Five Arammanas
Tibetan Buddhist Encyclopedia is now 14 years old
Our Encyclopedia recently received a wonderful opportunity for a major renewal on its 14th birthday . After many years of growing our Encyclopedia had become bit slow and sometimes even decided not to answer when people knocked on the door.
A very big thank you and blessings to Dmytro Rudiy (rudiy.nl) for his great work in upgrading the server, website and all of the infrastructure and helping make TBE fast and reliable again for everyone!
We kindly ask our readers to help us cover the cost of this important upgrade and also help with the ongoing costs of keeping the Encyclopedia alive and freely available.
or card![]()
Every little donation helps and every one is deeply appreciated. 🙏🙏🙏
OM AH HUM VAJRA GURU PADMA SIDDHI HUM 🙏🙏🙏
May blessings shower down on all of yous 🙏🙏🙏

Therefore, we have these five pasada rupas (as discussed above) which are sensitive to the five drammanas. The Pali word arammana means the haunt of consciousness. Every consciousness arises only in association with
a sense-object. Therefore sense-objects are the haunts of consciousness. Among them visual form is called ruparammana, which is matter. Sound is saddarammana, smell is ghandharammana,
taste is rasarammana, and touch photabbhaammana. These five arammanas are the haunts, the habits of cittas (consciousness).
Dhammarammana consists not only of rupa but also citta, ceasika, Nibbána and all panatti (conventional elements).
Pleasant sight, pleasant sound, pleasant smell, pleasant taste and pleasant touch are called the five kamaguna kama = pleasure; guna = bondage). In fact they are the five
arammana we have just discussed. The physical, voice and scent of the female, the taste of food prepared by her, her bodily touch, are the favorite sensual pleasures for men. The converse is also true for the female.