History of Science in South Asia
A journal for the history of all forms of scientific thought and action, ancient and modern, in all regions of South Asia
Special issue:
Transmutations: Rejuvenation, Longevity, and
Immortality Practices in South and Inner Asia
Edited by Dagmar Wujastyk, Suzanne Newcombe,
and Christèle Barois
Tibetan Bonpo Mendrup: the Precious Formula’s
Transmission
Anna Sehnalova
Charles University, Prague and Oxford University
style citation form: Anna Sehnalova. “Tibetan Bonpo Mendrup: the Precious Formula’s Transmission.”
History of Science in South Asia, 5.2 (2017): 143–180. doi: 10.18732/hssa.v5i2.27.
MLA
Online version available at: http://hssa-journal.org
HISTORY OF SCIENCE IN SOUTH ASIA
A journal for the history of all forms of scientific thought and action, ancient and modern, in all
regions of South Asia, published online at http://hssa-journal.org
ISSN 2369-775X
Editorial Board:
•
•
•
•
•
•
Dominik Wujastyk, University of Alberta, Edmonton, Canada
Kim Plofker, Union College, Schenectady, United States
Dhruv Raina, Jawaharlal Nehru University, New Delhi, India
Sreeramula Rajeswara Sarma, formerly Aligarh Muslim University, Düsseldorf, Germany
Fabrizio Speziale, Université Sorbonne Nouvelle – CNRS, Paris, France
Michio Yano, Kyoto Sangyo University, Kyoto, Japan
Publisher:
History of Science in South Asia
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Dominik Wujastyk, Editor, University of Alberta
Email: ⟨wujastyk@ualberta.ca⟩
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Tibetan Bonpo Mendrup: the Precious Formula’s
Transmission
Anna Sehnalova
Charles University, Prague and Oxford University
1. INTRO DUCTIO N
T
he present issue of History of Science in South Asia is dedicated to longevity
and rejuvenation practices in South and Inner Asian medical, alchemical
and yogic traditions, with a particular focus on their mutual relatedness and
interconnectedness. This study presents the emic textual history of the Bonpo
mendrup (Wylie: sman sgrub)1 ritual, a Tibetan practice of presumably Indian origin2 embodying and intertwining all these spheres of knowledge and their principles.
The Tibetan religious tradition “Bon” in its current monastic form heavily
draws on Buddhist doctrine and practice, and hence can stand as one of the
schools of Tibetan Buddhism. The mendrup ritual epitomises this milieu. Nevertheless, the designation “Bon” can be in certain instances viewed also in contrast
to Buddhism, when it is understood in relation to Tibetan pre-Buddhist cults (i.e.,
predating the seventh century ce), or to the non-Buddhist elements of both historical and contemporary Tibetan culture, especially Tibetan popular religion.3
Some of the contrasting elements may be best understood as deliberate inversions of Buddhist categories in a process of establishing a unique and cultur-
1 For names, I have used the recognised
Tibetan phonetic transcription with the exception of a few established forms: Bonpo
(instead of Bönpo), Tashi Menri (instead of
Trashi Menri), Triten Norbutse (Triten Norbutsé), and Menri Trindzin (Menri Tridzin).
The phonetic transcription is followed by
the Wylie transliteration in brackets. In
some cases, I have added Sanskrit terms
commonly used, or referred to, by Tibetan
practitioners.
2 See Cantwell 2015 and Cantwell 2017 (in
this volume) and Garrett 2009, 2010.
3 For discussion of the term ”Bon,” see
Kværne 1995 and van Schaik 2013.
history of science in south asia 5.2 (2017) 143–180
144
tibetan bonpo mendrup
ally effective interpretation.4 Contemporary Bonpos, monks of Bonpo monasteries and their lay communities, adopt many Buddhist precepts, often expressed
with original variations, while maintaining a great deal of Tibetan non-Buddhist
ideas. Currently, Bonpos are found all across cultural Tibet and the Himalayas.
The largest communities exist in Eastern Tibet (Sichuan, Gansu, and Qinghai
provinces of China) and in the Nepali Himalayas (the regions of Mustang and
Dolpo, the Kathmandu valley).5 Significant Bonpo centres have recently also
been established in the West, in Europe (mainly France), the USA and Mexico.
The Bonpo mendrup ritual is a tantric meditative practice (Sanskrit: sādhana)
and consecration rite of transforming substances into a most effective healing
mixture. Sādhana implies the basic tantric exercises of visualising and selfidentifying with a tantric deity in order to achieve meditative accomplishment.6
Mendrup practice lets an adept attain such an inner transformation and spiritual
progress, while also transforming material ingredients into empowered and
consecrated substances. Such substances are then believed to hold special virtues, powers, and qualities of awakening (Tibetan byang chub, Sanskrit bodhi).7
Both the mendrup ritual process and the produced “medicine,” men (sman), are
considered extremely efficacious for healing, rejuvenation, and longevity, as
well as for promoting spiritual progress. As such, the ritual is similar to other
mendrup rituals and practices in Tibet, as well as to chülen (bcud len), mani rilbu
(ma ṇi ril bu), precious pills’ (rin chen ril bu) processing, etc.8 The appellation
“mendrup” is a compound of two words: 1. men (sman), denoting “medicine,”
a healing substance or in general something beneficial,9 and 2. drup (sgrub)
meaning “to achieve, attain, accomplish,” which is also a term for the yogic
and tantric practice of sādhana. The name of the ritual can thus be translated
as “medicinal accomplishment,” or “achievement of medicine,” “medicinal
4 For instance, the right-hand circumambulation in the Tibetan Buddhist context has a
left-hand alternation in the Bonpo context.
Similarly, the colours associated with individual cardinal points of a mandala have
switched locations for the Bonpos, as will be
shown below.
5 See Karmay and Nagano 2003.
6 On the meditative and spiritual element
of mendrup in the Nyingma context see
Cantwell 2015 and Cantwell 2017 (in this
volume) and Garrett 2009, 2010.
7 Bentor 1996, 1997.
8 On mendrup, see Cantwell 2015 and Cantwell 2017 (in this volume); Donden and
Hopkins 1997; Bstan-’dzin-rgya-mtsho et
al. 2007; Garrett 2009, 2010; Craig 2011,
2012; Blaikie 2013, 2014; Blaikie et al. 2015.
On chülen (bcud len), see Gerke 2013; Parfionovitch, Dorje, and Meyer 1992: I, 119–22
and II, 275–78; Oliphant 2015, 2016: 205 f.
(for a chülen close to the mendrup described
here). On mani rilbu (ma ṇi ril bu), see Kohn
1988. On the processing of precious pills (rin
chen ril bu), see Aschoff and Tashigang 2001,
2004; Gerke 2012; Czaja 2013; Gerke 2013;
Blaikie 2015; Czaja 2015; Gerke 2017 (in this
volume) and Millard unpublished. On these
and other comparable practices, see Samuel
2010 and Schaeffer 2002.
9 Cf. Das 1902.
history of science in south asia 5.2 (2017) 143–180
anna sehnalova
145
practice,” “practice of medicine,” or “medicinal sādhana”.10 Within its immense
complexity, the Bonpo mendrup ritual combines Indian tantrism, Buddhism
and its soteriological ideas, the Tibetan medical tradition (Sowa rigpa, gso ba rig
pa), alchemy and Tibetan indigenous religious notions. The ritual is centred
on the inner-personal transformation through meditation upon tantric deities,
accompanied by the production and consumption of the specially empowered
substance. The substance is called “medicine” and is compounded following
rules of Tibetan medicinal drugs and ritual knowledge. The medicine created in
this context acquires such epithets as “the nectar of immortality” (’chi med bdud
rtsi), “the medicine overcoming poison” (dug ’joms pa’i sman), “the precious
nectar” (bdud rtsi rin po che), “the great nectar” (bdud rtsi chen po), “the secret
nectar” (bdud rtsi gsang ba), “the nectar of wisdom” (ye shes bdud rtsi), etc.11
In general, in both Tibetan Buddhism and Bon, the performance of the
mendrup ritual can vary from being a small yearly rite for the enhancement
of drug efficacy in medical clinics or other institutions producing medicines,
further as an irregular village event, or as an extended monastic celebration, as
the one presented later in this article.12 The Bonpo mendrup when performed on
a large scale, represents one of the most elaborate healing rituals of the present
Tibetan realm. It is also probably one of the rarest, special, most demanding
and expensive Tibetan rituals. The Bonpo community believe it to be extremely
powerful, an event one should witness at least once in a lifetime.
2. THE BO NP O MENDRUP RITUAL P RACTICE
H
istorically, the practice of the extended Bonpo mendrup ritual in the monastic setting used to be restricted to a single performance in the life of each
abbot of Tashi Menri monastery (bKra shis sman ri, founded in 1405) in Central
Tibet, the leading monastery of Bon (Figure 1). The interval between performances is said to have averaged around sixty years. Nowadays, the practice is
much more frequent due to increasing (and global) sponsorship and facilitated
10 For a broader etymological excursus on
the term, see Garrett 2009.
11 MS Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil ba bdud
rtsi sman gyi gzhung lags s+ho); dKar ru
Grub dbang sprul sku bstan pa’i nyi ma
1998a: v. 168, text 1, 1998b: v. 230, text 22;
dPon slob Rin po che tshangs pa bstan ’dzin
et al. 2014. For a discussion of the expression and concept of “nectar” in Buddhist
mendrup contexts, see Garrett 2009, 2010.
12 On mendrup as a small yearly rite for
the enhancement of drug efficacy in medical clinics, see Craig 2011, 2012; in other institutions producing medicines, see Blaikie
2013, 2014; Blaikie et al. 2015. Kind (2002)
provides an example of mendrup as an irregular village event from Dolpo, Nepal. And
see Cantwell 2015 and Cantwell 2017 (in this
volume) for mendrup as an extended monastic celebration.
history of science in south asia 5.2 (2017) 143–180
146
tibetan bonpo mendrup
Figure 1: Tashi Menri monastery in Central Tibet.
logistics for the purchase of the required medicinal ingredients and substances.
It particularly flourishes in the exile, in the substitute Tashi Menri monastery
(founded 1969) in Himachal Pradesh, India, and the second most prominent exile monastery, Triten Norbutse (Khri brtan nor bu rtse, initiated in 1986, founded
1992) in Kathmandu, Nepal (Figure 2).13
All Bonpo mendrup rituals are dedicated to a specific tutelary deity, yidam,
(Tibetan (Wylie): yi dam/ yi dam gyi lha, Sanskrit: iṣṭa-devatā) and the deity’s
specific cycle of teachings. Different teaching lineages14 of the Bonpos have
their own mendrup rituals of different yidam deities, i.e., of particular and often
individually attributed tantric deities to be meditated upon in order to guide the
adepts to awakening. For the prevailing Bonpo Dru (Bru, also spelled Gru, ’Bru,
’Gru) lineage,15 inherently tied to the Menri monastery, the two main yidams for
a mendrup ritual are the deities Trowo Tsochok Khagying (Khro bo gtso mchog
13 The ritual in Menri was mentioned by
Cech (1988), and in Triten Norbutse by
Tsetan (1998).
14 The liturgic and teaching lineages of the
Bonpos originated from hereditary family
father-son transmission lineages. Only a
small number of the original six main lines
have survived, and had to adapt to the monastic system. On the lineages see Karmay
1998, 2007 and rMe’u tsha bstan ’dzin rnam
rgyal 2014.
15 See Karmay 2007 and rMe’u tsha bstan
’dzin rnam rgyal 2014.
history of science in south asia 5.2 (2017) 143–180
anna sehnalova
147
Figure 2: Triten Norbutse monastery in Kathmandu, Nepal, during the mendrup ceremony in
December 2012.
mkha’ ’gying), “Wrathful One, Supreme Lord Towering the Sky”,16 and Purwa
(Phur ba, Sanskrit: kīla), “Dagger.” Medicinal empowerment (sman dbang) of
the peaceful and wrathful deities (zhi tro, zhi khro), specifically connected to
one of the respective wrathful yidams in each case, is integral for the practice.
The mendrup particularly examined in this article is the one dedicated to Trowo
Tsochok Khagying, called “the light-swirled mendrup” (sman sgrub ’od zer ’khyil
ba).
Within the Bonpo tradition, the big monastic performances of mendrup have
become synonymous with the designation drupchen (sgrub chen), which generally
denotes “a Major Practice session or intensive communal tantric practice focused
on attaining realisation, held over a number of days, and typically requiring a
large team of lamas17 and ritualists as the principal practitioners.”18 The drupchen
practice can function without a mendrup,19 but for the main monasteries of Bon,
16 Kværne 1995: 75–77 and 88–90. “The Supreme Lord Poised with Majestic Splendor
in Space” translation of Triten Norbutse
(Yungdrung 2012).
17 Lama (bla ma) is an honorary title for esteemed Tibetan monks.
18 Cantwell 2015: 90.
19 Cantwell (2015, 2017: in this volume)
observed that for the Nyingma school,
drupchen principally exists without mendrup,
and the latter is a possible addition to the
former.
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tibetan bonpo mendrup
the two have become conflated to a certain extent. The word drupchen is thus, and
especially in colloquial expression for the Bonpos, usually understood to refer
to elaborate mendrup monastic celebrations, and differentiates them from minor
mendrup rites conducted yearly or at another higher frequency,20 or in village
settings.21
The following descriptions of the contemporary execution of mendrup are
primarily based on the last exile performance in Triten Norbutse monastery in
Kathmandu in 2012, supplemented by the ritual’s scriptures and other sources.22
The event represented “the light-swirled mendrup” of the deity Trowo Tsochok
Khagying. The mendrup ceremony is very complicated and is divided into three
main phases by the Bonpos:
1. Preliminary activities (sngon ’gro) of purifications, enhancing auspiciousness and creating suitable conditions for the major practice, gathering the
prescribed substances, which count over a hundred, and compounding the
mendrup medicine;
2. The central activities of accomplishing and empowering the medicine, and
attaining spiritual accomplishments in a meditational state upon Trowo
Tsochok Khagying and the peaceful and wrathful deities;
3. The final medicinal empowerment (sman dbang), along with an empowerment for long life (tshe sgrub gyi dbang) and the mendrup medicine distribution.
The mendrup act itself is constituted of the middle and longest part and the
concluding empowerments. This second section lasts no less than fifteen days,
during which chanting cannot cease and the main mendrup “medicinal mantra,”
mendzap (sman ’dzab), resonates many times. Various other mantras, special invocations, dances, hand gestures, and music and melodies accompany the extensive texts’ recitations. Twenty-four selected monks receive exclusive training
prior to each enactment to enable its performance.
The focus and material centre of the whole ritual is the medicine. It is placed
in nine vessels (bum pa, ga’u) and bags on and around the mandala (Tibetan: dkyil
’khor, Sanskrit: maṇḍala) of the ritual, enclosed and firmly sealed by cloth. The
20 Such a ritual conducted in Menri, India, in 1985 was briefly described by Cech
(1987: 272 f).
21 As the one studied by Kind (2002).
22 MS Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil ba bdud
rtsi sman gyi gzhung lags s+ho); dKar ru
Grub dbang sprul sku bstan pa’i nyi ma
1998a: v. 168, text 1, 1998b: v. 230, text 22;
dPon slob Rin po che tshangs pa bstan ’dzin
et al. 2014. More details in Sehnalova 2013,
2015, In press.
history of science in south asia 5.2 (2017) 143–180
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149
Figure 3: Assembling the medicines in the respective vessels strictly follows the ritual text’s prescription.
nine vessels, one in the centre, four in the main and four in the intermediate cardinal points of the mandala, are prescribed to contain specially assorted medicines of specific properties. Their compounding follows a precise recipe in the
ritual’s texts, for which a person knowledgeable in medical pharmaceutics (following the Tibetan Sowa rigpa medical tradition) has to be put in charge (Figures
3, 4). The ritual requires that mixed raw ingredients undergo the first half of the
second phase (number 2. above) of the ritual, before being ground to pursue the
next stage of bestowing accomplishments (the second half of the second phase).
For the sake of time and easier production, almost all of the mendrup medicine is
nowadays powdered mechanically well in advance, and only a part of the medicinal vessels on the mandala contain unprocessed ingredients at the beginning of
the ritual. These are ground manually by pestle and mortar at the given middle
phase of the celebration. At this moment, the ground and unground ingredients
are carefully mixed. Afterwards, the medicine is returned onto and around the
mandala, and the ritual continues.
The central medicinal container is on the mandala, accompanied by the medicinal yeast papta (phabs gta’, also sman phabs), the “fermenting agent” of the whole
ritual and its medicine.23 It is also a medicinal mixture believed to come from
23 For a discussion of this substance and its
appellation see Sehnalova (forthcoming).
history of science in south asia 5.2 (2017) 143–180
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tibetan bonpo mendrup
Figure 4: The monastery’s practitioner of traditional Tibetan medicine, helped by monks, prepares
the vessels of medicine in the five cardinal points’ colours to be placed on the mandala of the ritual.
deities and old masters, bringing their powers and assuring the efficacy of the
ritual. From the centre of the mandala, a “spell cord” (byang thag, gzungs thag,
Figure 5)24 leads to the elevated seats of the two presiding monks, bound to the
Bonpo ritual sceptre (chag shing).25 The thread helps to concentrate and navigate the powers of the deities on the mandala and the medicine. The produced
medicine is considered extraordinarily efficacious. Up to one thousand people
arrived at Triten Norbutse to receive the medicine and the final empowerment.
The compound is taken orally, and various rules apply to its consumption and
preservation. It is kept in monasteries and families for decades as a unique blessing helping to achieve awakening, and a drug for any disease, illness or disorder.
It is perceived to work for all beings and the environment.
transmission and continuation of the bonpo mendrup ritual
According to contemporary Bonpos’ narratives, the mendrup of Trowo Tsochok
Khagying originates with the Primordial Buddha, Küntu zangpo (Kun tu bz24 The etymological explanation might be
as follows: Thag means “rope, cord,” byang
denotes “to purify,” and gzungs “a spell.”
The literal translation would thus be a “puri-
ficatory cord” or a “spell cord.”
25 Alternative, less correct spellings: ’chag
shing, phyag shing.
history of science in south asia 5.2 (2017) 143–180
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151
Figure 5: The arrangement of the mandala with the nine medicinal vessels and various offerings
placed on its top. The vessels carry the colours of the given directions: white in the centre, yellow
in the East, green in the North, red in the West, and blue in the South. Yellow also stands for
the four intermediate points. The threads of corresponding colours are led upwards to eventually
compose the spell cord. The mandala is sealed and closed for most of the duration of the ritual.
ang po, Sanskrit: Samantabhadra). He is believed to have bestowed the ritual’s
practice and expertise to the deity Shenlha Ökar (gShen lha ’od dkar), who then
taught it to the famous Bonpo master Drenpa Namkha (Dran pa nam mkha’,
eighth century).26 Drenpa Namkha is understood to have concealed the text
(along with many others) during a time of persecution of Bon, as a treasure
(gter ma) to be rediscovered in more favourable times. During the eleventh and
twelfth centuries, the treasure revealers Shenchen Luga (gShen chen klu dga’,
996–1035), and also Rindzin Chenpo Gyermi Nyiö (Rig ’dzin chen po gyer mi
nyi ’od, eleventh–twelfth century) or Matön Sindzin (rMa ston srin ’dzin, aka
Matön Söldzin, rMa ston srol ’dzin, b. 1092) unearthed the mendrup texts as well
as the essential “fermenting agent” papta, considered the medicinal core of the
mendrup.27 Thus, both the ritual’s text and its old medicine are perceived as treas-
26 Dating according to Karmay (2007: 213).
27 Dates based on Kværne 1971. The accounts of the discovery differ. Accord-
ing to Kværne (1971: 230), Gyermi Nyiö
and Matön Sindzin found the treasure together in 1108. Millard and Yungdrung (un-
history of science in south asia 5.2 (2017) 143–180
152
tibetan bonpo mendrup
Figure 6: The mandala being hidden behind cloth in its special structure. White bags of additional
medicine placed around are clearly visible. The ritual’s practitioners, pilgrims and visitors would
circumambulate the whole construction anticlockwise, as well as prostrate to its sacred content,
while reciting the mendrup’s mantra called mendzap.
history of science in south asia 5.2 (2017) 143–180
anna sehnalova
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Figure 7: At a certain stage of the ritual, the nine medicinal vessels and the rest of the mendrup
medicine are ceremoniously circumambulated in the Bonpo anticlockwise direction around the
temple of the mandala as the centre of the mendrup ritual action.
history of science in south asia 5.2 (2017) 143–180
154
tibetan bonpo mendrup
ures of divine origin.28
Upon its discovery, this particular mendrup is said to have been practiced in
Yéru Wensaka (g.Yas ru dben sa kha), the first Bonpo monastery established in
1072 and from the early fifteenth century in its successor Tashi Menri monastery.
Mendrup was also adopted by the nearby Yungdrung Ling monastery (g.Yung
drung gling, founded in 1834). The practice continues in both institutions, the
most recent performance took place in 2013 at Yungdrung Ling.29
With the flight of Tibetan refugees since the 1950s, their rituals travelled with
them in their memories and in textual form on their backs. In exile, mendrup was
reinstituted in 1988, first in Menri, and later, in 1998, in Triten Norbutse.30 Further performances of the ritual were conducted in 2009 (Menri) and 2012 (Triten
Norbutse). The individual enactments varied according to the particular yidam
and the deity’s textual corpus. Mendrup was often scheduled to mark important
events requiring powerful ritual action, such as the celebration of the 25th anniversary of the founding of Triten Norbutse monastery in 2012, or the mendrup
planned for the 90th birthday of Menri Trindzin, the highest authority of contemporary Bon, for April 2018. Sadly, His Holiness Menri Trindzin, aka Lungtok
Tenpai Nyima, passed away in September 2017.31 The mendrup ceremony also
expresses the prestige, political power and economic significance of the leading
monasteries of Bon.
3 . THE BO NP O M ENDRUP RITUAL IN BO NP O HISTO RICAL
SO URCES
L
et us turn to examining Bonpo textual evidence of the mendrup ritual. In the
historical textual corpus, various kinds of documents feature: myths and
rituals, recordings of visions, accounts on the origin of Bonpo teachings (bstan
published) describe a transmission of the
former’s discovery to the latter. This version accords with Khud spungs pa dBra ston
Ngag dbang skal bzang bstan pa’i rgyal mtshan 2017: p. 17, f. 42; p. 72, fol. 234. A third
narrative states that Matön Sindzin made
the discovery upon Gyermi Nyiö’s prophecy (dPon slob Rin po che tshangs pa bstan
’dzin et al. 2014: 2). A more detailed lineage
of transmission is given by Millard and Yungdrung (unpublished). Gyermi Nyiö’s bibliography by sKyang ’phags does not contain an explicit mention of the discovery
(sKyang ’phags 1998: v. 200, text 1). Cf. Martin 2017.
28 This paragraph intends to demonstrate
the commonly transmitted oral knowledge
on “the light-swirled mendrup.” For written historical evidence, see the discussion
below.
29 A dpal bzang 2013a,b.
30 These big mendrup performances in
1985 in Menri were preceded by a smaller
mendrup, the first ever conducted in the
new Bonpo exile monastic community. See
Cech 1987: 272 f.
31 In January 2018, the Menri monastery in
India had not decided whether to carry out
a mendrup in the near future or not.
history of science in south asia 5.2 (2017) 143–180
anna sehnalova
155
Figure 8: Opening pages of the principal text of the mendrup of the deity Trowo Tsochok Khagying,
The Main Text of the Light-Swirled Nectar Medicine.
’byung),32 prophecies (lung bstan), biographies and hagiographies (rnam thar).
Some dates can be established on the basis of chronological works (bstan rtsis).33
sources from the eleventh to thirteenth centuries
The Bonpos themselves believe that the authoritative scripture for the mendrup
ritual of Trowo Tsochok Khagying, The Main Text of the Light-Swirled Nectar Medicine (’Od zer ’khyil pa bdud rtsi sman gyi gzhung bzhugs lags s+ho, Figure 8),34 was
found as a treasure in the eleventh to twelfth century. Contemporary leading
scholars on Tibetan treasure literature use the dates of such supposed discoveries as an approximate (and sometimes the latest possible) dating for the time of
the given texts’ composition. The language of this text also indicates the likely
origin in this period.
This dating is also supported by another treasure text discovered in the
twelfth century. This scripture, The Transmission of Knowledge of Family Holders
(Rigs ’dzin rig pa’i thugs rgyud.),35 contains myths about origin of the world,
deities, Bonpo teachings, and ritual instructions. As such, it is neither a healing
practice, nor a tantric sādhana text. Like the mendrup text and ritual, the work is
again attributed to the deity Küntu Zangpo as its original source, then to Drenpa
Namkha as its supposed receiver, and finally to a master of the Ma (rMa) family
32 The Bonpo term and genre are analogous to the Buddhist chos ’byung.
33 Kværne 1971 and Martin 2017. Further
work on the sources by the author is in
progress.
34 MS Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil ba bdud
rtsi sman gyi gzhung lags s+ho); dKar ru
Grub dbang sprul sku bstan pa’i nyi ma
1998a: v. 168, text 1, 1998b: v. 230, text 22.
35 The standard spelling of the beginning
would be rig ’dzin. Rigs ’dzin rig pa’i thugs
rgyud (Anon. 1972b: ff. 186–237).
history of science in south asia 5.2 (2017) 143–180
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tibetan bonpo mendrup
dated to the twelfth century, Matön Shérap Senggé, possibly Matön Sindzin’s
grandson, as its discoverer.36 Further, other close similarities to the mendrup
can be observed. The same classes of deities are important here – the zhi tro,
the forty-five peaceful and eighty-six wrathful deities, among them Trowo
Tsochok Khagying. Throughout the work, more categories corresponding to the
mendrup occur, such as the opposition of harmful poison (dug) and beneficial
medicine (sman) or nectar (bdud rtsi), and the notion of possible transformation
of the former into the latter through the power of certain divinities (dug sman
du bsgyur).37 The former is linked to the five mental poisons or afflictions
(nyon mongs dug lnga).38 This contrast and the intended conversion into the
five wisdoms (ye shes lnga),39 which are also mentioned, form the key element
of the mendrup. The text also touches upon rasayana medicine (ra sa ya na
sman),40 possibly mercury,41 which plays a role in the mendrup ritual as well.
Thus, both The Main Text of the Light-Swirled Nectar Medicine of the mendrup
and The Transmission of Knowledge of Family Holders at the least partly derive
from a shared body of knowledge and traditions, and likely reflect the Bonpo
intellectual environment of the twelfth century.
A much stronger support for this possible dating of the mendrup ritual and
text is found in The Biography of Lama Shen (Bla ma gshen gyi rnam thar) dated to
the thirteenth century.42 This relatively short composition presents the history
of the famous Shen (gShen) family lineage and its transmissions of teachings.43
The title evokes the family’s most prominent character, master Shenchen Luga,
who is strongly associated with mendrup by the Bonpo tradition.44 Here, we find
the earliest historical account of Bonpo mendrup I am aware of. Pönsé Dzamling
(dPon gsas ’dzam gling, b. 1259/1271),45 a direct descendant of Shenchen Luga
after a few generations, figures in the following account (translation by Dan Martin):
36 Martin 2017 and Karmay 1972: 170 f.
37 “Rigs ’dzin rig pa’i thugs rgyud,” (Anon.
1972b: ff. 201–2 and 209).
Further in
Sehnalova In press.
38 “Rigs ’dzin rig pa’i thugs rgyud,” (Anon.
1972b: f. 192).
39 “Rigs ’dzin rig pa’i thugs rgyud,” (Anon.
1972b: f. 188).
40 “Rigs ’dzin rig pa’i thugs rgyud,” (Anon.
1972b: f. 215).
41 The exact meaning of the term remains
a speculation: actual mercury, a mercurybased medicine, another substance, or a certain healing or other practice. The sman
(“medicine”) syllable is likely to indicate a
material substance. Cantwell 2017 (in this
volume) elaborates on the complexity of the
word ra sa ya na (Sanskrit: rasāyana).
42 “Bla ma gshen gyi rnam thar,” (Anon.
1972a: ff. 238–44), dated by Martin (2001).
43 For further information on the lineage,
see Karmay 2007 and rMe’u tsha bstan ’dzin
rnam rgyal 2014.
44 Moreover, he is associated with both
main mendrup rituals of the Bru lineage, of
both the deities Trowo Tsochok Khagying
and Purwa.
45 Dating in Martin 2001: 77.
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157
He [Pönsé Dzamling]46 obtained the essential scriptures, blessings
and empowerments of the past masters, including ‘uncle and
nephew’ (khu dbon) lamas. He performed the Zhi-khro (“Peaceful
Wrathful”) and Medicine practices (sman sgrub)47 and became a great
master in the transmission of blessings.48 His mental continuum
was thoroughly tamed and his thoughts were immaculately pure.
He was completely free of erroneous conceptions of the subjective
and objective and devoid of attachment to partial perspectives that
come from holding on to the ‘self’ and one’s own special qualities.
Therefore, he could overpower and control other peoples’ experience
of the phenomenal world. Because of his blessings and compassion,
he could overpower all hindrances and injuries.49
Mendrup appears as powerful ritual knowledge, which is continued from the
past and transmitted by the Shen lineage as one of their main practices. It is explicitly listed as one of the chief achievements of master Pönsé Dzamling. As the
text indicates, Pönsé Dzamling was granted the practice, performed it, excelled
in it, was entitled to hand it over, and is believed to have gained extraordinary
skills from the practice. The necessity of acquiring the given text and empowerment, along with the previous masters’ blessings, for performing and further
bestowing the practice, are stressed, as they are today. In addition, the connection of the mendrup practice with the zhi khro, peaceful and wrathful deities, is
clearly visible.
Relying on the examined sources and their plausible dating, it can be stated
that the Bonpo mendrup ritual and its scriptures very likely existed before the
thirteenth century, and probably originated between the eleventh and thirteenth
century. This dating would correspond with the emergence of the Nyingma
mendrup rituals.50
sources from the fourteenth to seventeenth centuries
The evidence for the existence of the Bonpo mendrup ritual by the thirteenth century is further strengthened by the only known commentary on the ritual and its
46 My insertion.
47 My insertion.
48 I suggest an alternate translation: “He
became a great master of the lineage of
blessings of [the practices of] the peaceful
and wrathful deities and the mendrup [associated with them], as well as other [practices].” (zhi khro dang sman sgrub la swogs pa/
bying brlabs rgyud pa’i dpon gsas chen por gyur
cig/). “Bla ma gshen gyi rnam thar,” (Anon.
1972a: f. 243).
49 “Bla ma gshen gyi rnam thar,” (Anon.
1972a: f. 243), tr. by Martin (2001: 77 f.).
50 Cantwell 2017 (in this volume) and Garrett 2009, 2010.
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158
tibetan bonpo mendrup
Main Text of the Light-Swirled Nectar Medicine. The commentary comes from the
pen of the eminent Bonpo master Nyö Tsültrim Gyeltsen (gNyos Tshul khrims
rgyal mtshan), active in Yéru Wensaka monastery in the fourteenth century. The
work is entitled The Mirror Illuminating the Practice of Good Qualities of the LightSwirled Nectar (’Od zer ’khyil pa bdud rtsi yon tan gyi phyag bzhes gsal byed me long
bzhugs so.).51 Apart from the mendrup text itself, this writing constitutes the first
extensive historical evidence of the Bonpo mendrup ritual in general, and of the
mendrup of Trowo Tsochok Khagying in particular. It gives detailed instructions
on the ritual’s performance, is very technical and prescriptive, and is considered
very authoritative. The work has codified the practice of the ritual and is followed in contemporary performances. It is regarded as the main work on the
ritual within the Bonpo tradition. The commentary frames the ritual into a very
formalised structure of a Buddhist sādhana and organised, large-scale monastic
ritual practices with many stages and substages, elaborated preliminary activities, various sequences of the main activities, etc. Moreover, it imposes a clearer
Buddhist cosmological and ritual framework to create the whole as an extended and coherent unit. The manual gives accurate guidance throughout the rite,
which suggests that the mendrup ritual’s practice might have not significantly
changed since the time of Nyö Tsültrim Gyeltsen. The individual stages of the
ritual as we know it today might have been expanded, elaborated, etc., but not
created anew, and still follow Nyö Tsültrim Gyeltsen’s writing.
From a slightly later period, from between the fourteenth to sixteenth centuries,52 come two short mentions of mendrup in the historical work The Lamp Illuminating the Explanations and Developments of the Teachings (bsTan pa’i rnam bshad
dar rgyas gsal ba’i sgron ma zhes bya ba bzhugs),53 written by the famous scholar
Patön Tengyel Zangpo (sPa ston bsTan rgyal bzang po).54 The work enumerates transmitted teachings and practices of Bon and organises them into lists of
groups and subgroups. The mendrup here appears under its common epithet as
“the nectar medicine” (bdud rtsi sman) and is listed among cycles of the tantras
of the zhi tro, the peaceful and wrathful divinities.55
Similarly, a biography of Nyammé Shérap Gyeltsen (mNyam med Shes rab
rgyal mtshan, 1356–1415),56 one of the chief leading figures of Bon in its history,
51 MS Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil pa bdud rtsi yon
tan gyi phyag bzhes gsal byed me long bzhugs
so by gNyos tshul khrims rgyal mtshan) (attribution of the work in its colophon); Millard and Yungdrung (unpublished) provide
an English translation.
52 See the discussion on its time of composition in Martin 1997: 78 f.
53 Spa-ston Bstan-rgyal-bzang-po 1972:
ff. 498–769, sPa ston bsTan rgyal bzang po
2010: 187–364. Cf. Martin 1997: 78 f.
54 Dating in Martin 1997: 78 f. and Karmay
2007: 72.
55 Spa-ston Bstan-rgyal-bzang-po 1972:
ff. 519–25, sPa ston bsTan rgyal bzang po
2010: 204–5.
56 Dating in Karmay 2007.
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has mendrup performed in a list of various practices. Nyammé Shérap Gyeltsen
was an extremely influential Bonpo scholar, who is credited with establishing the
principal Bonpo Tashi Menri monastery in Central Tibet in 1405, and with transforming Bon into its current institutionalised monastic form. In The Splendorous
Lotus Rosary Biography of the Omniscient Precious Lord, the Great One-eyed Master
(rJe rin po che thams cad mkhyen pa slob dpon spyan gcig pa chen po’i rnam thar ngo mtshar pad mo’i phreng ba.),57 one of the several accounts of his life,58 the empowerment of Trowo Tsochok Khagying and “medicinal ritual arrangements” (sman gyi
chog khrigs) feature among the recorded activities master Nyammé Shérap Gyeltsen engaged in.59 The account is supposed to have been composed by Drakpa
Gyeltsen (Grags pa rgyal mtshan), a disciple of the master’s spiritual son Gyeltsap Rinchen Gyeltsen (rGyal tshab Rin chen rgyal mtshan, b. 1360/4),60 and
hence can presumably be dated to the late fourteenth or fifteenth century.
The dating of two other writings significant to the endeavour of tracing the
Bonpo mendrup ritual remains very problematic. In my estimation, they might
be included into this period of the fourteenth to seventeenth century, or into
slightly later times. Both compositions deal with important Bonpo historical figures who at least are datable. The first is Druchen Namkha Yungdrung (Bru chen
Nam mkha’ g.yung drung, 994/999–1054),61 one of the most prominent masters of the Dru lineage, and the second the above-mentioned treasure revealer
Matön Shérap Senggé (twelfth century) who figures in both works. Namkha
Yungdrung, aka Druchen, “the Great Dru [lineage master],” the alleged founder
of the Yéru Wensaka monastery, is the central figure of the explicitly-titled The
Biography of Lama Druchen (Bla ma gru chen po’i rnam thar bzhugs so.),62 authored
by a certain Tazhi Dülwa Senggé (Mtha’ bzhi ’Dul ba seng ge), who is difficult to
trace. The work presents Namkha Yungdrung’s life story, and within it records
the very first performance of the mendrup ritual. The text records how, from
a young age, the master travelled, meeting teachers and requesting teachings
from them.63 Having acquired a diverse education and experience of practice,
he himself became a teacher followed by a number of disciples. Among them
was Matön Shérap Senggé. In a group with two other students, Darma Drogön
Azha (Dar ma ’Gro ’gon ’a zha) and Pönsé (dPon gsas), he approached the master and requested the outer, inner and secret empowerments and transmissions
57 Tshe ring bkra shis 2004: 20–69.
58 Cf. Tshe ring bkra shis 2004.
59 Tshe ring bkra shis 2004: 40.
60 Tshe ring bkra shis 2004: 3–4. The birth
year 1364 in Tshe ring bkra shis 2004, 1360
in Achard 2004: 256, Kværne 1971: 232 and
cf. Karmay 1972: 143 f.
61 Kværne (1971: 229) lists the wood horse
year of 994, whereas The Biography itself
(Mtha’-bzhi-’Dul-seng 1972: f. 239) places
the birth into a pig year, which would be
999 (Vostrikov 1970: 238 f.).
62 (Mtha’-bzhi-’Dul-seng 1972: ff. 438–57).
63 (Mtha’-bzhi-’Dul-seng 1972: ff. 440).
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tibetan bonpo mendrup
of bdam skar.64 The text remains silent about the possible inclusion of mendrup
among them. Reading further, the transmission of this specific practice seems to
be have been confined to a single chosen disciple. In a section of the biography
recording the master’s bestowed practices and empowerments, their recipients,
and eventually the payments made for them, the transmission of mendrup is explicitly registered as granted to student Pönsé:
In [the place of] Zhikha (bZhis kha),65 the above-mentioned Biri
Agom (Bi ri a sgom) offered a part of a nomadic estate [to master
Druchen]. At that great place, [master Druchen] practised the
familiarisation and accomplishment (snyen (bsnyen) sgrub) and
concentrated practice (nyams len). According to the prophecy of Sipé
Gyelmo (Srid pa’i rgyal mo),66 he gave the instructions (lung nos) for
the nectar medicinal accomplishment (bdud rtsi sman grub [sic]) to
master Pönsé.67
Then again, Pönsé was honoured by receiving the practice from the master at
another location:
In [the place of] Chi (sPyi) [master Druchen] offered the nectar medicinal accomplishment (bdud rtsi sman bsgrub [sic]) to master Pönsé,
and [the rites] of the earth demons and sky demons, as well as many
other selected practices, to Rikdzin khandro (Rigs ’dzin mkha’ ’gro)
and others.68
Yet, the most interesting is the reference to the very first celebration of the
mendrup ritual, with which master Druchen is credited:
[Master Druchen] led the first mendrup ritual (sman sgrub [sic]).
Having conducted it five times,69 he collected the various medicines
64 The word bdam skar remains unclear, it
might refer to a certain name (possibly derived from a star constellation, as skar means
star). de dus bla ma dar ma ’gro ’gon ’a zha/ bla
ma rma sher seng (shes rab seng ge)/ bla ma dpon
gsas dang bzhi bar ’dzom pa la/ phyi nang gsang
ba’i dbang lung dang/ bdam skar mtha‘ dag
zhus/ (Mtha’-bzhi-’Dul-seng 1972: f. 441).
65 Probably in Central Tibet.
66 One of the main protectors of Bon
(Kværne 1995: 107 f., 113).
67 bzhis kha la snga ba bi ri a sgom gyis
’brog bzhis (gzhis) dum cig phul/ gnas chen der
snyen (bsnyen) sgrub dang/ nyams len grims par
mdzad pas/ srid rgyal gyis (srid pa rgyal mos)
lung stan (bstan) nas/ bla ma dpon gsas la bdud
rtsi sman grub [sic] gi (kyi) lung nos gsung/
(Mtha’-bzhi-’Dul-seng 1972: f. 442).
68 spyi ru bla ma’i (ma) dpon gsas la bdud rtsi
sman bsgrub [sic] dang/ rigs ’dzin mkha’ ’gro la
swogs pa/ sa gdon dang gnam gdon/ gzhan yang
bdams pa’i bzhug rnams mang du zhus/ (Mtha’bzhi-’Dul-seng 1972: f. 442).
69 The source does not provide any details
of the mentioned five performances of the
mendrup ritual.
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161
(sman rnams), and many good signs appeared. The welfare of beings
spread and increased, and [all] the four lands were blessed. In
Shubar (Shu bar), close to the teacher Śrī Vajrapāṇi, he enslaved
(tamed) demons [hindering] men and eliminated those [demons]
who opposed. In Wensaka and Chi, offerings were presented [to
the master] several times. [Also] the Bonpos of the pastoralist
lands invited [the master] in order to tame [the harmful demons
there]. [By this the master] showed kindness to all. [Master Druchen
then] performed the familiarisation and accomplishment of the
peaceful and wrathful deities (zhi khro’i snyen (bsnyen) sgrub), and
the accomplishment of liberation by eating nectar (bdud rtsi zos grol
sgrub pa). [Subsequently,] the big violent spirits together with their
retinues, the to-be-tamed rock demoness Dakpa Shago (bDag pa
sha ’go, ‘The deer-headed one’), the lords of the land (gzhi bdag)
of Droshong (Gro shong), and others, were truly and completely
bound by oath to the Doctrine (bka’).70
This passage ascribes Druchen with the orchestration of the first mendrup. It
emphasizes that there are a number of different medicines which must be acquired before the ritual can commence. The ritual is depicted as bringing universal prosperity and blessings; this is also the way it is understood by the contemporary Bonpo community. Druchen performs the ritual for lay communities
in response to their request and offerings, in this case along with other ritual
services. In this context, Druchen also pacifies malevolent forces of the environment, and tames them into the protectors of the Doctrine, suggesting that the
mendrup performance itself might have been perceived as effecting these actions.
It is now difficult to prove such claims, yet the capability of the mendrup ritual to
balance and pacify the whole environment is overtly stressed by Bonpos during
contemporary performances.
70 In the Bonpo context, the term ka (bka’),
“Word,” refers to the teachings of the supposed founder of the religious tradition of
Bon, Tönpa Shenrap Mibo (sTon pa gShen
rab mi bo). In the Buddhist context, the
“Word” signifies the teachings of Buddha
Shakyamuni, see Kværne 1995.
sman sgrub [sic] dang po’i sna drangs nas/
thengs lnga mdzad pas/ sman rnams slongs
(slong) cing bzang rtags du ma byung/ ’gro don
rgyas par ’phel cing sa bzhi byin gyis rlabs/ shu
bar du bha vadzra pa ṇi stan pa’i dra ru langs pa
la/ mi bdud bran du bkol nas ’gal byed cham la
phab/ dben tsha kha dang spyi ru ’bul ba rnams
gzhag thengs ’ga’ mdzad/ ’brog phyogs bon pos
tul gyur spyan drangs kun la bka’ drin gnang/
zhi khro’o snyen (bsnyen) sgrub dang/ bdud rtsi
zos grol sgrub pa mdzad nas/ che btsun sde ’khor
dang/ tul kyu’i brag srin bdag pa sha (shwa) ’go
la swogs/ gro shod kyi bzhi bdag rnams dngos su
yongs nas bka’ dang dam la btags/ (Mtha’-bzhi’Dul-seng 1972: f. 446).
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tibetan bonpo mendrup
Throughout the quotes, the mendrup ritual is referred to as the “nectar medicinal accomplishment” or the “practice of the nectar medicine” (bdud rtsi sman
sgrub). In the last example, the rite is attributed with the capacity of liberating,
i.e., achieving awakening, through digestion, which refers to the Tibetan practice
of liberation through the sense of taste (myong grol). The mendrup practice is again
connected to the peaceful and wrathful deities. Both master Druchen Namkha
Yungdrung and the mendrup are placed into the area of the first known Bonpo
monastery Yéru Wensaka in Central Tibet. This locality of the initial mendrup
performances, as well as their link to the Dru lineage, are similarly accentuated
by the contemporary oral histories of Bonpos. The supposed dating of Druchen
(994/999–1054) and Shenchen Luga (996–1035), the alleged discoverer of a part
of the mendrup practice, make them contemporary and thus make this story possible. However, the two other discoverers of other bits of the mendrup, Rindzin
Chenpo Gyermi Nyiö (eleventh to twelfth century) and Matön Sindzin (b. 1092),
post-date Druchen. This indicates that parts of the mendrup practice might be
of different periods and origin (authorship), or simply that its precise dating remains difficult. Alternatively, we might be dealing with two distinct mendrup
rituals, each having its own history of discovery and transmission. Nevertheless,
this does not seem likely in the context of the other sources presented below.
Another hard-to-date text relevant for the understanding of the history of the
Bonpo mendrup are the Visions of Matön Shérap Senggé (rMa ston shes rab seng gi
gzigs snang lags so.)71 by Zhötön Sönam Drakpa (gZhod ston bSod nams grags
pa). As the straightforward title indicates, the tract deals with various visions
received by the master and treasure revealer Matön Shérap Senggé (twelfth century) in dreams and during his spiritual practice at varied locations. The narration is presented in the first person and reads as a succinct diary or autobiography. Matön Shérap Senggé, and not his grandfather Matön Sindzin, acts here
as the acquirer of the mendrup text. Matön Shérap Senggé recounts his procurement of the text, as well as of the practical knowledge for performing the ritual,
in detail:
Then, [I] stayed at the rock in Goklung (sGog lung). One day, while
entering a narrow passage [of the rock], [I] experienced a vision. That
time, the previous[ly encountered] master was there, all dressed in
cotton robes. He had returned again and come to his companion (i.e.,
myself) and said: [Where] the mouth of the rock cave faces East, inside [of the cave] there is an opening. In the middle [of its inside],
71 Gzhod-ston
Bsod-nams-grags-pa
1972: ff. 310–24, gZhod ston bSod nams
grags pa 1981: 162–75, gZhod ston bSod
nams grags pa 1998: ff. 310–24, exactly the
same as the first edition.
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163
there is a mandala. Nine vessels are spread [on it]. To the central vessel there are eight vessels on the edges [of the mandala], [all]
joined by a spell cord (bzungs thag). In the four cardinal points and
in the four corners of the mandala there are eight men coming forth.
Stretching the spell cord, they stand in a row. On the crowns of their
heads they have a tied, plaited tuft of hair. They stand facing [the
mandala].72 In the four corners of the mandala, silk ribbons in the
four [colours of] white, yellow, red, and blue, are tied to the neck
(i.e., upper part) of the four vultures’ victory banners.73 The sé vessel
in the centre is wrapped in fine silk.74 Many offerings are arranged
[there]. In the West there is a big throne, the master is on its top. Also
plenty of chang75 is [arranged] there.” [Then,] the master said: ”This
place is a garden of the jewel of turquoise, and this rock is a sé rock of
heaped jewels. The cave and the rock are in union [like] the sun and
the moon. Here, the nectar medicine will be accomplished (bdud rtsi
sman du bsgrub). It is a practice (sgrub) in order to [be] without (i.e.,
overcome) birth and death,” he said.
[Upon that,] I requested: ”How should the place [of the practice]
be accomplished (i.e., established, sgrub)? As for the accomplishment of nectar medicine, what are the root (i.e., main) and the branch
(i.e., minor) [ingredients of the practice]? How to master the general
meaning of the practice? How to accomplish the manual of the main
text [of the practice] (sgrub bzhung lag khrigs)? How to accomplish
the main purpose [of the practice]? What is the [actual] practice (lag
len) of the [ritual] activities? [How] to observe the particular kinds of
the medicines? How [to accomplish] the special siddhi of the medicinal empowerment (sman dbang)? How to gather the three ways of
accumulation?”76 To that [the master] said: ”This place is a garden
of the spontaneously achieved turquoise realm [to] accomplish the
nectar without birth and death. As for the accomplishment of the
nectar medicine, there are five root (i.e., main) and eight branch (i.e.,
minor) [ingredients]. I have collected them. The general meaning is
to accomplish [the state] without birth and death. He explained all
the methods of the practice (lag len bya thabs) of the lower door (i.e.,
72 This is a tentative translation.
73 This refers to the arrangement of
paraphernalia on the mandala.
74 The sé (bse) material can denote rhinoceros or other animal horn, a type of stone
or copper, or leather. See Jäschke 1881; Das
1902; Zhang 1993.
75 Barley beer or another alcoholic beverage as an offering to the deities.
76 The three ways likely refer to the following methods proposed by the master.
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tibetan bonpo mendrup
esoteric instructions of the lower gate of the body), and the means of
accumulating siddhi of the medicinal empowerment (sman dbang). It
was explained in the Key of Medicine (i.e., of medicinal practice) (sman
gyi lde mig).
”Who are these eight men? Don’t you have any helpers?” [I asked.]
[After the master] explained how to prepare the vessels, and how
to tame (btul) the medicine, the eight men acted as the eight vidyādharas (rig ’dzin brgyad) pressing the ground as a swastika.77 The one
in the East performed the peaceful medicinal accomplishment (sman
sgrub) of meditation on deities. The one in the North accomplished
the medicine of life without dying (ma dur tshe sman sgrub pa).78 The
one in the West accomplished the medicine of the empowerment of
Dawa Gyeltsen (Zla ba rgyal mtshan). The one in the South accomplished the life empowerment (tshe’i dbang) of activities illuminating
the meaning of eternity (gyung drung don gsal phrin las). The one
in the southeast accomplished the spontaneous accomplishment of
the earth medicine of [the deity] Mupung Seldang (Mu spungs gsal
dangs [dwangs]). The one in the northeast accomplished the lifting
action of the lifting hollowness of the wind of Zarang Mébar (Za rang
me ’bar). The one in the northwest accomplished the ripening of
the medicinal heat (sman drod smin pa) of Mutsa Gyemé (dMu tsha
gyer med). The one in the southwest accomplished the water medicine of Mugyel Tsukpü (dMu rgyal rtsug phud). Their purpose was
the accomplishment of space (dbyings sgrub). [The action of] increasing (rgyas pa) was explained in the Key. [The master] also bestowed
the medicinal yeast (sman phabs). [I] also attained the medicinal empowerment (sman dbang). Thus is the sixth false word of a beggar.79
77 Probably refers to the pattern of their
distribution in the four cardinal and the four
intermediate points, by which they form the
shape of a swastika.
78 Literally “not burying” (ma dur).
79 Due to likely mispellings in the original,
the translation remains tentative. Gzhodston Bsod-nams-grags-pa 1972: ff. 318–20,
gZhod ston bSod nams grags pa 1981: 171–
73, gZhod ston bSod nams grags pa
1998: ff. 310–24, are exactly the same as
the first edition.
The transliteration is
based on the first edition, supplemented by
corrections according to the second marked
by a small cross.
(318/171) de nas sgog lung gi brang la yod tsam
na// nang cig bseb †(gseb) du phyin tsa na//
snang ba phyed yengs nas ’dug/ de dus sngon
gyi bla ma de// ras kyi na bza’ kun ka ’dug/ yang
yongs zla la ’deng dang gsung// brag phug kha
shar du ltas pa nang phye ba cig ’dug/ dkyil na
dkyil (319) ’khor cig ’dug/ bum pa dgu spram
†(skram) nas ’dug/ dkyil gyi bum pa’i mtha’
bum pa rgyad (brgyad) kyi bzungs †(bzung) thag
sbrel nas ’dug/ dkyil ’khor phyogs bzhi zur bzhi
na/ mi brgyad rtsog ge bzhugs nas/ zungs thag
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In this vision, Matön Shérap Senggé met a master and interacted with him in a
dialogue. The master revealed the mendrup mandala to him, all the medicinal
vessels on top of it, and their layout together with the spell cord. He gave advice
on how to compose the ritual’s complex medicinal mixture. As in the mendrup
text itself, the various ingredients are referred to as root and branch, major and
minor, ingredients. The structure of the mendrup medicine recipe is alluded to
as well, as the ingredients in it are divided into the main fivefold cluster organised according to the five elements, and a minor second cluster of an eightfold
pattern reflecting the eight classes of consciousness (rnam shes brgyad).80 Importantly, the master also granted the medicinal yeast (sman phabs) and the medicinal
empowerment (sman dbang) crucial for the success of the ritual. Shérap Senggé
received complex instructions upon his multiple questions. He was also rewarded by seeing the firm arrangement of the mandala based on the elements along
with their respective properties and medicines in each cardinal point.81 This organisation is typical for Bon: the element of earth and the medicine of earth in the
’phyan †(’thin) na ’grangs †(bgrangs) nas ’dug/
spyi bo na thor cog bcings †(bcing) nas ’dug/
bdong †(gdong) pa ’phyan na bcug nas ’dug/
dkyil ’khor zur bzhi na/ bya rgod rgyal mtshan
(172) bzhi la/ skye (ske) na dar dkar ser dmar
sngo bzhi btags nas ’dug/ dkyil na bse’i ga ’u
†(ga’u) la dar †(der) zab kyis bril nas ’dug/
mchod rdzas mang bar bshams nas ’dug/ nub
phyogs na khri che ba cig ’dug/ de’i kha na bla
ma de brda †(gda’)// chang yang mang bar brda
†(gda’)/ bla ma de’i zhal nas/ gnas ’di rin chen
g.yu sdings kyi †(sding gi) ’tshal †(tshal)/ brag
’di bse brag rin chen spungs pa yin// brag phug
nyi zla kha sbyor yin// ’di na bdud rtsi sman du
bsgrub// skye shi med pa’i don sgrub yin gsung//
bdag gis zhus pa/ gnas ji ltar sgrub pa’i don
lags/ bdud rtsi sman du sgrub pa ni/ rtsa ba
yan lag gang lags/ sgrub pa’i spyi gang la bdags †(bdag)// sgrub bzhung lag khrigs gang la
sgrub// de’i rgyu mtshan ci la sgrub// bya ba’i lag
len gang ltar lags// sman gyi bye brag du †(tu)
yis srung// sman dbang dngos grub ci ltar lags//
sdu (bsdu) thabs rnam gsum gang la sdu// de la
yang gsungs pa/ gnas ’di lhun grub g.yu sdings
†(sding) ’tshal (tshal)// skye shi med pa’i bdud
rtsi sgrub// bdud rtsi sman du bsgrub pa la// rtsa
ba lnga la yan lag rgyad// nying (nyid) lag stod
du sog pa yin// spyi ni skye shi med par sgrub//
’og sgo la lag len bya thabs (320) sman dbang
dngos grub sdu thabs kun gsungs te/ sman gyi
lde mig na bsal †(gsal)/ mi brgyad po ’di gang
lags/ khyed la las ’khan †(mkhan) mi (173) †(mi)
bdog gam/ ga’u ’cha’ na ji ltar ’cha’// sman gyi
btul thabs ji ltar btul gsungs pas/ mi brgyad po
’di g.yung drung sa non rigs ’dzin †(rig ’dzin)
brgyad bya ba yin/ shar na ’dug pa ’di lha sgom
zhi ba’i sman sgrub bya ba yin// byang na ’dug
pa ’di ma dur tshe sman sgrub pa yin/ nub na
’dug pa ’di zla ba rgyal mtshan dbang gi sman
sgrub pa yin/ lho na ’dug pa ’di g.yung drung
don gsal phrin las tshe’i dbang sgrub pa yin/
lho shar na ’dug pa ’di/ mu spungs gsal dangs
†(dwangs) sa sman sgrub lhun grub tu sgrub
pa yin/ byang shar ’dug pa ’di/ za rang me ’bar
rlung ’degs pa’i sbubs ’degs bya ba byed pa las
su sgrub pa yin// byang nub na ’dug pa ’di/ dmu
tsha gyer med sman drod smin par grub pa yin/
lho nub na ’dug pa ’di/ dmu rgyal rtsug phud
chu sman du sgrub pa yin// ’di rnams kyi don la
dbyings sgrub pa yin// rgyas pa lde mig na gsal/
sman phabs yang gnang/ sman dbang yang thob/
sprang po’i rdzun tshig drug pa pa †(pa) yin//
80 MS Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil ba bdud
rtsi sman gyi gzhung lags s+ho); dKar ru
Grub dbang sprul sku bstan pa’i nyi ma
1998a: v. 168, text 1, 1998b: v. 230, text 22.
81 On the role of elements in the Tibetan
medical tradition, see, for example, Gerke
2014; Hofer 2014.
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166
tibetan bonpo mendrup
East, wind in the North, fire in the West, and water for the East. In this text, the
elements have slightly moved to cover the intermediate directions as well. The
complementing fifth element, space, is placed into the middle of the mandala.82
The cardinal points are personified by eight divinities referred to as vidyādharas,
“holders of magical power”,83 each of whom is responsible for accomplishing a
given ritual action and medicine of the direction.84 The story closes declaring the
event to be a “false word of a beggar,” by which master Shérap Senggé is depicted
as adhering to the social code of modesty, actually conveying his greatness.
The comprehensiveness of this account suggests that its author was very familiar with the mendrup rite. The Zhötön Sönam Drakpa’s text, as yet undated,
accords in the key features, ritual arrangement and paraphernalia of the mendrup
practice rendered in The Main Text of the Light-Swirled Nectar Medicine (’Od zer
’khyil pa bdud rtsi sman gyi gzhung bzhugs lags s+ho) and still performed today.
The mendrup ritual is also mentioned in later historical works which are easier
to date with certainty.
mendrup in the eighteenth century
There are several relevant passages in The Treasury of Wish-fulfilling Jewels Yielding all Desired on the General Origin of the Buddha’s Teachings (Sangs rgyas bstan pa
spyi yi ’byung khung yid bzhin nor bu ’dod pa ’jo ba’i gter mdzod) by Kündröl Drakpa
(Kun grol grags pa, b. 1700), which is likely to have been written in 1766.85 This
text presents the gradual development of the world, the Bonpo doctrine and its
spread. The chronicle mentions several mendrup treasure discoveries by different adepts, likely referring to the mendrup rituals specific to individual Bonpo
lineages.86 Thus, the text seems to capture a rare piece of information on the
diversification of the practice within Bon.
It contains a section on treasure traditions which consists of short passages
listing the name of each discoverer and the texts and teaching cycles which the
individual revealed. A certain Dranga Rinchen Dampa (Dra nga Rin chen dam
82 The same is found in the main mendrup
text ’Od zer ’khyil ba bdud rtsi sman gyi
gzhung lags s+ho, transmitted in MS Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil ba bdud rtsi sman gyi
gzhung lags s+ho); dKar ru Grub dbang sprul
sku bstan pa’i nyi ma 1998a: v. 168, text 1,
1998b: v. 230, text 22, more in Sehnalova
2013 and Sehnalova In press.
83 Snellgrove 1987: 135.
84 In the Nyingma mendrup analysed by
Cantwell 2015 and Cantwell 2017 (in this
volume), the vidyādharas play a similar role.
85 Kun-grol-grags-pa 1974: ff. 197–552. The
dates are also based on this publication and
the work’s colophon.
86 Kun-grol-grags-pa 1974: ff. 325, 326–7,
338, 356 and 400–401. On the lineages see
Karmay 1998, 2007 and rMe’u tsha bstan
’dzin rnam rgyal 2014.
history of science in south asia 5.2 (2017) 143–180
anna sehnalova
167
pa) from Samyé (bSam yas) is attributed with introducing the practice of “amaraya nectar medicine” (a ma ra ya bdud rtsi sman).87 The term amaraya is usually
understood to refer to the mendrup ritual specific to the Bonpo Shen lineage.88
The individual ritual lineages of Bon had the tendency to develop their own
mendrup practices, just as the main Dru lineage cultivated the so called “lightswirled mendrup” coined for the mendrup of the deity Trowo Tsochok Khagying.
The source thus witnesses the diversity of mendrup within Bon.
In this chronicle, Matön Söldzin, already known to us as Matön Sindzin (the
grandfather of Matön Shérap Senggé) and the discoverer of the “light-swirled
mendrup,” is recorded as the revealer of a treasure containing scriptures of the
accomplishment of peaceful and wrathful deities (zhi sgrub khro sgrub).89 These
are likely to involve mendrup as well, although no mendrup practices are explicitly
attributed to him in this document.
Also, someone called Butso Sipé Gyelpo (Bu mtsho srid pa’i rgyal po) is recorded to have found the “nine lineages of nectar medicine” (bdud rtsi sman gyi
rgyud dgu).90 It is possible that various traditions of mendrup are being referred
to by this phrase, but it could (perhaps more likely) refer to the organisation
within the mendrup ritual itself, namely the nine distinct medicinal containers to
be placed on the mandala. The writer mentions the nine vessels and also describes the pattern of the mendrup based on the division of space into the centre
and eight cardinal points – this is a very common practice in Tibetan (and tantric)
ritual, as has been described for mendrup above.
mendrup in the twentieth century
The next known textual accounts of mendrup are found in early twentieth-century
writing. The same story is detailed in two important historical works of this
period. The first is the Ketaka chronicle by Lungtok Gyatso (Lung rtogs rgya
mtsho), a distinguished master of the Yungdrung Ling monastery. The work
has been dated to 1917, and holds the elaborate title The Necklace of Ketaka Jewels
Distinguishing the Knowledge on the Origin of the Teachings (bsTan ’byung rig pa’i
shan ’byed nor bu ke ta ka’i do shal zhas bya ba bzhugs).91 The second is the wellknown Treasury of Good Sayings, authored by Shardza Trashi Gyeltsen (Shar rdza
87 Kun-grol-grags-pa 1974: f. 320.
88 The word amaraya is explained by contemporary Bonpo monastics as probably deriving from the Sanskrit amṛta, and thus as
synonymous to bdud rtsi, “nectar.”
89 Kun-grol-grags-pa 1974: f. 322.
90 Kun-grol-grags-pa 1974: f. 325 and the
same story is found in Karmay 1972: 170.
91 mKhas grub Lung rtogs rgya mtsho
2010: 449–557 and in Martin 1997: 15. The
word ketaka is likely of Indian origin and
in Tibetan denotes “a gem which has the
property of purifying water,” or alternatively “a great mountain situated north of
the great forest plain.” See Das 1902; Zhang
1993. In Sanskrit, ketaka or ketakī refers to
the Pandanus tree. See Charles University
1998–2009, under Pandanus fascicularis Lam..
history of science in south asia 5.2 (2017) 143–180
168
tibetan bonpo mendrup
bKra shis rgyal mtshan, 1859–1933), one of the main Bonpo scholars of modern
times,92 and translated into English by Samten Karmay. According to Karmay,
Gyeltsen’s compilation was begun in 1922. The full name of the work reads The
Precious Treasury of Good Sayings, Pleasant Rain for the Wise (Legs bshad rin po che’i
mdzod dpyod ldan dga’ ba’i char).93 As both scripts come from approximately the
same time, it is unclear if one copied the other or if both used a third (so far
unknown) source.
The Ketaka chronicle reads:
From the [Pa, sPa] lineage, Patön Pelchok [(sPa ston dpal mchog,
b. 1014)]94 appeared at the same time as Shenchen Luga (i.e., they
were contemporaries). After Patön Pelchok heard that Shenchen
Luga had discovered a treasure, he went to Driktsam (’Brig mtshams)
to see him. When he arrived and met him, the master [Shenchen
Luga] was of poor health. Having proclaimed him [Patön Pelchok]
a master of tantric teachings destined by his karma, he [Shenchen
Luga] bestowed the empowerment of Trowo [Tsochok Khagying]
on him. He instructed him in detail on how to obtain the blessed
objects, the texts with their treatises and supplements from Dzibön
Wanggyel (’Dzi bon dbang rgyal, aka ’Dzi ston, Dzitön).95
In the Treasury, the same account is in Karmay’s translation worded as follows:
How the Tantric Teachings were commissioned. ’Dzi-bon ’Phanrgyal entreated the Teacher [Shenchen Luga]96 to impart the Khro-bo
dbang-chen97 to him. The Teacher gave even the (master) copy to him.
He also gave him the cup containing the lees of the elixirs (bdud rtsi
ga’u dang ru ma).98 He gave him the name of dBang-gi rGyal-mtshan.
Some have said that since sPa-ston dPal-mchog (Patön Pelchok)99
did not meet gShen-sgur [i.e., Shenchen Luga],100 he got in touch
92 See Achard 2008.
93 Karmay’s translation in Karmay 1972.
94 Dating in Karmay 2007: 60.
95 de’i gdung las spa ston dpal mchog byon pa
dang gshen chen klu dga’ byon pa dus mnyam
ste/ spa ston nyid gshen chen gyis gter thon pa
thos nas ’brig mtshams su mjal du byon skabs/
bla ma sku bsnyungs bzhes pa dang thug/ las can
gsang sngags kyi bdag po zhig ’dug gi gsungs
nas khro bo’i dbang bskur/ byin rlabs kyi rdzas
rnams dang/ dpe dang cha lag bkrol byang rnams
zhib par ’dzi bon dbang rgyal la mnos shig gsung
nas lung bstan/ mKhas grub Lung rtogs rgya
mtsho 2010: 520 and cf. Martin 2001: 67–9.
96 The bracketed insertion is mine.
97 The word Khro-bo dbang-chen (Khro bo
dbang chen), Trowo Wangchen, can denote
both, an epithet of the deity Trowo Tsochok
Khagying (meaning ‘The Great Wrathful
Powerful One’) and refer to the linked practices, or the great empowerment (dbang
chen) of Trowo Tsochok Khagying.
98 My insertion.
99 My insertion.
100 My insertion.
history of science in south asia 5.2 (2017) 143–180
anna sehnalova
169
with ’Dzi-bon and Me-nyag. But (in fact) when gShen-sgur was ill
he bestowed the consecration of the Khro-bo dbang-chen to him. He
proclaimed him a worthy master of Tantric teachings and instructed
him in detail to receive the sacred objects, the copy of the text and its
supplementary texts; and the treatises on them from ’Dzi-bon.101
The section immediately following the above text accords almost word-for-word
in both the Ketaka and the Treasury.102 Hence, I cite Karmay’s translation of the
Treasury to continue the above-cited extracts of both works:
Then, dPal-mchog (Patön Pelchok)103 met ’Dzi-bon and requested the
texts, the medical specimen of the ‘pledge’ (phud gta’ sman phab)104
which had been used (by the teachers) from ’Chi-med gTsug-phud up
to the “Four scholars.” ’Dzi-bon also gave dPal-mchog the “Dancespear” and the cup (gar mdung dang bsve’i ga’u) and appointed him to
be in charge of the Tantric Teachings. Then he [sPa ston dpal mchog
/Patön Pelchok]105 practised the Khro-bo dbang-chen in the solitude of
Yang-dban106 and beheld the countenance of Srid-rgyal107 according
(to the representation of) the basic liturgy. Once he saw her face with
lightning issuing from her eyes, whirlwinds from her nose, roaring
thunder from her ears, her hair being like masses of clouds. (212b)
She was adorned with ornaments of cemetery-bones; her eyes were
upturned, her nose was wrinkled up and her mouth was wide open.
As she tore her chest with her hands he saw distinctly without any
obstruction the body of gTso-mchog (Trowo Tsochok Khagying)108 in
the centre of the wheel of her heart which is one of the six wheels of
the three vital channels in her body. While he performed the medicinal rite of the Phur-bu dgu drops of nectar descended (into his mystic
circle) (phur bu dgu’i sman sgrub la bdud rtsi’i zil thigs babs/).109
I propose to amend the translation of the last sentence to: “The drops of nectar then descended into the medicinal accomplishment of the nine vessels”.110
101 Karmay 1972: 135, transliteration of the
Tibetan original.
102 Apart from very few syllable and letter alternations, the Treasury omits three syllable clusters within its verses that appear
in the Ketaka, whereas the Ketaka skips a few
syllables of the Treasury.
103 My insertion.
104 Insertions of the Tibetan original are
mine.
105 My insertion.
106 More likely: ”in the Wensaka (dBen sa
kha) monaster¨ (de nas yang dben dgon par).
Karmay 1972: 297 and mKhas grub Lung
rtogs rgya mtsho 2010: 520.
107 See note 66.
108 My insertion.
109 My insertion. Karmay 1972: 135–136,
Tibetan original 297.
110 Based on the spelling in mKhas grub
Lung rtogs rgya mtsho 2010: 520: bum dgu’i
sman sgrub la bdud rtsi’i zil thigs babs/.
history of science in south asia 5.2 (2017) 143–180
170
tibetan bonpo mendrup
The passages record the transmission of the mendrup of Trowo Tsochok Khagying within the Pa lineage directly from its revealer Shenchen Luga.111 Besides the
scriptures, special attention is paid to describing the essential material objects of
the ritual. Master Patön Pelchok procured the crucial “yeast,” papta, here translated as “medical specimen of the ‘pledge,’ ” along with its cup container, and a
“spear.” Such a ritual spear with ribbons in five colours is still used in circumambulating the mendrup medicine during the ritual today. In both versions, Patön
Pelchok was also given the task to continue the mendrup practice by an empowerment from Shenchen Luga himself. Later in Wensaka, he had a vision of Trowo
Tsochok Khagying, in which the medicinal nectar of mendrup descended into its
nine vessels. This has fully authorised Patön Pelchok to become the bearer and
transmitter of the mendrup of Trowo Tsochok Khagying.
After the hagiographic genealogies of the Pa lineage, the Ketaka continues
with the history of the Meu (rMe’u) family. Their members are recorded to
have travelled around Central Tibet in the search of teachings, including Trowo
Tsochok Khagying’s mendrup:
When Denpakpa Zigompa (Dan ’phags pa zi sgom pa) requested
the great empowerment of Trowo [Tsochok Khagying] (khro bo
dbang chen),112 for a few moments he saw the master (not identified)
having the complete appearance, ornaments and attributes of Trowo
Tsochok Khagying. When he came with his request to the master
to the cave of Kyikharngo (sKyid mkhar sngo), he crossed the
Yéru (g.Yas ru) river113 without any boat. When he performed the
accomplishment of the nectar medicine (bdud rtsi sman sgrub) in
Sébao (Se ba ’o), one [of the performers] was seated on a throne. One
led the recitation of the main mendrup mantra (sman ’dzab), while
performing a circumambulation [around the medicinal mandala].
One went to a tavern, offered a libation, and seen by all, became
inspired, realising that he was a trülku (sprul sku, a reincarnated
master).114
111 The same story is also found in Karmay
1972: 10, 2007: 60–61, 70; Martin 2001: 68–
70.
112 See note 97.
113 This might refer to the famous Bonpo
meditation caves of mKhar sna (skyid as an
attribute would mean “of happiness”) close
to Menri, Yungdrung Ling and former Wensaka monasteries, as well as the Yéru river.
114 dan ’phag ba zi sgom pas khro bo’i dbang
chen zhig zhus skabs bla ma’i sku gtso mchog
mkha’ ’gying rgyan dang cha lugs rdzogs pa zhig
skad cig gsum gyi yun du mthong/ skyid mkhar
sngo phug tu bla ma zhu yi mdun du phebs dus/
g.yas ru gtsang po’i kha nas gru gzings gang
la’ang ma brten nas chu yi pha kir phebs/ se
ba ’o ru bdud rtsi sman sgrub mdzad dus sku
cig bzhugs khrir bzhugs/ gcig gis sman ’dzab
kyi sna drangs nas bskor ba mdzad/ gcig chang
tshang du phebs nas skyems gsol ba kun gyis
mthong bas mos pa tshud cing sprul sku yin par
shes so/ mKhas grub Lung rtogs rgya mtsho
2010: 523.
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anna sehnalova
171
As can be seen, the Ketaka chronicle recorded the practice of the mendrup ritual
itself and the related miracles happening. The author Lungtok Gyatso paid attention to various aspects of the act. He mentioned the required unceasing recitation of the main mendrup mantra and texts during the performance. He also
noted some of the accompanying offerings (libation) and the elevated throne of
the principal master during the ritual, as is done today. The auspicious rite of
mendrup is probably concluded by a fellow monk realising himself to be a reincarnated master. Again, the writer must have been well-acquainted with the
practice, and may possibly have taken part in it himself.
In 1929, mendrup found another expression in a few lines of the chronological
work The Lineage Succession (by full title: The Immaculate Crystal Rosary of the Lineage Succession of the Collected Precious Kangyur, the Teachings of the Teacher of the
Three Bodies, Transmissions),115 written by Khüpungpa Ratön Ngakwang Kelzang
Tenpé Gyeltsen (Khud spungs pa dBra ston Ngag dbang skal bzang bstan pa’i
rgyal mtshan). Once again, mendrup is described as among important practices
at Bonpo monasteries. Ten types of mendrup are suggested, and the text describes
auspicious signs occurring during the performances, such as rainbows appearing in the sky and a diffusing fragrant smell.116
Among the scriptures of medical knowledge cited in this chronicle, the recovery of a treasure of nine precious vessels (rin chen bum pa gdu) by Butso Sipé
Gyelpo is recorded, as in the work from the eighteenth century discussed above.
These then gave origin to the nine lineages of the nectar medicine (bdud rtsi sman
gyi rgyud dgu),117 i.e., mendrup. Again, the quote sounds like it is alluding to diverse mendrup rituals, but more plausibly, it is describing one ritual and its nine
prescribed containers of nectar medicine.
By the early twentieth century, mendrup is clearly presented as an integral
component of Bonpo teachings.
4. CO NCLUS IO NS
I
t seems probable that the practice of the Bonpo mendrup ritual can be traced
back to the twelfth, or at least the thirteenth century in Central Tibet. The
twelfth and thirteenth centuries were also a crucial time for the establishment
115 Khud spungs pa dBra ston Ngag dbang
skal bzang bstan pa’i rgyal mtshan 2017.
I am indebted to Dan Martin for kindly
sharing his introduction and laborious transcription of the work.
116 Khud spungs pa dBra ston Ngag
dbang skal bzang bstan pa’i rgyal mtshan
2017: ff. 25, 27).
117 Khud spungs pa dBra ston Ngag
dbang skal bzang bstan pa’i rgyal mtshan
2017: f. 98).
history of science in south asia 5.2 (2017) 143–180
172
tibetan bonpo mendrup
of the Tibetan medical Sowa rigpa tradition.118 The complex mendrup ritual exemplifies the rich and diverse intellectual milieu in Central Tibet of that time, in
which the spheres of tantra, medicine, alchemy, Buddhist philosophy and soteriology, as well as Tibetan autochthonous notions, merged and mixed to produce
new complex structures. The mendrup ritual combines the knowledge and practices of all these elements and its dating accords with Buddhist mendrup rites, the
Nyingma treasure and Yutok Nyingtik (g.Yu thog rnying thig) traditions.
Reference to the mendrup ritual in scattered textual sources indicates that
mendrup has mainly been transmitted by Bonpo teacher-student lineages in Central Tibet, where it has been also preserved until modern times. The sources attest a certain existing variety of the mendrup ritual in general, likely reflecting
the multiple existing lineages of Bon. The texts suggest that over the centuries,
specific lineages developed their own traditions mendrup, but also that even the
transmission of the specific “light-swirled mendrup” (sman sgrub ’od zer ’khyil ba)
dedicated to the deity Trowo Tsochok Khagying was not confined to the single
Dru family line which preserves the practices today. Textual evidence suggests
that this practice was transferred by and to other lineages as well, including the
Shen, the Pa and the Meu.
In contrast with the Tibetan Buddhist school of Nyingma, Bonpos do not
seem to have needed to create an elaborate historiography which precisely
traces the evolution of certain ritual practices. Different versions of Trowo
Tsochok Khagying’s mendrup’s discovery and transmission can be traced in the
texts. Shenchen Luga of the Shen family and Matön Shérap Senggé of the Ma
repeatedly figure as the ritual’s revealers and tradents. Similarly, Matön Sindzin
is credited with revealing a certain part of the cycle to which mendrup belongs.
Interestingly, Rindzin Chenpo Gyermi Nyiö, who is ascribed the same role by
present Bonpos, does not explicitly appear in it in the studied sources. A certain
development of the recording of the practice can be observed, ranging from a
short mention in the thirteenth century to the most extensive justification of
the practice’s lineage in the twentieth century. We have also seen that even in
such an important ritual as the extended mendrup, contemporary Bonpos tend
to rely only on one commentary from the fourteenth century. Oral knowledge
and personal transmission are obviously important for the imparting of ritual
knowledge. However, the textual tradition also presents remarkable details of
mendrup practice and performance, proving the authors’ close comprehension
of and likely own experience with the ritual.
If we accept the assumption that the sources can build up one coherent narrative, despite the intricacies of their dating, a tentative chronological reconstruction of the development and transmission of the ritual is possible: Shenchen Luga
118 See Emmerick 1977; Fenner 1996; Er-
hard 2007.
history of science in south asia 5.2 (2017) 143–180
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173
(996–1035) found the ritual’s text and paraphernalia, which appears as a clear
statement already in one of the earliest documents. However, we do not learn any
details. As the twentieth century’s chronicles add, Shenchen Luga passed all his
gains directly to Dzibön Wanggyel, who in turn had to give everything to Patön
Pelchok (b. 1014), who was actually empowered by Shenchen Luga as the holder
of the practice. Patön Pelchok performed it, receiving a vision of Trowo Tsochok
Khagying. A little later, Druchen Namkha Yungdrung (994/999–1054) conducted the very first mendrup performance. For that he would have had to receive the
ritual’s transmission and would have also been entitled to hand it down again.
He bestowed secret teachings to a student group, including Matön Shérap Senggé (twelfth century). Of the students, a certain Pönsé was entrusted the mendrup
practice. Here, the chronology assumed by the sources might not accord with
our contemporary dating, according to which Druchen and Shérap Senggé could
not have met. Master Druchen was active in the area of the future Yéru Wensaka
monastery (founded 1072), where mendrup is said to have then flourished.
Nevertheless, another lineage of mendrup transmission can be followed in the
sources. Matön Sindzin (b. 1092) was recorded in the eighteenth century as a revealer of scriptures of the peaceful and wrathful deities, among which mendrup
might have been included. His grandson Matön Shérap Senggé then had a vision through which he was assigned the practice by an unnamed master. His so
far undated account might have served as a legitimisation of the given form of
the ritual’s realisation. Its detailed authoritative description could have coined
mendrup performance and its arrangements. The very early on mentioned Pönsé
Dzamling (b. 1259/1271), a direct descendant of Shenchen Luga after several generations, would have come after as the mendrup holder and practitioner.
Nyö Tsültrim Gyeltsen’s fourteenth-century commentary further codified
and institutionalised the practice into an elaborate, demanding and very
complex monastic performance; his instructions are still observed at the present.
Similarly, the master Nyammé Shérap Gyeltsen (1356–1415) likely engaged in
the practice in his newly-established Menri monastery. The striking feature
of the texts observed is the overall exclusion of Rindzin Chenpo Gyermi Nyiö
(eleventh to twelfth century), one of the presumed discoverers of mendrup by
current Bonpos. In any case, mendrup ritual clearly expresses the identity and
continuity of Bonpo lineages, monastic seats and power structures concerned.
It is likely that more written documents mentioning the Bonpo mendrup will
be discovered as research in the field of Tibetan studies progresses. Therefore,
the dating presented should be understood as tentative, based on the sources
currently available. The available evidence demonstrates that mendrup has been
an important healing ritual practice for the Bonpo tradition for the last seven or
eight hundred years.
history of science in south asia 5.2 (2017) 143–180
ACK NOWLEDGEM ENTS
M
y thanks are due to the monastery of Triten Norbutse, and particularly to
Yongdzin Rinpoche, Khenpo Tenpa Yungdrung, and Amchi Nyima, further to the Menri monastery in India and His Holiness Menri Trindzin, Tri Yungdrung and Nyima Woser Choekhortsang, as well as Daniel Berounský, Cathy
Cantwell, Barbara Gerke, Dan Martin, and Rob Mayer. I am also very grateful to
the editors of this volume and the two anonymous reviewers.
This article is a result of the Project “Deities and Treasures: Perceptions of
Landscape and Wildlife in Tibetan Culture and Religion” based at the Faculty
of Arts, Charles University, Prague, and funded by the Grant Agency of Charles
University (GAUK, project no. 816516), 2016–2017.
The photograph in Figure 6 was taken by Anja Benesch and Olga Ryznar in
Triten Norbutse on 1st January 2013. All other photographs belong to the author
and were taken in Triten Norbutse during the mendrup ceremony in December
2012, apart from the Figure 1, which is from Central Tibet, December 2014.
INDEX O F M ANUS CRIP TS
Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil ba bdud rtsi
sman gyi gzhung lags s+ho), 145, 148, 155, 165, 166
Kathmandu, Triten Norbutse monastery (containing ’Od zer ’khyil pa bdud rtsi
yon tan gyi phyag bzhes gsal byed me long bzhugs so by gNyos tshul khrims
rgyal mtshan), 158
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