest 1981).
Fig. 9.5. Sketch view of Muktināth Sacred Territory.
Other predominantly Buddhist sites and monuments of the complex are
the Tibetan Gompa Sarwa (dgon-pa gsar-pa), new monastery, and the
Marme Lhakhang (Mar-me lha-khang), temple of the lamps. The Sarwa
monastery houses images of Padmasambhava, Lokeswar (Avalokiteshvara), and Sakyamuni (the historical Buddha). The Marme temple was
already less significant during 1980s, and by late 1990s get transformed
into dilapidated form. Three images of Buddhist Mahayana, gods, viz. HoPang-Me, Che-Pang-Me and Dorga Sempa, also exist in front of
Muktināth image. The local priest informs that the three Buddhist images
were shifted here from Nrisimha Gompā (a Buddhist shrine located
nearby) only to secure and preserve them.
Pilgrimage-Tourism at Muktināth, Nepal
Fig. 9.6. Muktināth environs and Temple’s Spatial Plan.
Idols/ image (murtis):
1. Muktinārāyan
2. Lakshmi
3. Sarasvāti
4. Ganesha
5. Garuda
6. Ho-Pang-Me
7. Che-Pang-Me
8. Dorga Sempā
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Existence of side-by-side Hindu and Buddhist images within one
sanctum reflects religious harmony; however, overseeing Hindu priests in
the inside and Buddhist female monks (Jhomo) in the outside of the same
temple certainly create sometimes conflict concerning the role and benefit
(property) and frustration among the Hindu pilgrims. In practice, the
Jhomo performs rituals inside the temple, and outside the Hindu priests
and the donations and offerings at these places are the property of the
respective overseers.
Fig. 9.7. Muktināth Image (murti).
Nearby to the main entrance gate to Muktināth, in the right exist an
area of sacred groves of poplar trees of the species Populus ciliata, locally
called lekh pipal or bhot pipal. Despite its popular name, the lekh pipal is
not of the same genus as the sacred lowland pipal (Ficus religiosa) under
which the Buddha meditated to gain enlightenment at Bodh Gaya.
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3.2. Dāmodar Kunda
Lying at the distance of 32km in the northeast from Muktināth, located
several days’ walk beyond and above Muktināth, Damodar Kunda
(4,659m) in a valley of Damodar Himal, is located in Surkhang VDC of
Mustang District. This holy spot is described vividly by Kirkpatrik in his
journey accounts (1793). The topographic features nearby indicate that
there might had several kundas in this area in the past which in course of
time dried up, except a few existing even today like Dudha Kunda (pond
of milk), Makta Kunda (pond of precious stones) and Nirmal Kunda (pond
of clean water). The local priests say that Damodar Kunda represents the
combination of all the kundas. For sheltering pilgrims there is only a
corrugated sheet-roofed Pouwa (dharamashālā, pilgrims’ rest house),
constructed by Mustang District Panchayat. The sanctity of certain lakes
like Damodar Kunda, especially in relation to the legend of
Padmasambhava’s visit to the Himalaya, is a part of belief systems.
Damodar (literally “having a rope round the waist”) is an epithet of Lord
Vishnu (Turner 1965: 309b). This and similar lakes in the high Himalaya
are sometimes also called Danda Kunda (mountain lake) or Dudh Pokhari
(milk lake), the latter due to their glacial colour, the result of a high silt
content.
3.3. Chu-mig-brgya-rtsa
This refers to “the land of 108 springs, or water-spouts” which
surrounds northern half of Muktināth temple compound. The springs of
Muktināth seep from the rocky hillside directly east and above the Vishnu
Mandir shrine. The water has been carefully channelled down the hillside
to feed into a long trough that feeds a line of 108 water spouts atop a stone
wall in the form of little brass animal-heads (Snellgrove 1989: 200). The
number of these spouts also has magical qualities and associations. There
are, for example, 108 books in the Tibetan Buddhist scriptures and 108
beads on the Buddhist rosary. The stream is linked to a water pool called
Muktikunda. The chain of water-spouts is known as Dhārā Tirtha and
believed that a holy bath in this water can purify one in all the number of
8,400,000 organic species in the cosmos (as in Hindu cosmology believed)
— through which the soul passes by the cycle of rebirth. The number of
spouts has special significance and gives Muktināth its local Bhotia name
of Chumig Gyatsa (Chu-mig brgya-rtsa, Tibetan), meaning “a hundredodd springs” (Snellgrove 1989: 106). They are made in the shape of boars’
heads, the boar being one of the ten avatars of Lord Vishnu. The
experience of bathing is described by Messerschmidt (1989a: 97-98):
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Bathing at religious sites is always meritorious to the Hindus, and purification
by bathing or drinking sacred water is a principal part of each pilgrim’s quest.
Virtually everyone bathes at Muktināth: devout Hindus strip down and dash
quickly under all the springs, men in loin cloths and women in thin cotton
saris; local Bhotias visiting the shrine typically do not undress, and only
sprinkle a few drops from some or all of the spouts, and perhaps drink a little
of the water. A number of people take advantage of the event and bathe fullscale with a great flurry of soap suds. Before entering the water, all pilgrims
are obliged to donate a few pice (small coins) to the Tibetan Buddhist nuns of
the Nyingmapa sect who see to the upkeep of the shrine complex throughout
the year.
3.4. Kāgbeni
At the confluence (beni) of the Krishnā-Gandaki and the Muktināth
Kholā (a stream, Jhong) lies the holy spot of Kāgbeni; the confluence spot
which is called Hamsatirtha. It is located at an elevation of 2,810 m, i.e.,
939 m lower and 9.5 km west of Muktināth. The pilgrims believe that
when Vishnu’s carrier, Garuda, “has been honoured with an offering at the
start of the pilgrimage, he accompanies them until he reaches Kāgbeni” —
his original home (Kaschewsky 1994: 143). The etymology of Kāgbeni
reflects this myth: ‘Kāga’ or ‘Kāka’ means ‘crow’. The close by holy site
is called as Kāgbenitirtha. The Hamsatirtha means literally “the holy spot
of goose/ swan” itself.
Kāgbeni is an especially important site for Hindus to perform the final
shraddha (ancestral rites) rites for the dead. These rites are commonly
performed eleven days after the death of a parent, for example, and every
eleven years thereafter. A shraddha performed during pilgrimage at the
sacred confluence of two rivers is especially auspicious. Many pilgrims
stop at Kāgbeni, usually the day before arriving at Muktināth, to perform
the final rites for the departed, after which they are absolved from further
obsequies duties.
3.5. Shiva temple
A Shiva temple in south of Muktināth replicating the temple of
Pashupatināth was built in around CE 1938. Four small shrines
representing Dvarakā, Badrināth, Kedārnāth and Rāmeshvaram have
recently built near in the affinity of the Shiva temple. This reminds the
process of spatial manifestation by which the four abodes of Vishnu (lying
in the four cardinal directions in India) are replicated to make the place as
the microcosmos of Vishnu.
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3.6. Jvālāji Gompā
Jvālāji Gompā lies at a distance of around 60m in the east of Muktināth
temple. The present structure is the result of renovations at several times.
At present it spreads over an area of 81.6 sq.m. (Fig. 9.8) and records the
maximum height of 4.6m. All the five images in the temple represent their
Buddhist association. The clay image of Padmasamhhava is the main deity
in the Gompā; the image records a height of 87cm and a maximum width
of 60cm. This image is dated around late 16th century (Dahal 1987: 65).
Other images enshrined in Jvālāji Gompā are Buddhist Mahayana Tantrika
Vajrapāni (Chhang-chom-dorje), Manjushri or Manju Ghosh (Tenpachom-den-de) and Chen-Re-Sig. The height of these images ranges
between 1.3m and 1.6m whereas the width ranges between 1.1m and 2.1m.
Vajrapāni is worshipped by the Buddhist, while Hindus worship Chen-ReSig as Vishnu. There are three females and one male Buddhist monks
serving as the priests at this Gompā. From the burning flame Buddhists
take fire for cremating the dead bodies.
Fig. 9.8. Jvālāji Gompā: Spatial Plan
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It is said that Jvālāji (‘the Temple of Eternal Fire’) was the original site
of local Buddhists around Muktināth before the establishment of a Hindu
temple. Snellgrove (1989: 201) describes it:
Nying-ma-pa . . . . contains images of ‘Boundless Light’, ‘Glancing Eye’ and
‘Lotus-Born’. The flames of natural gas burn a little cave at floor level in the
far right-hand corner. One does indeed burn from earth; one burns just, beside
a little spring (‘from water’); the one ‘from stone’ exhausted itself two years
ago and so burns no longer, at which local people express concern”.
The flames in Jvālāmāi temple originally burned from three sources―
earth, water, and stone. To Tibetan Buddhists the temple of Jvālāmāi is
known as Salame-bar Dolamebar Gompa (Sa-la me-’bar rdo-la me-’bar
dgon-pa), the temple of the miraculous fire. This temple (dgon-pa or
lhakhang), like most of the structures of Muktināth, is constructed in the
northern Buddhist (Tibetan) style of architecture. It shelters the natural gas
fires burning from stone, earth, and water (cf. Fig. 9.8). On the altar of
Jvālāmāi are images of Padmasambhava, Lokeshvar, and Vajradhara
(holder of the vajra, a thunderbolt, symbolizing supreme Buddhahood).
Finally, the ammonite fossil of Muktināth/Chumig Gyatsa is considered to
be Gawo Jogpa (dGa’-bo Jogs-pa), the Tibetan serpent deity (nāga).
Snellgrove (1989/ 1961) gives a detailed account of Buddhist pilgrimage
sites throughout the region. His study greatly enhances our concept of
Muktināth’s sacred field, particularly from the perspective of Buddhism
and of Bon, a religion in which many indigenous pre-Buddhist beliefs
have been retained. Muktināth’s dedication to these universally hallowed
deities of both Hinduism and Buddhism represents its existential aspect
(Messerschmidt (1989a: 96).
The flames are a popular object of curiosity and veneration among
pilgrims. Buddhists interpret them as “burning changeless and unceasing
from the hidden parts of Samvara Male [the tantric deity] and Female [his
spouse]” (Snellgrove 1989: 108). Hindus interpret them as a gift from
Brahma, who is said to have made offering here by setting the water afire.
Because fire and water are normally incompatible, however, popular
interpretation gives them a supernatural aspect, as the “miracle” of
Jvālāmāi. Geologically, the natural gas which feeds the flames emanates
from the same shales in which the famous Muktināth fossils are embedded
(Messerschmidt (1989a: 98).
Fire is one of the most important gross-elements (panchamahābhutas)
in the Vedic ritual and cosmology, representing Agni, the powerful firegod and a cosmic principal that pervades the creation (Kinsley 1995: 55).
It is the object of much Hindu mysticism and speculation; and in his role
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as the all-pervader Agni is also said to exist in the three cosmic realms of
Vedic cosmology, viz. the upper world (ākāsha), the realm of the earth
(prithvi) and the underworld (pātāla). All the three principal characters of
Agni are represented in Jvālāmāi and the nearby shrines. They are linked
with the pilgrimage rituals by the pilgrims. Fire is central to the ritual act
of possessing a territory and in the creation of a sacred site for worship, as
exemplified with Muktināth. Moreover, Agni’s presence ensures communication between men and gods: divinity and humanity interactions. Eliade
(1959: 30) notes that “the erection of an altar to Agni is nothing but the
reproduction-on the microcosmic scale-of the Creation”. The association
of fire with water and earth, as for example in the erection of a fire altar or
as juxtaposed within the temple of Jvālāmāi, represents the creation and
the Hinduisation of Muktināth’s sacred territory (kshetra).
Close by also exist ‘Temple of the Lamps’ (mar-me lha-khang),
‘Temple of Encampment’ (sgar dgon- pa) and ‘Place of Mind-Perfection’
(bsan-grub- gling). Jvālāji is the main goddess of local Buddhist around
Muktināth area. They call Jvālāji as Sale-Me-Bar, Dola-Me-Bar and
Chhula-Me-Bar (sites of divine flames upon the soil, stone and water).
Even today one can see the flame. Jvālāji Gompā (Buddhist), or Jvālāmāi
(Hindu) is equally popular among the devout Buddhists and the Hindus.
Occasionally one can hear some gurgle sound close to Jvālāji Gompā; this
is explained by devotees as the sound of invisible river Mandākini, called
Svarga Gangā (“the Gangā of the heaven”). This myth is comparable to
the invisible Sarasvati river meeting at the confluence of the Gangā and
the Yamunā at Prayaga (Allahabad).
3.7. Nrisimha Gompā
The two-storied Nrisimha Gompā lies in the north-western side of
Muktināth temple at a distance of about 65 metres. Local tales refer this
temple as ancient one grown together with Muktināth. It occupies an area
of 152.5 sq.m. with the height of 5m. The ground floor of the Gompā is
used for religious activities, and the second for the residence of Jhomos.
The principal deity of this Gompā is Padmasambhava whose clay image is
sitting in padmāsana (cross-legged posture). It records a height of 2.5m
and a width of 2.4m. On both sides of the main image exist images of the
nurses (kha-do-nza). Among them one is Tibetan (Kha-do-ye-chho-gyal)
and another Hindu (Man-d-re-wa).
Another popular image enshrined in this Gompā is of Tibetan Tantrika
Guru Sen-Dong. On account of its partial shape of lion Hindus pay their
homage to this image as Nrisimha — the fourth incarnation of Vishnu.
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The image of Vajra Vārāhi is also enshrined in one side of the Nrisimha
Gompā.
3.8. Sang-Do-Gompā
Located at the left-hand side of the entrance gate of the Muktināth
compound, this shrine is now ruined. Images of the Gompā and
construction materials indicate that it was one of the valuable shrines of
the local Buddhist tradition.
4. Pouwās, or Dharmashālās (Pilgrims’ Rest House)
For pilgrims’ stay and rest in Muktināth area several pouwas are built
by different social organisations and the individuals within a proximate
distance to Muktināth temple; they are commonly used for the accommodation of police and nuns (cf. Fig. 9.6). Out of them, the oldest and largest
one is Rani Pouwa, located at a distance of half kilometre from Muktināth
temple, and it was built in 1806 (as mentioned in the stone inscription
there) by Subarna Prabha, the wife of King Rana Bahadur Shah. It has two
storied builtup structure consisting of two large rooms, 55 windows and 26
doors. The stone-walled and mud-roofed Rani Pouwa can accommodate
about 150 pilgrims at a time. The Pouwa is 43.71m long, 34.28m wide and
5.65m high, and has almost a rectangular shape. At the centre there exists
an open ground of the dimension of 17.28 x 14.70m. Of course, there are
five other Pouwas in the compound of Muktināth, however now they are
not in proper use. Therefore, most of the pilgrims stay in Rani Pouwa,
which is out of the compound.
Nearby to the main gate, in the compound of Muktināth territory,
exists Muktināth Darshana Smriti Van Vatika, developed in 1991, where
298 Nepalese and 112 foreigners (from 17 countries) have planted trees.
The plantation programme was initiated by Svami H. H. Tridandi, a saint
from Andhra Pradesh (India), on the 27th of January 1992 by a donation of
NRs. 10,001 (about US $ 205 at rate of that time). Even the Ex-foreign
minister of Japan Mr. Rhio Tara Hashimoto had also planted a tree in this
garden.
There does not exist any institution arousing religious consciousness,
except an area of Rakhu Guthi — a piece of land registered in the name of
sacred place to supply necessary products for the overseers and pilgrims
staying there. Rakhu Guthi records an area of 432 ha khet/ irrigated land
and 1086 ha bari/ non-irrigated land. This Guthi was formerly serving as
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the supporting resource to the maintenance of Muktināth temple and
associated Pouwas; however, presently its condition is not good.
5. Religious Festivities
It is obvious from the literature that regular ritualistic activities (pujā)
according to Hindu tradition had been started only after 1904 (Dhungel
1987: 1-15). Formerly only seasonal rituals, four times in a year, were
performed. Nepal is a land of innumerable fairs and festivities and that is
how these rituals fit to the lifeways of people. Most of the festivals are
commonly celebrated by the Hindus and the Buddhists in a similar way.
Special rituals and offerings to Muktināth are performed on the
occasion of Rāma Naumi, Lord Rāma’s birth day (i.e. 9th of Chaitra lighthalf, waxing fortnight, March-April). On this occasion thousands of
pilgrims from different parts of Nepal and India pay visit to Muktināth and
take holy dips in the 108 water-spouts (Dhārā Tirtha), followed by
darshana to Jvālāmāi - presenting oil lamps in her honour. Other
important festive occasions were Akshaya Tritiya (3rd of Vaishakha lighthalf, waxing fortnight, April-May) and Badā Dashain/ Durgā Pujā (10th of
Ashvina light-half, waxing fortnight, September-October). The Buddhists
perform special rituals at the time of Losar (New Year) and Dhung-chu
(both falling in January-February).
5.1. Rishitarpani, or Janaipurnimā
On this festive day (Full-moon day in the month of Ashvina, Sept.Oct.) hundreds of pilgrims from Nepal and India visit Muktināth. Pilgrims
who intend to visit Damodar Kunda come 3-4 days earlier to this day and
return finally on that day to Muktināth. According to the local priest about
1500 pilgrims (mostly upper caste Hindus) visit Muktināth during the
period of 3-4 days, and among which about hundred travel further to
Damodar Kunda. The main motives of this pilgrimage are to perform
rituals honouring the ancestors, offering sacred thread to and replacing
their own sacred thread by the new one. Pilgrims believe that by these
rituals they would receive peace and blessing of their ancestors.
5.2. Yār-Tong
This is a Buddhist festival, symbolizing ‘thanksgiving to the rainy
season’. Local villagers celebrate it individually a day before Rishitarpani,
whereas in Purang and Jharkot (nearby to Muktināth) people celebrate this
at the vicinity of Rani Pouwa on the day of Rishitarpani. People from the
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9. Rana P.B. Singh & Padma C. Poudel
surrounding eighteen villages dress in varieties of colourful clothes to
celebrate Yār-Tong. After having auspicious glimpse to different images
of Nrisimha and Jvālāji Gompā, the celebrants take active part in
competitions like folk song (dohori git), horse race, dancing and some
local games. This tradition is believed to be started by the legendry brother
of Jumla Kalyal king. The festival continues during 3-4 days, and the last
day is devoted to special meals. The magnitude of the festival depends
upon the intensity of harvesting and production: if harvest is good, the
magnitude would be high, and vice versa. This way the festival reflects the
distinct relationship among sacred time-space, rhythm of season and sense
of togetherness — agricultural cycle and festivity. Snellgrove (1989: 202)
describes his participation:
All the villages in the area were to send up parties on horse-back dressed in
their finest clothes. They visit the 108 water-spouts ceremoniously and then a
great horse-race is held. Khyeng-khar and Dzar sent up rehearsal parties five
days before. They met on the track, and since all were rather drunk and neither
party would make room for the other, a fight developed.
5.3. Badā Dashain/ Durgā Puja
This is the largest celebrated festival in Nepal, and refers to the
worship of Goddess Durgā. As a common tradition people celebrate this
festival throughout Nepal, however at Muktināth this is a minor event. At
Muktināth during Ashvina Krishnapaksha (i.e., Pitripaksha, dark-half,
waning fortnight, September-October) special festivities take place at
Muktināth, honouring ancestors.
6. Structure of Pilgrims and Tourists
Though foreigners have started visiting the country since late 1960s, it
is only after 1970 that Nepal virtually opened its door to the outside
worlds. However, the Muktināth area became particularly popular after the
opening of Manang valley in April 1977. During June 1992 - July 1993,
13,763 foreign tourists representing 53 countries, excluding India, visited
Muktināth area (cf. H.M.G. 1993). Muktināth area (and parts of
Annapurna range) consists of two unique features to be seen, viz.
panoramic natural beauty, and the holy territory and its sacred places. This
way Muktināth attracts a large mass of tourists and pilgrims equally.
Hindu pilgrims from different parts of Nepal and India pay visit to
Muktināth, however the spatial pattern of pilgrims during Ashvina
Krishnapaksha (1993) marked distinctive characteristics. Kavrepalanchok
Pilgrimage-Tourism at Muktināth, Nepal
231
and Makawanpur districts in the east, and Gulmi and Rupandeni districts
in the west record the longest distant of pilgrims’ belongingness (see Fig.
9.9). Comparing the origin of pilgrims by administrative zone, the highest
share (42.4%) is recorded from Gandaki zone, the moderate share from
Dhawalagiri (19.1%) and Lumbini zone (17.1%), and the lowest share
from Bagman zone (4.1%).
Fig. 9.9. Muktināth: Spatial flow of Pilgrims.
From India, the majority are from Bombay (Mumbai), Madras
(Chennai), Delhi, Bhuwaneshwar and Calcutta (Kolkata) (Fig. 9.9).
Among them share of female pilgrims is relatively higher. Regarding the
trekking tourists (for pleasure and recreation) five European countries, viz.
France, Germany, Holland, Spain and U.K., comprise 62.2 per cent of total
share, followed by Asians (28.3%), Americans (6.8%) and Africans
(2.7%). The details of the statistical information of pilgrims and tourists
and their male-female segregation are given in Table 9.1a, b. The malefemale ratio of trekking tourists was found 1: 0.5 (Oct. 1993).
232
9. Rana P.B. Singh & Padma C. Poudel
Table 9.1a. Muktināth: Pilgrims by countries
Destination
Dhawalagiri Zone
1.
Myagdi
2.
Baglung
3.
Parbat
Gandaki Zone
4.
Kaski
5.
Syangja
6.
Tanahun
7.
Gorkha
8.
Lamjung
Lumbini Zone
9.
Gulmi
10.
Palpa
11.
Rupandeni
12.
Nawalparasi
Narayani Zone
13.
Chiawan
14.
Makawanpur
Bagmati Zone
15.
Kathmandu
16.
Lalitpur
17.
Kavre
INDIA
TOTAL
Male
Female
Total
%age
21
48
15
24
47
18
45
95
33
5.0
10.5
3.6
107
26
20
13
13
143
30
19
14
13
250
56
39
27
26
27.6
6.2
4.3
3.0
2.8
1
35
21
12
1
36
21
11
2
71
42
23
0.2
7.8
4.6
2.5
48
1
44
3
92
4
10.2
0.4
3
7
7
40
438
6
8
8
25
469
9
13
15
65
907
1.0
1.7
1.7
7.2
100.0
(Source for all the followed up tables: Field survey). M, males: F, females.
Table 9.1b. Muktināth: Tourists by countries
Destination
Male
U.S.A.
Canada
U.K.
France
Germany
Spain
Netherlands
Japan
Africa
India
Nepal
Total
3
1
1
4
10
6
2
3
1
14
3
48
Tourists
Total
-1
5
2
11
-5
-1
1
-26
Female
%age
3
2
6
6
21
6
7
3
2
15
3
74
4.1
2.7
8.1
8.1
28.4
8.1
9.5
4.0
2.7
20.3
4.0
100.0
Pilgrimage-Tourism at Muktināth, Nepal
233
6.1. Age Structure
Hindus above the age of 40 were found more oriented to perform
pilgrimage. It is obvious from Table 9.2 that 64.4 per cent of pilgrims
arrived at Muktināth were above the age of 40. It is observed that that
majority of visitors below the age of 40 years were, in fact, not the actual
pilgrims; rather they came as helping hands and accompanying persons
with their parents and relatives. This way the total figure of pilgrims and
tourists between the age of 20 and 40 years reached to 32 per cent and 78
per cent, respectively (see Table 9.2).
The proximity of distance, more acceptability of locality together with
its projection as universality, the strong belief system that fits to the hilly
landscape, the continuity of traditions and customs ― all together make
Nepalese strong believer to the pilgrimage to Muktināth, that is how their
share reaches to above 90 per cent. In his classical study Messerschmidt
(1989b: 117) concludes:
The behaviour of the pilgrims we encountered reflects the structure of the
Brahmanical order and ethos. The zealous Hindu engaged in tirtha-yatra
(pilgrimage), does his or her best to follow the strict rules of interpersonal
association and commensality, and to maintain the well-defined bounds of
orthodox caste propriety while engaged in the sacred quest. The sincerely
orthodox devotee would not deliberately go out of his way to seek
interpersonal relationships that might abrogate the rules or seriously endanger
his social or ritual status. Rather, a pilgrimage is entered into in order to
highlight and more fully confirm one’s relationship to God and to one’s fellow
human beings.
Table 9.2. Age Structure of Pilgrims
Age
(year)
1. < 20
2. 20-30
3. 30-40
4. 40-50
5. 50-60
6. + 60
Total
Nepali
24
91
182
261
196
88
842
Pilgrims
Indian
Total
24
5
96
12
194
17
.278
23
219
8
96
65
907
%age
2.6
10.6
21.4
30.7
24.1
10.6
100.0
Tourists
Total
%age
2
2.7
31
41.9
27
36.4
7
9.5
7
9.5
--74
100.0
The above situation is still prevalent, of course during the last two
decades changes made and several impositions of traditions marked,
however the old traditions predominate the overall scene.
234
9. Rana P.B. Singh & Padma C. Poudel
Table 9.3. Pilgrims’ Groups
No. of pilgrims (group)
Single
2-5
6-10
11-20
21-30
+ 30
Total
No. of group
-20
21
26
9
2
78
%age
-25.5
27.0
33.3
11.6
2.6
100.0
6.2. Pilgrims’ Frequency in Groups
The main shrine of Muktināth is located in the remote area of
Himalaya; therefore pilgrims visit this place in the groups: of course there
appear other reasons for group pilgrimage. The field survey (cf. Table 9.3)
shows that above sixty per cent pilgrims travel in the group of 6-20
persons. The percentage of small group (2-5 persons) is relatively higher
than the percentage of large size group (+ 21 persons). Difficulty in
managing food and accommodation facility for large groups is the prime
factor, for the preference of small group. Moreover, joint family and
closed socio-economic affinity with the neighbours are the other important
factors promoting smaller groups. The majority of pilgrims stay only one
night at Muktināth, while only few tourists stay 2-3 nights there during
their travelling period of 10 days from Dumre via Manang (3,505 m) and
Thorung Pass (5,416 m).
Table 9.4. Pilgrims by times of Visits
Se
1.
2.
3.
4.
Total
times
I
II
III
IV
Nepali
754
61
17
10
842
Pilgrims
Indian
Total
65
819
61
17
10
65
907
%age
90.3
6.7
1.9
1.1
100
Tourists
Total
%age
59
79.7
12
16.2
--3
4.1
74
100
6.3. Frequency of Visit
Only a lower proportion of total pilgrims repeat their pilgrimage to
Muktināth, like other shrines in remote areas (cf. Bhardwaj 1973: 160). It
was observed that majority of pilgrims (89.5%) and tourists (79.7%) had
not visited Muktināth previously (cf. Table 9.4). Only about 10 per cent
pilgrims and 20 per cent tourists visited Muktināth twice and more than
Pilgrimage-Tourism at Muktināth, Nepal
235
twice. This tendency indicates pilgrims’ high faith and religious
consciousness, while tourists’ share indicates their wish to have passion
from the silent message from the Himalayan scenery and pristine culture
of native people.
6.4. Purpose and Motive of Visit
The high-level sacred place (e.g. Pan-Hindu, Supra-regional) like
Muktināth is visited largely for general purificatory merit (cf. Bhardwaj
1973: 163). Our surveys show that pilgrims also visit this place for the
specific purposes (see Table 9.5). The majority (79.1%) of the pilgrims
had visited Muktināth for the ancestral rite and glancing together.
However, the purpose of the majority of Indian pilgrims (75.4%) was
glancing which ultimately provides purificatory merit and liberation from
the cycle of transmigration. Higher percentage (60.4%) of son and
daughter-in-laws accompanied with (see Table 9.6) further shows the
highest percentage of both the above purposes — ancestral rite and
glancing (cf. Table 9.5). In general the majority of pilgrims visit
Muktināth to perform ancestral rite. Among the accompanied persons the
dominance of sons and daughters is noted obviously (Table 9.6), followed
by father and mother. Thus together they share about three-fourths of the
pilgrims. However, finally no generalization can he proposed.
Table 9.5. Pilgrims’ motive of Visit
Motive/Purpose
Glancing, darshana
The above two
Miscellaneous
Total
Nepali
107
704
31
842
Indian
49
13
3
65
Total
156
717
34
907
%age
17.2
79.1
3.7
100
Table 9.6. Pilgrims’ accompanying Persons
Se
1.
2.
3.
4.
5.
6.
--
Accompanied
persons
Father / Mother-in-law
Son / Daughter-in-law
Brother & Brother-in-law
Relatives
Hired people
Unidentified
Total
Nepali
99
528
136
64
15
842
Indian
8
20
18
5
4
10
65
Total
107
548
154
69
19
10
907
%age
11.8
60.4
17.0
7.6
2.1
1.1
100.0
Generally the days spent by pilgrims on their pilgrimage refer to the
distance covered (see Table 9.7). The majority of pilgrims (77.5%) had
236
9. Rana P.B. Singh & Padma C. Poudel
spent more than a weak, and only a small portion of them (22.5%) spent
less than a weak during pilgrimage to Muktināth. It is notable that almost
all the Indian pilgrims spent more than 10 days during this journey. The
time spent is directly related to the nature and terrain and distant location.
Table 9.7. Pilgrims by Duration
Days spent
<5
5-7
8-10
+ 10
Total
Number
35
169
508
195
907
%age
3.9
18.6
56.0
21.5
100.0
Describing the purpose and motive of the pilgrims in late 1970s and
early 1980s Messerschmidt (1989b: 116) found that “something more
profound than friendliness and communitas motivates these pilgrims”. It is
rare that Hindus go there for adventure or for fun. He adds (ibid.) that:
Their quest is not jātrā, a fair, but yātrā, a sacred experience. The devout
pilgrim’s primary objective for going to Muktināth, or to any Hindu shrine, is
to do worship and receive darshana of God. In the particular case of
Muktināth, the arduous task of travelling to the holy site and the observance of
strict personal austerity on the way makes it very special. The fact of being
there on the doubly ostentatious occasion of Janai Purnimā [Full Moon
festival] makes it all the more important.
6.5. Expenditure Structure
Caste is one of the fundamental aspects of Hindus’ social structure,
Though invariably higher and lower castes pay visit to Muktināth, the
percentage of higher castes (Brahmin, and Kshatriya/ Chhatri) dominates
(71.8%) the total mass of pilgrims. One can note that pilgrims from higher
caste Hindus are relatively in better economic status for affordability. The
percentage of pilgrims spent more than NRs 1000 was only about 30 per
cent, while less than NRs 1000 recorded about 70 per cent (Table 9.8).
Following the common tradition most of the pilgrims going to
Muktināth carry with them the ready-made food (e.g. sattu, powder of
parched grain, and khette, dried items) which help to support their half of
the food requirement. They also carry with them sufficient amount of rice,
ghee, dried vegetables, some spices, etc. They have to pay some charge for
shelter, cooking utensils, firewood and green vegetables. This way one can
Pilgrimage-Tourism at Muktināth, Nepal
237
assume that the economic status of pilgrims is not distinctively reflected in
the pilgrimage to Muktināth.
Table 9.8. Amount spent by Pilgrims during Pilgrimage, NRs
Se.
1.
2.
3.
4.
5.
Money spent
(NRs : in ‘00)
<5
5-10
10-15
15-20
+ 20
Total
Nepali
155
471
143
45
28
842
No. of Pilgrims
Indian
Total
-155
-471
-143
-45
65
93
65
907
%age
17.4
51.9
15.8
5.0
10.2
100.0
(Conversion rate: US$ 1 = NRs 50, in 1993).
It is generally accepted that Hindus are more oriented to religious
activities, like Tirtha Yātrā (pilgrimage), in the old age and preferably
husband and wife together as supported by their major share in the total
pilgrims visited Muktināth (i.e., 92.9 per cent).
6.6. Means of Transportation
Muktināth is not connected with any means of transportation, except
the trail. Jomsom, lying at 24 km from Muktināth and taking about 5
hours of walking, is connected by daily air service from Pokhra and
Kathmandu. From Jomsom one can march to Muktināth; however, over
eighty per cent of Nepalese pilgrims arrive at Jomsom on foot.
Table 9.9. Means of Transportation used by Pilgrims to visit Muktināth.
Means used
1. on foot
2. one way air
3. both ways air
4. pony
5. human-back
Total
Nepali
A
B
686 830
124
-32
--9
-3
842 842
Indian
A
B
-51
38
-27
--14
--65
65
A
686
162
59
--907
%
75.6
17.9
6.5
--100.0
Total
B
881
--23
3
907
%
97.1
--2.6
0.3
100.0
A, Travel up to Jomsom; B, Jomsom to Muktināth.
Almost all the Indian pilgrims had used airline service one way, or
both the ways. Less than a quarter of Indian pilgrims had used pony, and
less than a per cent Nepalese pilgrims had used human-hack to reach
Muktināth (cf. Table 9.9). Pony and human-back are used normally to
238
9. Rana P.B. Singh & Padma C. Poudel
travel from Jomsom air port to Muktināth. Since 2006 sixteen tractors and
130 motorcycles and from 2008 nine Jeep began to provide services to the
visitors from Ghasa, lower Mustang. All these vehicles were lifted by
Helicopter from Pokhara (KC 2008: 59). The present dirt road links
Mustang with Pokhara-Baglung national highway.
6.7. Pilgrims already visited other Sacred Places
Pilgrims have passion to pay homage at different levels of sacred
places (e.g. local, regional and Pan-Hindu). The survey shows that only
one-tenth of pilgrims had visited Pan-Hindu level sacred places like Kashi/
Varanasi, Badrināth-Kedarnāth, and Rāmeshvaram (all in India) in their
life, while 56 per cent of Nepalese pilgrims had not visited sacred places
outside Nepal (see Table 9.10). More than half of Indian pilgrims had
already visited other holy places and also the above mentioned sites. This
way there exists a clear contrast between Nepalese and Indian pilgrims.
Table 9.10. Pilgrims already visited other Sacred Places of India
Se
1.
2.
3.
4.
5.
6.
Sacred place
Kashi/ Varanasi
Badrinath-Kedarnath
Rameshvaram
The above (1 to 3)
Gaya and Haridvar
No other place
Total
Nepali
134
68
45
60
64
471
842
Indian
11
--35
9
10
65
Total
145
68
45
95
73
481
907
%age
16.0
7.5
5.0
10.5
8.0
53.0
100.0
Table 9.11. Pilgrims’ Response to the three most Sacred Places of Nepal
Rank
1
-2
-3
-4
5
6
7
Sacred place
Pashupathinath
Muktināth
Damodar Kunda
Lumbini
Devaghat
Janakpur
Gosain Kunda
Svargadvari
Keladighat
Rum (Ridi)
Pf (frequency)
823
823
211
204
102
93
68
55
53
37
%age of total
90.1
90.1
23.3
22.5
11.2
10.3
7.5
6.1
5.8
4.1
On the quest about three most important sacred places, Nepalese
pilgrims had equally ranked Pashupatināth and Muktināth at the 1st order;
Pilgrimage-Tourism at Muktināth, Nepal
239
Dāmodar Kunda and Lumbini at the 2nd order; and 3rd order Devaghāt
and Janakpur (cf. Table 9.11). Four more centres of regional importance
were also noted. Out of the total 907 pilgrims surveyed 84 had responded
“Don’t know”.
6.8. Accommodation Facility and Shops
Increasing accommodation facilities and shops indicate the temporal
change and requirements needed by pilgrims and tourists at a particular
site. The establishment of different Pouwas (pilgrims’ rest houses) close to
Muktināth directly reflects the increasing influx of pilgrims, whereas the
opening of hotels is to facilitate the trekking tourists. There is no
government guesthouse and classified hotel at Muktināth. During the
survey period (October 1993) it was found that at Rani Pouwa village, the
nearest settlement, to Muktināth, the majority of hotels exist. Except the
one, all the hotels are managed by the local people. It is obvious from the
statistics that in total 123 rooms with accommodation facility of 276 beds
have been available in the hotels at Muktināth, Ranipouwa, Jharkot and
Khinga together (cf. Table 9.12). The field survey conducted in 2009
showed that a total of 24 hotels with 126 rooms and 415 beds provide
accommodation and catering services to the visitors. This shows that the
hotels at these locations have notably increased in numbers of beds and
also in the existing rooms. Most of these hotels are established after 1991.
Table 9.12. Muktināth: Accommodation capacity in hotels
Bed/room
Single
Double
Common
Total
No. of rooms
16
67
40
123
No. of beds
15
124
125
278
Table 9.13. Muktināth: Types of shops
Shop
Ritual articles
Woollen and handicrafts
Retailing
Tea stall
Total
No.
4
6
7
5
22
During the peak season the demand of beds in hotels at Muktināth goes
very high than their capacity. Majority of the beds are occupied by
tourists. Therefore, pilgrims have to go in the Pouwas for shelter. No
240
9. Rana P.B. Singh & Padma C. Poudel
facility of accommodation is supported by the religious community or
organisation.
There are only 22 shops at Muktināth, which can be classified into four
groups; however they are of miscellaneous nature (cf. Table 9.13). Since
1993 fifty per cent increase of these shops was recorded in 2009. During
the peak pilgrimage season most of the ritual article shops and woollen &
handicraft shops display their articles along the trail-side, nearby to their
houses.
7. Towards the Spirit of Sacred Place
Muktināth Kshetra is identically mytholised with Shālagrāma Kshetra
cf. Fig. 9.2), where found abundantly ammonites, the fossil remnants of an
extinct form of mollusk (of the class Cephalopoda) with a coiled, flat,
chambered shell. These creatures lived and left their remains under the
prehistoric Sea of Tethys that separated the supercontinents of Laurasia
and Gondwanaland well before the continental collision that created the
Himalayan uplift joining the Indian subcontinent to what is now Tibet (see
Molnar and Tapponnier 1979). Local genera of the cephalopodan mollusk
specific to Muktināth include Prograyiceras, Blanfordiceras, and
Paraboliceras (Messerschmidt (1989a: 98).
Because of their unique internal shape as wheels or spirals (chakra)
they are worshiped as epithets of Lord Vishnu (Nārāyana). Some hardy
pilgrims even make the three-to-four day trek to collect specimens from
the fossil beds of Dāmodar Kunda, the high lake. It is believed that
unbroken ammonites are the most efficacious and that it is sinful to
deliberately break the stone and open it to expose the internal impression
of the fossil. There is an inscription on stone near the Vishnu Mandir
attributed to the nineteenth-century Nepali Prime Minister, Jang Bahadur
Rana, that admonishes people not to break or sell fossils (ibid.: 98).
Hindus have great faith in the Shālagrāma. They popularly believe that
in Muktikshetra the insect which perforates chakra (disc) linings in
Shālagrāma is Lord Vishnu himself, who by curse of Brahma became a
worm, Vajrakita, inside the stone; this afflicted him for twelve years. At
the expiration of that period Vishnu resumed his real face, but He wished
that Shālagrāma found in Muktikshetra (Kāli/Krishnā-Gandaki basin)
should be worshipped as His manifestation. This way the Shālagrāma is
worshipped in daily rituals as Vishnu’s image. Brahmins refer it as
panchāyatana pujā. There also exist several other ways of rituals
including at the time of death when the water in which Shālagrāma is
Pilgrimage-Tourism at Muktināth, Nepal
241
dipped, sprinkled upon the dead body with a feeling that the soul would
get a good place in Vishnu’s abode.
Arkel (1956) has identified eleven species from the larger surrounding
region. They come in two forms, as internal casts and as external moulds.
The black Shālagrāmas are found along the banks of the Jhong river in the
Muktināth valley, and lower down along the course of the Kāli/ KrishnāGandaki where they are avidly collected by pilgrims and other travellers.
According to the characteristics like size, hollowness, linings, colours and
related features various connotations are endowed upon the Shālagrāma.
Most commonly they are classified into 32 types identified with different
natures and four basic colours, viz. black, red, yellow and blue (for list see
Kaschewsky 1994: 150-151). Further with the mark of circles and colours
the Shālagrāma is named after its association with the various names/
forms of Vishnu (see ibid.: 155-157). The details of each of the 32 types
together with their merits and the ways of performing rituals are given in
the Agni Purāna (46, 47). The most popular 14 Shālagrāmas (cf. Dutta
1985: 178; also Kaschewsky 1994: 150-151) are:
Ananta (in the form of a cobra hood)
Aniruadha (yellow, circular)
Damodara (one circle, two small dots)
Janardana (four circles)
Krishna (black, circular)
Matsya (long, crystal coloured)
Pradyumna (six circles)
Purushottama (eight circles)
Sankarshana (red, two circles)
Shridhara (circular, with a wreath of forest flowers)
Sudarshana (one circle)
Vaikuntha (with a circle and lotus)
Vamana (round, blue)
Vishnu (black, rod shaped)
Pilgrims believe that a pilgrim at Muktināth who finds Shālagrāma
whose chakra is discovered by rubbing away one portion of it, certainly
receives moksha (liberation) from all sorts of bindings, bondages and sins.
And, one who finds Shālagrāma with convolutions towards the right can
never be a poor person. Hindus also believe that breaking a Shālagrāma
will lead to misfortune, similarly to sell it too. The local Bhotia villagers
commonly collect and sell whole or deliberately broken ammonites as
souvenirs to believers and non-believers alike. These “souvenir” fossils
can be found for sale in the tourist markets of Pokhara and Kathmandu.
Some people claim that the fossils contain gold or diamonds, but in reality
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9. Rana P.B. Singh & Padma C. Poudel
what they find shining inside are fragments of pyrite or quartz crystal
Messerschmidt (1989a: 100).
A purānic myth also refers as to how Vishnu took the form of
Shālagrāma and those who worship Shālagrāma together with tulasi (holy
basil) leaves will receive a highest merit.
According to Eliadean approach everything that is out of ordinary and
novel could become hierophany. This can be exemplified with subtle
interpretation of the Shālagrāma which manifests the image of Vishnu;
thus in other way it could be said that for redemptive purpose Vishnu
became Shālagrāma “the god shows himself to them (devotees) by taking
on their inferior mode of being” (Eliade 1958: 27-28). The marriage ritual
of Shālagrāma with tulasi plant (symbolizing Lakshmi), in fact, refers to
the primitive symbol of “holy place” which preserves the power of
coupling of stone and plant (ibid.: 226). This is parallel to the other form
of symbolism referring Shālagrāma, the male energy of Vishnu, and the
Kāli/ Krishnā -Gandaki, the female energy of his wife, Lakshmi.
The associative symbols and ritual performances attached can be
compared with the concept of liminality, which refers to the root meaning
of threshold — passing from the one yet not reaching to the end —
”betwixt and between”. The pilgrims visiting Muktināth also experience
liminality — leaving the profane environment they experience sacred
environment. They feel themselves in the state of awareness of revelation,
yet at other end not revealed. These paradox pilgrims carry with them and
tell to their friends; in span of time other groups follow the pilgrimage and
again in the same way the cycle proceeds. Neither they fully leave their
emotional feelings to their homes, nor do they fully become part of the
divine landscape. This paradox is articulated by their faith, traditions and
symbolism side-by-side and the narrative mythology ― this ultimately
results to form the faithscape where experiential feelings and belief
systems meet together and form a new “theosphere” (cf. Singh 2002: 17).
The concept of faithscape is an “expressive sphere” of specific milieu
of place with emotional and symbolic features of experience that contains
feelings and meanings which may be expressed through objects,
structures, forms, surfaces, images, myths and legends, memories, and
dreams (cf. Walter 1988: 146-158). However, the magnitude of “expressive sphere” depends upon how well the mental image map (sensitivity) of
a person puts to the inputs of his senses. If it is intense and high every
piece of particle giving message be received, otherwise the situation may
differ. In the earlier case the way of viewing the world becomes divine and
cosmic ― the one spirit in the whole cosmic integrity.
Pilgrimage-Tourism at Muktināth, Nepal
243
8. Concluding Remarks
In a recent study of Lumbini, western Nepal, Nyaupane’s (2009: 157)
remark that “despite its potential for attracting Western, regional and
domestic tourists and a growing trend in arrivals, the community and the
region have not benefited well from tourism” is true substantially in case
of Muktināth. But currently experiencing “latent dissonance”, can be
reduced through communication, cooperation and collaboration among
various stakeholders (ibid.).
In the modern era of crises where we cry for an ecological order and
human peace, mass of people are still running after materialistic
achievements, nevertheless it is now realized that somehow we lack to
experience the harmonic relationship between Man and Nature. We are
now searching for the earth spirit — a manifestive divine-magnetic power
— through which we may feel ourselves cheerful and peaceful. Pilgrimage
to places where nature still predominates and mythic landscape is alive
(e.g. at Muktināth), man’s power of sensitivity would help, we hope, to
receive and experience that the mother Earth is alive and still ready to bliss
her children if their heart and soul be opened for her love. It does not mean
that one should follow the local rituals and performances. There is more
need for participatory and behavioural information from stakeholders
together with potentials and prospects for tourists-pilgrims from abroad,
linking with economic policy and eco-tourism (cf. Sharma 2006: 46-48).
After all religion is a personal matter. Everybody is free to choose
performances according to his/her own eternal quest, or believes, however
one should also respect the local traditions by being part of it and a wish to
have experience. This essay is closed here by an insightful message by Jim
Swan (1990: 221) which should be taken as call of the time:
“The real reason for going to a sacred place, however, is not just to get high.
The purpose is to come into harmony with the greater unity of all life so that
you can become who you are and then serve others according to who you are”.
9. References
Arkell, W.J. 1956. Jurassic Geology of the World. Oliver and Boyd,
Edinburgh and London.
Bhardwaj, Surinder M. 1993. Hindu Places of Pilgrimage in India.
University of California Press, Berkeley.
Dahal, S.P. 1988. Muktikshetra. Muktikshetra Sodhkirti Prakashan Samiti,
Jomsom, Mustang. V. Smt. 2045.
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Dhungel, R. 1987. Dāmodar Kunda eka Parichaya. Nepali Sanskriti (a
quarterly of Sanskriti Sansthan), 2 (1). VS 2044.
Dutta, M. N. 1985. Agni Purāna. Cosmo Publ., New Delhi. Vol. 1.
Eliade, Mircea 1958. Patterns in Comparative Religion. Sheed & Ward,
London.
―. 1959. The Sacred and the Profane. The Nature of Religion; [translated
from the French by Willard R. Trask]. Harcourt Brace Jovanovich
Publishers, San Diego/New York.
Glasenapp, Helmuth von 1928. Heilige Statten Indiens. Gerg Munchen
Verlag, Munchen.
Gurung, Harka 1980. Vigenetts of Nepal. Sajha Prakashan, Kathmandu.
Hamilton, F. B. 1971. An Account of the Kingdom of Nepal. Manjushri
Pub. House, Delhi.
H. M. G. 1993. Record of Trekking Permit Checking Booth. Ministry of
Home Affairs, District Police Office, Jomsom, Mustang.
H. M. G., CBS 1993. Census Record of Mustang District. Central Bureau
of Statistics, Nepal, Kathmandu.
Jest, C., 1981. Monuments of Northern Nepal. UNESCO Press, Paris.
Kane, Pandurang Vaman 1973. History of Dharmashastra. vol. IV. 2nd
ed. Government Oriental Series B, No.6. Bhandarkar Oriental
Research Institute, Poona.
Kaschewsky, Rudolf 1994. Muktināth - A Pilgrimage place in the
Himalayas. Geographia Religionum (Berlin), Bd. 8: 139-168.
KC, Dik Bahadur 2008.Vehicle management in Mustang District, in
Pokhrel, R. (ed.) Mustang Sandesh (in Nepali). Employees Club,
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Kinsley, David R. 1995. Ecology and Religion. Ecological Spirituality in
Cross-Cultural Perspective. Prentice-Hall, Englewood Cliffs NJ.
Kirkpatrik, Colonel 1975. An Account of the Kingdom of Nepal. Asian
Pub. Services, New Delhi. Originally in 1793, based on his journey
accounts as missionary.
MacDonald, A.W. 1979. A Tibetan guide to some holy places of the
Dhaulagiri-Muktināth area of Nepal. Studies in Pali and Buddhism
(Delhi): 243-253.
Manandhar, K. M. 1977. Muktināth. The Rising Nepal, 25 November: 2 f.
Messerschmidt, Donald A. 1981. Hindu pilgrimage in the Nepal
Himalayas. Current Anthropology (Research Conclusions), 22 (5):
571-572.
―. 1982. Social process on the Hindu pilgrimage to Muktināth. Kailash A Journal of Himalayan Studies (Kathmandu), 9 (2-3): 139-157.
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―. 1989 a. The Hindu Pilgrimage to Muktināth, Nepal. Part 1. Natural and
Supernatural Attributes of the Sacred Field. Mountain Research and
Development, 9 (2), May: 89-104.
―. 1989 b. The Hindu Pilgrimage to Muktināth, Nepal. Part 2. Vaishnava
Devotees and Status Reaffirmation. Mountain Research and
Development, 9 (2), May: 105-118.
Messerschmidt, Donald A. and Sharma, Jyoti D. 1980. Himalayan
pilgrimage to the Hindu shrine at Muktināth: Cultural Meaning and
Social Process. Report to the National Geographic Society, Committee
on Research and Exploration, Grant No. 2139-80 <Unpublished>.
Molnar, P. and Tapponnier, P. 1977. The collision between India and
Eurasia. Scientific American, 236 (4): 30-41.
Nyaupane, Gyan P. 2009. Heritage complexity and tourism: the case of
Lumbini, Nepal. Journal of Heritage Tourism, 4 (2), May: 157-171.
Paul, R.A. 1982. The Tibetan Symbolic World. Psychoanalytic
Explorations. University of Chicago Press, Chicago and London.
Poudel, Padma C. 2000. Muktināth, Nepal: Spiritual Magnetism and
Complexity in Space. The Himalayan Review, 31 (1): 37-50.
Poudel, Padma C. and Singh, Rana P.B. 1994. Pilgrimage and Tourism at
Muktināth, Nepal: A Study of Sacrality and Spatial Structure; in,
Singh, Rana P.B. (ed.) The Spirit & Power of Place. Human
Environment and Sacrality. National Geographical Society of India,
Varanasi, Pub. 41: 249-268.
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Government of Nepal, Central Bureau of Statistics, Branch Office,
Baglung.
Sharma, Sunil 2006. Focusing on Regional Tourism Markets: Prospects
and Challenge for Nepal. Economic Policy Network, Policy Paper 28;
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gov.np/economic_policy/pdf/Focusing_Regional.pdf
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Yatra of Banaras. Pilgrimage & Cosmology Series: Pub. 3. Indica
Books, Varanasi.
Snellgrove, David 1989 (1961). Himalayan Pilgrimage: A Study of
Tibetan Religion by a Traveller through Western Nepal. Shambhala,
Boston, 2nd edition.
Swan, James A. 1990. Sacred Places. How the Living Earth Seeks our
Friendship. Bear & Co., Santa Fe, NM.
Tulasidas [1992]. Rāmacharitamānasa; in Hindi. Gita Press, Gorakhpur.
A late 16th century epic.
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Turner, R. L. 1965 (1931). A Comparative and Etymological Dictionary of
the Nepali Language. Routledge & Kegan Paul, London.
Yogi, N. (ed.) 1956. Himālavatakhanda. Yog Pracharini, Gorakshatilla
(Kashi), Varanasi.
Walter, Eugene V. 1988. Placeways. A Theory of the Human Environment.
University of North Carolina Press, Chapel Hill.
Zurick, David N. 1992. Adventure travel and sustainable tourism in the
peripheral economy of Nepal. Annals, Association of American
Geographers, 82 (4), December: 608-628.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Prof. Rana P.B. Singh
Professor of Cultural Geography & Heritage Studies, Banaras Hindu
University, New F - 7 Jodhpur Colony, Varanasi, UP 221005. INDIA.
Email: ranapbs@gmail.com
§ Rana is researching in the fields of heritage planning, pilgrimages and settlement
systems in Varanasi region since over last three decades as promoter, collaborator
and organiser. On these topics he lectured at centres in all parts of the world. His
publications include over 190 papers and 38 books on these subjects, including
Banaras, the Heritage City of India: Geography, History, and Bibliography (IB
2009), and the eight books under ‘Planet Earth & Cultural Understanding Series’:
- five from Cambridge Scholars Publishing UK: Uprooting Geographic Thoughts
in India (2009), Geographical Thoughts in India: Snapshots and Vision for the 21st
Century (2009), Cosmic Order & Cultural Astronomy (2009), Banaras, Making of
India’s Heritage City (2009), Sacred Geography of Goddesses in South Asia
(2010), and - three from Shubhi Publications (New Delhi, India): Heritagescapes
and Cultural Landscapes (2011), Sacredscapes and Pilgrimage Systems (2011),
and Holy Places and Pilgrimages: Essays on India (2011).
Prof. Padma C. Poudel
Professor, Central Department of Geography, University Campus,
Tribhuwan University, Kirtipur, Kathmandu. NEPAL.
Tel.: (0991)- 4487531; cell: (0)-9841-284316.
Email: poudelpc@hotmail.com ; poudelpc@yahoo.com
§ Poudel did his doctoral research on ‘Tourist Resources & Environmental
Appraisal in Pokhara Region, Nepal’ (1996) from Banaras Hindu University,
India. He is member of academic council and research committee, Tribhuban
University, and general secretary of Nepal Geographical Society. He is an advisor
of Nepal Tourism Board and involved in different research projects related in the
fields of tourism resource appraisal, planning, and related environmental issues. He
has published several research papers in this field of concerns.
10
The Mythic Landscape of Buddhist Places
of Pilgrimages in India
Rana P.B. Singh
& Pravin S.
Banaras Hindu University, India
Rana
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. The idea of pilgrimage to sacred places in Buddhism was
established by the Buddha himself. Before he passed into Mahaparinibbana, the Buddha advised his close disciples to visit four places that
may be for their inspiration after he was gone. They are Lumbini, where
he was born; Bodh Gaya, where he attained supreme enlightenment; Deer
Park in Sarnath, where he preached the First Sermon; and Kushinagar,
where he passed into Mahaparinibbana. The literary sources refer that the
follower should certainly visit these places having feelings of reverence, as
these places reflect the four special events of the Buddha’s life. In passage
of time these four sacred places and associated shrines have become the
focal points of inspiration and revelation for any follower. By the time of
King Ashoka, four more places, viz. Sravasthi, Sankisa, Rajagir and
Vaishali, that were closely associated with the Buddha and scenes of his
principal miracles, were added to the list of sacred places. Together they
make the Eight Great Places of pilgrimage in Buddhism. Of course,
Buddhism had disappeared by the 13th century, however under the
guidance of Anagarika Dharmapala (1865-1933), Mahabodhi Society get
established and took the leading role in re-establishing and maintaining the
tradition of pilgrimages to all the major Buddhist sites.
Keywords: Bodh Gaya, Buddhism, Kushinagar, Lumbini, pilgrimage,
Rajagir, spirit of place, Sankisa, Sarnath, Sravasthi, Vaishali.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction
From the Buddha’s death, or parinirvana, to the destruction of Nalanda
(the last Buddhist stronghold in India) in 1197 CE, Buddhism in India
went through three phases, often referred as Hinayana, Mahayana, and
Vajrayana. The Hinayana, or the Lesser Way, insists on a monastic way of
life as the only path to achieving nirvana. Divided into many schools, the
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10. Rana P.B. Singh & Pravin S. Rana
only surviving Hinayana tradition is the Theravada (Sthaviravada), or the
Way of the Elders, which was taken to Sri Lanka by the Emperor
Ashoka’s son Mahinda, where it became the state religion under King
Dutthagamini in the 1st century CE. In contrast, the followers of the
Mahayana, or the Greater Way, believed in the possibility of salvation for
all by practising devotional meditation. One of the most notable Mahayana
philosophers was the 2nd or 3rd century saint, Nagarjuna. The 3rd school,
called the Vajrayana or the Thunderbolt Way, resembles magic and yoga
in some of its beliefs; it tries to get in harmony with the cosmos so as to be
able to manifest the cosmic forces within and without oneself.
The places visited by the Buddha were interconnected by roads used
mostly by caravan traders, in whose company the religious people usually
travelled for the sake of food, safety and other conveniences as the monks
also were not immune from the hands of highway robbers. Many of the
holy places were also famous as economic centres and were linked by
trade routes. The area covered by the Buddha’s pilgrimages and his
missionary activities was confined mostly to the central and eastern parts
of India, from Kaushambi in the west to Kushinagar and Rajgir in the east,
and from Shravasti in the north to Banaras (Sarnath) in the south. Before
the rise of Buddhism the Vedic religion had held its sway in this region for
a pretty long time. During the period of Emperor Ashoka (270-232 BCE)
Buddhism was transformed into a religious movement and also transcendded the boundaries of India. To make it a popular religion Ashoka
promoted the prevalent cult of worship of local holy places (chaitya)
which were easily accessible to everyone without distinction. It was an
inexpensive and non-violent religious practice. Obviously, it was against
the expensive rituals and animal sacrifices that could be commissioned
only by rich people and performed only by the Brahmins who had the
exclusive right and expertise to perform them. Although Buddhism got
patronage from various ancient kings from time to time, there were a few
cases of its persecution by certain rulers like the Brahmin king
Pushyamitra Sunga (ca. 2nd century BCE), king Mihirakula of the Huna
dynasty in the 6th century, and a Shaivite king of Bengal, Shashanka, who
had damaged and tried to uproot the Bodhi Tree at Bodh Gaya. But the
cruelest blow came during the 12th and the 13th centuries from the
Muslim invaders who brutally massacred monks, demolished monasteries,
and destroyed the Buddhist centres of learning and their libraries located at
Nalanda, Vikramashila, Odantapuri and elsewhere. After the passage of
time Buddhism slowly disappeared from Indian soil. However, above all
the symbolic physical presence and the cultural roots have survived and
since the mid 20th century these places are accepted as sites of peace.
The Buddhist places of pilgrimages in India
249
Fig. 10.1. North India and Nepal: The Buddhist sites ( * ), roads and other sites.
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10. Rana P.B. Singh & Pravin S. Rana
“Ananda, there are four places the sight of which should arouse a sense of
urgency in the faithful. Which are they? ‘Here the Tathagata was born’ is
the first. ‘Here the Tathagata attained supreme enlightenment’ is the
second. ‘Here the Tathagata set in motion the Wheel of the Dhamma’ is the
third. ‘Here the Tathagata attained Parinirvana without remainder’ is the
fourth. And, Ananda, the faithful monks and nuns, while making the
pilgrimage to these shrines with a devout heart will, at the breaking up of
the body after death, be reborn in a heavenly world…”
― Mahaparinibbana Sutta, 5.8.
Thus, according to Buddhist tradition, the Buddha spoke to his chief
attendant Ananda in the very last discourse he delivered before his death
(around 483 BCE). Referring to himself as the Tathagata, or Perfected
One, the Buddha prescribed four places of pilgrimage to his followers. He
also gave hints for the celebrations to be performed at his funeral pyre. In
doing so, he enshrined the activity of pilgrimage as an important act of the
Buddhist’s life — an act sanctioned by scriptural recommendation. He tied
the Buddhist conception of pilgrimage, at least in its original form,
specifically and explicitly to those places that witnessed the most
significant events of his life; these are Lumbini (birth), Bodh Gaya
(enlightenment), Sarnath (first preaching), and Kushinagar (parinirvana,
final release). The other four sites associated with the Great Miracles
performed by the Buddha and accepted as places of pilgrimages are
Rajagriha (Rajgir), where the Lord tamed a mad elephant, Vaishali, where
a monkey offered honey to him, Shravasti, where the Lord took his seat on
a thousand petalled lotus and created multiple representations of himself,
and Sankisa (Sankasya), where he descended from the heaven. Altogether
this group of 8 holy places are called Atthamahathanani (ashtamahasthanani; represented in one of the stone slabs, kept in Sarnath museum).
In this list the later additions are the place of childhood (Kapilavastu), the
place of several sermons in the 6th and 9th years of enlightenment
(Kaushambi), and the place where the Buddha gave his begging bowl to
the people (Kesariya). According to the Jatakas, the Buddha visited
Nalanda several times; this is the place from where the history of the
monastic establishments can be traced back to the days of Ashoka.
Altogether these twelve places have become the most revered places of
Buddhist pilgrimage. Among these twelve places, Sarnath, Kushinagar,
Shravasti, Sankisa, Kapilavastu and Kaushambi are in the state of Uttar
Pradesh and are approachable from the central point of Varanasi, or
Lucknow. Moreover, the birthplace, Lumbini, is in Nepal at the border of
the district of Siddharthnagar. Further, Kesariya and Vaishali are also
easily accessible and interlinked with the Buddhist circuit of pilgrimage-
The Buddhist places of pilgrimages in India
251
tourism, taking Varanasi as centre (see Fig. 10.1). In the pilgrimage circuit
of the Buddha’s footprints Gaya, Patna and Mathura are also sometimes
included, because at those places too the Buddha passed some of his stays.
Thus, in total 15 places mentioned above are accepted as the sacred sites in
the Buddhist pilgrimage ― having direct association with the Buddha
himself (cf. Singh 2009: 23-27, also Tulku 1994, Forbes 1999).
The sequence of the fifteen Buddhist places follows the lifecycle and
the journeys performed by the Buddha as narrated in the Jatakas and the
Tripitaka. Accordingly, the Buddha was born (563 BCE) in the garden of
Lumbini (1), passed his 29 years of childhood (563-533 BCE) in the royal
palaces of Kapilavastu (2), followed by his march to Bodh Gaya (3), at the
age of 29 years (ca. 534 BCE), where he received enlightenment at the age
of 35 (528 BCE), and Gaya (4) where he did arduous austerity. Then he
proceeded to give his first preaching at Sarnath (5) in 529 BCE. After his
success in making mass awakening and teaching in Sarnath he returned to
Bodh Gaya. After visiting Rajagriha and Nalanda, he frequently visited
Shravasti (6), where out of his passing 45 rainy seasons he stayed 24 times
there, performed miracles and gave sermons. During the 6th (522 BCE)
and 9th years (519 BCE) after enlightenment he stayed at Kaushambi (7).
While returning to Bodh Gaya, to fulfil his promise at the kind invitation
of Bimbisara (ca. 543-491 BCE), he paid a visit to Rajagriha (8) together
with a thousand monks of his new order, and gave his sermons there. On
the request of his two chief disciples Sariputta (Pali: Sariputra) and
Maudgalyana (Pali: Moggallana), the Buddha visited Nalanda (9) several
times and mostly stayed at Setthi Pavarika’s mango grove. Thereafter, the
Lord again visited Rajagriha and Nalanda and further proceeded to
Vaishali (10), the capital city of the Lichchhavis, where he gave his last
detailed sermons and re-interpreted several of his teachings, and before his
final march he stopped at the bank of the Ganga river in Patna (11), called
today as Gautama Ghat. While making his final march he stayed a couple
of nights at Kesariya (12), followed by his final visit to Kushinagar (13)
where he passed away at the age of eighty (ca. 483 BCE). In the same year
he descended from heaven at Sankisa (14) and gave his final preaching
there. Of course Mathura (15) was also visited by the Buddha
occasionally, it developed as the major centre of the Buddhist art and
sculpture in the Maurya period (cf. Fig. 10.1; Singh 2009: 2, and 25).
These places together with other places associated with the relics of the
Buddha, and other places having spatially manifestive representations ―
altogether delve into a deeper understanding the inherent spirit of the
mother earth and the message of the Buddha (cf. Behrendt 2009’ also Dutt
and Bajpai 1956: 327-375).
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10. Rana P.B. Singh & Pravin S. Rana
2. Lumbini: birthplace of the Buddha
Situated across the border in Nepal, Lumbini is the birthplace of Lord
Buddha; it is easily accessible by road from Gorakhpur (232 km from
Varanasi). Here found Ashoka’s inscription (249 BCE) that reads “Buddha
Shakyamuni was born here, The Blessed One born here” (cf. Fig. 10.2).
Fig. 10.2. Lumbini, Location and the nearby area.
During a state visit to her maternal home, she stopped to rest in
Lumbini garden under the shadow of a shala (teak) tree, as she was
pregnant. It was there that Siddhartha (Buddha’s name in his childhood)
was born. The scene of nativity is distinctly sculptured in one of the stone
slabs in the Mahadevi Temple. It was on the 7th day that the queen,
plunging all in dire grief, left the mortal world. Magnificent arrangements
were made by the king to bring the Boddhisattva back to the royal city of
The Buddhist places of pilgrimages in India
253
Kapilavastu. Finally he was entrusted to the care of his mother’s sister,
Prajapati Gautami. His search and quest for enlightenment was inspired by
his realisation of old age, sickness, suffering and death, and at the age of
29 he left home and wandered as a beggar and ascetic (cf. Singh 2009: 4554, also Dhammika 2009: 29-34).
In the 5th century CE the Chinese pilgrim Fa-hsien visited Lumbini
and referred in his account to the sacred lake in which Mayadevi took her
bath before the birth of the noble soul. He has also written about the well,
the water of which was used by the Naga kings for bathing the child.
Hsüan-tsang, another Chinese pilgrim, came to Lumbini in the 7th century
CE. He has given a more detailed account of this place. After a long gap,
one noticed that the Khasa King Ripu Malla of Jumla made the last
recorded visit to Lumbini in the 14th century before the town’s sacredness
was forgotten. During the medieval period this area had turned into a
dense forest. A team of archaeologists led by Khadga Samsher and the
German scholar, Dr. Alois Anten Führer, traced out for the first time in
1895-96 the Ashokan pillar at Lumbini referring the spot of the born.
The most important monument at Lumbini (modern village of
Rummindei), south of the foothills of the Churia Range, is the Ashokan
pillar, dated 250 BCE, in the 20th year of the Buddhist Emperor’s reign.
The inscription in Brahmi script declares that “King Piyadashi, beloved of
the gods, 20th years after his consecration, came himself and worshipped
saying ‘Here Buddha Shakyamuni was born’, and he caused to make a
stone (capital) representing a horse; and he caused (this) stone pillar to be
erected. Because here the Supreme One was born, the village Lumbini was
made religious centre and also liable to pay only one-tenth share (of
produce).” Near the top of the pillar the mantra “Om Mani Padme Hum” is
carved in Tibetan characters.
The Mayadevi temple (19th century), sacred to both Hindus and
Buddhists, has a stone bas-relief of the Buddha’s birth and is thought to
have been built over an earlier 5th century temple which itself may have
replaced an Ashokan temple. Enshrined in a small pagoda-like structure,
the image shows Mayadevi, supporting herself by holding on with her
right hand to a branch of a shala tree (teak) with the newly born infant
Buddha standing upright on a lotus pedestal with an oval halo. To its
south, the sacred pool Pushkarini with its 3 terraces is where the Buddha’s
mother Mayadevi is believed to have bathed before giving birth and where
Siddhartha Gautama was given his first ritual purification bath. Its sacred
water glistens in the faint sun, the gentle breeze creating endless ripples.
The single most important place in Lumbini (and in the entire Buddhist
world for that matter) is the stone slab located deep in the sanctum
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sanctorum. Existing under the three layers of ruins over the old site of the
Mayadevi temple, this site pinpoints the location of the exact spot of the
birthplace of Lord Buddha. The sacred site of the Buddha’s birth is at the
southern end of the Lumbini grove. Excavations have revealed a series of
rooms and a stone slab which is now believed to mark the exact location at
which the Buddha was born. The main ruins are enlisted in the UNESCO
World Heritage List on 7 December 1997.
The Lumbini Development Trust, supported by 13 nations, was set up
in 1970. It created a Museum and a library, and made a Master Plan of the
area with a view to projecting this as “the creative centre and cultural force
to represent the Buddha’s life and teaching”. A Japanese architect, Kenzo
Tange, prepared this plan. This includes the transformation of 4.8 sq. km
of land, divided into three sections of 1.6 sq. km each. With the help of the
Malaysian government and other donors a High School is also running
here. In the very near future this sacred complex will have a cultural
centre, research institute, library and museum. Near to the sacred garden
an eternal flame was lit up on 1st November 1986, the declaration day of
the International Year of Peace. The World Brotherhood of Buddhists
Association (Thailand) has joined her hands to support various development projects in the area (for tourism analysis see Nyaupane 2009).
3. Bodhgaya: site of Buddha’s enlightenment
Bodh Gaya is probably all the more interesting a place by virtue of
being much more of a working Buddhist centre than an archaeological site.
It is the most important Buddhist pilgrimage site in the world. Several
inscriptions found there refer to Sri Lankan, Burmese and Chinese people
who performed pilgrimage to this site in the historical past and patronised
repairing and installing images of the Buddha. Hsüan-tsang ascribes the
erection of the original Bodhi shrine to Emperor Ashoka. According to one
of his rock edicts, Ashoka visited this place (called Sambodhi), ten years
after his consecration, and it is more than probable that the great emperor
constructed a shrine on this holy spot.
The vast majority of sculptures from Bodh Gaya date after the Gupta
period and primarily belong to the Pala-Sena period (ca. 8th-12th
centuries). The importance of this site after the 6th century is indicated by
the fact that the Buddha in bhumisparsha mudra (earth-touching gesture)
became the most common form for a Buddha image during the Pala
period. Although this refers to Bodh Gaya and a symbol of the
achievement of Buddhahood, this form seems to have originated
elsewhere.
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Fig. 10.3. Bodh Gaya: the contemporary Map
The Buddhist places of pilgrimages in India
Although the exact circumstances and date are not known, after the
13th century, despite centuries of activity, Buddhist practices at Bodh
Gaya largely ceased. Francis Buchanan-Hamilton, who visited Bodh Gaya
in 1811, reported that the temple was in a dilapidated condition and that
much of the immediate area had been greatly disturbed by the extensive
removal of bricks and other materials for local building projects. From the
beginning of the 19th century, several Burmese missions also travelled to
Bodh Gaya, first to find the site and make offerings, and then, in 1877, to
renovate the dilapidated structures. In fact, it was the somewhat haphazard
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renovation by the Burmese that prompted the British Government to
undertake a major restoration of the site in the 1880s. Unfortunately, the
19th century changes made at Bodh Gaya have greatly confused the record
of earlier activity. Some structures were totally dismantled and many
images were moved from their original locations (cf. Singh 2009: 76-77).
In 1891 Sir Arnold’s writings helped to inspire Anagarika Dharmapala
from Sri Lanka to dedicate his life to the struggle to have Bodh Gaya and
especially the Mahabodhi temple under Buddhist ownership rather than
accepting the Hindu Mahant who was in control of the temple at that time.
Since 1953, under an act passed by the Government of Bihar, the Bodh
Gaya Temple Management Committee, whose members are both
Buddhists and Hindus, administers this temple and has made vast improvements to both the temple and its grounds (cf. Ahir 1994).
The monk Gautama practised austerities in his own way of arduous and
austere meditation for six months under the Pipala tree. For the first three
of these months, he was alone on the mountain, but during the fourth
month, five disciples of Master Uddaka Ramaputta, led by his old friend
Kondanna discovered him. Siddhartha was happy to see Kondanna again,
and he found out that just one month after Siddhartha left the meditation
site, Kondanna himself had attained the state of neither perception nor
non-perception.
Gautama abandoned the desire to escape the world of phenomena, and
as he returned to himself, he found he was completely present to the world
of phenomena. One breathe, one bird’s song, one leaf, and one ray of
sunlight ― any of these might serve as his subject of meditation. He began
to see that the key to liberation lay in each breathe, each step, and each
small pebble along the path.
Ultimately the night of the achievement came. Entering into deeper
contemplation, Siddhartha during the first watch of that wonderful night
acquired the knowledge of his past lives in various planes of existence; in
the second watch he acquired the supernormal divine vision; in the third
watch he fathomed the law of cause and effect and gained insight into the
destruction of mental cankers; and at sunrise he attained Supreme
Enlightenment, Omniscience. Ultimately Siddhartha acquired the rays of
enlightenment on the full-moon day of the spring, i.e. Vaishakha (AprilMay), in 528 BCE. The monk Gautama became the Buddha, ‘the
Awakened One’; and later also came to be known as Sammasambuddha
(‘the Perfectly Enlightened One’), Bhagava (‘the Blessed One’), Tathagata
(‘the Perfect One’), Sugata (‘the Happy One or the Accomplished One’),
and Shakyamuni (‘the Sage of the Shakyas’). The fig tree (Ficus religiosa)
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under which he sat became known as the Bodhi Tree, and the area as Bodh
Gaya or Buddha Gaya (cf. Dhammika 2009: 43-72).
Traditions states that Buddha stayed in Bodh Gaya for seven weeks
after his enlightenment. Each week was spent in a different part of the
sacred place or complex. The 1st week was spent under the Bodhi Tree.
Addressing his friend and follower Savasti, a buffalo boy, the Buddha
said, “Love is possible only when there is understanding. And only with
love can there be acceptance. Practice living in awareness, you will deepen
your understanding. You will be able to understand yourselves, other
people, and all things. And you will have hearts of love. That is the
wonderful path I have discovered”.
The Mahabodhi Temple, located at the place of the Buddha’s
enlightenment, is the main site of worship and visit (there is a fee for use
of camera). The Mahabodhi Temple is included in the list of World
Heritage Sites of UNESCO on 29 June 2002 (cf. Singh and Kumar 2010).
Emperor Ashoka (r. 270-232 BCE) paid several visits to Sambodhi, as
he preferred to call, along with his spiritual preceptor Upagupta
(Mogalliputta Tissa). His visit is vividly described in a Sanskrit text of the
period named Ashokavandana. Inspired by his teacher the emperor took a
vow and performed special rituals.
The temple, resting on a high and broad plinth, with a soaring 54
metres high pyramidal spire with a square cross-section and 4 smaller
spires, houses a gilded image of the Buddha, kept behind glass, in the
bhumisparsha mudra (earth-touching gesture). This classical gesture, in
which the Buddha’s right hand touches the ground while the left rests in
his lap, signifies enlightenment. In the centre of the temple there is also a
Shiva linga that was installed in about 860 CE. The temple is also sacred
to Hindus, as they accept the Buddha as the 9th incarnation of Vishnu, the
preserver in the Hindu pantheon.
At the back of the Mahabodhi temple is the sacred Bodhi Tree (ficus
religiosa, holy fig), said to be a descendant of the tree under which the
Buddha attained enlightenment. The tree still appears to radiate an aura of
abiding serenity, spiritual solitude and peace. It is believed that the
original Bodhi Tree sprang up on the day of Siddhartha’s birth. Legend
says that Emperor Ashoka, initially hostile to Buddhism, ordered it to be
cut down and burned on the spot. But when the tree sprang up anew from
the flames his attitude was transformed, then Ashoka revived it and built a
protective-enclosing wall, as had previously been done by King Prasenajit
of Koshala within the Buddha’s lifetime. History also tells us that King
Sashanka destroyed the Bodhi Tree during the time he persecuted
Buddhists around 600 CE.
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Hsüan-tsang (639 CE) says that every full moon of Vaishakha (AprilMay), thousands of people from all over India would gather at Bodh Gaya
and bathe the roots of the tree with scented water and perfumed milk, play
music and scatter heaps of flowers. Dharmasvamin (mid 13th century)
noticed similar expressions of devotion:
The platform between the Bodhi Tree and the temple is a large
rectangular stone slab thought to be placed exactly where the Buddha sat.
This is the oldest object that can still be viewed at Bodh Gaya. It is called
Vajrashila (‘the rock of diamond’), and some believe that an enormous
diamond buried beneath the earth here fuels the site’s spiritual power. This
stone may have been originally been placed over the oldest Vajrasana
inside the temple. However, the historical contexts never matter to the
devout pilgrims; by touching this sacred stone, or even having its
auspicious glimpse they feel deeply overwhelmed and satisfied.
The year 1956 had marked the 2500th anniversary of the Buddha’s
nirvana. It gave impetus to resurgence of activity at Bodh Gaya. A good
number of foreign temples and monasteries sprang up. Most of them take
care of high-class rich pilgrims form the East Asia. The earliest among
them is the Mahabodhi Sangharama, built by the king of Ceylon (Sri
Lanka) in the 4th century CE. Presently there are 47 Buddhist Temples,
monasteries and organisations functioning at Bodh Gaya in various
capacities. The establishment of so many modern temples and monasteries
by the World Buddhist Community at Bodh Gaya has enhanced the spirit
of the holy land of Buddha’s Enlightenment and also transformed it into a
Symbol of Buddhist Unity.
The historic Buddhist revival movement initiated by Anagarika
Dharmapala (1864-1933) in 1891 completed its 100th years in 1991. The
Centenary Year of the Society was celebrated with great enthusiasm and in
a befitting manner by all the Centres of the Society. Being ideally located
just close to the Great Temple and the Bus Stop, the Mahabodhi Society at
Bodh Gaya is the most convenient contact point for any visitor to Bodh
Gaya. The Centre not only provides useful information and guidance to the
tourists and pilgrims but also makes available books on Buddhism and
Indology.
Let Bodh Gaya not be transformed into a Buddhist theme-park, a kind
of spiritual Disneyland for mass tourism consumption! Let UNESCO and
the recently launched JNNRUM City Development Plan serve as the glue
that holds the culture of peace, compassion and global humanism, together
recognizing the needs of local communities and other interest groups in a
more harmonious way! (cf. Singh and Kumar 2010: 280).
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4. Sarnath: first turning of the Wheel of Dharma
A tale from the Nigrodhamiga Jataka refers that the Buddha in his
previous life was born as a Golden Deer at Sarnath (Isipatana), and saved
the life of a pregnant deer. By this incidence the king of Kashi declared
this territory as ‘protected area’, protected from hunting and preserved for
mendicants and deers. This is the place where he had delivered his first
Dhamma talk on the Four Noble Truths thirty-six years earlier.
The Buddha passed his first stay during the rainy season at Sarnath,
and there for the first time he challenged the fundamental, conservative
and superstitious rules of Brahminism through his teaching called
Anattalakkhana Sutta. The Pali texts have mentioned names of many great
Brahmin priests in the middle Ganga valley, but no one from Kashi. This
indicates that during the period of the Buddha Kashi was not a stronghold
of religious-ritual institutions and was also not dominated by conservative
groups (cf. Singh 2009: 122-148).
Thirty-six years after his first teaching the Buddha visited Sarnath
together with his main disciples like Sariputta, Mogagallana and
Mahokotithata, and also gave religious discourses and teachings, mostly
challenging the superstitious rituals, sacrifices and totemism performed
under the Brahminic traditions. This second visit was later followed by
several visits to Sarnath. However, after the death of the Buddha the
cultural arena turned into different directions where Brahminism
superseded over Buddhism (cf. Dhammika 2009: 73-87).
At Sarnath, addressing his five old friends, the Buddha said, “Listen!
My friends, I have found the Great Way, and I will show it to you. You
will be the first to hear my Teaching. This Dharma (Pali: Dhamma) is not
the result of thinking. It is the fruit of direct experience. Listen serenely
with all your awareness (cf. Singh 2009: 125, also Bapat 1956: 21-22):
“Brothers, there are four truths: the existence of suffering, the cause of
suffering, the cessation of suffering, and the path which leads to the
cessation of suffering. I call these the Four Noble Truths. The first is the
existence of suffering. Birth, old age, sickness, and death are suffering.
Sadness, anger, jealousy, worry, anxiety, fear, and despair are suffering.
Separation from loved ones is suffering. Association with those you hate is
suffering. Desire, attachment, and clinging to the five aggregates are
suffering.”
“Brothers, the second truth is the cause of suffering. Because of
ignorance, people cannot see the truth about life, and they become caught
in the flames of desire, anger, jealousy, grief, worry, fear, and despair.”
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“Brothers, the third truth is the cessation of suffering. Understanding
the truth of life brings about the cessation of every grief and sorrow and
gives rise to peace and joy.”
“Brothers, the fourth truth is the path which leads to the cessation of
suffering. It is the Noble Eight-fold Path, which I have just explained. The
Noble Eight-fold Path is nourished by living mindfully. Mindfulness leads
to concentration and understanding which liberates you from every pain
and sorrow and leads to peace and joy. I will guide you along this path of
realisation.”
Fig. 10.4. Sarnath: Religious Landscape.
While Siddhartha was explaining the Four Noble Truths, Kondanna
suddenly felt a great light shining within his own heart. He could taste the
liberation he had sought for so long. His face beamed with joy. The
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Buddha pointed at him and said “Kondanna! You’ve got it! You’ve got
it!” (Vinaya Mahavagga, Khuddaka Nikaya 1, and Samyutta Nikaya,
LVI.11).
Formerly, two great stupas adorned the site. Only the Dhamekha
remains, assigned by its inscription to the 6th century. The Dharmarajika
stupa built by Ashoka, some say upon the very place of the teaching, was
pulled down in the 18th century by Jagat Singh, who consigned the casket
of relics contained within it to the Ganga River. Hsüan-tsang (ca. 635 CE)
tells us that the Ashoka’s pillar, which stood in front of the stupa, was so
highly polished that it constantly reflected the stupa’s statue of the
Buddha. The main stupa was enlisted in the UNESCO World Heritage
Tentative List on 3 July 1998 (ref. 1096); still waiting for final inscription.
During the reign of Skandagupta (CE 455-467) Sarnath had flourished
but later was destroyed by Huna. Again since the 8th century the town was
continuously expanding its glory until 1017 when Mahmud of Ghazni
destroyed most of the monuments, destruction that was repeated again in
1033 by Ahmad Nialtgin. However, during the reign of then Gahadavala
king Govindachandra (1114-1154), with the support of his Buddhist wife
Kumaradevi, the town was rebuilt, repaired and monuments were
preserved.
In 1567 Mughal Emperor Akbar made a memorial octagonal tower
above one of the ruined stupas in memory of his father, Humanyun, who
visited and stayed there in 1532. Afterwards only in 1793 Sarnath came
into light with the erection work to supply the building materials for
making a market by Jagat Singh. Thereafter during the 19th century
initiated by Alexander Cunningham (1834-36), several excavations were
done by later officers. In the period of 30th December 1990 to 1st January
1991 the 14th Kalachakra Puja (a Buddhist-Tantric ritual process) was
held at Sarnath under the guidance of H.H. the 14th Dalai Lama, Tenzin
Gyatso. The archaeological area is spread over an area of 16.73 ha,
enshrining many monuments and stupas; the religious and historical
monuments are spread over an area of 9.59 ha.
About 600 m before the museum along the main road, one encounters
the first stupa, called Chaukhandi Stupa. Through the recent renovation,
landscape gardening and preservations the scenic beauty of the area
becomes more attractive. Based on archaeological excavations it is
believed that this stupa, or a terraced temple, appears to be constructed
prior to the times of Gupta kings, i.e. 5th century. This site assumed to be
the actual spot where the Buddha after his enlightenment met five ascetics
who earlier left him in disgust at his alleged backsliding, and finally gave
the First Sermon, “The Four Noble Truths” (cf. Singh 2009: 125).
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5. Rajgir: second turning of the Wheel of Dharma
When the Buddha was teaching his Law, a new dynasty with
Bimbisara as the king (ca. 543-491 BCE) began ruling over Magadha.
Gautama, the ascetic, first visited Rajgir on his way to Bodh Gaya and was
met by King Bimbisara. The king was so impressed by the Bodhisattva
that he tried every means to persuade him to stay. Failing in this, he
received a promise from Gautama that he would return to Rajgir after his
enlightenment. Accordingly, after teaching in Sarnath, the Buddha
travelled to Rajgir followed by over a thousand monks of the new order.
King Bimbisara welcomed them all and offered them the Veluvana
Bamboo Grove. This was to be the first property of the Order and one of
the Buddha’s favourite residences (cf. Singh 2009: 151-205).
The Buddha is believed to have converted the Magadhan king
Bimbisara on the Gridhrakuta hill. In his old age Bimbisara is said to have
been imprisoned and killed by his son Ajatashatru (ca. 491-459 BCE);
however later Ajatashatru submitted himself to the Buddha as his follower.
Rajgir was the capital of the Magadhan Empire and a known business
township until Ajatashatru’s successor Udayin (ca. 459-443 BCE) moved
his capital to Pataliputra (Patna). Rajgir is known as the first recorded
capital in Indian history (cf. Dhammika 2009: 91-109).
On his first visit to Rajgir the Buddha stayed there for about three
weeks. Throughout the following weeks, many seekers came to him and
asked to be ordained as monks. Many of them were highly educated young
men from wealthy families. When the Buddha and all of the 1,250 monks
had finished eating, their bowls were taken and washed and then returned.
King Bimbisara turned towards the Buddha and paid salutation with folded
hands. Understanding the king’s wishes, the Buddha began to teach the
Dhamma. He spoke about the five precepts as the way to create peace and
happiness for one’s family and the entire kingdom. The Buddha said:
“The first precept is do not kill. Observing this precept
nourishes compassion.
The second precept is do not steal. No one has the right to take
away the belongings that another has earned by his/ her labour.
The third precept is to avoid sexual misconduct. Sexual
relations should only take place with your spouse.
The fourth precept is do not lie. Do not speak words that can
create division and hatred.
The fifth precept is do not drink alcohol or use other
intoxicants. Alcohol and intoxicants rob the mind of clarity.”
The Buddhist places of pilgrimages in India
Fig. 10.5. Rajgir: Spatial view of the Central Part.
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After the death of the Buddha (parinirvana), Ajatashatru brought his
share of corporal relics of the Master to Rajagriha and enshrined them
inside a stupa. A few months later, when it was decided to hold the First
Buddhist Council (Sangiti) in the Sattapanni (Saptaparni) cave of the
Vaibhara hill, Ajatashatru built a large hall in front of the Sattapanni cave.
On this occasion for the first time Buddha’s teachings were written down
under the guidance of his disciple Kashyapa (Kassapa) of Uruvela. After
several discourses with common consensus the two codes of conducts
(suttas) were shaped, known as Vinayasutta (‘code of compassion’), and
Dhammasutta (‘code of moral acts’). Ananda, Buddha’s cousin, friend,
and favourite disciple — and a man of prodigious memory! — recited
Buddha’s lessons (suttas). This great happening and its proceedings are
described in detail in the Pali text Chullavagga. As 500 monks attended
this congress, the proceeding is called as Panchashatika.
Travelling about 200m southeast of Satadhara one meets the North
Gate of the outer fortifications of Old Rajagriha near the narrow gap
between the Vaibhava and Vipula hills. About 1 km further south one
meets the Maniyar Math, a stone compound-wall containing a cylindrical
brick structure, about 6m high, decorated with stucco figures all around it,
and protected by a conical shelter of corrugated iron sheets and some other
subsidiary structures. The archaeological remains support the view that
during the period of the Buddha and Bimbisara this was an active place for
rituals and councils. In course of time the Buddhists and Jains occupied
this sacred place and left their marks.
Along the road to the new town built by Ajatashatru are the ruins of
Jivakamravana Vihara (monastery). The main road continues towards the
south and eventually divided into two. The left road leads to a clearing in
the jungle containing the ruins of the Jivakamravana, Jivaka’s mango
grove that was the Buddha’s favourite retreat within the valley. Jivaka was
King Bimbisara’s personal physician and later became a devoted follower
of the Buddha. He also used to serve the Buddha when he was injured by
Devadatta.
The Jivakamravana was the site of one of the most important of the
Buddha’s discourses, the Samannaphala Sutta (cf. Digha Nikaya, I: 47).
One beautiful moonlit night, King Ajatashatru came to visit the Buddha at
Jivakamravana and was deeply impressed by the silence and serene of the
large assembly.
Following the road running parallel to the inner fortification in the east,
one reaches Maddakuchchhi at the foot of Gridhrakuta Hill (‘the Hill of
Vultures’). Here the Enlightened One delivered the Lotus Sutra, which
promises salvation for all beings. At the heart of this sutra is the
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compassion of the Buddha whose concern is with earthly suffering ― each
of us may attain Enlightenment, whoever may have folded their hands or
uttered namo (‘respectful salutations’) to the Buddha.
Proceeding along the road about another kilometre, one arrives at the
narrow pass between Sona and Udaya Hills, which formed the southern
gate of Old Rajgir and through which the Buddha must have passed many
times. The massive walls climb up both hills and run for over 40 km,
although in many places presently they are barely visible. Climbing along
the walls one can get a fine view of the fields of Magadha.
Towards the east a path leads up to the new white marble wellmaintained monastery stupa with a 50m high golden stupa built by the
famous Japanese Buddhist monk Ven. Nichidatsu Fuji of the Nipponzan
Myohoji sect in 1969. Located on the top of the Chhatha Hill, a colossal
sandstone dome on the Ratnagiri hill, the Vishva Shanti Stupa, is
dedicated to world peace. Here visitors may have experiences of both, the
sacred and the secular, serenity and spirit of the nature.
Rajgir Festival: This festival-carnival held every year for a month
during the intercalary month (Malamasa), which falls every third year (cf.
for the dates from 2001 to 2044, see Singh 2009: 205). Since the ancient
past there is a tradition of holding the religious fair on a grand scale.
Rajgir is the only place where festive and religious activities take place in
this month. Since independence the government authorities are involved in
organising the fair and festival. With the increasing pace of tourism and
religious consciousness, around a million tourists and devout Hindus and
Buddhists alike gather during this month to have the direct experience of
the spirit of place. But above all, the general perceptions of the visitors are
not satisfactory; in fact, they blame the government for the mismanagement and misuse of the grant. Remember, above all, Bihar is well known
for irregularities and corruption! Of course, the situation improved during
last three-four years.
6. Nalanda: site of the great monastic university
Lying close to the village Baragaon (Nalanda District), Nalanda has the
ruins of the world’s oldest university, founded in the 5th century CE.
Nalanda’s main monument (Stupa/ Temple site 3) is listed in the tentative
list of World Heritage Sites of UNESCO (dt. 09/01/2009, ref. 5407).
Excavations in the 1860s by Alexander Cunningham led to the discovery
of the official seal with the inscription Sri Nalanda Mahavihara Arya
Bhikshu Sanghasya (Venerable Community of Monks in the Great Vihara
of Sri Nalanda).
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Fig. 10. 6. Nalanda: excavated remains (based on A. Cunningham, ASI Reports 1871, and 1920-21)
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The Buddha came to Nalanda often and stayed at Setthi Pavarika’s
mango grove. Two of Shakyamuni’s chief disciples, Sariputta and
Maudgalyana, came from the vicinity of Nalanda. Sariputta, who was
considered the foremost in wisdom and had a very important place in the
Sangha, attained Nirvana here. Although Nalanda is one of the places
distinguished as having been blessed by the presence of the Buddha, it
later became particularly renowned as the site of the great monastic
university of the same name, which was to become the crown jewel of the
development of Buddhism in India (cf. Ghosh 1986, also Singh 2009: 208219).
The Buddha first came here to study philosophy with local gurus, later
attracting his own disciples. Even during his last journey from Rajagriha
(Rajgir) to Pataligrama (Patna), the Buddha passed by and stopped at
Nalanda. According to historical sources, Hsüan-tsang believed that the
name was ascribed to it because of the Buddha’s liberality in an earlier
birth, and means ‘charity without intermission’. According to Jain texts it
was a suburb, situated to the northwest of the famous city of Rajagriha.
It is assumed that the Gupta emperors were responsible for the first
monasteries. In the 7th century Hsüan-tsang spent 5 years, both as student
and teacher, in the residential Nalanda University, which at that time had
over 3,000 teachers and philosophers, over 10,000 students and monks and
a library of over 9 million manuscripts. He had studied under Shilabhadra,
a great teacher and head of the monastery. The monks were supported by
200 villages, and the library attracted people from countries as far flung as
Malaysia, Indonesia, China, and Korea. Debating was a necessary part of
monastic education, and doctrinal points were continually discussed.
Among the renowned Indian scholars trained at Nalanda were Nagarjuna,
Aryadeva and Asanga.
As narrated by Hsüan-tsang, Buddhism was slowly decaying when he
visited India; however centres like Nalanda were prosperous and
flourishing. He also noted the increasing impact of Tantrism and
Brahmanic philosophy under the influence of Kumarila Bhatta and
Shankaracharya. In the first quarter of the 19th century a new phase of
historical upheaval started through the accounts of Buchanon-Hamilton,
who described the ruins and the Hindu and Buddhist images found at
Nalanda. In the 1860s Alexander Cunningham identified the place with the
ancient Nalanda; and in 1915-16 the Archaeological Survey of India
undertook its excavation that later resulted in the present landscape.
The monasteries are numbered from 1 to 11 from south to north, the
path from the gate entering between monasteries 1 and 4 at the south end
of the site. The path goes west across an open space to the largest of the
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temples, No. 3 (Fig. 10.6). This huge structure standing in the middle of a
court on the southwestern flank is surrounded by a number of votive
stupas. Almost certainly Ashoka originally constructed it, but his stupa
was enlarged several times. The earliest temples were small structures,
completely incorporated into the successively larger mounds. It is believed
that the north-facing shrine chamber on top once contained an enormous
Buddha image (cf. Dhammika 2009: 110-118).
Returning to the east, monasteries 1, 1A and 1B are the most important
of the monastery group (Fig. 10.6). Ghosh suggests that a Sumatran king
built the lower monastery in the reign of the third king of the Pala dynasty,
Devapala, between CE 810-850. The excavated cells demonstrate the
existence of an earlier monastery underneath, probably after earlier walls
at least partially collapsed. It is possible to walk around all three of these
southern monasteries.
Monastery-1 has been built on the same site at least nine times and
what one sees now are parts of at least three or four structures
superimposed upon each other. The monastery is entered through an
impressive portico, the roof of which was supported by pillars and the
stone bases of which can still be seen.
Monasteries 1 and 4 to 11 were the colleges where the students of
Nalanda both lived and studied, and they differ from each other only
slightly. Monastery 4, immediately to the north of the entrance path, was
built on an earlier collapsed monastery. Several of these monasteries have
wells in their courtyards and drains, probably used as toilets, in their
northeast corners. An interesting feature of Monastery 9 is the six ovens in
the courtyard. Although it is hard to picture it now, each of these
monasteries was originally beautifully painted and decorated and at least
four stories high.
There are several interesting features in the other monasteries; double
rows of cells in Monastery 5, a brick courtyard and two sets of double
ovens in the upper courtyard of No. 6, and the evidence of three successive
monasteries built on the same site at No. 7. There is an imposing shrine
and unique doorway in No. 8, impressive drains in No. 9 and arched
doorways in No. 10. The fragments of 25 stone pillars were recovered
from the ruins of No. 11, which stood one meter apart at a height of more
than 2m. Ghosh suggests that fire was a recurrent hazard and every
monastery was at some point of time deserted and re-occupied.
In addition to the monasteries and the main temple, four other temples
have been excavated (Fig. 10.6). Temples 12, 13 and 14 are in a line
stretching north from the main temple. They all have a square outline, and
originally had large Buddha images, now kept in the museum.
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269
The Temple Site 12 temple was the largest structure at Nalanda, being
approximately 52m x 50m. To the north of temple 13 the discovery of a
brick-smelting furnace with metal pieces and slag in it establishes that
metal objects were cast in Nalanda. The niches of the pedestal of the
image in Temple 14 contain the only example of mural paintings in
Nalanda.
The Temple Site 3, consisting of a central tower with four smaller ones
at each of the corners, has been rebuilt, modified or renovated at least
seven times over the centuries and this together with the numerous votive
stupas clustered around it indicates that it was the most sacred shrine at
Nalanda. There is little doubt that the original structure here was the stupa
marking Sariputta’s birthplace. The first three stages of this temple are
covered by the later additions and cannot be seen.
By far the most beautiful of all the excavated monuments, Temple Site
2 has a stone sculpted dado with a moulded plinth and sculpted panels
revealing 211 figures of Hindu gods and goddesses besides dancers,
musicians, warriors, animals and birds and panels showing a wide variety
of scenes like loving couples, peacocks and geese, geometrical patterns
and scenes from daily life.
The panels probably date from the 6th or 7th centuries CE, and may
have been brought in from another temple. In addition to the monasteries
and temples there are several images, including the Buddha and Marichi
(the Buddhist goddess of the dawn).
7. Shravasti: teachings in the Jetavana Grove
At Shravasti (cf. Fig. 10.7), in accordance with the practice of previous
Buddhas, Gautama Buddha performed one of the Greatest Miracles, after
defeating the six philosophers and converting them to his teaching;
standing in the air at the height of a palm tree, flames engulfed the lower
part of his body, and five hundred jets of water streamed from the upper
part in the presence King Prasenajit of Koshala and the assembled
audience. The Buddha levitated on a thousand petalled lotus, causing fire
and water to leap out of his body, and created multiple representations of
himself which went up to the highest heaven. The heretical teachers,
discomfited at this miraculous event, dared not show their own feats and
were finally confounded by a violent thunderstorm and obliged to run
away. The supreme position of the Buddha was thus vindicated, and he
preached the Law before a huge assemblage of people that had come to
witness the miracle. The Shravasti episode has been a favourite theme in
Buddhist art from very early times (cf. Venkataramayya 1981).
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10. Rana P.B. Singh & Pravin S. Rana
Fig. 10.7. Shravasti (Saheth Maheth)
While answering the question raised by the king Prasenajit, the Buddha
concluded:
“Compassion is the fruit of understanding. Practising the Way of Awareness is
to realise the true face of life. That true face is impermanence. Everything is
impermanent and without a separate self. Everything must one day pass away.
One day your own body will pass away. When a person sees into the
impermanent nature of all things, his way of looking becomes calm and serene.
The presence of impermanence does not disturb his heart and mind. And thus
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271
the feelings of pain that result from compassion do not carry the bitter and
heavy nature that other kinds of suffering do. On the contrary, compassion
gives a person greater strength. Great King! Today you have heard some of the
basic tenets of the Way of Liberation. On another day, I would like to share
more of the teachings with you.”
Shravasti is best remembered as the place where Shakyamuni defeated
the holders of the other doctrines. Some accounts say that this was
accomplished by debate, others that by miracles; perhaps there were both.
The leaders of India’s six main philosophical schools challenged the
Buddha to a contest of miraculous powers many times as he wandered
through the surrounding kingdoms. Finally, in his 57th year he accepted
the challenge at Shravasti. King Prasenajit built a hall especially for the
event; in it seven thrones were erected (Fig. 10.7). These and many other
miracles he performed and in eight days utterly defeated his opponents,
whose followers later adopted the Buddhist doctrines. For a further seven
days he continued to show miracles and give teachings to the great
assembly. Both Chinese pilgrims describe a tall temple containing a statue
of the Buddha, which stood outside Jetavana Grove in commemoration of
these events (Singh 2009: 158-173; also cf. Dhammika 2009: 151-164).
The Buddha so much liked Jetavana that he spent there 24 rainy
seasons, preaching to monks, laymen and women. Sudatta came to be
known as Anathapindika (the incomparable alms giver). The grandeur of
this vihara was commented upon by Chinese travellers several centuries
later. Jetavana continues to attract pilgrims from all over the world who
come here to pray and meditate in its serene atmosphere. One of the most
beautiful spots in Jetavana is under the Anandabodhi tree. An eternal
witness to the vicissitudes of history, this sacred tree was brought as a
cutting from the Bodhi tree in Anuradhapura in Sri Lanka, which itself
grew from a sapling of the original Bodhi tree in Bodh Gaya. The ruins of
Anandakuti and Gandhakuti exude an aura of sacredness because it was
here that the Lord stayed during his many visits to Jetavana Vihara.
During 1863-1875 Alexander Cunningham excavated the ruins and
identified some of the monuments, including 16 stupas. Again during
1875-76 and 1884-85 William Hoey continued the excavations and
brought to the light the remains of 34 ancient buildings. The twin name of
Saheth-Maheth is applied to two distinct groups of remains. There are
remains of 8 temples, 4 monasteries (viharas) and 14 stupas. In the recent
excavation (1999-2000) in the nearby village Kolga the whole monastery
city of Shravasti was found, which consists of several monasteries,
dormitories for monks and a huge water pool for sacred bathing for female
monks. One can start from the south and after having a view of the
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remains leave the mound at the north, from where the road takes you back
to the other side of the old city.
Maheth, situated about 500 m northeast of Saheth, denotes the
Shravasti city proper and is a much longer site, situated south of the river
Rapti (Achiravati) which flows about 300 m north. All that remains at
Mahet, once a heavily fortified city, are two stupas known locally as Pakki
Kuti and Kachchi Kuti; the latter is identified as Sudatta’s Stupa. The
outline of the city is distinctly marked by a high earthen rampart with a
brick wall at the top running along a circuit of 5.2 km and pierced by
several gates distinguished by high bastions. Four of these openings
(darwaza), viz. Imli, Rajgarh, Nausahra and Kandabhari, situated
respectively at the southwest, northwest, northeast and southeast corners
of the city-wall, may possibly represent real gates of the ancient city; their
present names being due to local usage.
A new park has been created around these ruins with flowers and trees
shading the lawns. In this case restoration has regained some of the
qualities that made the place attractive of old; peace and tranquillity
pervade it.
8. Vaishali: where the Buddha was offered honey
According to the Buddhist tradition, five years after the Enlightenment
in Bodh Gaya Lord Buddha came to Vaishali, the capital of one of the first
republican states in the world. Situated on the northern banks of the
Ganga, Vaishali is bound by the hills of Nepal to the north and the river
Gandak to the west. The Lichchhavi nobility came to receive the
Enlightened One with a cavalcade of elephants and chariots bedecked with
gold. As the Lord set foot on the soil of Vaishali, loud thunder followed by
a heavy downpour purged the plague-infected city. The Buddha preached
the Ratna Sutra to those assembled, and eighty-four thousand people
embraced the new faith. It was also at Vaishali that Amrapali, the famous
courtesan, earned the respect of the Sangha and a place in history with her
generous donations. The neighbouring village of Amvara is said to be the
site of Amrapali’s mango grove (cf. Dhammika 2009: 124-130).
In Vaishali women were ordained into the Sangha for the first time.
The Buddha’s foster mother, Mahaprajapati Gautami, along with 500
Shakyan women made a pilgrimage by foot from Kapilavastu to Vaishali,
seeking to join the Order. Three times the Lord refused their entreaties.
Ultimately they shaved their heads, donned the orange robes and
beseeched the Lord once again. The Enlightened One was finally
persuaded to admit them as bhikshunis or nuns (cf. Singh 2009: 221-233).
The Buddhist places of pilgrimages in India
273
Fig. 10.8. Vaishali and environs.
Here the Buddha spoke to Amrapali, “Beauty arises and passes away
like all other phenomena. Fame and fortune are no different. Only the
peace, joy, and freedom that are the fruits of meditation bring true
happiness. Amrapali, cherish and take good care of all the moments left to
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you in this life. Do not lose yourself in forgetfulness or idle amusements.
This is of utmost importance.”
Finally the Buddha replied to the question raised by his disciple
Sariputta; he said:
“Monks, when you have seen deeply and have attained the Way, the beautiful
may still appear beautiful and the ugly may still appear ugly, but because you
have attained liberation, you are not bound by either. When a liberated person
looks at beauty, he can see that it is composed of many non-beautiful elements.
Such a person understands the impermanent and empty nature of all things,
including beauty and ugliness. Thus he is neither mesmerised by beauty nor
repulsed by ugliness. The only kind of beauty that does not fade and that does
not cause suffering is a compassionate and liberated heart. Compassion is the
ability to love unconditionally, demanding nothing in return. A liberated heart
is unbound by conditions. A compassionate and liberated heart is true beauty.
The peace and joy of that beauty is true peace and joy. Monks, practice
diligently and you will realise true beauty.” ― The Majjhima Nikaya, 55.
A century after the passing of the Buddha the Second Buddhist Council
(sangiti) was held in 383 BCE at Vaishali to discuss The Ten Points of
Vinaya (Indulgences), the rules of conduct under dispute due to sectarian
divisions and their interpretations; that have been recorded in the
Chullavagga. The Venerable Yasha openly declared these practices to be
unlawful. At the same time some 60 Arhats came from the Western
Country and assembled on the Ahoganga hill. About 88 monks from
Avanti and the Southern Country also joined them. These monks declared
the question to be hard and subtle. Finally Venerable Revata at Sahajati
had declared them invalid. The dialogue continued by the Assembly of
700 monks presided by Venerable Sabbakami who also put his final mark
and declared the Ten Points unlawful. The momentous results of this
Council were the dispatch of missionaries to different parts of the world
for the propagation of the dhamma.
9. Kushinagar: where Buddha entered mahaparinirvana
In one of his last utterances, the Buddha thus named Kushinagar
(Kushinara), the site of his parinirvana, as one of the chief places of
Buddhist pilgrimage. Three reasons had been assigned for the Buddha’s
choice of Kushinagar for the final retreat: (1) it was the proper venue for
the preaching of the Maha-sudassana suttanta, (2) to admit Subhadda to
the Sangha before his death, as he was living there, and (3) the availability
of Brahmin Drona who would solve the problem of his relics. Moreover, it
The Buddhist places of pilgrimages in India
275
had been the site of his death in seven previous births and he beheld no
other spot “where the Tathagata for the 8th time will lay aside his body”.
At this place the Buddha left his corporeal self and finally attained
mahaparinirvana. Thus was assured its sanctity (cf. Singh 2009: 254-267).
When he reached his eighty-first year, Buddha gave his last major
teaching — the subject was the thirty-seven wings of enlightenment —
and left Vulture’s Peak with Ananda to journey north. After sleeping at
Nalanda he crossed the Ganga river for the last time at the place where
now stands the city of Patna and came to the village of Beluva. While
staying for the rainy season at this village near Vaishali, the Buddha told
Ananda that he was attacked by illness and bodily pain and the effect of
old age. Shakyamuni then rejected prolonging his own life-span. When
Ananda later learned of this he implored the Buddha to live longer but his
request was refused, for it had come too late. The Buddha suppressed the
sickness and continued to Vaishali. He called all the monks residing in and
around Vaishali to assemble at Mahavana Kutagarasala and reminded
them that his whole teaching consisted of the 37 Bodhipakshiya Dhammas
divided into 7 groups (this episode is considered as the Third Turning of
the Wheel of Dhamma):
1. Smrityupasthana (Pali, Satipatthanas), mindfulness or awareness
of what is happening in one’s body (kaya), feeling (vedana), mind (citta),
and what are his acquisitions (dhamma).
2. Samyakaprahana (Pali, Sammappadhanas), right exertions, efforts,
i.e. duties prescribed under the sammayayama of the eight-fold path, viz.
to eradicate demerits, to collect merits and to preserve and increase the
merits.
3. Riddhipada (Pali, Iddhipadas), attainment of supernormal powers
by means of strong desire of perfection, application of energy by
meditation, application of mind to cultivate meditation, and discrimination
of the mental factors accompanying the meditation.
4. Indriya (Pali, Indriyas), dominance of forces or factors led by firm
faith in the Buddha as the fully enlightened, wise, world-knower, the
excellent guide of men and gods, and so forth; this faith is also extended to
the Dhamma and Sangha.
5. Balas, internal strength, or prowess. The five attributes constitute
the Balas; they are the same as the Indriyas, viz. Faith, Energy, Memory,
Meditation, and Knowledge. The main difference between Indriyas and
Balas is that the former is actively operating and does not necessarily
remain the same for all times while the latter is the result of the activity of
the faculty.
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Fig. 10. 9. Kushinagar: the excavated site (after A. Cunningham, ASI 1871)
6. Sambodhyanga (Pali, Sambojjhangas), acquisitions leading to full
enlightenment, destroying impurities and hindrances, and leading to attain
knowledge and emancipation.
7. Marga (Pali, Magga), the ‘Middle Way’ between extreme
asceticism and worldly life. The Buddha was insistent that his Truth was
none of the two extreme views, viz. Shashvata (eternal) and Uccheda
(annihilation).
The next day, when they arrived at the banks of the Hiranyavati river
south of Kushinagar, there, between two pairs of unusually tall Shala trees
(shorea robusta), the Buddha lay down on his right side in the lion posture
with his head to the north. The Buddha spoke to Ananda his memorable
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words on the doctrines of the faith, some rules of discipline to be followed
by the monks, including instructions about the disposal of his body.
The Buddha closed his eyes. He had spoken his last words. The earth
shook. Sal blossoms fell like rain. Everyone felt their minds and bodies
tremble. They knew the Buddha had passed into nirvana (Mahaparinibbana Sutta, D.16).
The Lord had instructed that his body should be disposed of in the
same way as that of a king of kings: the body should be wrapped in new
cloth and corded cotton-wood, placed in an iron-vessel, which should be
covered by a similar vessel, and cremated. And finally, stupas should be
erected at the four crossroads. Finally, the Buddha uttered his last words:
“Behold thee, brethren, I exhort thee, saying, decay is inherent in all
component things! Work out your salvation with diligence.” Subhadda
then sat nearby in meditation, swiftly fell into a trance and attained
parinirvana on the full-moon night of the month of Vaishakha (AprilMay), shortly before the death of the Buddha.
Kushinagar was rediscovered and identified before the end of the 19th
century. Excavations have revealed that a monastic tradition flourished
here for a long time. The remains of ten different monasteries dating from
the 4th to the 11th centuries have been found. Most of these ruins are now
enclosed in a park, in the midst of which stands a modern shrine housing a
large recumbent figure of the Buddha (cf. Dhammika 2009: 165-169).
10. Sankisa: where the Buddha descended from Tushita
Heaven
Sankisa or Sankasya is associated with one of the Buddha’s Great
Miracles, where the Buddha is said to have descended to the earth from
the Tushita, ‘Trayastrimsha’, heaven (‘Heaven of the 33 Gods’) where he
went to preach the Abhidamma to his mother and other gods. This event is
said to have occurred after the Great Miracle was performed at Shravasti,
as it was an immutable law that all Buddhas should resort to the Heaven of
the 33 Gods after they had performed their greatest miracles. According to
Buddhist legend, after giving a discourse to his mother, Mayadevi, the
Lord came down by a triple ladder, accompanied by the gods Brahma and
Indra (cf. Singh 2009: 271-276).
The excellent scene of the great Ladder by which Buddha descended at
Sankisa from the Trayastrimsha heavens is distinctly represented in the
Bharhut bas-relief (dated ca. 100-80 BCE). The Ladder is represented as a
triple flight of solid stone steps, similar in all respects to the single flight
of steps, which was found at the Western Gateway of the Stupa. The
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10. Rana P.B. Singh & Pravin S. Rana
legend of the Sankisa Ladder is narrated by both of the Chinese pilgrims,
Fa-hsien and Hsüan-tsang, as well as by the Pali annalists of Ceylon.
Fig. 10.10. Sankisa and Agahat Sarai, the ruins and archaeological site
(based on A. Cunningham, ASI Report 1872)
According to ancient legends, the Buddha visited the Trayastrimsha
heavens to preach his doctrine to divinities as well as to his mother
Mayadevi. At the end of three months, his purpose having been
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279
accomplished, he determined to visit the earth at the city of Sakaspura (i.e.
Sankassa or Sankisa in Pali, and Sankasya in Sanskrit). Then Sakra (Indra)
reflected that he (Buddha) had come from the earth with three steps, but
that it would be right to celebrate his departure with special honours. He
therefore caused a Ladder of gold to extend from Mahameru to Sakaspura.
In the Bharhut bas-relief (ca. 100-80 BCE), the triple Ladder occupies
the middle of the scene with a Bodhi tree and a Vajrasan at its foot. There
is one footprint on the top step and a second footprint on the bottom step
of the middle Ladder.
From the description of the Chinese pilgrims Fa-hsien and Hsüantsang, it appears that during the 7th century, both Buddhism and Shaivism
were flourishing at Sankisa. There were a number of big monasteries and
temples. The Mauryan emperor Ashoka, and after him several other kings,
erected a number of beautiful buildings in the town. The present day
Sankisa abounds in sculptural and terracotta remains. Emperor Ashoka
erected a pillar with an elephant capital to mark this holy spot. This, to
which Chinese pilgrim Hsüan Tsang made a reference, has been
remounted on a 3m high pillar beneath a stone canopy. And its capital,
with an elephant’s figure whose head has fallen, is preserved near the
Bisahari Devi temple. The capital bears decorative patterns of lotus
flowers and leaves of the Bodhi-tree (holy fig).
Here till recently there was no temple, monastery or even a solitary
monk (cf. Fig. 10.10), mainly due to the wildness and isolation of the area.
The major attractions at Sankisa are a temple with the statue of Buddha,
Bisari Devi Temple and Ashokan Elephant Pillar. A Japanese temple is
recently opened.
11. Completion to Contemplation: Towards closing up
Among the other places, directly associated with the Buddha (cf. Singh
2009, Fig. 10.1) are: Kapilavastu (Piprahwa), where the Buddha spent his
childhood; Gaya, the place visited by the Buddha many times and
performed his first austerities and meditation there; Kaushambi, Where the
Buddha gave sermons in the 6th and 9th years; Patna, an ancient Buddhist
site where while he was on his journeys stopped there and later this came
the capital of Magadha empire; Kesariya (Kessaputta), where the Buddha
handed over his alms-bowl to the people before reaching to Kushinagar
where he entered to mahaparinirvana; and Mathura, the capital of
Surasena and a centre of Buddhist art that was visited by the Buddha
several times, of course he never liked this place. Of course, these places
are not popular among the pilgrims or tourists, and moreover no viable
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10. Rana P.B. Singh & Pravin S. Rana
developments made yet to attract them as destinations for the Buddhist
tourism. It is expected that the increasing consciousness towards the
Buddhist ecology and the Buddhist tourism would help to like these places
with main stream of Buddhist pilgrimage and tourist circuits, especially on
the line of pilgrimage-tourism ― like a Middle Way! Of course, these
places will be venerated and sacred for the Buddhist adherents, numbering
376 millions all over the world (including 8.2 millions in India).
The notion of pilgrimage in Buddhism is intrinsic that inspire to get
more closer interconnectedness with enlightened nature where once the
Buddha passed his lime, or gave sermons, and later some sacred items
(ashes) of the Buddha manifested there and followed up monks had
received revelation that encouraged the Buddhist kings to establish
commemorative monuments, monasteries or shines. Thus after passage of
time developed four-tier hierarchy of the Buddhist places of pilgrimages
(cf. Hall 2006 175-176). All such places maintain reciprocity of local to
universal interaction or inter-personal relations in different context and at
varying degrees, which well suit to the ‘Middle Path’ of Buddhism that
refers to ‘the Middle way between devotion to the pleasures of the senses
and self-mortification’ on the path of two great pillars, viz. Mahāprajnā
(‘Great Wisdom’) and Mahākarunā (‘Great Compassion’).
Acknowledgements: This essay is primarily inspired and developed on
the line of the illustrious book by Ven. S. Dhammika (1992/1999), an
associate monk to Buddha Dhamma Mandala Society at Singapore, who
has been the main spring to guide us on the Buddhist trail in search of
compassion, peace and human service; this essay is dedicated to him.
Note: This essay is mostly based on Rana Singh’s earlier book (Singh
2003/ 2009) and presented here in updated and abridged version.
12. References (and select Bibliography)
Ahir, D.C. 1986. Buddhist Shrines in India. Indian Book Centre, Delhi.
Arnold, Sir Edwin 1879/ 1999. The Light of Asia or The Great
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of Information and Broadcasting, Govt. of India, New Delhi.
Bechert, Heinz (ed.) 1995. When Did the Buddha Live. Bibliotheca IndoBuddhica Series No. 165. Sri Satguru Publs., Delhi.
Behrendt, Kurt 2009. Traces of Buddhist Pilgrimage in ancient India; in,
Malville, John M. and Saraswati, B.N. (eds.) Pilgrimage– Sacred
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Landscapes and Self Organised Complexity. DK Printworld, Delhi for
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Cunningham, Alexander 1871/ 1996. The Ancient Geography of India.
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Dhammika, S. 1992/1999. Middle Land, Middle Way. A Pilgrim's Guide to
the Buddha's India. Buddhist Publication Society, Kandy (Sri Lanka).
Dutt, N. and Bajpai, K.D. 1956. Development of Buddhism in Uttar
Pradesh. Publication Bureau, Govt. of Uttar Pradesh, Lucknow.
Forbes, Duncan 1999. The Buddhist Pilgrimage. Buddhist Tradition Series
37. Motilal Banarasidass Publ., Delhi.
Ghosh, A. 1986. Nalanda. Archaeological Survey of India, Calcutta. 6th
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Hall, C. Michael 2006. Buddhism, tourism and the middle way; in,
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Spiritual Journeys. Routledge, London & New York: 172-185.
Hazra, Kanai Lal 1983. Buddhism in India as Described by the Chinese
Pilgrims, AD 399 – 689. Munshiram Manoharlal Publ., New Delhi.
HMG 1976. Lumbini Development Project. The Lumbini Development
Committee, His Majesty’s Government, Babar Mahal (Kathmandu).
Legge, James 1886/ 1998. A Record of Buddhist Kingdoms. Being an
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Watters, Thomas 1905/ 1996. On Yuan Chwang’s Travels in India AD
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Munshiram Manoharlal Publ., New Delhi.
--------------------------
Appendix: 1. Major Historical Events related to the Buddhism
Year
563
BCE
547
534
528
544-493
529
483
483
383
270
259
258-257
256-255
250
249
240
232
187-151
100
BCE
Events
Birth of Gautama, at Lumbini, son of Suddhodana, a Kshatriya
chief of the Shakya clan, and his consort Mayadevi.*
Siddhartha Gautama married to his maternal cousin Yashodhara.
After the birth of his son, Rahula, one day Siddhartha left his wife
Yashodhara and son, and proceeded to an unannounced march.
After six years of wandering and self-mortification, Siddhartha
realised that penance does not lead to enlightenment. On the 49th
day of meditation at Bodh Gaya under a Holy Fig tree he received
enlightenment and was given the name of Buddha.*
Rule of Bimbisara, king of the Haryanka dynasty at Rajgir, who
later became a Buddhist and a close friend of the Buddha.
The Buddha’s First Sermon, Dhammachakra Parivartana, at
Sarnath, near Varanasi.
Death of the Buddha at Kushinagar.*
After 6 months of the Buddha’s death, under the guidance of the
monk Kashyapa the First Buddhist General Council held at
Sataparni cave, Vaibhara hill, Rajgir.
Ven. Kakavarna convened the Second Buddhist General Council
held at Vaishali.
Ashokavardhana (Ashoka, 304 – 232 BCE) became the third
Mauryan emperor.
Ashoka promoted and established Buddhism.
Ashoka’s rock edicts inscribed in four scripts: Greek & Aramic in
Afghanistan, Kharoshti in Pakistan, and Brahmi elsewhere.
Ashoka’s further rock inscriptions containing the Kalinga Edicts,
referring to his conversion to Buddhism.
Mahinda (Mahendra), son of Ashoka, became a Buddhist monk,
and embarked on a mission to Sri Lanka.
Ashoka’s pilgrimage to the Buddhist places, like Kapilavastu,
Kushinagar, Bodh Gaya and Sarnath.
Under Ashoka’s patronage the Third Buddhist General Council
was convened at Pataliputra (Patna).
Ashoka died, and his son crowned as emperor.
Rule of Pushyamitra, founder of the Shunga dynasty, who
promoted Brahmanism and Buddhism.
The Buddhist Sangha (‘Order’), funded largely by rich merchants
and craftsmen, built cave temples, especially in Deccan.
The Buddhist places of pilgrimages in India
CE
78-101
101
106-119
357
383
399
404-14
412
606-647
630
638-42
645
664
671-85
770-890
1033
1070
1197
1234-61
1861-85
1871
1881
1885
1891
1949
1954
1956
283
Rule of emperor Kanishka, known as the 2nd Ashoka and greatest
of the Kushana rulers; later in his life he became a Buddhist and a
patron of the Sangha.
Emperor Kanishka presided over the Fourth Buddhist General
Council, convened in Kashmir.
Kanishka’s son Huvishka crowned and promoted Gandhara
School of Art ―images of the Buddha & the Bodhisattvas.
A Buddhist mission is dispatched to China, the first in the series of
ten.
The Indian Buddhist monk Kumarajiva, arrived in China to set
standards in the translation of Buddhist scriptures into Chinese.
Fa-hsien (374-462), a Chinese monk, arrived in India.
Chih-meng, a Chinese pilgrim, travelled in India.
Fa-hsien returned to China.
Rule of Harsha, who built a large number of stupas.
Hsüan-tsang (603-664), a Chinese Buddhist monk, was made a
courtier by Harsha Vardhana and became a royal chronicler.
Yuan-chan, a Chinese pilgrim visited India, also again in 665.
Hsüan-tsang returned to China.
Hsüan-tsang died in the Wu Li monastery in China.
I-tsing (634-713), a Chinese pilgrim, travelled in India
Pala dynasty, under which the Buddhist art and architecture
reached to its most mature stage.
Hui-wen, a Chinese pilgrim, visited India, by the order of His
Imperial Majesty, T’ai Tsung.
First major restoration and renovation of the Mahabodhi temple by
the Burmese (Myanmar), under the patronage of King Anawrahta
(CE 1044-1077).
Allauddin Khilji, a Muslim king, sacked Nalanda and massacred
all the Buddhist monks.
Dharmasvamin (1196-1263), a Tibetan monk, visit to Buddhist
places; he died in Tibet.
Alexander Cunningham (1814-1893), the founding director of the
Archaeological Survey of India; excavated many Buddhist sites.
Under the patronage of king Min-donmin the Fifth Buddhist
General Council was convened at Mandaley (Myanmar).
Foundation of the Pali Text Society at London by T. W. Rhys
Davids.
Edwin Arnold (1833-1904), an Englishman, visited to Bodh Gaya.
Anagarika Dharmapala (1864-1933) visited Sarnath, founded the
Mahabodhi Society at Colombo, and died in Sarnath.
Bodh Gaya Temple Management Act enacted by the Govt. of
Bihar, consting a committee of 4 Hindus and 4 Buddhists.
The Sixth Buddhist General Council, inaugurated at Rangoon
(Myanmar), on Vaishakha Purnima, 17 May.
The Concluding ceremony of the Sixth Council on the occasion
284
1959
10. Rana P.B. Singh & Pravin S. Rana
of the 2500th anniversary of the Buddha’s nirvana, at Rangoon, on
Vaishakha Purnima, 24 May.
In April being exiled from China, the 14th Dalai Lama Tenzin
Gyatso (b. 5 July 1935), head of Gelugpa or Yellow Hat Sect &
renowned as Tibet’s god-king settled in Dharmashala, India.
* On the day of Vaishakha (April-May) Purnima (Shukla 15th), waxing, Full
Moon. In near future the dates for the Buddha Purnima are: 17 May 2011, 6 May
2012, 25 May 2013, 14 May 2014, 4 May 2015, 21 May 2016, and 10 May 2017.
----------------------------Prof. Rana P.B. Singh
Professor of Cultural Geography & Heritage Studies, Banaras Hindu
University, New F - 7 Jodhpur Colony, Varanasi, UP 221005. INDIA.
Email: ranapbs@gmail.com
§ Rana is researching in the fields of heritage planning, pilgrimages and settlement
systems in Varanasi region since over last three decades as promoter, collaborator
and organiser. On these topics he lectured at centres in all parts of the world. His
publications include over 190 papers and 38 books on these subjects, including
Banaras, the Heritage City of India: Geography, History, and Bibliography (IB
2009), and the eight books under ‘Planet Earth & Cultural Understanding Series’:
‒ five from Cambridge Scholars Publishing UK: Uprooting Geographic Thoughts
in India (2009), Geographical Thoughts in India: Snapshots and Vision for the 21st
Century (2009), Cosmic Order & Cultural Astronomy (2009), Banaras, Making of
India’s Heritage City (2009), Sacred Geography of Goddesses in South Asia
(2010), and - three from Shubhi Publications (New Delhi, India): Heritagescapes
and Cultural Landscapes (2011), Sacredscapes and Pilgrimage Systems (2011),
and Holy Places and Pilgrimages: Essays on India (2011).
Dr. Pravin S. Rana
Lecturer in Tourism Management, Faculty of Arts,
Banaras Hindu University, Varanasi, UP 221005. INDIA.
Email: psranabhu@gmail.com
§ Pravin holds a master degree (2000) in tourism management and has worked on
“Pilgrimage and Ecotourism in Varanasi Region: Resources, Perspectives and
Prospects” for his doctoral dissertation (University of Lucknow, 2003), and
published a dozen of papers in this area. He is a co-author of Banaras Region: A
Spiritual and Cultural Guide (2002/2006, Indica Books, Varanasi, with R.P.B.
Singh), and Tourism Geography (2006, New Royal Book Co., Lucknow, with A.K.
Singh). During Aug. 2005-July 2009, he had served as Manager of the Children
Programme at World Literacy of Canada (India Office); and also gave seminars in
Norway and Canada.
11
Current Jewish Pilgrimage-Tourism
Noga Collins-Kreiner
University of Haifa, Israel
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Whether in its traditional religious form or its modern secular
form, pilgrimage is currently experiencing resurgence the world over. This
study analyzes the traits of current Jewish pilgrims to Jewish holy sites in
Israel and explores the phenomenon of Jewish pilgrimage-tourism in the
country. To this end, it employs a variety of methodologies, including a
questionnaire completed by 703 pilgrims at seven different pilgrimage
sites in Israel; interviews with the pilgrims and staff of organized tours to
these sites; observations in situ; and participant observation. Obviously,
these sites attract an extremely diverse visitor population, ranging from
very religious orthodox pilgrims, to ‘traditional’ pilgrim-tourists, to
secular tourists who can also be understood as alternative tourists. The
traits of present-day pilgrims can be represented on a scale ranging from
‘secular’ to ‘spiritual’, or from ‘tourist’ to ‘pilgrim’, which enables us to
propose a model of site development, and to grade the sites on a scale
ranging from spontaneous, undeveloped sites to formal, highly developed
sites. The study also indicates that the secular visits of tourists is what
triggers site movement toward formal recognition and development,
transforming them from pure pilgrimage sites to religious-tourist sites and
drawing attention to the relationship between pilgrimage and tourism. It is
notable that the convergence of traditional pilgrimage and modern day
tourism has much in common.
Keywords: Pilgrimage; tourism; Judaism; Israel; religious tourism; holy
sites; stages of development.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction
This paper deals with the phenomenon of current Jewish
pilgrimage tourism to the shrines and graves of tsaddikim (saintly and
pious people) in Israel. Current Jewish pilgrimage to the shrines at the
graves of saintly personages is a subject which has been barely researched
previously. Very little attention has been paid so far to the tourist
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11. Noga Collins-Kreiner
components of this growing phenomenon, which encompasses millions
of visits each year and has affected Israeli society and culture.
Pilgrimage is one of the best-known phenomena in religion and culture
and it features in all the major religions of the world: Buddhism,
Hinduism, Islam, Judaism, and Christianity. Pilgrimage could be defined
as “A journey resulting from religious causes, externally to a holy site, and
internally for spiritual purposes and internal under-standing” (Barber
1993: 1) or as a journey undertaken by a person in search of holiness,
truth, and the sacred (Vukonič 1996). Whether traditional and religious
or modern and secular, pilgrimage is experiencing resurgence all over the
world, and longstanding shrines still act as magnets to those in search of
spiritual goals (Digance 2003). Superficial relationships between tourists
and pilgrims have been acknowledged for several decades by medievalists and historians of tourism (Smith 1992), and more recently have been
subject to further research.
Pilgrimages have powerful political, economic, social and cultural
implications, and even affect global trade and health. As part of a religion,
pilgrimage has exerted geopolitical influence for most of human history.
The boundaries separating one civilization from another were drawn in
part along religious lines. Conflict has often been motivated ‒ or at least
justified ‒ by the desire to spread the true faith, to reclaim sacred sites or
to make a pilgrimage. Religious groups have also been important in
preserving culture, in promoting peace and brotherhood. This very
substantial role in defining the heritage of a people is outside the domain
of middle-range theory in the social sciences (Voas 2007). This
phenomenon has stimulated much interest and much writing about it
throughout history, parallel to the practice itself. The “old” paradigm was
predicated on the assumption that religious elements were at the core of
pilgrimage but, in recent years, there has been a growth in the number of
researchers dealing with various aspects of pilgrimage and in their diverse
backgrounds.
Nowadays we can find researchers from many disciplines studying this
field: historians, theologians, sociologists, psychologists, anthropologists,
economists, geographers and many more (Vukonič 1996). More
significant are the new angles and perspectives that these researchers are
dealing with as well as the old and well-known aspects of pilgrimage. The
number of books and publications on the combination of a spiritual search
with a physical journey is one indication of the popularity and importance
of pilgrimage. Clearly, it can be viewed as an inter-disciplinary field
(Digance 2003; Timothy and Olsen 2006).
Current Jewish Pilgrimage-Tourism
287
2. Pilgrimage and Tourism
Smith (1992) claims that in current usage the term “pilgrimage”
connotes a religious journey, a journey of a pilgrim, especially one to a
shrine or a sacred place. However, its derivation from the Latin peregrinus
allows broader interpretations, including foreigner, wanderer, exile,
traveller, newcomer and stranger. The term “tourist” – one that makes a
tour for pleasure or culture also originally evolved from Latin, namely
from the term tornus: one who makes a circuitous journey, usually for
pleasure, and returns to the starting point. But Smith (1992) also claims
that contemporary use of terminology that identifies the “pilgrim” as a
religious traveller and the “tourist” as a vacationer is a culturally
constructed polarity that blurs travellers’ motives.
Until the 1970s’, the field of tourism studies barely existed (Nash
2005) and studies of the relationship among religion, pilgrimage and
tourism frequently approached religion and tourism as two separate
subjects warranting little interrelated or comparative treatment. This is
surprising considering the fact that the development of leisure, and
therefore tourism, is incomprehensible without an understanding of
religion and the practice of pilgrimage in ancient times (Timothy and
Olsen 2006; Vukonič 2002).
Initial dedifferentiation between tourism and pilgrimage began to
emerge in the 1970s, when MacCannell (1973) argued that the tourist as
pilgrim was searching for something different, for authenticity. Later that
decade, Graburn (1977) characterized tourism as a kind of ritual,
suggesting the existence of parallel processes in both formal pilgrimage
and tourism that could be interpreted as ‘sacred journeys.’ These journeys,
he contended, are about self-transformation and the gaining of knowledge
and status through contact with the extraordinary or sacred.
Since then, research has been dealing with the complicated economic,
political, social, psychological, and emotional relationship between
pilgrimage and tourism. Since then, theories have concentrated on
different typologies of tourists and pilgrims as part of the differentiation
between visit-related experiences and real life (Cohen 1979, 1992; Smith
1992, 1989; MacCannell 1973).
Over the past two decades, a new focus on pilgrimage has emerged via
researchers interested in the field of tourism, who have explored
interesting political, cultural, behavioural, economic and geographical
research subjects (Timothy and Olsen 2006). Many of these new works
reflect a tendency toward dedifferentiation, and some researchers have
argued that the differences between tourism, pilgrimage and even secular
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pilgrimage are narrowing (Bilu 1998; Kong 2001). Since the 1990s,
analysis of this relationship has focused on the similarities and differences
between the tourist and the pilgrim (Cohen 1992, 1998; Collins-Kreiner
and Kliot 2000; Digance 2003, 2006; Ebron 1999; Frey, 1998;
MacCannell 1973; Smith 1992; Stoddard and Morinis 1997; Timothy and
Olsen 2006; Turner and Turner 1978; Vukonič 1996). This distinction has
been misplaced in that the religious and secular spheres of tourism are
quickly emerging, as religious tourism assumes a more prominent market
niche in international tourism.
A number of researchers have recognized that the ties between tourism
and pilgrimage are unclear, blurred, and poorly classified. This
relationship is the subject of Eade’s (1992) article, which describes the
interaction between pilgrims and tourists at Lourdes, of Bowman’s (1991)
work on the place of Jerusalem in Christianity, and of Rinschede’s (1992)
description of the touristic uses of pilgrimage sites.
Pilgrims and tourists are distinct actors situated at opposite ends of
Smith’s continuum of travel, which first appeared in 1992. The poles of
the pilgrimage-tourism axis are labelled sacred and secular respectively.
Between the two exists an almost endless range of possible sacred-secular
combinations, with a central area, which has come to be referred to
generally as “religious tourism”. These combinations reflect the multiple
and changing motivations of travellers, whose interests and activities may
change – consciously or subconsciously ‒ from tourism to pilgrimage and
vice versa. Jackowski and Smith (1992) use the term “knowledge-based
tourism” synonymously with “religious tourism”. Most researchers
identify “religious tourism” with the individual’s quest for shrines and
locales where, in lieu of piety, they seek to identify with sites of historical
and cultural meaning (Nolan and Nolan, 1989). Smith (1992) understands
the difference as stemming from individual beliefs and worldviews.
According to Gatrell and Reid (2002), tourism, like pilgrimage, is
embedded within a complex of socio-spatial processes that are historically,
culturally, and locally dependent. Both are complex systems comprising
perceptions, expectations and experiences (Gatrell and Reid 2002;
McCann, 2002; Petric and Mrnjavac 2003). Badone and Roseman are the
first ones to claim in 2004 that: “Rigid dichotomies between pilgrimage
and tourism or pilgrims and tourists no longer seem tenable in the shifting
world of postmodern travel” (2004: 2). Thus in their book “Intersecting
Journeys: The Anthropology of Pilgrimage and Tourism” they seek to
highlight the similarities between these two categories of travel that have
frequently been regarded as conceptual opposites
Cohen (1992) portrays a typology of pilgrimage centres in terms of
Current Jewish Pilgrimage-Tourism
289
the relative emphasis on each of these tendencies. He distinguishes two
polar types of pilgrimage centres: the formal and the popular. His
research on tourist and pilgrim activities at these sites maintains that
pilgrimage and tourism differ in terms of the direction of the
journey undertaken. The ‘pilgrim’ and the ‘pilgrim-tourist’ peregrinate
toward their socio-cultural centre, while the ‘traveller’ a nd the
‘traveller-tourist’ move in the opposite direction. This distinction applies
particularly to journeys to formal pilgrimage centres. However, journeys
to popular pilgrimage centres will often be marked by a mixture of
features characteristic of both pilgrimage and tourism. The polar
typology of formal and popular pilgrimage centres defines the end points
of a continuum along which given pilgrimage centers can be located.
The nature of the ‘tourist experience’ has received much attention
from tourism research (Cohen 1979; MacCannell 1973; Turner and
Turner 1969, 1978). MacCannell (1973) was the first to claim that it is a
quest for the authentic, and that it presents the pilgrimage of modern
man. The tourist is perceived as a pilgrim in the current modern secular
world.
Cohen (1979) proposed a typology of tourist experiences. It is based
on the place and significance of tourists’ experience in their total worldview, their relationship to a perceived ‘centre’ and the location of that
centre in relation to the society in which the tourist lives. Cohen (1979:
180) holds that ‘the tourist’ cannot be described as a “general type”
so he distinguishes several tourist experiences that will help in
understanding the phenomenon of pilgrimage. Five main modes are
defined, presenting the spectrum from the tourist’s experience as a
traveller in pursuit of ‘mere’ pleasure to that of the modern pilgrim in
quest of meaning at someone else’s centre. Cohen (1979: 183)
classifies them as the “Recreational mode”, the “Diversionary mode”,
the “Experiential mode”, the “Experimental mode”, and the “Existential
mode”. Cohen claims that tourists travelling in the “Existential mode”
are analogous to pilgrims. Both are fully committed to an elective
spiritual centre, external to the mainstream of their native society and
culture, because they feel that the only meaningful real life is at the centre.
Researchers indicate that the difference between old-fashioned
pilgrimage and tourism is narrowing (Bilu 1998). Numerous points of
similarity are emerging, and the word ‘pilgrimage’ itself is widely used
in broad and secular contexts, such as for visits to war graves or the
graves and residences of celebrities, for example, Elvis Presley’s
mansion and grave in Memphis, Tennessee (Reader and Walter 1993).
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11. Noga Collins-Kreiner
3. Jewish Pilgrimage-Tourism
The subject of Jewish pilgrimage-tourism has become more topical
recently and reflects the increased demand for numbers of sites. At the
same time the volume of visitors has markedly risen. Despite the interest
in the theoretical dimensions of religious tourism, only a few studies of
Jewish travel and the role that pilgrimage plays in Judaism today have
appeared (Ben-Ari and Bilu 1987, 1997; Bilu 1998; Epstein 1995;
Goldberg 1997; Levy 1997; Sasson 2002; Weingrod 1990). Therefore, the
subject of Jewish pilgrimage tourism represents an emerging research
theme.
The Jewish religion is focused on the importance of Jerusalem. The
city has several important holy sites, of which the Western Wall (Hakotel
Hama’aravi) is the most important (Coleman and Elsner 1995). Today,
visits by Jewish pilgrims to the Western Wall are usually associated with
praying, swearing oaths (nedarim), making requests, and placing notes
(supplications) between the stones of the Wall to enhance the chances of
the wishes materializing. Jerusalem, and in particular the Western Wall, is
a formal pilgrimage centre par excellence. The site is spatially and
symbolically central. Other holy sites that could be classified in this
category but which are less important and less accessible than the Western
Wall are Rachel’s Grave near Bethlehem, the burial place of the Matriarch
Rachel, and the Cave of Machpela in Hebron.
After the destruction of the Second Temple in CE 70, Galilee in
general, and more specifically Safed, a city in upper Galilee, became the
main Jewish centre. During Mishnaic and Talmudic times (1st–5th
centuries) many rabbis and sages (Tanna’im and Amora’im) settled there.
Galilee became an important Jewish centre at that time, a place of sages
and poets, and Safed and Tiberias became two of the four holy cities of the
Jews. Nowadays holy sites from this historical period include the burial
places of holy people (Kivrey tsaddikim) who have become important in
Jewish tradition because of a general belief in their holy powers. Since the
1970s these sacred sites have been developed more intensely. One of the
main influencing factors in the emergence of these sites as noted by
Weingrod (1990) and Ben-Ari and Bilu (1987) was the new immigrations
of North African Jews who came to Israel in the 1950s. They brought with
them to Israel the popular Muslim tradition of ziara, visiting the holy
graves of holy people. This paper deals with pilgrims to these pilgrimage
centres.
Current Jewish Pilgrimage-Tourism
291
4. Methodology
A structured questionnaire was distributed to 703 visitors found at
seven selected holy sites (Fig. 11.1): Rabbi Yonatan Ben-Oziel’s tomb,
the tomb of Rabbi Shimon Bar-Yohai, The cave of Elija in Haifa, the
tomb of Rabbi Meir Baal Haness, (near Tiberius), the tomb of Rabbi
Crospodai, the tomb of Haarie and the tomb of Raban Gamliel in Yavne.
Fig. 11.1. Israel: The researched holy sites.
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11. Noga Collins-Kreiner
The questionnaire focused on the pilgrims’ expression of beliefs,
feelings, motivations, behaviour, and experiences and comprised closedend and opened-end questions. The first part of the questionnaire elicited
the pilgrims’ personal details and characteristics such as age, sex, origin,
socio-economic status, and religious affiliation. The second part asked
about their visit to the site: their motivations for the pilgrimage, their
activities, length of stay at the site, their pattern of visit and behaviour at
the site and the tourist context of their visit. The questionnaires were
distributed through March 2005 to December 2005. This period included
weekdays, weekends and holidays which have unique and different
patterns of pilgrimage activity. About a hundred questionnaires were
completed at each site. All the visitors who agreed to participate were
sampled. It is estimated that about three quarters of all requests responded
positively. The data was analyzed by quantitative methods (percentages,
average) and qualitative methods of the 703 completed questionnaires.
To analyze the phenomenon from other points of view, interviews
were also held with the staff of the organized tours to the sites, tour
leaders and employees of the Ministry of Religions in charge of the
sites. Observations in situ were conducted in order to identify the pilgrim
behaviour modes in addition to the questionnaires. It should be noted that
observations at the different sites were made between the years 19952004 and that about 100 small pilot studies of 30 participants were
conducted at various sites in Israel during these years, to learn about the
phenomena, to estimate the willingness of the visitors to answer
questions relating to their beliefs and practices, and to help design the
final questionnaire. As there is no written information concerning the
general population which visits the site, a non-representative sample
was chosen. It may well be that for further research other types of
samples will be used.
5. The Visitors’ Characteristics
The pilgrims’ age curve shows that most (57 per cent) of the visitors
are younger than 35 years. And, 32 per cent of all pilgrims range between
the ages of 21 and 35, 26 per cent are aged 36-50 and 25 per cent are
younger than 20. Only 17 per cent are older than 51, and this finding
point to the relative youth of the pilgrims, which differs from the data in
other case studies in Christianity and Judaism.
Another finding was the equal number of men and women present
at the sites with a small preference to male (58 per cent), which differs
from findings in other religions such as Christianity, where the female sex
Current Jewish Pilgrimage-Tourism
293
predominates.
The research findings showed that each site had its “catchment area”,
referring to the visitor’s place of origin and its distance from the site. For
example, the power of attraction of the grave of Rabbi Shimon BarYochai proved to be international (26 per cent of all visitors) and
national (47 per cent), while most of the visitors arriving at Rabbi
Yonatan Ben-Oziel’s grave were from the Northern part of Israel (49 per
cent) and from other parts of the country (27 per cent). The Grave of
Ha’ari is mainly a local attraction, with 49per cent of all visitors coming
from the local village, less than 20 km away.
Most of the visit (73 per cent) to the sites were classified as
religiously motivated, “a belief in the holy figure”, “a wish to pray”, “a
holy Mitzvah” and “asking for requests”. 24 per cent of all visitors came
because of spiritual non religious reasons such as “improving my feeling,
part of a tour, curiosity and an emotional-spiritual experience. The
reasons given by the participants may suggest that this is also a cultural
heritage location rather than a religious site only.
The activity at the site accorded with the motivation for the visit. The
most common activity was prayer. The visit also included other activities
such as resting, eating, enjoying the view, and watching others ‒
activities attesting that this is also a tourist site, not only a religious one.
Most of the visitors went to sites other than the holy grave and
participated in different activities, the most popular being hiking in the
outdoors. They mostly visited nature reserves but also participated in
other activities such as eating out, sightseeing, and visiting tourist
attractions.
Fig. 11.2. The distribution of visitors to the Holy graves
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11. Noga Collins-Kreiner
The pilgrims were asked to describe their religious affiliation if
any, and to describe themselves as ‘secular’, traditional , ‘very
orthodox’, or ‘religious’, or whether they would choose a different
description. Four main groups of visitors were found to participate in the
pilgrimage: ‘traditional’ visitors (36 per cent), religious (25 per cent),
very orthodox Jews (19 per cent) and secular (15 per cent) [see Fig. 11.2].
A few people preferred to describe themselves differently, not by any of
the conventional appellations.
Their choice was based on their own understanding of these
descriptions and there was no attempt to influence the interviewees. This
self-description is very important for a grasp of the connection and the
continuum between pilgrims and tourists. An interesting connection
emerged between the self-image and socio-economic status. Those who
defined themselves as “very orthodox” and a “pilgrim” tended to
describe themselves as belonging to a low socio- economic group, while
those who described themselves as “secular” and as a “tourist” tended to
depict themselves as belonging to a high socio-economic group. All this
seems to indicate that the better the economic status of the pilgrim, at
least in his or her own perception, the more likely he or she was to
describe himself or herself as a “tourist”.
6. Typologies of Visitors
The parameter of religious affiliation, if any, proved the most
important for the purpose of the analysis. Culture specific terminology
was used in order to give more meaning to the pilgrimage. Current
Jewish typology of Hiloneim (non religious) Masortiem (traditional),
Dateim (religious) and Haredim (strictly orthodox) is used in order to
explain the four types of pilgrims. Parameters such as age, socioeconomic status, place of origin, gender, and affiliation (Sephardim or
Ashkenazi) were found to have less influence on the pilgrims’
characteristics.
6.1. Very Orthodox Jews (Haredim) & Religious Visitors
(Dateim)
Because these visitors to the holy graves are there solely for religious
reasons to pray and make supplications there, they may be classified as
“pure” pilgrims. Their visit is usually combined with visits to other graves
in the area. One type of the very religious group consisted of Hasidic
youths ranging in age from seventeen to twenty years old and travelling in
Current Jewish Pilgrimage-Tourism
295
pairs or groups, usually on organized tours or hitchhiking excursions.
These are young males who spend their free time visiting different sites in
Israel, especially graves of saintly personages. In the interviews it was
ascertained that they came mainly from Jerusalem and Bnei Brak (largely
populated by ultra orthodox), but there were others from all over Israel.
Their visit was marked by excitement and enthusiasm, and one particular
group of Hasidic youths reported travelling at night, hitchhiking from one
grave to the other. Another type of group included orthodox Jewish
women travelling alone or with a close friend or relative. They typically
bring with them prayers relating to marriage, health, or fertility. There
were also orthodox family groups on a family tour that included visiting
different graves in the area. Some very orthodox Jews travelled to the holy
graves as part of an “official pilgrimage,” that is, organized tours of fifty
or more people arranged by different religious organizations. These tour
buses travel from site to site, and prayers are recited at each location.
6.2. Secular Visitors (Hiloneim)
Organized groups of secular men and women visiting holy graves were
found to be very common. The participants are mainly middle-aged people
of medium to high socioeconomic status. The visit is usually organized by
travel agencies or other recreational groups. Each group has a local leader
who specializes in spiritual tours to holy sites. Among these visitors, the
motivation for visiting varied from curiosity, interest, and a wish to see
cultural phenomena, to a search for a different meaning of life. The tour is
sometimes organized at night to add some mystery to it. Although these
tours usually involve spiritualism and mysticism, they may be classified as
part of heritage tourism, which has lately become popular worldwide and
includes people who travel to sites for variety of reasons, including
nostalgia for the past, the development of identity in terms of place and
self, discovering family roots and improving awareness and understanding
of historical events and places, which necessarily involve components of
history, patriotism and nationalism (Olsen and Timothy 2002). Tours
consisting entirely of secular women have proved popular in recent times.
These tour participants are usually of high socioeconomic status. Some
small tour groups also attend the grave sites to make specific requests to
the holy figure, even though they are secular. In addition, secular
individuals may happen to visit the graves on rare occasions, as part of a
hiking itinerary in the area or simply out of curiosity.
6.3. Traditional Visitors (Masorteim)
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11. Noga Collins-Kreiner
The main reason for the visit of traditional believers stems from their
belief in the holy persons themselves, and in what they can offer them.
Most traditional visitors are women of all ages from all over Israel, usually
from a low to medium socioeconomic background. Most of them are of
Sephardic origin, and many usually visit as part of an organized group.
They typically ask for fertility, health, marriage, or some other personal
need. These women place their supplications on the gravestone of the holy
person, light candles, and tie coloured cloths on the branches of a “wishing
tree” in order to have their wishes granted. The phenomenon as a whole
was found to be more traditional and popular than religious, and will be
discussed further below.
7. Stages of Development
A typology of sites was compiled according to their stage of
development and character. It is based upon the observations,
questioners and interviews made at the site. The classification used
Sasson’s (2002) and Cohen’s (1992) typologies and is divided into
three stages: the first ‘spontaneous-popular’ stage, the second ‘semiformal stage’ and the third ‘formal’ stage. The development of the
different sites is contingent on two elements - from above by diverse
official bodies and from below by the people themselves.
The sites of Rabi Crospodai and the site of the Ha’ari were found to be
at the first ‘spontaneous stage’. At this stage, the holy site and its
surrounding facilities are undergoing a process of development and at the
same time, its existence becomes known by word of mouth. This draws a
small but steady flow of people. The Grave of Ha’ari is mainly a local
attraction, with 70 per cent of all visitors coming from less than 20 km
away. In response, various bodies and groups become involved in
maintenance and keeping order. As yet there is no formal body that
identifies with the site or ventures an opinion about historical or religious
issues connected with it. In the past few decades an increasing number of
sites have been found at this primary stage, which includes
spontaneous pilgrimage of local people.
The site of Ha’ari is ready for the next stage in the model, which is
the ‘semi-formal stage’, where the grave of Rabbi Yonatan Ben-Oziel
can be located. In this stage, activity increases, and the sites gain
recognition by the religious institutions, government organizations, and
such official bodies as the Ministry of Religious Affairs and the Ministry
of Tourism. The site grows rapidly and its physical development keeps
pace. Private enterprise is usually involved at first. An entrepreneur
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builds the basic infrastructure required for the growing number of
visitors. In the case of Rabbi Yonatan Ben-Oziel’s grave a woman
named ‘Venecia’ came to this site in 1980 and began to care for the site
and develop it. This pressure of numbers encourages the local authority
to take part in the process from this time on, and thus the place gains
formal recognition. The research findings showed that most of the
visitors arriving at Rabbi Yonatan Ben-Oziel’s grave were from the
Northern part of Israel (57 per cent) and from other parts of the country
(30 per cent) and not from the local community.
In Rabbi Yonatan Ben-Oziel’s grave, recognition was won in the
1990s’ and then a special road was built to the grave. Signposts started to
appear and weekly prayers were organized officially at the site by different
groups. In time it grew in size, extending far beyond the original small
grave, and a spacious purpose-built sidewalk and a large candlelighting furnace were constructed. A grave-cover cloth was donated. The
location started to attain public awareness as it developed, and today the
site is ready for thousands of visitors.
The grave of Rabbi Shimon Bar-Yohai, The cave of Elijah, The tomb
of Rabbi Meir Baal Haness and The tomb of the tomb of Raban Gamliel
are at the third and highest level of formal graves, which enjoy formal
recognition by the Israeli establishment. By this time they have come
under the control of the Ministry of Religious Affairs, which means that
they are eligible for certain services just like any other government site.
The research findings showed that the power of attraction of the
grave of Rabbi Shimon Bar-Yochai proved to be international and
national, while the site of the Rabi Crospodai is at the earliest stage,
and still awaits a ‘patron’ who could help it move to the next stage. The
current situation of lack of visitors and absence of minimal infrastructure
are adversely affecting the expansion process and thus it has a ‘catchment
area’ which is very narrow and includes only visitors from the local
villages.
The site of Ha’ari is in a state of development and therefore is
expected to advance soon to the ‘semi-formal’ stage, that of the grave of
Rabbi Yonatan Ben Oziel. As noted, all the other graves are at the
highest level and enjoy wide public and governmental recognition.
There was found to be a clear connection between the sites’
development stage and their ‘catchment area’.
8. The Tourism-Pilgrimage Axis
One of the main conclusions relates to the existence of a continuum
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upon which the different groups can be represented as proposed by Smith
(1992). At one end are the pilgrims, Orthodox Jews who visit the sites out
of religious belief. Their main activity is praying. At the opposite end of
the scale are tourists (so-called ‘spiritual’ or ‘heritage tourists’) whose
motivations are curiosity, cultural interest, and searching for ‘new
meanings to life’. Between these extremes are the ‘traditional’ visitors.
These are closer to the Orthodox, believing in the power of the tsaddik
and his helpful advice. Yet this belief on the part of the ‘traditional’
does not stem from religious faith but from a personal outlook. This is
borne out by the fact that they tend to make specific requests rather than
offer formal prayers.
The difference may be observed in the customs and behavior of the
different groups. Whereas the pilgrims pray and the secular visitors just
visit, the mid-scale group takes part in many local folklore activities
such as lighting candles, placing supplications and notes, and buying
souvenirs such as holy water, pictures of the tsaddik, candles, greetings,
pamphlets, amulets against the evil eye, and more. The differences noted
in the visitors’ attitudes to the sites were found to depend mainly on their
religious affiliation, not on their age, origin, socio-economic status, selfperception, sex, etc. The location of each pilgrim on the scale is
personal and subjective, and between the extremes lie almost infinite
sacred-secular combinations.
The research finding of the existence of a scale reinforces the
emerging connection between tourism and pilgrimage presented earlier in
the article (Smith 1992).
Any discrepancy between old-fashioned pilgrimage to the graves and
today’s tourism is hard to discern, and it is becoming impossible to
differentiate pilgrims from tourists. Both kinds are motivated to undergo
an experience that will add meaning to their life. They leave their
periphery in order to find a centre that will offer them a stronger belief
and a new world. It is important to note that the groups are not
homogeneous and comprise different types of people. For example, the
secular group is highly diverse, ranging from those who go out of
curiosity to those in quest of a meaning, hence they are closer to the
pilgrimage pole of the scale, which is shown here. The research
findings about the common search for meaning which exists in pilgrims
and pilgrims-tourists goes to confirm Cohen’s (1979) typology of
several tourist modes, and to reassert the complex connection
between tourism and pilgrimage. Based on the study, the following
typology for the pilgrims in is suggested: Existential Pilgrims are people
whose experiences are characterized by the Existential mode. They are
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Orthodox Jews who see their pilgrimage as a religious experience. The
experience of their visits will seldom have recreational, diversionary
elements, though they will feel that mentally and spiritually the trip had
restorative effects. Experiential Existential Pilgrims are secular visitors,
who in addition to their Existential mode of experiences, also have
an experiential mode of experience which stresses the quest of meaning
outside the confines of one’s own society, motivated by the search for
authentic experiences. Tourist Pilgrims are mostly traditional visitors
with a combination of modes of experience in which the most
dominant one is the experiential mode with, perhaps, small doses
of diversionary and recreational experiences. They will add elements
of tourism which are directly related to leisure activities. Hardly any
tourists, namely people who were looking for recreational and
diversionary tourist experiences, will visit the sites. The institutional
organizational framework is different, as are the motivations.
9. Conclusions
A connection was found between the characteristics of the
participants and the sites’ stage of development. At the first ‘spontaneous stage’ of development, religion, folk beliefs and customs mix.
Different market segments of visitors go to the sites and co-exist. This
is so even though the reasons for visiting and the activities at the site are
totally different. Each site is believed to have its own special qualities.
These pilgrimage sites fill the need for supernatural or spiritual comfort.
The visits by secular people at the ‘spontaneous stage’ are the triggers that
cause the site to move from this stage to the ‘semi-formal’ stage, as in the
case of Rabbi Yonatan Ben Uziel’s grave. But at the point when the site
reaches the ‘formal stage’ and becomes a well recognized religious and
pilgrimage site, the secular visitors usually abandon it and move on to
another site which is at the spontaneous stage. A few centres of
pilgrimage were found to be at the highest formal level. Whereas the
visit to the formal site would be the main goal of the visitor, the visit to
a spontaneous site would only be a ‘chance opportunity’ for the pilgrim.
It may be assumed from the research findings that the visits by secular
people are the trigger that causes the site to move from the spontaneous
stage to the semi-formal stage, as in the case of Rabbi Yonatan Ben
Oziel’s grave. But at the point when the place reaches the ‘formal stage’
and becomes a well recognized religious and pilgrimage site, the secular
visitors usually abandon it and move on to another site which is at
the spontaneous stage.
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In light of the trends discussed here, I posit that the difference between
tourism and traditional pilgrimage is fading while numerous aspects of
similarity are emerging: both require spatial movement and involve an
emotional desire on the part of individuals to visit sites meaningful to
them. Overall, however, the visitor experience, whether we refer to it as
pilgrimage or tourism, is in fact not homogeneous and comprises different
types. The motivations of visitors are also highly diverse, ranging from
curiosity to a search for meaning. Differing market segments of visitors go
to the various sites, holy and not holy, and coexist. This coexistence
occurs despite the fact that the reasons for the visits vary considerably, as
do the activities taking place at the site.
As we have seen, the literature has paid special attention to the
relationship between pilgrimage and tourism, which it often represents on
a scale. But how does one distinguish a visitor on a genuine quest for
prayer and spiritual peace from one admiring the work of 11th or 12th
century builders, or another contemplating the tomb of a famous person?
A key issue of this article relates to the existence of a continuum among
different types of visitors that not arranged in accordance with their
description as pilgrims or tourists, as in Smith (1992), but in accordance
with the visit’s effect on the visitors themselves. Tourism literature
typically pays a great deal of attention to the effect of tourism on the local
population and relatively little attention to the effect on the visitors
themselves (duration, strength, and level).
The differing experiences of the visitor, whether pilgrim or tourist,
should therefore be represented on a scale based on the effect of the visit,
in terms of time and strength. To what extent were they affected after their
return home, regardless of their initial classification as tourist or pilgrim?
Three levels of change should be considered: external characteristics,
perceptions, and attitudes. It is of course also possible that the visit will
result in no changes whatsoever. A change on the first level will be evident
in visitors’ external features, such as language, clothing, hairstyle and
jewellery. Changes on the level of perceptions, or visitors’ outlook on life,
beliefs and behaviour, may begin to emerge as they adopt new concepts
from the place visited and the local population they met there. Changes on
the third level involve a psychological change or a change in attitude.
Current research on visits of Westerners to the East notes all of these types
of changes. For example, researchers such as Maoz (2006, 2007), Sharpley
and Sundaram (2005), and Collins-Kreiner and Sagie-Tueta (2010) have
found that different visitors undergo different experiences according to
their age, gender, social status, and other factors.
Current Jewish Pilgrimage-Tourism
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All visitors have different expectations from their trips. At one end of
the scale are spiritual visitors (not necessarily pilgrims), spiritual sites and
the spiritual experiences which constitute a search for new meaning in life.
Visits of this type can change lives. At the opposite end of the scale are
visitors who are not affected by their visit. Visitors may also move along
the continuum during their journey, as in the case of Western visitors to
the East who left their homes as secular visitors and returned home as
spiritual visitors (Sharpley and Sundaram 2005).
This paper presents the complex subject of “pilgrimage tourism”
dealing with the Jewish religion and offers a point of departure for other
studies in Judaism or Tourism as well as other contexts and religions
in today’s modern world.
10. References
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The Anthropology of Pilgrimage and Tourism. University of Illinois
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Ben-Ari, E. and Bilu, Y. 1987. Saints’ Sanctuaries in Israeli
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―. 1997. Grasping Land: Space and Place in Contemporary Israeli
Discourse and Experience. State University of New York, SUNY
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Bilu, Y. 1998. Divine worship and Pilgrimage to Holy Sites as Universal
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Bowman, Glenn 1991. Christian Ideology and the Image of a Holy Land:
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Anthropology of Christian Pilgrimage. Routledge, London: 98-121.
Cohen, Erik 1979. A Phenomenology of Tourist Experiences. Sociology,
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Collins-Kreiner, Noga and Kliot, N. 2000. Pilgrimage tourism in the Holy
Land: The Behavioural characteristics of Christian Pilgrims.
GeoJournal, 50 (1): 55-67.
Collins-Kreiner, Noga and Sagi-Tueta, K. (2010). Tourism to India: a
Cultural, Educational and Religious Experience at Dharamsala. South
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Olsen, Daniel H. (eds.) Tourism, Religion and Spiritual Journeys.
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Eade, John 1992. Pilgrimage and Tourism at Lourdes, France. Annals
of Tourism Research, 19 (1): 18-32.
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Ebron, Paulla A. 1999. Tourists as Pilgrims: Commercial Fashioning of
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Epstein, S. 1995. Inventing a Pilgrimage: Ritual, Love and Politics on
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25-32.
Frey, Nancy L. 1998. Pilgrim Stories: On and Off the Road to Santiago.
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―. 2007. Backpackers’ motivations the role of culture and nationality.
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Nolan, Mary L. and Nolan, Sidney 1989. Christian Pilgrimage in Modern
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Petric, L. and Mrnjavac, Ž. 2003. Tourism destinations as a locally
embedded system. Tourism, 51: 403–415.
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Macmillan Press Ltd., London.
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Research, 19 (1): 51-67.
Smith, Velene L. 1989. Hosts and Guests - The Anthropology of Tourism.
University of Pennsylvania Press, Pennsylvania.
―. 1992. Introduction: The Quest in Guest. Annals of Tourism
Research, 19 (1): 1-17.
Sasson, A. 2002. Movement of Graves: The Passage of the Hegemony of
Holy Graves from North to South; in, Cohen, M (ed.) Sedot-Negev:
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Makom Ltd., Jerusalem.
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Case of Ashram Tourism, India. International Journal of Tourism
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Sacred Spaces: The Geography of Pilgrimages. Geoscience
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Louisiana State University, Baton Rouge, LA.
Timothy, Dallen J. and Olsen, Daniel H. (eds.) 2006. Tourism, Religion
and Spiritual Journeys. Routledge, London and New York.
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University Press, New York.
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and Planning A, 39: 1166-1180.
Vukonič, Boris 1996. Tourism and Religion. Pergamon, New York.
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New York.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dr. Ms. Noga Collins-Kreiner
Lecturer, Department of Geography and Environmental Studies,
University of Haifa, Haifa 31905. ISRAEL.
E-mail: nogack@geo.haifa.ac.il
§ Noga Collins-Kreiner is also a member of the Center for Tourism, Pilgrimage &
Recreation Research at the University of Haifa. Her main research interests are:
Religious Tourism, Pilgrimage, Social and Cultural Geography, Tourism
Development, Tourism Management, and Eco-tourism. She has published
numerous papers on these topics including a book on Christian Pilgrimage
(Collins-Kreiner, N. et al. (2006), Christian Tourism to the Holy Land: Pilgrimage
during Security Crisis (Ashgate Publications, Hampshire). Her latest paper is
‘Researching Pilgrimage: Continuity and Transformations’, Annals of Tourism
Research, 37, (2), 2010: pp. 440-456.
12
The Road to St. James, El Camino de
Santiago: the Spirit of Place and
Environmental Ethics
Kingsley K. Wu
Purdue University, U.S.A.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. To help understand constructive blending of cultures in the
“global village,” this study looks at one part of culturally diverse society;
how it deals with a long history and its continuity, and how “foreign”
influences are integrated into present-day life. Since the 9th-century CE,
the pilgrimage to the Apostle James at Santiago de Compostela in Spain
has been one of the most important in Christendom, bringing influences
from across Europe that profoundly affected Spanish politics, economy,
religion, and culture. Its legends and lore, and the economic, social and
military impact on the region – altogether made this place as a magnificent
power of attraction for pilgrimage and to have revealing experiences. It
recounts significant foreign cultural influences, and the physical
manifestations of the Church that were the environmental ethics of the
Road.
Keywords. Environmental ethics, heritage legacy, pilgrimage, Saint
James; Santiago de Compostela, power of place, Unesco WHL.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Introduction
It is important to understand how a society deals with its past in the
context of the present-day life. Today, as more countries in the world
reduce economic and political barriers, there is a deepening awareness of
one’s cultural heritage. This wellspring of emotions can turn ethnic groups
xenophobic. Adamant demand for ethnic purity leads to intolerance and
conflict with those who are deemed “different.” Objective examination can
often reveal that there have been profound mutual influences historically
and that there are few real differences ultimately. As the world evolves
towards a culture of the “global village,” mutual respect is an essential
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attitude among all segments of any society. This essay is intended to
promote an appreciation of cultural heritage and its roots, by studying a
part of a society with a long and diverse history.
Since the discovery of Apostle James’s burial ground early in the 9th
century CE, his supposed remains have been the object of pilgrimage.
Kings and queens, rich and poor, healthy and sick, saints and criminals
have made the hazardous pilgrimage to Santiago de Compostela at the
western end of the European continent, leaving behind a rich legacy of
fine Romanesque and early Gothic structures. With the incorporation of
ornate Spanish Renaissance and Baroque, these buildings are signposts of
the passing of diverse cultural influences which make up the modern
Spanish mien.
Fig. 12.1. The Road to Saint James, El Camino de Santiago.
Santiago de Compostela was originally founded by the Suebi in the
early CE 400s, as part of the collapse of the Roman Empire. Then, in the
584 the whole settlement together with the rest of Galicia and northern
Portugal was incorporated by Leovigild into the Visigothic kingdom of
Spain. Raided from 711 to 739 by the Arabs, Santiago de Compostela was
finally recaptured by the Visigothic king of Asturias in 754, about 60 years
before the identification of remains as those of Saint James the Great, and
their acceptance as such by the Pope and Charlemagne, during the reign of
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303
Alfonso II of Asturias. From then on, this settlement was not just a city,
but a holy city, and one of the main centres of Christian pilgrimage,
rivalled only by Rome itself and the Holy Land. Still, there are some who
claim that the remains found here were not those of the apostle James but
those of Priscillian. They are also thought by many to be someone else
altogether. Christian persecution of Spain’s Muslims, following the fall of
the Moorish state in 1492, echoes into present time, with local residents
evincing antipathy towards those who are visibly Muslim.
2. The Road to Saint James
There is a road across northern Spain known as the Road to Saint
James (El Camino de Santiago; cf. Fig. 12.1). For centuries since the
Middle Ages, it has been traversed by Christian pilgrims from all over
Europe on their way to pray at the tomb of the apostle, Saint James
(Santiago). “In the Middle Ages, a network of roads crisscrossed Europe,
carrying merchants to market, soldiers to war, and pilgrims to worship.
Four major roads led across France toward Santiago, passing through
Paris, Vezelay, Le Puy, and Arles. The road from Arles crossed into Spain
at Somport; the other three joined together at Ostabat, sixteen kilometres
north of St. Jean Pied de Port, on the French side of the Pyrenees, and
crossed into Spain at the Pass of Cize, near Roncesvalles. These two routes
met outside of Puente la Reina and became one, the Camino de Santiago”
(Feinberg 1989: 4).
Modern pilgrims still make the journey. In the Holy Year of 1965
(Whenever Saint James’s day of martyrdom [July 25] falls on a Sunday, it
is a Holy Year), some 800,000 went to Compostela via the main road
(Michener 1968: 725). The Camino de Santiago (Fig. 12.2) is kept alive by
interest groups and scholarly societies from Europe and the Americas. The
Spanish government actively promotes it and it has been declared a
cultural heritage by the Council of Europe. Many of the structures along
the way are fine examples of Romanesque and Gothic architecture, most
are still physically pristine due to the relative slow pace over the centuries
of Spanish “progress” towards development.
Some of the structures are in use as originally designed; some have
been adapted for other uses (cf. Figs. 12.3, 12.4 and 12.5). Many are
essential parts of contemporary Spanish culture, lending richness, depth,
humanity, and continuity from times past. Some sites are in cities and
popularly known, others are in lesser travelled towns and villages, while
some are semi-abandoned or in ruins. Together, they contribute to folklore
and legends, and give the Spaniards a sense of who and what they are.
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Especially so, since the road crosses what was Old Castile, the area that
epitomizes Spanish culture, and lies mostly within territories where
Christianity was at the core of the Spanish struggle for national identity.
Fig. 12.2. Santiago de Compostela: Mental map and notional sketches.
A. Background of the Road. From the latter part of the ninth century
on, multitudes of pilgrims yearly would gather to begin their journeys
along the French roads (les Chemins de Saint Jacques). According to the
twelfth century cleric Aymery Picaud in the Codex Calixtinus, the roads
had their starting points throughout France at Tours (later extended to
Paris), Vézelay, Le Puy, and at Arles in the south. These routes wound
south and west until they crossed the Pyrenees to become the Camino
Aragones or Camino Navarro, finally coming together at Puenta La Rehm
in north-eastern Spain, where the main Camino de Santiago begins. The
pilgrims would travel hundreds of kilometres through Burgos, León and
on to Santiago de Compostela, to what was thought of as the end of the
The Road to Saint James – El Camino de Santiago
305
earth, at the extreme northwest of the Spanish peninsula. Along the way,
they would stop to pay homage to various other saints. To satisfy these
pilgrims, religious shrines, churches, and cathedrals were built. To look
after the ill and the poor, hospitals and hospices were established. To
minister to the travellers, convents and monasteries were formed. To
provide protection, castles were erected.
Fig. 12.3. Santiago de Compostela: Mental map and notional sketches.
Spain is a country laced with influences from diverse peoples:
Phoenicians, Romans, Visigoths, Vandals, Gypsies, Jews, and Moors. As
evidenced by the paintings in the Altamira caves, the northern parts were
peopled since the Stone Age, while in the western province of Galicia.
Celtic culture linked it to the people of western France and the British
Isles. On both sides of the Franco-Spanish border live the Basques, whose
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language is so difficult to understand that even the Devil is said to have
given up trying to learn it after only seven days.
Fig. 12.4. Santiago de Compostela: Close sketch and ground plan.
Northern Spain was an ill-defined frontier land during much of the
Middle Ages, when various kings and princes of Christian Europe vied for
political influence. The Kingdom of Aragon had political ties to England,
while Navarra straddled both sides of the Pyrenees. It was the Navarrese
who sought the help of Charlemagne to lift the Moorish siege at Pamplona
in the year 778. Charlemagne lifted the siege and was hailed as a hero until
he went ahead and sacked the city anyway. In the summer of that year, the
Navarrese revenged in an epic battle in the nearby Pyrenees, killing his
paladin Roland (Neillands 1985: 85). Even though Charlemagne and
Roland predated the popularization of the cult of Saint James, they are
invariably intertwined with the pilgrimage route. Legends of the exploits
The Road to Saint James – El Camino de Santiago
307
of Roland formed the basis for the Song of Roland and other chansons de
geste written two centuries after his death.
Fig. 12.5. Santiago de Compostela: close sketch.
Charlemagne and Roland (Carlomagno and Roldán, as the Spaniards
call them) are still well remembered. Memorials to their exploits can be
found in the Pyrenees just as one crosses into Spain. In Pamplona, parts of
the city walls that protected the city from the Moorish siege that
Charlemagne lifted are still intact. In the Province of La Rioja, just south
of the town of Nájera, there is a hillock named Poyo de Roldan (Stone
Seat of Roland).
Legend. In the castle of Nájera, there lived Farragut, the Syrian giant
who was a descendant of Goliath, but stronger than he. Farragut fought,
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defeated and imprisoned many of Charlemagne’s warriors, until he met
Roland. Spotting the giant sitting in front of his castle at Nájera, Roland
braced his backside on a hillside and hurled a fifty-pound stone at
lightning speed towards the giant (a distance of more than ‘two miles’!).
The stone struck Farragut in the forehead and knocked him down. All the
prisoners were set free and the hillock has been called Poyo de Roldzin
ever since (Guia 1982: 46).
3. The Pilgrimage to Compostela
A. The Story of Saint James. James (in English), Jacques (in French),
and Jacobus (in Latin) was Yacob in the biblical Holy Lands. In the old
language of Spain; it was Yago or lago. Thus Sant lago came to be called
Santiago. The Apostle James, together with his brother John, were early
disciples of Jesus Christ, joining Him soon after Peter and Paul. After the
death of Christ, James went to the Iberian Peninsula to spread the Word in
the then Roman territory. He was said to have founded a number of
bishoprics, notably those at Lugo (Province of Galicia) and Astorga
(Province of León) (Tate 1987: 144). Others say he made only a few
converts after two years of missionary work. Disappointed, James returned
to Jerusalem, which turned out to be a fatal decision. Caught in political
intrigue and jealousy, James was executed by King Herod Agrippa I,
grandson of Herod the Great, in about CE 44 (Davies 1982: 56). His body
was brought to the port of Tyre, where legend has it that some knights then
took his body clear across the Mediterranean, around the west coast of
Iberia in only seven days — and in a marble boat, at that. They were
bound for the Roman outpost of Ina Flavia and landed in what is now
called Padrón, a small town at the mouth of the river Sur, a few miles
south of Compostela. For a small fee, one can ask the custodian of the
church to open the front panels of the main altar and still see the stone
pillar to which the boat bearing the saint’s body was supposed to have
been tied. Latin inscriptions on the pillar date it back to Roman times.
Permission was sought to bury the body of Saint James on shore. After
initial denial, the local pagan queen, Lupa, was duly impressed by the
apparent power of the Cross in subduing some wild bulls. She converted to
Christianity and allowed the body to be buried (Tate 1987: 144). There the
body had forgotten until the year 813 when a fanner saw a field of stars
(Latin: campus stellage; hence, Compostela?) over a burial ground (Latin:
compostum; thus, Compostela?) (Tate 1987: 146; Michener 1968: 716).
His religious leaders were notified and the area dug up. Hence the body of
Saint James was rediscovered.
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The veracity of this account of James after his death and subsequent
recovery is a matter of faith. There is no way to prove it factually or
historically (Davis 1982: 56). Nevertheless, word spread that the apostle
was a healer of illnesses, both physical and mental. Legions of pilgrims
began to take the arduous journey to the far corner of Iberia to seek solace.
The small church built at the site was soon expanded into a cathedral and,
in time, Compostela became one of the three (with Rome and Jerusalem)
most important pilgrimage destinations in all of Christendom.
B. Santiago Matamoros. It so happened that the Christians were
having a difficult time battling the Moors in the northern tier of provinces
and kingdoms in Spain. The Moors claimed to have the arm of
Mohammed in the great mosque in Córdoba, which afforded them
invincibility in battle. To counter such power, the Christians needed
something comparable of their own. Thus at the Battle of Clavijo in northcentral Spain, not far from Logroflo (La Rioja) in CE 844, Saint James
appeared as a knight on a white horse and stayed seventy thousand Moors,
thereby earning himself the nickname of Santiago Matamoros — the
Moorslayer (Tate 1987: 146; Neillands 1985: 112). As a consequence,
Santiago became the patron saint of Spain and the symbol of the reconquest of the Spanish domain. The Moors were not driven out of the
peninsula entirely for another six hundred years.
4. Power of Place
A. Impetus for the Pilgrimage. It is difficult to tell exactly which the
impetus was for what. The discovery of the saint’s body fitted in the rising
popularity of venerating religious relics at that time (Davies 1982: 103-4).
Every church worth its altar had some relic of some religious dignitary.
The relic was a powerful and popular symbol to draw worshippers who
contributed towards the wealth of not only the church itself, but the
surrounding area economy as well. Religious fervour was on the rise and
pilgrims were the tourists of the era. Spiritual salvation and ultimate
release from a hard life on earth were the main goals (cf. Graham and
Murray 1997). In seeking solace, it was customary to seek the intercession
of religious figures, especially at places connected personally to those
figures (Davies 1982: 99). Places of birth and death, monasteries and
convents, sites of miracles, and so forth, were prime locations for at least a
shrine. A saint’s body and parts’ thereof, burial shroud or bits of clothing,
and so on, would be widely distributed. At times, these items or their fakes
were “discovered” and “rediscovered” decades or even centuries later,
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countries and even continents apart (Davies 1982: 111). A relic became
the star feature and sometimes the raison d’être of a church or a town
devoted to the care and feeding of itinerant pilgrims.
Making a pilgrimage as a penance for one’s sins was becoming
popular around the tenth century (Fletcher 1984: 87). The growth of
popularity of the Road to Saint James also coincided with the closing of
routes to Jerusalem by Muslims, which made necessary the forming of the
First Crusade in the eleventh century (Davies 1982: 55).
B. Settlement along the Road. Not all pilgrimages were taken for
religious reasons. The rise of long distance trade made commerce an
integral part of religious pilgrimages. To many, a pilgrimage was a holiday
mixed with religion and commerce. Making a pilgrimage was “a great
social occasion” (Brooke 1984: 23). It was also common for some to be
sentenced to make a pilgrimage to Compostela as punishment for a crime.
Along the way, pilgrims would collect from the local priests little stamps
called compostelas, which became proofs of the journey taken. Of course,
this gave rise to quite an enterprise, as those who were stouter of limbs
collected loads of compostelas to be sold to would-be pilgrims as they
crossed the Pyrenees into Spain. Thus the latter could simply remain in a
relatively safe area and in the comfort of well-stocked inns. After an
appropriate time, they would return home to show their magistrates the
requisite compostelas as proof of pilgrimage taken and hence penance
served (Michener 1968: 720).
As the Christians pushed southward, there was a need to ensure that
the Spanish rear, that is, the northern flank, was secured. Settlement by
foreigners was encouraged. Pamplona had three distinct nuclei of
settlements, two of which were for French immigrants (Guia 1982: 28). In
Estella (Navarra), there is the church of Santa Maria Jus del Castillo,
unused now but it had replaced a synagogue that was situated in the heart
of a very prosperous Jewish quarter established “as early as the eleventh
century” (Aguila 1984: 41). Until their final expulsion in the late fifteenth
century, Jewish quarters, or Juderías, were common at one time or another
in many Spanish cities. The commercial aspects of the pilgrimage led to
the flourishing of secular centres: Logroño, Burgos, and León are still very
vibrant cities today.
Civil rule, at times rather enlightened, was well established when
strong regimes flourished. In the Kingdom of Navarra, a set of rules called
fueros, or a charter of rights, was instituted to proclaim and protect the
civil rights of ordinary citizens (Layton 1976: 169). Still, the northern part
of Spain was unsettled frontier land. Brigands abounded and travellers
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were subjected to the often shifting rules of local luminaries (Brooke
1984: 22-24). Finnisterre, the area thought to be the end of the earth, was
but a short distance beyond Compostela. Still, making a pilgrimage on foot
or by donkey, while still taking months, was accomplishable as compared
to the far more dangerous journey to Jerusalem. Rome, the other main
pilgrimage destination, was, of course, always attractive to the devout
Christian, but roads to it were well-trodden and laid mostly across
“civilized” countries. Santiago de Compostela, however, was not only a
destination, but the attractions and distraction along the way made going
there a richly rewarding experience.
C. Military Protection on the Camino. Armed protection was
provided by knights who lived the monastic life bound together under an
order. Of the military orders formed during the Reconquesta, the one that
was most closely associated with the Camino was the Order of Saint James
(Neillands 1985: 136). Established in 1175, its motto, Ruber Ensis
Sanguine Arabum (Red is my sword with the blood of Arabs), testifies to
the ferocity of the religious knights of these orders.
The Order of Saint John was also active in providing military
protection, as were the Knights Templar, whose castle in Ponferrada
(Province of León), built in 1185 and abandoned when the order was
expelled in 1312, is now a national monument. The castle sits strategically
high above the river Sil. When it is shrouded in winter mist, eerie echoes
of those enigmatic knights seem to reverberate.
Then there is a small church at Eunate that is something of a puzzle. It
now lies rather forlornly in a wheat field just before one descends into
Pamplona and has a rather unusual “exterior cloister” surrounding the
small octagonal structure (Neillands 1985: 98). No one knows why it is so.
It is Romanesque in style, but its origin is not known. It may have been a
funeral chapel. Perhaps it was built by the Knights Templar, to whom
many unsolved mysteries are attributed.
D. Services along the Way. To service the multitudes of pilgrims,
monasteries and convents acted as hostels and as refuges in times of
trouble. Religious orders, as well as monarchs, sponsored hospitals and
hospices to look after the sick.
Aymery Picaud was a French cleric from around Poitiers who
compiled a set of books in Latin called the Liber Sancti Jacobi. Although
Picaud began his work some fifteen years after the death of Pope Calixtus
II (1119-1124), the books are commonly attributed to the pope and are
collectively known as the Codex Calixtinus (Davies 1982: No. 7: 42).
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There are actually five volumes in the Codex. The Book I is an
anthology of liturgy, hymns, and sermons given in churches relating to
Saint James and the pilgrimage. The Book II recounts miracles attributed
to the saint, and the Book III tells of the legends and lore of the life of
Saint James, including his supposed evangelization of Spain. The Book IV
is about the exploits of three of Charlemagne’s expeditions into Iberia and
those of his cohorts, Turpin and Roland, which comprise the epic songs or
chansons de geste that are so popular in medieval lore (Layton 1976: 19697; Davies 1982: 19).
The Book V of the Codex Calixtinus is often referred to as the first
European travel guide, for it details the trials and tribulations of the
pilgrimage to Santiago de Compostela, describing the landscape of each
country, and where to find sanctuaries and holy places along the way.
Picaud had some succinct remarks about the quality of food, water, and
nature of peoples one was likely to find. The Codex Calixtinus looked
after the spiritual and physical well-being of pilgrims, and is still the basis
for historical research today (Davies 1982: 84). One of the miracles
narrated in this Book (Codex Calixtinus, Miracle 4) mentioned that:
“Thirty nights set out from Lorraine to Santiago de Compostela, all but one
vowing to stand by each other. But when one of them fell ill in the
Pyrenees, all abandoned him — except for the knight who had not taken the
vow. He stayed behind and nursed his companion, but the sick man died. In
despair, the knight called out to Santiago — and Santiago miraculously
appeared on horseback. He took up both the dead pilgrim and the living
knight and carried them the rest of the way to Compostela — twelve days
on horseback — in a single night. At dawn, Santiago left the knight on top
of Mount Joy; in the distance, he could see the cathedral spires.”
In León, one can find the Hospital de San Marcos with a long and low,
rather sensual Baroque facade that was added in 1513 to an earlier twelfth
century pilgrim refuge (Neillands 1985: 135). In Santiago de Compostela,
Ferdinand and Isabella sponsored the Magnificent Hospital Real located
next to the cathedral. For political clout, the Catholic Monarchs had to
finance the hospital in 1472 after their own pilgrimage to Compostela and
it almost bankrupted them. Both of these structures are now parts of a
chain of government-run hotels for tourists, thus still fulfilling their
original purpose of taking care of travellers.
Although located some twelve miles off the Camino, the monastery of
San Milian de la Cogolla continues to draw large numbers of pilgrims
today. San Milan was a meek and very kind monk of the sixth century,
who lived and died in the area, and became a saint for his charitable
works. But he became really famous only at the end of the tenth century,
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when he appeared alongside Saint James himself, also on a white charger,
and helped to defeat the army of Emir Abdul-Rahaman II farther to the
west in Astoria. Thereafter, the monastery received a tithe and the
veneration of pilgrims at the tomb of the “Twin Matamoros” (Layton
1976: 113-14).
The town of Santo Domingo de la Calzada (La Rioja) is a major stop
for pilgrims. An eleventh century priest, probably Belgian, who lived as a
recluse in a cave above the river Oja noticed the difficulties pilgrims had
in crossing tie river, so he built a bridge for them. ‘This soon burgeoned
into a major crossing and a town grew up around the area and more roads
were built. Thus the priest became the patron saint of public works, known
as Santo Domingo de la Calzada; a calzada is a causeway.
Legend. In the fourteenth century, a certain young man stopped by the
town of Santo Domingo de la Calzada with his parents on their pilgrimage
to Compostela. The local innkeeper’s daughter took a fancy to the young
man, but he was not interested. Thinking she could keep him longer, she
hid some valuables in his luggage, and on his way out of town the next
day, she called the lawmen. Having been found with the goods on him the
hapless young man was tried, convicted, and duly hanged. His parents
continued on their way to Santiago de Compostela. Upon their return, they
found their son still hanging on the gallows, but very much alive, due to
the intercession of the saint (James or Dominic?) ― depends on who is
telling this story). The parents then went to the magistrate to ask that the
boy be taken down, since he was obviously not guilty. Now, the magistrate
was just about to sit down to have his big noontime meal of roasted
chicken and capon, and was not about to be interrupted. So he said to the
parents that if their son was still alive, so would be his roasted chicken.
Thereupon, both fowl rose up off the platter and started to cackle. Hence
the young man was allowed to go home with his parents. To this day, this
story is remembered by a live rooster and a hen kept in a cage in the nave
of the cathedral at Santo Domingo de la Calzada. It may well be the only
place in Christendom where a rooster sings along with the choir.
The popularity and reputation of the Camino de Santiago grew. In its
heyday in the thirteenth century, it drew, some one hundred and fifty
thousand pilgrims yearly (Michener 1968: 725). The road derived its
power of attraction through travellers’ accounts and legends, much
embellished through time. No less important was the role of the church as
the central unifying factor among the various kingdoms and principalities
of northern Spain.
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5. Environmental Ethics
The environmental ethics of the pilgrimage road was the ethics of the
Catholic Church.
A. Literacy and Liturgy. As literacy among the populace was low,
the church spread its teaching through liturgy, manifested in Illuminated
manuscripts, sculptures, paintings, and icons housed in churches. As the
liturgy has to be among the people, churches, except those for royalty,
knights, and recursive monasteries and convents, had to be where the
people were — in town. In the role as paternalistic guardians of spiritual
welfare, and sometimes even physical well-being, churches along the
pilgrimage route became waypoints and rest stops.
Situated in the Castilian plains called the meseta west of Burgos is the
town of Frómista, important since Roman and Visigothic times. Its church,
San Martin; restored in 1893, is the quintessential Spanish Romanesque
church, and has been a highlight of the pilgrimage since its founding by
Queen Dona Mayor in 1035 (Guia 1982: 69).
B. Ecclesiastic and Civic. As literacy grew and widespread travel
became popular, towns grew in size and the merchant class expanded
(Brooke 1984: 12). By the twelfth and thirteenth centuries, the target of
ecclesiastical attention was increasingly directed at the “urban bourgeoisie
and the urban poor” (Fletcher 1984: 91).
A small area of León makes manifest the link between the
ecclesiastical and the mercantile. Pilgrims entered the city through the
Puerta Moneda — Gate of the Coin or Currency — and they immediately
passed the little twelfth century church of Santa Maria del Camino. The
tag end of its name, del Camino, linked the church to the road. However, it
has long been changed to “del Mercado” for the market in front of the
church that still flourishes today.
The parishes of the church in northern Spain were most likely
established along the lines of Roman provincial administrative structures
(Brooke 1984: 81). Cathedrals, the seats of bishoprics, were likely to be
located at provincial capitals. As the church was intimately involved with
the civic affairs of the populace—births, education, marriage, health, and
death, and so on, church and state evolved together.
On the outskirts of Burgos lies Las Huelgas, which began as a leisure
palace and later became a Cistercian monastery. Among its attractions are
some of the standards captured from the Moors in battles, numerous tombs
of kings and princes, and an amazing collection of Arabic and medieval
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fabrics. Missed by the rampaging troops of Napoleon during the
Peninsular War, the treasures were not discovered until 1942 (Layton
1976: 124).
It was as a convent that Las Huelgas gained most fame, when the
power of its first abbess, Mafia Maria Sol, brokered marriages among
kings and popes. The nuns also administered the nearby pilgrim Hospital
del Rey, founded in 1187 by Alfonso VIII (of Spain), whose wife was the
daughter of Henry II (of England) and Eleanor of Aquitaine (of France).
At the request of his wife, also named Eleanor, Alfonso VIII had the
Chapel of Saint James built. Its Mudejar doorway marks the place where
King Henry II “stood vigil and was knighted by Alfonso X The Wise in
1254. The Black Prince stayed here in 1367 after the Battle of Navarrete”
(Tate 1987: Caption for Illustration No. 96: 105).
A connection to Italy can be found in the church of Santa Maria in
Viana (Navarra), where the brother of Lucrezia Borgia, Cardinal Cesare
Borgia (1476?-1507) is buried. As a statesman, Cardinal Borgia was the
archetype of Machiavelli’s The Prince. Manipulative and politically astute,
he personified the adage “the end justifies the means.” Insulted even in
death, Cesare Borgia was reinterred in the nineteenth century in the street
outside the church so that his tombstone might be stepped on by all those
who passed by (Neillands 1985: 105-107).
C. Environmental Presence of the Church. Increasingly elaborate
churches reflected changing tastes in liturgy (Brooke 1984: 88, 90). As
church buildings and interior fittings were expensive as well as difficult to
produce, they demanded ever more material and financial resources: hence
more urgency in the need to attract worshipers to raise funds. To be sure,
they also provided work for craftsmen and artisans, sometimes for
generations, as cathedrals took decades to build. Major churches and
cathedrals were built in the fashion of the time, particularly that of France,
from whence came many of the friars, monks, and other religious person,
as the Romanesque gave way to the Gothic style of architecture around the
middle of the twelfth century.
So the cathedral at León can be considered a true Gothic building.
Begun in 1205 over an earlier church, and completed within a century, it is
closely related to the cathedrals at Rheims and Amiens. In the shape of a
Latin cross, with triple naves, the cathedral is a symphony in light, for it
has 125 stained glass windows, 57 small and 3 large rose windows. The
cathedral is, indeed, epic drama in colour and light.
Located in Burgos is one of the other magnificent cathedrals along the
road. It is a masterpiece of Gothic stone filigree, built from 1221 by
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French masons under the “direction of Maurice the Englishman, Bishop of
Burgos” (Neillands 1985: 127). The chapel of Saint James occupies a
prominent place in the apse. At the centre of the nave is the tomb of
Rodrigo de Vivar, or El Cid, soldier of fortune and hem of Spain, who led
a mercenary army in the Reconquesta.
The closing of routes to Jerusalem by Muslims that prompted the First
Crusade in the eleventh century helped to make the Camino de Santiago
more popular (Davies 1982 : p. 54), bringing more foreign influence into
the region. The group that had the most impact was the French
Benedictine monks of Cluny, whose abbots, saints, and popes, included
Pope Calixtus II (1119-24) to whom Aymery Picaud’s Liber Sancti Jacobi
was attributed. At, its height in mid-twelfth century, there were hundreds
of Cluniac churches and dependencies in Spain and the rest of Europe
(Davies 1982: 84; Neillands 1985: 45). Patronage of Cluny extended to
Galicia for the first time in 1075 at the monastery of San Salvador de Villa
Frio near Lugo (Fletcher 1984: 49).
The cathedral at Santiago de Compostela symbolizes French influence
on Spanish ecclesiastic architecture. Built from 1078 to 1140 on the
foundations of an earlier ninth century church, the cathedral bears marked
resemblance to its counterparts at Tours, Conques, and Toulouse, which is
not surprising, considering that the cathedral was “completed by two
master-masons with French-sounding names, Bernard and Robert” (Tate
1987: 148), but largely done under the auspices of Archbishop Diego
Gelmfrez, who was very adroit at gathering men and material, as well as
financial and political support for the cathedral (Fletcher 1984: 178). Later
Renaissance and Baroque additions make it into its shape today (Tate
1987: 138).
Situated magnificently on four squares of different sizes and openness,
and at different elevations, the cathedral is really a complex of buildings
with irregularly spaced asymmetrical towers. It appears to be much wider,
deeper, and more complex, than it really is, for the interior of the cathedral
itself, with its singe nave, is quite small and narrow. As a late Romanesque
basilica, its narrow width in proportion to its height gave a feeling of
loftiness and heralded the coming of the soaring heights of Gothic
cathedrals that were to spring up in Europe beginning around mid-twelfth
century (Brooke 1984: 84).
D. Environmental Impact of the Pilgrimage. Continuous exposure
to “foreign” ideas and values deeply affected the culture and environment
of the region, making Spanish society a fusion of diverse ethnic roots. It
was not until the Baroque period in the sixteenth century that Spanish
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ecclesiastical architecture came to its own with its unique mixture of
Arabic, Gothic and Italian influences that was the picturesque manner of
expression. Its ornate sculptural richness spread throughout Spain and the
New World, much of which was explored under the banner of Santiago.
6. Heritage Legacy
The entire route, from the French-Spanish border to Santiago de
Compostela, has been declared a cultural heritage by the Council of
Europe in 1987 ― recognising that the various cultures of the continent
are historically intermingled and proclaiming it as the first European
Cultural itinerary. If affirms the notion that ethnicity, cultural behaviour
and social mores of different countries are intrinsically related in spite of
national borders and the passage of time (Wu 1993: 191). Some 1,800
buildings along the route, both religious and secular, are of great historic
interest. And, it remains a testimony to the power of the Christian faith
among people of all social classes and from all over Europe. In 1993 the
‘Route of Santiago de Compostela’ was inscribed in UNESCO World
Heritage List.
As the Old Town of Santiago became a symbol in the Spanish
Christians’ struggle against Islam in history, it is inscribed in the
UNESCO World Heritage List in 1985. Destroyed by the Muslims at the
end of the 10th century CE, it was completely rebuilt in the following
century. With its Romanesque, Gothic and Baroque buildings, the Old
Town of Santiago is one of the world’s most beautiful urban areas. The
oldest monuments are grouped around the tomb of St James and the
cathedral, which contains the remarkable Pórtico de la Gloria. Santiago de
Compostela is a miracle of stone work that was born to receive and
embrace the thousands of pilgrims that have yearly down through the
centuries through the Route to Santiago to see the tomb of the Apostle. A
desire, a longing made of stone that down through the centuries to today
portrays the splendour of a historical and monumental complex unique in
the world. Santiago is, by tradition and by its personality, possesses a
personality of an open city with the hospitality as an icon of its identity,
ready to show its history and its legends, and to share the beauty of its
streets and plazas to its visitors.
UNESCO WHC has inscribed Old city of Santiago de Compostela in
its List as it fulfils the three out of six criteria for the identification of
cultural heritage, viz. (i) representing a masterpiece of human creative
genius; (ii) exhibiting an important interchange of human values, over a
span of time and developments in architecture, monumental arts, and
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landscape design; and (vi) directly and tangibly associated with living
traditions, with ideas, beliefs, and with artistic and literary works of
outstanding universal significance. The last criterion (vi) was considered
as additional in conjunction with other criteria (i, and ii).
7. Concluding Remarks
In the latter part of the twentieth century, Spain has emerged from
years of isolation under the rule of Generalissimo Franco. It has joined the
Council of Europe to become an integral part of the European community.
As Spanish society becomes freer, the call for independence among some
of its ethnic groups is heard more loudly. Along the Camino, the Basques
and the Galicians, both of whom are historically prone to rather bloody
feuds are noisily calling for independence, which in turn brings
suppressive responses by the Spanish government.
The call for recognition by both the ethnic groups and Spanish society
at large should not be one for separate (even if equal) co-existence. They
cannot be separate; they are not separate. Celts, Basques, Romans,
Visigoths, Gypsies, Jews, Moors, and European cultures: French, English,
German, and Italian, have made deep impressions on the Spanish psyche
and are as much a part of that which is called Spanish as Galician, Basque
and Navarrese. What was “foreign” has, over centuries, become integral in
the Spanish mien.
It is important for ethnic groups to assert themselves and be proud that
their groups are integral to the larger society. It is just as important for the
larger society to accept and recognize that it is made up of all the diverse
elements, and that each is a cell in a larger organism.
Ethnicity is the identification of a group or place having common
historical, racial, or cultural roots. Ethnicity is often assertively expressed,
when there is a desire to determine one’s destiny, control one’s daily life,
and to feel as belonging to a place. It is a common, if not natural, phenomenon in times of economic malaise or political unpopularity, and when a
group feels that it is underrepresented. Demands for ethnic independence
can also bring repressive measures by the ruling authority.
Recognition of one’s ethnic roots is healthy and proper. It gives one a
sense of who he or she is, and it is the basis of a sense of self-worth.
However, when it turns xenophobic, it has been the rationale for much
ugliness in human history. Xenophobia against all things and anything
“foreign” is a narrow minded and short-sighted. It breeds the kind of
intolerance and exclusionary tactics that prompted ethnic assertion in the
first place.
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Substitute the various fractions in Spain for Arabs and Jews, Irish and
English, Croats, Bosnians and Serbs, and so forth. Look at India and Sri
Lanka, at black and white Africa and America, and so on. One can see the
potential and reality of explosive confrontations around the world. One
can also see the unity, peace, and growth that can result from mutual
acceptance, recognition, and respect.
As the Camino de Santiago shows, human cultures are more closely
related than are sometimes acknowledged. If only everyone would truly
accept a neighbour as equal!
“Orden no es una presión que desde fuera se ejerce sobre la
sociedad, sino un equilibrio que se suscita en su interiors” (Orders
is not a pressure which is imposed on a society from without, but an
equilibrium set up from within).
— José Ortega y Gasset [1883-1955].
The Last words. Wu (2002) had expressed his last experiences in a
letter:
“This July 2002, my wife and I took our sixth trip to Spain. We visited
San Sebastian and the Guggenheim Museum in Bilbao. We joined some
friends from Barcelona at Frómista and began our pilgrimage by walking to
Carrion de los Condes the first morning out.
We had just returned from a ten-week trip to China and we felt we
could handle the walk. Actually, what did us in was not so much the
walking but the backpacks (for the first time in our lives) and extra luggage!
So, we turned tourists and rode a bus to Sahagún to wait for our walking
friends to catch up. We kept this scheme until we reached Léon then took a
train to Santiago. Being on the “Road” was a wonderful experience, since
this was the first time my wife had ever been to any part of the Camino.
My way of commemorating the Camino is to have some of my sketches
printed on note cards.” <added by the Editor>
8. References
Aguilar, Manuel, and Robertson, Ian 1984. Jewish Spain: A Guide.
Altalena Editoms, Madrid.
Brooke, Rosalind, and Brooke, Christopher 1984. Popular Religion in the
Middle Ages. Thames and Hudson, London.
Davies, Horton, and Davies, Marie 1982. Holy Days and Holidays: The
Medieval Pilgrimages to Compostela. Bucknell University Press,
Lewisburg, PA.
Feinberg, Ellen O. 1989. Following the Milky Way: A Pilgrimage across
Spain. Iowa State University Press, Ames.
Fletcher, R.A. 1984. Saint James’s Catapult. Clarendon Press, Oxford.
320
12. Kingsley K. Wu
Graham, Brian and Murray, Michael 1997. The spiritual and the profane:
The pilgrimage to Santiago de Compostela. Ecumene, 4 (4): 389–409.
Guia del Peregrino 1982. Ministerio de Transportes, Tourismo y Comunicaciones, Madrid.
Layton, Thomas Arthus 1976. The Way of Saint James: The Pilgrim’s
Road to Santiago. Allen & Unwin, London.
Michener, James A. 1968. Iberia. Random House, New York.
Neillands, Rob 1985. The Road to Compostela. Moorland, Ashbourne,
Derbyshire, U.K.
Tate, Brian, and Tate, Marcus 1987. The Pilgrim Route to Santiago.
Phaidon Press, Oxford.
Wu, Kingsley K. 1993. Pilgrim Cathedral― Santiago de Compostela:
Sketches and notations on the legacy of cultural interchange. Architecture & Behaviour [Lausanne, Switzerland], 9 (2): 191-203; special
issue on “The Layout of Sacred Places”, ed. Rana P.B. Singh.
―. 1994. The Road to Saint James― El Camino de Santiago; in, Singh,
Rana P.B. (ed.) The Spirit & Power of Place. Human Environment and
Sacrality. National Geogr. Soc. of India, Varanasi, Pub. 41: 131-140.
―. 2002. Personal reflections. Environmental and Architectural Phenomenology [ISSN 1083-9194, Kassas State Univ. USA], 13 (1), Winter: p.
4; see web: http://www-personal.ksu.edu/~triad
Additional/ current references:
Rhoades, Roger and Rhoades, Nancy 2005. Santiago de Compostela:
Journal of Our Camino. iUniverse Books, Lincoln NE.
John Brierley 2010. A Pilgrim's Guide to the Camino de Santiago: St. Jean
- Roncesvalles – Santiago. Findhorn Books, Forres, Scotland. 6th Ed.
Scheer, Martin 2007. Symbolic Representation of religion, culture and
heritage and their implications on the tourism experience: The example
of the ‘Ciudad de Cultura’ in Santiago de Compostela; in, Raj, Razaq
and Morpeth, Nigel D. (eds.) Religious Tourism and Pilgrimage
Festivals Management: An International Perspective. CABI Publs.,
Oxfordshire: 161-169.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(late) Prof. Kingsley K. Wu
§ Kingsley K. Wu [born: 22 August 1934, died: 26 February 2004], was a
professor in the Department of Creative Arts, School of Visual and Performing
Arts at Purdue University in West Lafayette, Indiana (USA), for over sixteen years
(1987-2003), and had photographed, sketched, and lectured about the Camino de
Santiago, Spain’s medieval pilgrimage road to St. James.
13
Sacred Places of Japan:
Sacred Geography in the vicinity of the
cities of Sendai and Nara
James A. Swan
Snow Goose Productions, Mill Valley CA. U.S.A.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Abstract. Drawing upon visits to sacred places in two regions of Japan ―
Tohoku and Nara Prefectures ― this paper gives an overview into sacred
places in Japan and contrasts these beliefs record with those of North
America. In the form of a distinctive belief, the practice of sei-chi ritual
promotes and nature phenomena, apart from any human activities. Thus at
least 80,000 shrines in Japan mark sei-chi. This is call for others to
understand practices experience the sacral power of nature, as illustrated
by author’s own experiences among the shines in Sendai and Nara.
Keywords. Nara, onsen, Oriental thought, sacred geography, sacred place,
sei-chi, Sendai, spirit of place, spiritual significance.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Preamble Highlights
The “genus loci” or spirit of place is an ancient concept about valuing the
land that may have many important implications for modern design and
science. It may well be an important key to human health and creativity, as
well as design excellence.
Geomancy is the spiritual parent of modern architecture and design. There
are many documented cases of positive results from use of geomancies,
especially Chinese Feng Shui. Like acupuncture, which has yet to be
understood in the west, the overwhelming success that comes from such
systems urges us to study them with an open mind.
The concept of a sacred place is universally held by cultures around the
world. There is growing data to support the unique qualities of many of
these places. Recognizing them and planning to insure their protection
honours traditional cultures, and insures that modern people may continue
to benefit from their power.
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In the misty rain
Mount Fuji is veiled all day ‒
How intriguing!
― Matsuo Basho (Ueda 1991: 102)
1. Introduction
The Japanese word “shi-zen” is the equivalent of the English word
“nature” and yet the two words have different meanings that reveal
important insights into the psychology of mind and nature in Japan.
Webster’s Ninth New Collegiate Dictionary offers several definitions of
“nature” in English, which include: the creative and controlling force in
the universe, the external world, and natural scenery. Common among all
the offered definitions is the concept that nature is something which is
separate from oneself. In contrast, the Japanese word “shi-zen” has a
different meaning. “Shi” is derived from two root words, “onozukara” and
“mizukara”. “Onozukara” means “of itself,” and objectivity. It refers to a
state that exists without any help from man. “Mizukara” is a balancing
concept, which means “self” and subjectivity, and the product of the
human will.
“Zen,” the second half of the word “shi-zen” refers to a state of mind.
(Not the same as the “zen” of zen buddhism.)
From this analysis one can deduce that onozukara means nature as we
conceptualize nature in the west, and mizukara is similar to the western
concept of self. In the Japanese mind then, one can say that the concept of
“shi-zen” refers to a state of mind which arises from the unity of the
human self with the natural world, which at their root is one and the same.
In the words of Japanese author Isamu Kurita (1992: 123):
“...the Japanese tend not to look at nature from a human point of view. They
look at humans from the point of view of nature and try to abandon their
individual selves and integrate themselves into nature. This attitude is made
possible by viewing nature not as a disorderly chaos, but a higher level of
harmony. Thus, grasping the natural order as the moment of the highest moral
perfection, by observing it, and integrating oneself into it, one serves to
discover the truth of life and make it sufficient.”
As opposed to western natural sciences, which seek to dissect and
name natural objects, describe phenomenon, discover the chemical and
physical properties of nature, and study how natural objects may be used
to meet human needs, all using research methods that call for objective
measurement, a traditional approach to nature study in Japan, China or
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Korea, would be to contemplate nature subjectively, seeking to understand
natural phenomenon as part of a dynamic, organic, ever-changing whole
so as to bring human life and thought into harmony with nature. One this
state of mind is then attained, a satori, then both nature and human society
may prosper; as in the words of Tohoku University Biology Professor
Yoshitaka Shimizu (1991), “real wisdom comes from contact with nature.”
The goal of harmony with nature is cultivated in many ways in
Japanese culture. One example of the many subtle ways for aiding
attainment of harmony between the mind and nature is the Japanese
nomenclature for the human face. The names of physical parts of the face
are the same words as parts of plants. The eyes are seeds, the ears are fruit,
the nose is a flower, and the teeth are leaves.
The quality of nature that creates life in Oriental thought is the life
force energy, which is “chi” in China and “ki” in Japan. And on both the
human body and the earth’s surface there are said to be special places
where the life force energy has an unusual abundance and quality, as well
as connecting pathways or meridians which extra energy flows. These
places on the body are referred to as acupuncture points. In the landscape,
they are special holy places, sei-chi, where strong spirits, kami, in the
Shinto tradition, are said to reside. The Japanese have a strong feeling for
place, taking special care to acknowledge sei-chi as possessing a more
spiritual quality, reiteki, through numerous ways, including in the Shinto
tradition: delineating the boundary and entry port to a holy place with a
torii gate; decorating the place through elaborate means such as gardens,
temples and shrines; marking special natural objects with a special straw
rope with tassels, shimenawa, hung over special rocks or wrapped around
special trees; and performing special ceremonies and rituals. All these
activities call attention to the place and honour its powers, seeking to gain
favour with the spiritual forces present, the kami, and driving away evil
forces. Architecture and landscape architecture at a sei-chi in Japan then
not only mark their location and provide religious symbolism, they help to
serve as conduits for the kami to enter more directly into human life, and
thus the designs can be seen as invocations. Hence, pine trees are often
planted around shrines, and special trees and stones which are felt to be
conducive to serving as a temporary vessel for the kami, yorishiro, are
given special recognition. Additional yorishiro include banners, wands,
flags, light poles, dolls and puppets. Such decoration typically adds to the
beauty of a place, but the Japanese name for places of spiritual
significance is “sei-chi”, which means literally “sacred place,” and it is
distinguished from the term “nadokoro”, which is used to describe places
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of extraordinary beauty. Two may be the same, but this is not necessarily
so.
One seeks out sei-chi with reverence, for kami can possess objects and
people, resulting in special powers. According to Carmen Blacker, in his
study of Japanese shamanism, The Catalpa Bow (1986: 41), an essential
quality of the kami is their amorality. Their nature is “...neither good nor
bad, but can manifest itself as benign or destructive to human interests
according to the treatment it receives...Treatment which all kami find
pleasing consists of assiduous worship, correct offerings, and above all
purity on the part of the worshipper. Frequent visits to the shrine, copious
offerings of dried fish, rice-wine, fruit, lengths of cloth, swords, spears,
[and] horses are all calculated to win its favour.”
In Japan there are two primary religions, Shintoism, the traditional
religion, and Buddhism, which in some cases have become a syncretism
and in others remain distinct practices, and as well many others with
smaller followings. While each religion has its own special customs and
practices related to sei-chi, a belief in their existence as natural
phenomenon, apart from any human activities, is shared by most, except
for Christians. One of the most important differences between Shintoism
and Buddhism in regard to sei-chi is that Shintoism is more protective of
the Japanese sacred places, placing greater restrictions on visiting them
and making offerings to show proper respect. There are at least 80,000
shrines marking sei-chi, in Japan, and over 20,000 Shinto priests serving
them.
It has been my good fortune to make two lecture tours in Japan. During
these visits, thanks to my gracious hosts, I had a chance to visit some of
the sei-chi of Japan. In this short essay I will briefly describe some of the
special holy places in the vicinity of two Japanese cities of Honshu, the
main island ― Sendai in the north, and Nara, in the south, which I have
been fortunate enough to visit on these visits. I will conclude with some
brief comparisons of Japanese practices and concepts with those in North
America.
2. Sendai
In November of 1991, the city of Sendai in the Tohoku province was
the host for the fourth Spirit of Place Symposium; a five-year symposium
series designed to explore the modern significance of the ancient belief
about the unique power of place (Swan 1990, 1991a, 1991b, 1992, 1996).
In contrast to Spirit of Place Symposia held in the United States in 1988,
1989, 1990, and 1993, each of which drew some 40-60 speakers and
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crowds ranging from 125 to 375, the Spirit of Place Symposium held in
Sendai drew 6,000, including representatives from the Japanese local,
provincial and federal government. The size of this meeting is ample
evidence of the interest and support for the spirit of place concept in Japan.
Sendai is a modern city of 700,000 located some two hours north of
Tokyo by bullet train ― shinkansin. It was heavily damaged by fire bombs
during World War II and so most of the buildings are very new. Sendai is
called “mori no miyako” which means the city of the trees, and most all
major streets are lined with trees. It is an east coastal city tucked between
the mountains and the ocean, with 10 colleges and universities, and many
corporate research facilities as well as farming, fishing and forestry
industries.
Compared with other parts of Japan, Sendai is a “new city,” developed
heavily by the efforts of the shogun lord Masamune Date (1567-1636).
Arriving in Sendai, one of the first special places one sees, rising up along
the banks of the Hirose River, is a prominent hill to the west, Aoba hill,
which is the site of the Aoba (green leaf) Castle of Masamune Date, which
today has been preserved as a popular park, Aobayama-Koen Park. On the
summit of the 433 feet elevation hill is a statue of the shogun lord riding a
horse and wearing his helmet which was decorated with a large crescent
moon. The castle stood until 1945 when it was destroyed by bombing, and
so today the Gokoku Shrine covers most of the area once occupied by the
castle.
According to tradition, spirits of deceased ancestors may become kami,
and animals, such as birds, deer and foxes may serve as messengers of the
gods, such as the powerful mountain god Yamanokami. Nearby
Masamune Date’s statue is a second statue of a taka or hawk, commemorating the legend that the emperor Jimmu (660-585 BCE) was guided to
victory in battle by a golden hawk. Aside from the enjoyable view from
the summit, visitors also often see many hawks, kites, ravens and crows
flying all around the hill, evidencing the power of this place. In the Orient,
as well as elsewhere, an abundance of animals, especially of one species,
is commonly recognized as a sign of a special place.
To the north some 35 minutes by train lies Matsushima Bay, which is
one of the most beautiful natural areas in Japan; it is in fact one of three
places named by the Japanese as their Three Big Scenic Wonders. In the
bay there are some 250 small, pine-covered rocky islands, each with a
distinctive shape and many unusual rock forms. Sited at the entrance to
Matsushima Bay is the Zuiganji Temple, which has been declared a
national treasure. Erected in 1606 by Masamune Date, this wooden
building with many ornate carvings and paintings and landscaped with two
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ancient plum trees brought from Korea in 1592, is a training seminary for
Zen Buddhist priests. Nearby in rock outcroppings are ancient natural
caves once used for monks to practice meditation. Visitors to this park
make offerings and receive small paper prayers which they tie on the
branches of trees to ask the help of the kami in making the predictions
come true and warding off evil spirits. Just inside the gate is a modest
stone shrine to honour the eel god, whose presence is known by the
abundance of eels that are commonly found in Matsuhima Bay.
To the south of Sendai, high in the interior mountains, is another
spectacular sei-chi, Akyuotaki Park which protects and honours a
spectacular waterfall. Visitors to the park may walk down a simple gravel
path to see the cascading water, as in a park in place in the world, or they
may take the path that leads to the Shinto shrine which honours the god,
Fudo, said to be the shaman’s god, the god of fire, who stands for truth
and justice. Taking this second path the visitor is transformed from a
tourist to a pilgrim.
The word “Shinto” means literally “the kami way,” and there are four
principal elements of Shinto worship ― purification (harai), an offering
(shinsen), prayer (norito), and symbolic feast (naori) (Ono 1962: 51). One
knows that one is entering a special place by passing under the overhead
arch gateway, the torii. After passes under the torii gate, then one proceeds
to a sacred spring where you wash out your mouth and wash the tips of
your fingers to purify our mind. Then one moves to a small stand where
candles, amulets and artefacts are displayed. This is the first place to make
an offering. Traditionally offerings include money, food, drink, materials
and symbolic objects. One makes an offering and then takes some incense
and burns it in a large urn to dispel evil. A second offering may then be
made in a wooden collection box at the foot of the shrine and then one
prays, bowing slightly, then deeply twice, then clapping one’s hands twice,
before saying any prayers. To finish the prayer one makes a deep bow and
a slight bow. Then one may ring the massive gong at the feet of the stature
honouring the god, before setting foot on the gravel path to the waterfall.
There is debate about the purpose of ringing the giant bell. Some say it
calls the attention of the kami. Others insist it drives away evil. Then one
moves on down the gravel path to the waterfall, passing many paper
fortunes tied to tree branches and small piles of stones which mark similar
hopes and wishes.
Aside from its natural beauty, the cascading waterfall has a special
heritage value. Spiritual seekers traditionally stayed in small caves beside
and under the waterfall, fasting and meditating, hoping for enlightenment.
Blacker (1986: 91) states that shamanic training in Japan once also called
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for neophytes to stand directly in the cascading waterfall for extended
periods of time. While standing in the waterfall, aspirants recited various
chants and made prayers. On the way back from the waterfall, outside the
area of religious worship, some local vendors offer pickled snakes and
other amulets for sale, as well as rattles, candles, incense, jewellery and
wooden carved objects. These may then be used for celebration.
3. Nara
The city of Nara in southern Honshu is originally an agricultural area,
especially known for its rice and fine cloth. Founded in 710 by the
Emperor Kammu, it was the capital of Japan before Kyoto. A famous
attraction of the Nara area is Nara-Koen Park, which is the home of about
1000 extremely tame deer who roam freely among numerous temples and
shrines. The origins of the practice of honouring deer here dates back to a
time long ago when it is said that a powerful kami messenger, an old man,
arrived with an important message, riding on the back of a white deer.
In the vicinity of Nara-Koen Park there are many places of special
significance. Mount Wakakusa, a hill covered with lush natural vegetation,
is set fire each year on January 15 by 15 priests, thus insuring ample new
green growth for the deer of the park. The Kasuga Tashi shrine, founded in
768 by the Fujiwara family, is famous for its numerous lanterns more than
2,000 of which are stone and decorated with symbols of the sacred deer. In
the Shinto tradition, lighting lanterns is a method of communicating with
the Kami. The lanterns are all lit twice a year, February 2 or 3 and August
15, and each year the Kasugamatsuri festival is held on March 13. There
are four shrines here, surrounding an art gallery, and in the Shinto
tradition, shrines may be torn down and rebuilt every 20 years to purify the
site. The Kasuga Tashi shrine has been rebuilt over 50 times. At the shrine
there are many “sakaki” evergreen trees (Cleyera ochnacca) which are a
sacred Shinto tree.
Within the Nara area lies Tenri, which is a religious city and the home
base of the Tenrikyo Religion. The Tenrikiyo religion was born at 8:00 am
on October 26, l836 when 41 year-old Miki Nakayama, a housewife of the
rich farming family, Nakayama, had a divine revelation. She said that God
the Parent, Tenri-O-no-Mikoto, spoke to her. As with many prophets,
people initially did not understand, and she and her family suffered many
hardships, while slowly her teachings gained respect. Between 1869 and
1882 her teachings were written down and preserved in the Ofudesaki,
holy book consisting of 1711 versus written in the Japanese waka style,
which today serves as a principle scripture for the Tenrikyo religion,
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which has grown to more than 16,000 churches and three million followers
world-wide.
At the core of the Tenrikyo religion is the belief that one comes to fully
benefit from this religion through entering into a mental state akin to that
of the Founders, and that once this happens, if one follows their religious
practice with devotion and good spirit, the devoted will receive guidance,
healing, and recognize omens. In some respects these beliefs are quite
similar to Jung’s concepts of synchronicity (Inoue 1988).
In honour of the founders, a magnificent wooden temple, The Oysato,
the Parental Home, has been erected in Nara, marking the exact place
where Miki Nakayama first had her revelation. This main sanctuary, which
is said to be the largest wooden building in the world, contains an Inner
Sanctuary and four surrounding worship halls which all face the Inner
sanctuary. In the center of the inner sanctuary is a hexagonal wooden
platform, the Kanrodai, rising up from the floor. This marks the exact
place of the Founders’ revelation, and it is called the Jiba, or the place of
human creation. There is a hole in the roof overhead, above the Jiba,
otherwise all the rest of the worship halls are beautifully polished wooden
floors covered with an elaborate and beautiful wooden structure.
Twice daily, sunrise and sunset, thousands of people, from near and
far, gather in the Oysato, for service, which is led by priests. People in all
four directions kneel, facing the jiba, and perform a series of mudras
(gestures) and chants, which begins with “Ashiki o harote tasuke tamae,
Tenri-O-no-Mikoto” which is translated as “Sweeping away evils, please
save us, Tenri-O-no-Mikoto.” Evidence of the power of this place and
religious services can be found nearby in a large collection of crutches,
canes and wheelchairs which have been discarded by people who report
being healed by their visit to the Oysato. Nearby schools and hospitals
carry on the teaching and healing work of the Tenrikyo church. Several
times a year as many as a quarter million people assemble at the Oysato as
an expression of their devotion.
In the hills northwest of Tenri is Mount Miwa, another sei-chi. Here
there are a number of shrines which dot the landscape, all sited along a
gravel path that gently ascends the mountain. The most magnificent is the
Suwa shrine. Manned by Shinto priests, who dispense fortunes, perform
ceremonies and invite monetary offerings from pilgrims to show their
respect for the kami, there are a number of revered shrines on this
mountain, whose deity is the white snake. Legend has it that in ancient
times one of the kami transformed himself into a white snake so as to gain
access to a beautiful girl. In this disguise, he entered her compound and
had sex with her. The child resulting from this bonding went on to become
Sacred Places of Japan
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the first leader of a new clan with great power. As evidence of the truth of
this legend, it is said that all descendants have a small patch of skin that is
scaly like a snake.
Along the path ascending the mountain, one of the most interesting
shrines honours the god of the alcoholic beverage sake. It is said in ancient
times that people learned to make sake from monkeys, and this drink has a
spiritual origin. The tale is told that once sake was used by a hero to defeat
an eight-headed god of nature who came into villages and ravished young
women. No man could defeat this god, and so the hero devised a plan to
use the help of sake to defeat the god. When the god came into the village
to pillage, the hero invited him to sit down and drink. The god accepted
the offer and liked the sake so much that he became intoxicated. Then,
when the god was inebriated, the hero be-headed him. While today one
may consume sake for entertainment, Shinto and Ainu cultures brew and
drink sake in religious rites. Aside from creating good feelings, one of the
powers of sake is to make all people equal, thus aiding friendship.
Farther down the path, past the sake shrine, one comes to a sacred
waterfall. Here one may drink from the water, which some believe is good
for your health. Most people turn back at this point, but for the serious
pilgrim, one then can rent a white scarf to wear around your neck, and
climb to the summit of the mountain along a steep, narrow trail. The white
scarf is for protection as powerful spiritual forces are present here. Along
the way one sees many shimenawa marking special rocks and trees, and
trailside shrines to honour the white snake deity.
Descending from the mountain summit, we then explored more of the
shrines, which contain many works of art. On the summit of a nearby hill,
there is a plaque which shows how shrines and torii in the area have been
erected on special lines of subtle force to channel energies between sacred
mountains. This is very similar to the concept of leylines in England.
The strength of Shintoism, as it is expressed in shrine worship, is in its
emphasis on direct invocation of spiritual forces through ritual. Theoretical
questions and philosophical discourses are set aside and people go directly
to the kami and seek their blessings and powers. This makes Shintoism a
living religion, renewed every time and more mutable, resulting in a
dynamic ethic, as pointed by Sokyo Ono (1962: 105), “In Shinto ethics,
nothing ― sex, wealth, killing, etc. ― is regarded as unconditionally evil.”
4. Onsen
Japan has a good deal of volcanic activity, and one consequence is an
abundance of hot springs, which are called onsen. There are onsen all over
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Japan, and most all have been recognized in some fashion, for public
bathing is a Japanese national pastime. Some of the springs in the
mountains have been incorporated into the development of resorts, some
with private homes and others in large resorts and hotel complexes. The
chemistry of the waters varies and the unique properties are recognized.
One of the springs that I visited which had an especially strong healing
quality had iron-rich water that was a dark reddish-brown colour. Nearby
pools had hot and cold water. After bathing, one then is invite to enjoy tea
and elegant meals served in traditional Japanese fashion.
In contrast, in downtown Nara, another natural onsen has been
developed as part of week-end retreat featuring massage, movie theatres,
restaurants, and pachinko games. In this spa, there are a number of pools
with water of various temperatures as well as a special pool contains many
dissolved herbs. In Japan today, a serious public health problem is karoshi,
which means working oneself to illness, even death. As an antidote to
stress at work, some Japanese simply spend the week-end at such resorts.
5. Discussion
The Japanese landscape is dotted with many wonderful sei-chi of all
descriptions ― caves, rivers, hot springs, mountains, hills, waterfalls, etc.
In contrast to North America, where sacred space is defined solely by
human-made buildings, or scarcely, at best, marked by indigenous tribes,
the Japanese take special measures to insure that their sacred places are
well-known and honoured. Elaborate shrines and temples are sited at
special places, or at their threshold, and local spirits associated with each
place are known and respected in ceremonies, rituals and arts. Similar
shrines may be found at many homes, both inside and outside, integrating
distant spirits with those which preside over the home. The result of the
extensive marking of sei-chi is to elevate the overall feeling of sanctity of
the land, and to provide a constant reminder of how nature, spirit and the
mind are interconnected. Religious rituals, ranging from formal festivals
and ceremonies, to individuals making pilgrimages to place to make
offerings to invoke the gods, draw upon centuries of respect for natural
powers, and enrich Japanese life. The visitor comes away wondering if
somehow Japan is more sacred than North America.
There is a sharp contrast between Japanese attitudes toward proper
behaviour toward sacred places and those of native people indigenous to
North America. In Japan one makes a great amount of effort to show
honour and respect for places and invites as many people as possible to
come and pay homage to the places. There are special customs relating to
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331
how one shows respect for sei-chi, such as making offerings, wearing a
white scarf to visit very special places, and taking no photos of especially
sacred sites, but people are encouraged to come and visit and learn from
first-hand experience what the powers of these places are like, for the
places are there to benefit everyone who shows proper respect. Indian
tribes of South and Central America traditionally paid more public
attention to their sacred places, sometimes erecting large temples to
honour various gods and spirits. In North America, however, such humanmade structures are virtually nonexistent, except for the burial mounds of
the Midwest. Among American Indians, sacred places are frequently
secret and not visited, except perhaps by shamans and or select leaders.
The difference in attitudes toward place can be explained due to
differences in the nature of the religious practices in each area. Shintoism,
an indigenous religion of Japan, is a nature-oriented polytheistic religion
with many shamanic qualities. The mountains, caves, waterfalls, and forest
groves are the homes of the kami, and each is worshipped through special
rituals and shrines. Buddhism is more a commemorative religion, and yet
there are still shamanic elements in some sects, and in Japan, Buddhism
has frequently incorporated many aspects of Shintoism and even blended
with it in some cases. Much the same has happened for Confuscism, and
even Christianity to a certain extent. One consequence is that various
religious orders have staked claim to specific sei-chi, especially the Spirit
Mountains, reizan. The most prominent Shinto mountains are Mount Fuji
and Mount Nantai. The syncretistic Shinto-Buddhist sects gather at Mount
Yamabushi, where a mountain ascetic tradition flourishes. At Mount
Ontake, a favourite place for you or pilgrim clubs to gather, mediums
assemble and perform the yorigito ritual to enable them to predict the
future and manifest other psychic powers. Farther north, the Ainu of
Hokkaido represent the people of Japan with a core shamanic religion
closest to Indians of North America, however according to Hitoshi
Watanabe (1972), “there are no longer living Ainu who have (fully)
personally experienced traditional Ainu life.”
6. Nonetheless
When cultures move from shamanic religions to commemorative
religions, replacing shamans with priests, then public rites become more
commonplace and serve to anchor many cultural values and customs,
creating community as well as invoking spirituality. An important
question that one is faced after having seen and visited the sacred places of
Japan and studied sacred places of North America, is, is anything
332
13. James A. Swan
diminished in the powers of place through widespread, respectful
recognition of the place?
In a world with a growing population and galloping technological
development, this question seems very important to study, for Japan, as
well as inhabitants of other nations. It has relevance for both heritage
preservation, as well as the mental and ecological health of society, and
social customs regarding the spiritual values of nature.
One of the criticisms made against modern Japanese culture by some is
that while the Japanese have a heritage of love for nature, and have
developed extraordinary landscape and horticulture arts to maximize
natural beauty, they prefer to watch and tame natural environments, and
then regard them from a distance rather than coexist with it in a more
dynamic state (Kim 1991). In my limited experience, it seems that in
modern Japan there is reluctance to go out into nature and appreciate it
without any human alteration, in contrast to the United States where many
recreationists go hiking and backpacking in wilder realms of the American
Wilderness Preservation System. This distancing oneself from nature may
be linked with the modern Japanese cultural tendency to avoid
individuation through personal exploration the deeper mythic and
symbolic meanings of dreams and visions of the unconscious, preferring
instead to conform to group standards (Kauai 1991). Nature has a tendency
to loosen ego boundaries, facilitating exploration of the unconscious
through dreams and visions, etc. (Swan 1992), by removing barriers to
accessing the unconscious due to the pressures of modern life.
In contrast to the Japanese preference to regard natural beauty aided by
human actions, and modern Americans who create parks and reserves to
preserve wilderness, the circumpolar Inuit have no word for “park,” as
they traditionally live in wild places. Modern Inuit refer to the parks and
wilderness areas designated by modern society as “places white people
play.” Inuit, like Sammi, Bushmen, and other traditional hunter-gather
peoples live in a constant state of dynamic interplay with nature which is
essential for their survival, for in nature lies their source of food.
Regardless of our cultural heritage, there is a common urge among all
people to make contact with sacred places (Swan 1990). In modern society
this can be a source of serious problems for land managers and heritage
preservationists. At Stonehenge in England, visitation to the original stone
circle is heavily restricted due to the numbers of tourists who seek to visit
this place. An important difference between use of Stonehenge and
Japanese sacred places, however, is that Stonehenge is not considered by
most people to be a center for ongoing active religious practice, but rather
a historical artefact representing a previous religion and culture. The
Sacred Places of Japan
333
difference in cultural perceptions of place between modern society and
traditional societies is one example of how mind and nature have become
split in modern culture, resulting in alienation within and pollution and
destruction of the natural world without. In a modern world, where
material values are given so much weight, it would seem that we could
learn much from the Japanese legacy of sacred places and the cultural
values that preserve and respect them that could be translated to other soil,
helping shape values of love for nature that could help guide us to create a
more ecologically harmonious world.
-----------------------Note: # In preparing this paper I wish to thank Fumio Suda, Tadaaki Kanno, Akio
Inoue, Tomohide Cho, Mr. and Mrs. Takashi Tsumura, and the many other
gracious Japanese people who supported my visits to Japan and introduction to
the study of Japanese culture and thought.
---------------------------
7. References/ select Bibliography
Blacker, Carmen 1989. The Catalpa Bow: A Study of Shamanistic
Practices in Japan. Unwin Hyman Ltd. London, England.
Inoue, Akio 1988. ‘Signs Coincided’ and the Way of the ‘Divine Model’.
Tenri, Journal of Religion, December, Number 22.
Kauai, 1992. Paper presented at the Tenri Yamato Culture Congress,
Tenri, Nara-Ken, Japan, November.
Kurita, Isamu 1992. Nihon no Kokoro (Japanese Mind). Maruzen, Co.
Ltd., Tokyo, Japan: page 123.
Ono, Sokyo 1962. Shinto: The Kami Way. Charles E. Tuttle and Co.,
Tokyo.
Shimizu, Yoshitaka 1991. Keynote speech at Spirit of Place Symposium.
Sendai, Japan, November 25.
Swan, James A. 1975. Returning to our Roots: Organic Education and
Social Transformation. Sage Publications, Beverley Hills.
―. 1990. Sacred Places. How the Living Earth Seeks our Friendship.
Bear & Co. Publishing, Santa Fe, NM.
―. 1991a. The Power of Place. Sacred Ground in Natural & Human
Environment. Quest Books (Theosophical Publ. House), Wheaton, IL.
―. 1991b. Sacred places in nature and transpersonal experiences; in,
Singh, R.L. and Singh, Rana P.B. (eds.) Environmental Experience, &
Value of Place. National Geog. Soc. of India, Varanasi, Pub. 38: 4047.
334
13. James A. Swan
―. 1992. Nature as Teacher and Healer. How to Reawaken your
Connection with Nature. Villard-Random House, New York, NY.
―. 1994. Sacred places of the Bay Area; in, Singh, Rana P.B. (ed.) The
Spirit and Power of Place: Human Environment and Sacrality.
National Geographical Society of India, Varanasi, Publ. 40: 123-130.
―. 1999. The Sacred Art of Hunting: Myths, Legends, and the Modern
Mythos. Willow Creek Press, San Francisco.
Swan, James A. and Stapp, William B. 1974. Environmental Education;
Strategies toward a More Livable Future. Sage Publ./Halsted Press,
New York.
Swan, James A. and Swan, Roberta 1996. Working With the Spirit of
Place. Quest Books (Theosophical Publ. House), Wheaton, IL.
―. (eds.) 1996. Dialogues with the Living Earth. New Ideas from Spirit of
Place from Designers, Architects and Innovators. Quest Books
(Theosophical Publishing House), Wheaton, IL.
Ueda, Makoto 1991. Basho and His Interpreters: Selected Hokku with
Commentary. Stanford University Press, Stanford, CA: p.102.
Watanabe, Hitoshi 1972. The Ainu Ecosystem. University of Washington
Press, Seattle, WA: p.v.
------------------------------------------Dr. James A. Swan
Snow Goose Productions, P.O. Box 2460, Mill Valley, CA 94942. U.S.A.
Email: sgsprod@comcast.net
§ James Swan, Ph.D., is an environmental psychologist by research and training
who has taught at major universities. He serves as film producer, author of books
on transpersonal ecology, actor in the environmental awakening movies, and
organiser of the ‘spirit of place symposia’ programmes all over the world. He
serves as adjunct research professor at Institute of Transpersonal Psychology at
Palo Alto. For his screenwriting, James draws upon having been a University
professor of environmental studies, psychology and communications at the
Universities of Michigan, Western Washington State, Oregon and Washington, and
anthropology at the California Institute of Integral Studies; as well as work with
traditional cultures of North America and Asia and inspiration from Joseph
Campbell. In 2002 he has founded Snow Goose Productions to deal with the above
noble missions. He has authored several books, including The Sacred Art of
Hunting (1999), Nature as Teacher and Healer (1992), The Power of Place
(1991), and Sacred Places (1990).
CONTRIBUTORS
Collins-Kreiner, Dr. Noga
Assoc. Professor, Department of Geography and Environmental Studies
Center for Tourism, Pilgrimage & Recreation Research, University of
Haifa, Haifa 31905. ISRAEL. Email: nogack@geo.haifa.ac.il
Dandan, Ms. Zhou
Research Fellow, Department of Sociology, Xiong Zhi-xing Lou,
Tsinghua University, Beijing 100084. P. R. CHINA
E-mail: zdd08@mails.tsinghua.edu.cn
Masud, Prof. Muhammad Khalid
Chairman, Council of Islamic Ideology, Plot # 46, Ataturk Avenue,
Sector G-5/2, Islamabad. PAKISTAN. Email: contact@cii.gov.pk
Meyer, Prof. Jeffrey F.
Emeritus Professor, Department of Religious Studies, Hwy 49 North Str.,
University of North Carolina at Charlotte, Charlotte, NC 28223. U.S.A.
Email: jfmeyer@uncc.edu
Poenaru, Arch. Designer Drd. Aritia D.
National Institute of Inventics & “Al. I. Cuza” University, Bd. Carol 1,
nr. 11, Iasi. ROMANIA. Email: aritia.poenaru@yahoo.it
Poudel, Prof. Padma C.
Professor, Central Department of Geography, University Campus,
Tribhuwan University, Kirtipur, Kathmandu. NEPAL.
Email: poudelpc@hotmail.com ; poudelpc@yahoo.com
Rana, Dr. Pravin S.
Lecturer in Tourism Management, Faculty of Arts,
Banaras Hindu University, Varanasi, UP 221005.
Res.: # New F - 7 Jodhpur Colony; Banaras Hindu University,
Varanasi, UP 221005. INDIA. Email: psranabhu@gmail.com
Sacherer, Prof. Ms. Janice
Professor of Anthropology and Asian Studies, University of Maryland,
Asian Division, Okinawa. PSC 560, Box 843,
APO AP 96376, Okinawa, JAPAN.
Email: jturner@sunny-net.ne.jp ; jturner@asia.umuc.edu
336
Contributors
Scott, Prof. Jamie S.
Director, Graduate Programme in Interdisciplinary Studies, & Professor,
Division of Humanities & Graduate Programmes in English, Geography,
Humanities & Interdisciplinary Studies; York University,
262 Vanier College, 4700 Keele St., Toronto, Ont. M3J 1P3. CANADA.
Email: jscott@yorku.ca
Singh, Prof. Rana P. B.
Professor of Cultural Geography & Heritage Studies,
Banaras Hindu University, Varanasi, UP 221005.
Res.: # New F - 7, Jodhpur Colony; Banaras Hindu University,
Varanasi, UP 221005. INDIA. Email: ranapbs@gmail.com
Stãnciulescu, Prof. Dr. Traian D.
National Institute of Inventics & “Al. I. Cuza” University, Bd. Carol 1,
nr. 11, Iasi. ROMANIA. Email: tdstanciu@yahoo.com
Smiljanić, Dr. Danijela
Department of Ethnology and Cultural Anthropology,
University of Zagreb, Ivana Lucica 3, 10000 Zagreb. CROATIA.
Email: danijelasmiljanic@yahoo.com
Swan, Prof. Dr. James A.
Snow Goose Productions, P.O. Box 2460, Mill Valley, CA 94942. U.S.A.
Email: sgsprod@comcast.net
Timothy, Prof. Dr. Dallen J.
Program Director, Tourism Development and Management,
School of Community Resources and Development, Arizona State
University, 411 N. Central Ave., Suite 550, Phoenix, AZ 85004. USA
Email: dtimothy@asu.edu
Wu, Prof. Kingsley K. [1934-2004]
He was an Emeritus Professor, Department of Art & Design, Purdue
University, 552 West Wood Street, West Lafayette, IN 47907. U.S.A.
Vinscak, Dr. Tomo
Department of Ethnology and Cultural Anthropology,
University of Zagreb, Ivana Lucica 3, 10000 Zagreb. CROATIA.
Email: tvinscak@ffzg.hr
INDEX
Āitareya Brāhmana 144
Amitabha Buddha 205, 206
archetype cosmos, macro- ,
meso- , micro- 31, 119;
cosmicised nature 36,
principle 38, symbolism 111,
forms 122, initiation 127
Architecture of light 111-128,
world as cathedral 111;
genesis of cosmic form 112117, darkness 112, energy
information 112, structurally
112, 123, functionally 113,
123, universal becoming
113, cosmograms 113,
hermeneutical alternatives
115; essential unity 117-118;
spiral light 119, law of
organic growth 119;
harmonious light 119-121,
golden number 120, golden
spiral 121; postulates 122125, bio-psychical state 122,
spiritual-cognitive state 122,
types of phenomena 123,
ultraweak luminescence 123,
connection energy 124,
esosane architecture 124
Ashoka, the king 195, 252, 253,
254, 257
Avalokiteshvara 143, 204
axioms, sacredscapes 18-19,
culture 18, cultural unity 18,
place equality 18, intrinsic
meaning 18, history matters
19, sacred ecology 19,
obscure 19
axis mundi 5, 37. 115, 131,
Kailās 134-138, 150
beingness 15
betwixt and between 242
biophotonics 111, 120, 122, 123,
125, 128, 129
black-whole 114
Bodhisattva 195, 197, 198, 199,
201, 204, 204, 205, 206,
207, 209, 252
Buddhism, environment 205206, Sheng Yen 205, 206,
dharma 206, Bodhisattva
205, 206, adherents 280
Buddhist pilgrimage 138-143,
nirvana 139, 258, historical
events 282-284, Middle way
280
Buddhist sacred places 247-280;
historical context 247-251,
map north India 249;
Lumbini 252-254,
Development trust 254;
Bodh Gaya 254-258,
Mahabodhi temple 256, 257,
Bodhi Tree 257, 258;
Sarnath 259-261, religious
landscape 260; Rajgir 262265, Five Precepts 262, First
Buddhist Council 264,
Rajgir Festival 265; Nalanda
265-269, excavated remains
map 266, monasteries 268269; Shravasti 269-272,
Sahet-Mahet 270, 271,
Buddha’s sermon 270-271;
Vaishali 272-274, Amrapali
338
272, Lichchhavi 272,
Buddha’s reply 274;
Kushinagar 274-277, Third
Turning of the wheel 275276, excavation map 276;
Sankisa 277-279, Bharhut
relief 279, Abhidhamma
277,
China, landscape & memory
175-193; perspective 176178, Pucun’s landscape 178,
180, 181, 182, 183, 187,
190, 191, 192, 193; Qian
Bangqi identity 178-182,
192, 193, Yangtze river 178,
Yuqing xianzhi 179, 182,
183, 184, 185, 192,
Yongtashan 181, 182;
waterscape 182-184, garden
182, Jinling shijing 183,
Yanjing bajing 183, Liuhu
xiaoyan 184; Tashan stone
184- 92, Ming dynasty 186,
tashanfu 187, Tashanji 187,
shifanfeng 188, 189,
jiumianfeng 188, yanduan
188, aesthetic principles 188,
cangshuxia 189, Yongtashan
190
China, Mt Wutai 195-209, 210;
background 195-198,
Taihuai 196, Ashoka 196,
ying- xian 197, Buddhist
dharma 197-209, pilgrimage
198-201; Tang dynasty 196,
197, 199, 203, 204, 205,
206, 208, pilgrimage
landscape to heritage site
206-208, Foguang Temple
206, 208, Xiantong Temple
Index
206, 207, Shuxiang Temple
207
Clairvoyance 29
communitas, Turner 71
contemplative 176
contestation 72
cosmogram/s 113; ICHTHUS
125, 126, 127, 128,
integration 125-128, creative
life matrix 127, etheric
energy 127
Cunningham, Alexander
Dalai Lama 167, 261
dharma, Buddhist 199, 201, 203,
204, 205, 206, 208, 211, 259
diaspora 73,
faithscape, sacredscape 27-33,
38, 242, wholeness 27, sui
generis 27, transcendent 27,
29, clear seeing 29,
mythology 28, ceremony 28,
transient 29, encountering
28,
fig tree, pipal 217, 222
Gangaisation 32,
Gatekeeper Trust 33
generalised axioms 5
geographics 15-16
geography in 21st century 5
geography, deeper 16-17, 19
geomancy 18, 26
geopiety 10
Göbekli Tepe 1
Hajj 72, 73, 95-109, 100, 102,
103, 106, 108, 109, routes
86, stages 97; rites 99-100,
Islamic law 99-100, juristic
and Sufi views 103
healing 6
heritage ecology 24-27, 39,
archaeology 24, being-
Sacredscapes & Pilgrimage Systems
seeing 24, cultural
astronomy 24, living earth
24, sacred geometry 26,
mythology 26, monitoring
26, geomancy 26, uses 26,
symbolism 26, energies 26,
sacred earth 27
hierophany 9
Hindu traditions 22, 38, moral
duties 31, mythology 31, rite
of passage 31, prehistoric
religious notions 32,
Hiranya-Garbha 113
India’s five sacred sites 212, 213
inter-textuality 11
Jambudvipa 148, 149
Japan, sacred places 321-333,
perspectives 322- 324;
Sendai 324-327, shinkansin
325, Jimbu 325, shi-zen
322, Matsuhima Bay 324,
325, 326, kami way 326,
328, 329, torii 326, 329,
Zuiganji Temple 325; Nara
327-329, Emperor Kammu
327, Mt. Wakakusa 327,
Tenri 327-328, Jiba 328,
sake 329; Onsen 329-330,
karoshi 330; sei-chi 321,
323, 324, 330; Shintoism
324, 329, 331; invoking
spirituality 331-333,
Japanese legacy 333,
Japanese life 330, reizan 331
Jerusalem 52, 56, 57, 58, 59, 60,
66, 288, 290, 294, 301, 303
Jewish pilgrimage 285-301,
Israel holy sites 291;
background 285-286;
pilgrimage-tourism 287-289,
sacred-secular 288, tourist
339
experience 289; Jewish 290,
Western Wall 290, 300, 301,
holy people 290; methodology 291, questionnaire 292,
visitors’ characteristics 292294, distribution 293, local
village 293; visitors’
typology 294-296 , Orthodox
Jews 294-295, 298, secular
visitors 293, 295, traditional
visitors 295-296, 298; stages
of development 295-297,
Cohen’s typology 296, 298;
tourism-pilgrimage axis 297299, heritage tourists 297,
spiritual tourists 297,
proposed typology 298-299;
concluding remarks 299-301
Kā’bāh 97, 99, 100, 101, 104,
106, 107
Kailās 131-151, 152, map 133,
134, introduction 131-134;
as axis mundi 134-138, 150,
Shiva’s face 133, pilgrimage
path 133, 134, Asian
religions 134, snow covered
peak 135, circumambulation
137, 145, khorras 137, 139,
142, 143; Buddhist
pilgrimage 138-143,
chortens 139, gompa 140,
Mani stone 142; Hindu
pilgrimage 143-148
Kalachakra 113
Karmapa 158, 160, 163, 172,
174
kshetra, holy territory 212, 216,
217, 218, 227, 240, 243
latent dissonance 243
mahā prasāda 215
Mahabodhi Society 258
340
Mahaparinibbana Sutta 250
Mānasarovar 137, 143, 146,
148-150, 151, 152, Rakasha
Tal 148, 149, 150, 151,
Ganga-chu 149, Anotata 149
mandalic 23, sahasrāra chakra
136
Mecca 95, 96, 97, 98, 99, 101,
102, 103, 108
Milarepa 141, 142, 158, 159,
160, 168, 171
modelling of universe 116
moksha, relief from
transmigration 211, 212, 241
Mount Meru 134, 136, 137
Muktināth Tirtha: sacred places
219-228, Muktināth 219222, Dāmodar Kunda 223,
Chu-mig brgya-rtsa 223-224,
Kāgbeni 224, Shiva temple
224, Dhārā Tirtha 224, 229,
Hamstirtha 224, Vajrapāni
225, Kāgbenitirtha 224,
Shālagrāma Tirtha 216,
Jvālāji 212, 218, 225-227,
230, Nrisimha Gompā 227228, Sang-Do-Gompā 228
Muktināth, Nepal 211-243,
introduction 211-216,
Mustang district 214, 223,
238, 243, 244, 245, path map
214, 215, 218, Manang
valley 216; mythic context
216-218, Malla kings 217,
Jhomo 221; Pouwa 228-229;
festivities 229-230, Yār-tong
229-230, Janaipurnimā 229,
Durgā Puja 230; structure of
pilgrims, tourists 230-240,
spatial flow 230, pilgrims by
countries 231-232, age-
Index
structure 233-234, frequency
of groups and visits 234-235,
motives 235, duration 235236, expenditure 236-237,
transportation 237-238, other
places; visits 238-239,
accommodation 239-240;
spirit of place 240-242,
panchāyatana pujā 240
multidimensionality 3
mysterium tremendum 10, 12,
14, 21
mythology 28, 31, 36, 37
Nada Brahma 112
Nepal, Rolwaling 153-171,
geography of Beyul 153156, Neyig 154, 159, Bhote
Kosi 155, spiritual history
156-159, recent history 169171, dharma 156, terton
157, 164, Mongols 157,
Muslim raiders 157, Dakinis
158; mountain significance
159- 161, Tseringma 159,
160, 161, 162, 163, 164,
169, 170, Miyo Langzangma
161; sacred landmarks 161164, Buddhiust monuments
164-167, rangjin 162, 163,
166, 167, Rolpa Ling 164,
ringa 166, Shambala 164,
172; Sherpa immigration
167-169, Rolwalingites 166,
168, 170
openness 31
orthogenetic 16
Path, the pilgrimage 98-99,
stages 98, states 98, sublime
pleasure 98-99, esoteric
knowledge 99, intuition 99,
rules 104-105, self-
Sacredscapes & Pilgrimage Systems
purification 146, Muktināth
Kshetra 211-243
pilgrimage and literature 1, 4794, devotional reasons 47,
hard and soft meanings 48,
interpretive confusion 49;
literature 49-58, Epistle to
the Hebrews 50, Roman
imperium 50, Holy Land 50,
52, 55, 56, 58, 59; in
literature 58-67, John
Mandeville’s travel 58, inner
pilgrimage 60, John Bunyan
62, 63; Literary pilgrimage
67-71; Grand tour 68,
Ulysses 69, 70, self-making
71; afterword 71-76; literary
sources 76-94; as a way 95,
principle 96, symbolism 98;
pilgrimage and sacredscapes 3234; cultural ecology 33, the
art 33, 34, passionate man
34; contemporary concerns
34-36, multidudes 34, Maya
world 35, ultimate goal 35,
Christian view 35-36,
Bolivian pilgrimage 36,
Jewish pilgrimage 285-301,
Santiago de Compostela
308-309
pilgrimage-tourism 36, 287-289,
301, Jewish 290, religious
tourism 288
placemaking 5
placeways 8
Primordial Man 114
Qing Dynasty 175, 177, 178,
180, 190, 191, 193
Qur’an, Qur’anic 95-109
re-conceptualisation 36-39,
revelation 37, cosmic spirit
341
38, communionship 38, Carl
Jung 36-37, 39, 42,
orientation 37,
rhythmscapes 6
Rig Veda 112, 114
sacrality 5, 6
sacrality and human environment 7-13, 15, 16, 19,
holiness 9, meaningless
places 7, environmental
sensitivity 8, spirituomagnetism 8, re-awakening
8, sensory phenomena 9,
relativeness 9, divya kshetra
10, challenges 11,
mythology 11, making of
place 36, representation 13
sacred characteristics 8-9
sacred geography 13-17, sacred
cartography 13, spatial
context 13, 14, sacred place
14, happy places 17,
topophilia 15, topophobia
15, chorophilia 15,
chorophobia 15, contextual
difference 16, sacred
geography dimensions 1718, ethereal breathe 17, five
dimensions 17,
sacred geometry 111, 120, 129,
representation 120,
architecture 112; essential
unity 117, visual language
117, space-time 117, ovoidal
force 117, 122, genesis
model 118, essential unity
118; geometric symmetry
118-119, energy-formation
118, 120
342
sacred place, phenomenological
axioms 14, 172, Japan 321333
sacredness 7, earth heritage 37,
mental health 37
sacredscapes 4, 5-39, axioms 1819, as function 19-21, nature
19, habitat 20, artefact 20,
system 20, problem 20,
wealth 20, ideology 20,
history 21, special place 21,
aesthetic 21; taxonomy 2124, mystic-religious 22,
temples 22, historical 22,
three groups: human crafted
22, archetypal 22, in nature
23, noumenal 24, categories
23, construction 37,
orientation 37,
Sagarmāthā, Mt. Everest 214
Santiago de Compostela 51, 54,
301-319, background 301303, cognitive maps and
sketches 304, 305, 306, 307,
Visigothic king 302, Holy
Land 303; Road to Saint
James 302-308, background
304-307, Codex Calixtinus
304, 311-312, La Rioja 313,
Navarrese 306, 318, Roland
306, 307, 308, legend 307308, Nájera castle 307, 308,
holy year 303, Santo
Domingo de la Calzada 313;
pilgrimage to Compostela
308-309, story of St. James
308-309, Santiago
Matamoros 309; power of
place 309-313, impetus 309310, settlement along the
Road 310-311, military
Index
protection 310, services 311;
environmental ethics 314317, liturgy and liturgy 314315, ecclesiastic and civic
314, environmental pressure
315-316; environmental
impact 316-317; heritage
legacy 317-318 UNESCO
WHL 301, 317-318;
reflections 318-319, coexistence 318, the last words
319
sense of place 6
Shālagrāma 212, 216, 217, 240,
241, 242, types 241
Shiva 133, 135, 145, 146, 147,
148, 149, sacred metre 146,
147, bija-sabda 147
spirit of place, genius loci 6, 8,
10, 12, 15, 16, 21, 24, 28,
39, 44, 240-242, 301, 324,
325
spirituality 2, 331
sublime place 6, 10, sublimeness
10
Sufis 100-102, pilgrimage 100,
Gnostic dimension 100,
communion with God 101;
contrastive parallelism 102106; juristic and Sufi views
103; allegorical interpretations 106-108, love and
passion 107
text and content reciprocity 11
theoria 8
Theosophy 29
theosphere 30, 242
Tirtha-yatra 1, 2, 13, 22, 32,
143, 144, 146, 223, 237,
inner realm of self 30, 31,
Muktināth 224-242
Sacredscapes & Pilgrimage Systems
topistics 8, 15
topophilia 15
transmutation 10
transpersonal ecology 27
Tree of Living Earth 25
tulasi, holy basil 217, 242
UNESCO Intangible Heritage 7
UNESCO World Heritage 4,
Mt. Wutai 195, 197, 207209, Lumbini 253, Bodh
Gaya 258, Sarnath 261,
Santiago de Compostela 301,
317-318
343
Universe, a tree 114
Wenshu, Manjushri 195, 197,
198, 199, 201, 202-203, 204,
205, 206, 209, 225, 244
Wutai pilgrimage 198-201,
territory map 200, sacred
ground 198, nirvana 198,
Buddhapali 198, Samadhi
201, Bodhi 201; unimportance of place 201-205,
Ch’an school 202, 203, 205,
209, gatha 203, 204, Prajna
203, suffering 204
THE EDITOR
RANA P. B. SINGH (b. 15 December 1950), PhD (1974), Professor of Cultural
Geography & Heritage Studies at Banaras Hindu University, Varanasi (India), has
been involved in studying, performing and promoting the heritage planning, sacred
geography, pilgrimage studies, Eco-tourism and development in the Varanasi
region for over last over three decades as consultant, project director, collaborator
and organiser. He has been Visiting Professor of Geography at Virginia Tech
(USA), Japan Foundation Scientist at Okayama, Indo-Swedish Visiting Professor
at Karlstad, Ron Lister lecturer at University of Otago, NZ, Linnaus-Palme
Visiting Professor at Karlstad University, and Gothenburg University (Sweden),
and Indo-Japanese Exchange Professor at Gifu University, Japan. As visiting
scholar he gave lectures and seminars at many universities in Australia, Austria,
Belgium, China PR, Denmark, Germany, Finland, Italy, Japan, Malaysia, Nepal,
Netherlands, New Zealand, Norway, Philippines, Singapore, Spain, Sweden,
Switzerland, Thailand, USA (also Hawaii), and USSR. He is a Member, UNESCO
Network of Indian Cities of Living Heritage, and also a South Asian representative
to the IGU initiative on ‘Culture and Civilisation to Human Development’
(CCHD), since 2005. He is honoured being an academic Fellow of the Accademia
Ambrosiana Milan, Italy (F.A.A.I.), the first one from South Asia, and Member,
A.A. Istituzione del Comitato Scientifico (Milan, Italy), 2010-2012.
His publications include 13 monographs, 26 books, and over 190 research
papers, including articles in reputed journals like GeoJournal, Architecture &
Behaviour, Erdkunde, Geoscience & Man, Pennsylvania Geographer, The Ley
Hunter, Place, and also in series from Routledge, Ashgate, Longman, Oxford, and
Cambridge Scholars Publishing, CSP UK. His notable publications include The
Spirit and Power of Place (1994), Banaras Region (2002, 2nd ed. 2006, with P.S.
Rana), Where the Buddha Walked (2003, 2nd ed. 2009), Banaras, the Heritage City
of India (2009). He is also the Series-editor of the ‘Planet Earth & Cultural
Understanding Series’, and published eight volumes in this series: Uprooting
Geographic Thoughts in India (2009 CSP UK), Geographical Thoughts in India:
Snapshots and Vision for the 21st Century (2009 CSP UK), Banaras, Making of
India’s Heritage City (2009 CSP UK), Cosmic Order and Cultural Astronomy:
Sacred Cities of India (2009 CSP UK), Sacred Geography of Goddesses in South
Asia (2010 CSP UK), Heritagescape and Cultural Landscapes (2010, Shubhi,
New Delhi), Sacredscapes and Pilgrimage Systems (2011, Shubhi, New Delhi),
and Holy Places & Pilgrimages: Essays on India (2011, Shubhi, New Delhi).
Contact address:
Res.: # New F - 7, Jodhpur Colony; Banaras Hindu University,
Varanasi, UP 221005. INDIA
Tel: (+091)-542-2575843 (Res.); (+091)-542-6701387 (chamber).
Cell: (+091-0)-9838 119474. E-mail: ranapbs@gmail.com