Articles by alphabetic order
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Â Ā Ḍ Ḥ Ī Ḷ Ṃ Ṇ Ñ Ṅ Ṛ Ṣ Ś Ṭ Ū Ö Ō
1 2 3 4 5 6 7 8 9 0


Vajra in Sanskrit

From Tibetan Buddhist Encyclopedia
Jump to navigation Jump to search

Tibetan Buddhist Encyclopedia is now 14 years old

Our Encyclopedia recently received a wonderful opportunity for a major renewal on its 14th birthday . After many years of growing our Encyclopedia had become bit slow and sometimes even decided not to answer when people knocked on the door.

A very big thank you and blessings to Dmytro Rudiy (rudiy.nl) for his great work in upgrading the server, website and all of the infrastructure and helping make TBE fast and reliable again for everyone!

We kindly ask our readers to help us cover the cost of this important upgrade and also help with the ongoing costs of keeping the Encyclopedia alive and freely available.
Donate with PayPalor cardDonate by card (Visa, Mastercard, American Express)
Every little donation helps and every one is deeply appreciated. 🙏🙏🙏
OM AH HUM VAJRA GURU PADMA SIDDHI HUM 🙏🙏🙏
May blessings shower down on all of yous 🙏🙏🙏





Vajra, five-pronged ritual object extensively employed in Tibetan Buddhist ceremonies. It is the symbol of the Vajrayāna school of Buddhism.


Vajra, in Sanskrit, has both the meanings of “thunderbolt” and “diamond.” Like the thunderbolt, the vajra cleaves through ignorance. The thunderbolt was originally the symbol of the Hindu rain god Indra (who became the [[Buddhist

Śakra]]) and was employed by the 8th-century Tantric (esoteric) master Padmasambhava to conquer the non-Buddhist deities of Tibet. Like the diamond, the vajra destroys but is itself indestructible and is thus likened to śūnya (the all-inclusive void).


The vajra is fashioned out of brass or bronze, the four prongs at each end curving around the central fifth to form a lotus-bud shape. A nine-pronged vajra is less commonly used.

In ritual use the vajra is frequently employed in conjunction with the bell (Sanskrit ghaṇṭā; Tibetan dril bu), the various gestures (mudrās), when correctly executed, having considerable metaphysical power. The vajra (symbolizing the

male principle, fitness of action) is held in the right hand and the bell (symbolizing the female principle, intelligence) in the left hand, the interaction of the two ultimately leading to enlightenment. In art the vajra is an

attribute of many divinities, such as the celestial Buddha Akṣobhya and his manifestation as a bodhisattva (“Buddha-to-be”), Vajrapāṇi (In Whose Hand Is the Vajra). The viśva-vajra is a double vajra in the shape of a cross with four equal arms.


Source